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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4FF9B it is the complementary color #4B0064. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4FF9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4FF9B shade: #B9FF96, #CAFFA9, #DBFFBC, #ECFFCF and #FDFFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4FF9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4FF9B shade: #B4FF9B, #A3ED88, #92DB75, #81C962 and #70B74F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4FF9B shade: #B2FF99, #CEFF99, #E9FF99, #FFF899 and #FFDD99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4FF9B shade: #B2FF99, #99FF9B, #99FFB6, #99FFD2 and #99FFED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4FF9B shade matches the following richer shades: #B2FF99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4FF9B shade: #B2FF99, #B6F6A1, #BAEEA9, #BEE6B1 and #C3DDBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4FF9B shade: #E8FF99, #CDFF99, #B2FF99, #99FF9A and #99FFB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4FF9B shade: #74FF46, #93FF6F, #B2FF99, #D1FFC2 and #F0FFEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4FF9B shade: #B4FF9B, #99FFF9 and #FF99DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4FF9B shade: #B4FF9B, #99B2FF and #FF99B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4FF9B shade: #B4FF9B, #99FFF9, #E599FF and #FF999E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4FF9B shade: #B4FF9B, #99E5FF, #E599FF and #FFB299

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 39 / 0

HEX #B4FF9B

RGB 180 255 155

HSL 105, 1%, 0.8%

LAB 93.27, -40.9, 40.59

 

Complementary color

CMYK 25 / 100 / 0 / 61

HEX #4B0064

RGB 75 0 100

HSL 285, 1%, 0.2%

LAB 17.53, 45.29, -38.73

 

CMYK 27 / 0 / 41 / 0

HEX #B9FF96

RGB 185 255 150

HSL 100, 1%, 0.79%

LAB 93.47, -39.91, 43.33

 

CMYK 21 / 0 / 34 / 0

HEX #CAFFA9

RGB 202 255 169

HSL 96.98, 1%, 0.83%

LAB 94.71, -31.61, 35.8

 

CMYK 14 / 0 / 26 / 0

HEX #DBFFBC

RGB 219 255 188

HSL 92.24, 1%, 0.87%

LAB 96.08, -23.04, 28.3

 

CMYK 7 / 0 / 19 / 0

HEX #ECFFCF

RGB 236 255 207

HSL 83.75, 1%, 0.91%

LAB 97.57, -14.31, 20.9

 

CMYK 1 / 0 / 11 / 0

HEX #FDFFE2

RGB 253 255 226

HSL 64.14, 1%, 0.94%

LAB 99.18, -5.48, 13.64

 

CMYK 29 / 0 / 39 / 0

HEX #B4FF9B

RGB 180 255 155

HSL 105, 1%, 0.8%

LAB 93.27, -40.9, 40.59

 

CMYK 31 / 0 / 43 / 7

HEX #A3ED88

RGB 163 237 136

HSL 103.96, 0.74%, 0.73%

LAB 87.06, -41.06, 41.74

 

CMYK 33 / 0 / 47 / 14

HEX #92DB75

RGB 146 219 117

HSL 102.94, 0.59%, 0.66%

LAB 80.77, -41.19, 42.92

 

CMYK 36 / 0 / 51 / 21

HEX #81C962

RGB 129 201 98

HSL 101.94, 0.49%, 0.59%

LAB 74.4, -41.28, 44.1

 

CMYK 39 / 0 / 57 / 28

HEX #70B74F

RGB 112 183 79

HSL 100.96, 0.42%, 0.51%

LAB 67.93, -41.29, 45.25

 

CMYK 30 / 0 / 40 / 0

HEX #B2FF99

RGB 178 255 153

HSL 105.29, 1%, 0.8%

LAB 93.14, -41.82, 41.37

 

CMYK 19 / 0 / 40 / 0

HEX #CEFF99

RGB 206 255 153

HSL 88.82, 1%, 0.8%

LAB 94.71, -32.31, 43.71

 

CMYK 9 / 0 / 40 / 0

HEX #E9FF99

RGB 233 255 153

HSL 72.94, 1%, 0.8%

LAB 96.47, -22.51, 46.31

 

CMYK 0 / 3 / 40 / 0

HEX #FFF899

RGB 255 248 153

HSL 55.88, 1%, 0.8%

LAB 96.28, -10.8, 46.41

 

CMYK 0 / 13 / 40 / 0

HEX #FFDD99

RGB 255 221 153

HSL 40, 1%, 0.8%

LAB 89.52, 2.74, 37.71

 

CMYK 30 / 0 / 40 / 0

HEX #B2FF99

RGB 178 255 153

HSL 105.29, 1%, 0.8%

LAB 93.14, -41.82, 41.37

 

CMYK 40 / 0 / 39 / 0

HEX #99FF9B

RGB 153 255 155

HSL 121.18, 1%, 0.8%

LAB 91.98, -49.25, 38.66

 

CMYK 40 / 0 / 29 / 0

HEX #99FFB6

RGB 153 255 182

HSL 137.06, 1%, 0.8%

LAB 92.43, -44.88, 25.76

 

CMYK 40 / 0 / 18 / 0

HEX #99FFD2

RGB 153 255 210

HSL 153.53, 1%, 0.8%

LAB 92.99, -39.61, 12.24

 

CMYK 40 / 0 / 7 / 0

HEX #99FFED

RGB 153 255 237

HSL 169.41, 1%, 0.8%

LAB 93.63, -33.87, -0.77

 

CMYK 30 / 0 / 40 / 0

HEX #B2FF99

RGB 178 255 153

HSL 105.29, 1%, 0.8%

LAB 93.14, -41.82, 41.37

 

