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Color name
HEX #B5150C

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5150C it is the complementary color #4AEAF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5150C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5150C shade: #BA1507, #CB271A, #DC392D, #ED4B40 and #FE5D53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5150C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5150C shade: #B5150C, #A40300, #930000, #820000 and #710000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5150C shade: #B6140B and #B60B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5150C shade: #B6140B, #B6420B, #B6700B, #B69E0B and #9FB60B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5150C shade matches the following richer shades: #B6140B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5150C shade: #B6140B, #A6221B, #96302A, #873E3A and #774C4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5150C shade: #B60B5E, #B60B30, #B6140B, #B6410B and #B66F0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5150C shade: #680B06, #8F1009, #B6140B, #DC190E and #F02E23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5150C shade: #B5150C, #8BB60B and #0B47B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5150C shade: #B5150C, #0BB614 and #140BB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5150C shade: #B5150C, #8BB60B, #0BADB6 and #360BB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5150C shade: #B5150C, #58B60B, #0BADB6 and #690BB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 93 / 29

HEX #B5150C

RGB 181 21 12

HSL 3.2, 0.88%, 0.38%

LAB 38.53, 59.31, 47.95

 

Complementary color

CMYK 70 / 4 / 0 / 5

HEX #4AEAF3

RGB 74 234 243

HSL 183.2, 0.88%, 0.62%

LAB 85.39, -37.68, -16.39

 

CMYK 0 / 89 / 96 / 27

HEX #BA1507

RGB 186 21 7

HSL 4.69, 0.93%, 0.38%

LAB 39.56, 60.62, 50.82

 

CMYK 0 / 81 / 87 / 20

HEX #CB271A

RGB 203 39 26

HSL 4.41, 0.77%, 0.45%

LAB 44.55, 61.66, 48.51

 

CMYK 0 / 74 / 80 / 14

HEX #DC392D

RGB 220 57 45

HSL 4.11, 0.71%, 0.52%

LAB 49.9, 61.81, 45.17

 

CMYK 0 / 68 / 73 / 7

HEX #ED4B40

RGB 237 75 64

HSL 3.82, 0.83%, 0.59%

LAB 55.49, 61.38, 41.84

 

CMYK 0 / 63 / 67 / 0

HEX #FE5D53

RGB 254 93 83

HSL 3.51, 0.99%, 0.66%

LAB 61.24, 60.62, 38.8

 

CMYK 0 / 88 / 93 / 29

HEX #B5150C

RGB 181 21 12

HSL 3.2, 0.88%, 0.38%

LAB 38.53, 59.31, 47.95

 

CMYK 0 / 98 / 100 / 36

HEX #A40300

RGB 164 3 0

HSL 1.1, 1%, 0.32%

LAB 33.89, 57.18, 48.04

 

CMYK 0 / 100 / 100 / 42

HEX #930000

RGB 147 0 0

HSL 0, 1%, 0.29%

LAB 29.92, 53.13, 43.53

 

CMYK 0 / 100 / 100 / 49

HEX #820000

RGB 130 0 0

HSL 0, 1%, 0.25%

LAB 26, 48.6, 38.66

 

CMYK 0 / 100 / 100 / 56

HEX #710000

RGB 113 0 0

HSL 0, 1%, 0.22%

LAB 21.98, 43.95, 33.34

 

CMYK 0 / 89 / 94 / 29

HEX #B6140B

RGB 182 20 11

HSL 3.16, 0.89%, 0.38%

LAB 38.67, 59.75, 48.5

 

CMYK 0 / 94 / 94 / 29

HEX #B60B0B

RGB 182 11 11

HSL 0, 0.89%, 0.38%

LAB 38.21, 61.07, 48.23

 

CMYK 0 / 89 / 94 / 29

HEX #B6140B

RGB 182 20 11

HSL 3.16, 0.89%, 0.38%

LAB 38.67, 59.75, 48.5

 

CMYK 0 / 64 / 94 / 29

HEX #B6420B

RGB 182 66 11

HSL 19.3, 0.89%, 0.38%

LAB 44.04, 44.91, 51.91

 

CMYK 0 / 38 / 94 / 29

HEX #B6700B

RGB 182 112 11

HSL 35.44, 0.89%, 0.38%

LAB 53.55, 21.18, 58.51

 

CMYK 0 / 13 / 94 / 29

HEX #B69E0B

RGB 182 158 11

HSL 51.58, 0.89%, 0.38%

LAB 65.3, -4.12, 67.16

 

CMYK 13 / 0 / 94 / 29

HEX #9FB60B

RGB 159 182 11

HSL 68.07, 0.89%, 0.38%

LAB 70.07, -26.5, 69.98

 

CMYK 0 / 89 / 94 / 29

HEX #B6140B

RGB 182 20 11

HSL 3.16, 0.89%, 0.38%

LAB 38.67, 59.75, 48.5

 

CMYK 0 / 89 / 94 / 29

HEX #B6140B

RGB 182 20 11

HSL 3.16, 0.89%, 0.38%

LAB 38.67, 59.75, 48.5

 

CMYK 0 / 80 / 84 / 35

HEX #A6221B

RGB 166 34 27

HSL 3.02, 0.72%, 0.38%

LAB 36.61, 52.12, 38.22

 