CMYK 30 / 0 / 40 / 0

HEX #B2FF99

RGB 178 255 153

HSL 105.29, 1%, 0.8%

LAB 93.14, -41.82, 41.37

 

CMYK 26 / 0 / 35 / 4

HEX #B6F6A1

RGB 182 246 161

HSL 105.18, 0.83%, 0.8%

LAB 90.98, -35.35, 34.63

 

CMYK 22 / 0 / 29 / 7

HEX #BAEEA9

RGB 186 238 169

HSL 105.22, 0.67%, 0.8%

LAB 89.14, -29.11, 28.16

 

CMYK 17 / 0 / 23 / 10

HEX #BEE6B1

RGB 190 230 177

HSL 105.28, 0.51%, 0.8%

LAB 87.35, -22.66, 21.64

 

CMYK 12 / 0 / 16 / 13

HEX #C3DDBA

RGB 195 221 186

HSL 104.57, 0.34%, 0.8%

LAB 85.43, -15.01, 14.32

 

CMYK 9 / 0 / 40 / 0

HEX #E8FF99

RGB 232 255 153

HSL 73.53, 1%, 0.8%

LAB 96.4, -22.88, 46.2

 

CMYK 20 / 0 / 40 / 0

HEX #CDFF99

RGB 205 255 153

HSL 89.41, 1%, 0.8%

LAB 94.65, -32.66, 43.62

 

CMYK 30 / 0 / 40 / 0

HEX #B2FF99

RGB 178 255 153

HSL 105.29, 1%, 0.8%

LAB 93.14, -41.82, 41.37

 

CMYK 40 / 0 / 40 / 0

HEX #99FF9A

RGB 153 255 154

HSL 120.59, 1%, 0.8%

LAB 91.96, -49.39, 39.13

 

CMYK 40 / 0 / 29 / 0

HEX #99FFB5

RGB 153 255 181

HSL 136.47, 1%, 0.8%

LAB 92.41, -45.06, 26.24

 

CMYK 55 / 0 / 73 / 0

HEX #74FF46

RGB 116 255 70

HSL 105.08, 1%, 0.64%

LAB 89.71, -68.65, 72.33

 

CMYK 42 / 0 / 56 / 0

HEX #93FF6F

RGB 147 255 111

HSL 105, 1%, 0.72%

LAB 91.18, -56.56, 58.22

 

CMYK 30 / 0 / 40 / 0

HEX #B2FF99

RGB 178 255 153

HSL 105.29, 1%, 0.8%

LAB 93.14, -41.82, 41.37

 

CMYK 18 / 0 / 24 / 0

HEX #D1FFC2

RGB 209 255 194

HSL 105.25, 1%, 0.88%

LAB 95.57, -25.54, 24.45

 

CMYK 6 / 0 / 8 / 0

HEX #F0FFEB

RGB 240 255 235

HSL 105, 1%, 0.96%

LAB 98.45, -8.42, 7.86

 

CMYK 29 / 0 / 39 / 0

HEX #B4FF9B

RGB 180 255 155

HSL 105, 1%, 0.8%

LAB 93.27, -40.9, 40.59

 

CMYK 40 / 0 / 2 / 0

HEX #99FFF9

RGB 153 255 249

HSL 176.47, 1%, 0.8%

LAB 93.94, -31.12, -6.51

 

CMYK 0 / 40 / 14 / 0

HEX #FF99DB

RGB 255 153 219

HSL 321.18, 1%, 0.8%

LAB 75.55, 46.85, -17.25

 

CMYK 29 / 0 / 39 / 0

HEX #B4FF9B

RGB 180 255 155

HSL 105, 1%, 0.8%

LAB 93.27, -40.9, 40.59

 

CMYK 40 / 30 / 0 / 0

HEX #99B2FF

RGB 153 178 255

HSL 225.29, 1%, 0.8%

LAB 73.44, 10.18, -40.83

 

CMYK 0 / 40 / 30 / 0

HEX #FF99B2

RGB 255 153 178

HSL 345.29, 1%, 0.8%

LAB 74.35, 41.05, 3.52

 

CMYK 29 / 0 / 39 / 0

HEX #B4FF9B

RGB 180 255 155

HSL 105, 1%, 0.8%

LAB 93.27, -40.9, 40.59

 

CMYK 40 / 0 / 2 / 0

HEX #99FFF9

RGB 153 255 249

HSL 176.47, 1%, 0.8%

LAB 93.94, -31.12, -6.51

 

CMYK 10 / 40 / 0 / 0

HEX #E599FF

RGB 229 153 255

HSL 284.71, 1%, 0.8%

LAB 73.97, 45.25, -39.51

 

CMYK 0 / 40 / 38 / 0

HEX #FF999E

RGB 255 153 158

HSL 357.06, 1%, 0.8%

LAB 73.88, 38.65, 13.87

 

CMYK 29 / 0 / 39 / 0

HEX #B4FF9B

RGB 180 255 155

HSL 105, 1%, 0.8%

LAB 93.27, -40.9, 40.59

 

CMYK 40 / 10 / 0 / 0

HEX #99E5FF

RGB 153 229 255

HSL 195.29, 1%, 0.8%

LAB 87.01, -17, -19.99

 

CMYK 10 / 40 / 0 / 0

HEX #E599FF

RGB 229 153 255

HSL 284.71, 1%, 0.8%

LAB 73.97, 45.25, -39.51

 

CMYK 0 / 30 / 40 / 0

HEX #FFB299

RGB 255 178 153

HSL 14.71, 1%, 0.8%

LAB 79.27, 25.09, 24.05

 

Description

Color code: HEX #B4FF9B | qconv.com Color code: HEX #B4FF9B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 255 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 255 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 39 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 39% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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