CMYK 0 / 68 / 72 / 41

HEX #96302A

RGB 150 48 42

HSL 3.33, 0.56%, 0.38%

LAB 35.53, 42.28, 27.5

 

CMYK 0 / 54 / 57 / 47

HEX #873E3A

RGB 135 62 58

HSL 3.12, 0.4%, 0.38%

LAB 35.79, 30.87, 17.38

 

CMYK 0 / 36 / 38 / 53

HEX #774C4A

RGB 119 76 74

HSL 2.67, 0.23%, 0.38%

LAB 37.09, 17.96, 8.73

 

CMYK 0 / 94 / 48 / 29

HEX #B60B5E

RGB 182 11 94

HSL 330.88, 0.89%, 0.38%

LAB 39.57, 64.81, 1.04

 

CMYK 0 / 94 / 74 / 29

HEX #B60B30

RGB 182 11 48

HSL 347.02, 0.89%, 0.38%

LAB 38.55, 62, 28.96

 

CMYK 0 / 89 / 94 / 29

HEX #B6140B

RGB 182 20 11

HSL 3.16, 0.89%, 0.38%

LAB 38.67, 59.75, 48.5

 

CMYK 0 / 64 / 94 / 29

HEX #B6410B

RGB 182 65 11

HSL 18.95, 0.89%, 0.38%

LAB 43.87, 45.36, 51.8

 

CMYK 0 / 39 / 94 / 29

HEX #B66F0B

RGB 182 111 11

HSL 35.09, 0.89%, 0.38%

LAB 53.32, 21.73, 58.34

 

CMYK 0 / 89 / 94 / 59

HEX #680B06

RGB 104 11 6

HSL 3.06, 0.89%, 0.22%

LAB 20.81, 38.88, 29.01

 

CMYK 0 / 89 / 94 / 44

HEX #8F1009

RGB 143 16 9

HSL 3.13, 0.88%, 0.3%

LAB 29.99, 49.53, 39.52

 

CMYK 0 / 89 / 94 / 29

HEX #B6140B

RGB 182 20 11

HSL 3.16, 0.89%, 0.38%

LAB 38.67, 59.75, 48.5

 

CMYK 0 / 89 / 94 / 14

HEX #DC190E

RGB 220 25 14

HSL 3.2, 0.88%, 0.46%

LAB 46.9, 69.1, 56.44

 

CMYK 0 / 81 / 85 / 6

HEX #F02E23

RGB 240 46 35

HSL 3.22, 0.87%, 0.54%

LAB 52.51, 70.49, 53.9

 

CMYK 0 / 88 / 93 / 29

HEX #B5150C

RGB 181 21 12

HSL 3.2, 0.88%, 0.38%

LAB 38.53, 59.31, 47.95

 

CMYK 24 / 0 / 94 / 29

HEX #8BB60B

RGB 139 182 11

HSL 75.09, 0.89%, 0.38%

LAB 68.73, -34.77, 68.35

 

CMYK 94 / 61 / 0 / 29

HEX #0B47B6

RGB 11 71 182

HSL 218.95, 0.89%, 0.38%

LAB 33.89, 27.4, -63.2

 

CMYK 0 / 88 / 93 / 29

HEX #B5150C

RGB 181 21 12

HSL 3.2, 0.88%, 0.38%

LAB 38.53, 59.31, 47.95

 

CMYK 94 / 0 / 89 / 29

HEX #0BB614

RGB 11 182 20

HSL 123.16, 0.89%, 0.38%

LAB 64.63, -65.86, 61.87

 

CMYK 89 / 94 / 0 / 29

HEX #140BB6

RGB 20 11 182

HSL 243.16, 0.89%, 0.38%

LAB 22.88, 59.05, -81.4

 

CMYK 0 / 88 / 93 / 29

HEX #B5150C

RGB 181 21 12

HSL 3.2, 0.88%, 0.38%

LAB 38.53, 59.31, 47.95

 

CMYK 24 / 0 / 94 / 29

HEX #8BB60B

RGB 139 182 11

HSL 75.09, 0.89%, 0.38%

LAB 68.73, -34.77, 68.35

 

CMYK 94 / 5 / 0 / 29

HEX #0BADB6

RGB 11 173 182

HSL 183.16, 0.89%, 0.38%

LAB 64.43, -32.76, -15.06

 

CMYK 70 / 94 / 0 / 29

HEX #360BB6

RGB 54 11 182

HSL 255.09, 0.89%, 0.38%

LAB 24.96, 60.17, -77.89

 

CMYK 0 / 88 / 93 / 29

HEX #B5150C

RGB 181 21 12

HSL 3.2, 0.88%, 0.38%

LAB 38.53, 59.31, 47.95

 

CMYK 52 / 0 / 94 / 29

HEX #58B60B

RGB 88 182 11

HSL 92.98, 0.89%, 0.38%

LAB 66.18, -52.85, 65.23

 

CMYK 94 / 5 / 0 / 29

HEX #0BADB6

RGB 11 173 182

HSL 183.16, 0.89%, 0.38%

LAB 64.43, -32.76, -15.06

 

CMYK 42 / 94 / 0 / 29

HEX #690BB6

RGB 105 11 182

HSL 272.98, 0.89%, 0.38%

LAB 30.93, 64.21, -67.82

 

Description

Color code: HEX #B5150C | qconv.com Color code: HEX #B5150C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 21 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 21 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 93 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 93% 29% C M Y K

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