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Color name
HEX #B516B0

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B516B0 it is the complementary color #4AE94F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B516B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B516B0 shade: #BA16AB, #CB28BE, #DC3AD1, #ED4CE4 and #FE5EF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B516B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B516B0 shade: #B516B0, #A4049D, #93008A, #820077 and #710064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B516B0 shade: #B516B0, #B51685, #B5165A, #B5162F and #B51616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B516B0 shade: #B516B0, #8F16B5, #6416B5, #3916B5 and #1616B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B516B0 shade matches the following richer shades: #B516B0 and #C605C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B516B0 shade: #B516B0, #A526A1, #943791, #844782 and #735872

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B516B0 shade: #6316B5, #8D16B5, #B516B2, #B51688 and #B5165E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B516B0 shade: #6C0D69, #90118C, #B516B0, #DA1AD4 and #E638E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B516B0 shade: #B516B0, #B53816 and #16B578

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B516B0 shade: #B516B0, #B2B516 and #16B2B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B516B0 shade: #B516B0, #B53816, #16B519 and #1693B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B516B0 shade: #B516B0, #B56816, #16B519 and #1663B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 3 / 29

HEX #B516B0

RGB 181 22 176

HSL 301.89, 0.78%, 0.4%

LAB 43.55, 72.71, -43.2

 

Complementary color

CMYK 68 / 0 / 66 / 9

HEX #4AE94F

RGB 74 233 79

HSL 121.89, 0.78%, 0.6%

LAB 82, -69.67, 60.69

 

CMYK 0 / 88 / 8 / 27

HEX #BA16AB

RGB 186 22 171

HSL 305.49, 0.79%, 0.41%

LAB 44.17, 72.91, -39.21

 

CMYK 0 / 80 / 6 / 20

HEX #CB28BE

RGB 203 40 190

HSL 304.79, 0.67%, 0.48%

LAB 49.41, 75.34, -41.88

 

CMYK 0 / 74 / 5 / 14

HEX #DC3AD1

RGB 220 58 209

HSL 304.07, 0.7%, 0.55%

LAB 54.91, 76.8, -43.94

 

CMYK 0 / 68 / 4 / 7

HEX #ED4CE4

RGB 237 76 228

HSL 303.35, 0.82%, 0.61%

LAB 60.58, 77.56, -45.56

 

CMYK 0 / 63 / 3 / 0

HEX #FE5EF7

RGB 254 94 247

HSL 302.63, 0.99%, 0.68%

LAB 66.36, 77.85, -46.84

 

CMYK 0 / 88 / 3 / 29

HEX #B516B0

RGB 181 22 176

HSL 301.89, 0.78%, 0.4%

LAB 43.55, 72.71, -43.2

 

CMYK 0 / 98 / 4 / 36

HEX #A4049D

RGB 164 4 157

HSL 302.63, 0.95%, 0.33%

LAB 38.57, 69.13, -39.95

 

CMYK 0 / 100 / 6 / 42

HEX #93008A

RGB 147 0 138

HSL 303.67, 1%, 0.29%

LAB 34.06, 63.81, -35.7

 

CMYK 0 / 100 / 8 / 49

HEX #820077

RGB 130 0 119

HSL 305.08, 1%, 0.25%

LAB 29.61, 57.93, -31.06

 

CMYK 0 / 100 / 12 / 56

HEX #710064

RGB 113 0 100

HSL 306.9, 1%, 0.22%

LAB 25.05, 51.9, -26.25

 

CMYK 0 / 88 / 3 / 29

HEX #B516B0

RGB 181 22 176

HSL 301.89, 0.78%, 0.4%

LAB 43.55, 72.71, -43.2

 

CMYK 0 / 88 / 27 / 29

HEX #B51685

RGB 181 22 133

HSL 318.11, 0.78%, 0.4%

LAB 41.36, 66.92, -20.7

 

CMYK 0 / 88 / 50 / 29

HEX #B5165A

RGB 181 22 90

HSL 334.34, 0.78%, 0.4%

LAB 39.81, 62.62, 3.91

 

CMYK 0 / 88 / 74 / 29

HEX #B5162F

RGB 181 22 47

HSL 350.57, 0.78%, 0.4%

LAB 38.9, 60.03, 29.94

 

CMYK 0 / 88 / 88 / 29

HEX #B51616

RGB 181 22 22

HSL 0, 0.78%, 0.4%

LAB 38.65, 59.28, 43.75

 

CMYK 0 / 88 / 3 / 29

HEX #B516B0

RGB 181 22 176

HSL 301.89, 0.78%, 0.4%

LAB 43.55, 72.71, -43.2

 

CMYK 21 / 88 / 0 / 29

HEX #8F16B5

RGB 143 22 181

HSL 285.66, 0.78%, 0.4%

LAB 37.39, 67.05, -56.42

 

CMYK 45 / 88 / 0 / 29

HEX #6416B5

RGB 100 22 181

HSL 269.43, 0.78%, 0.4%

LAB 30.92, 61.06, -67.25

 

CMYK 69 / 88 / 0 / 29

HEX #3916B5

RGB 57 22 181

HSL 253.21, 0.78%, 0.4%

LAB 26.1, 57.04, -75.39

 

CMYK 88 / 88 / 0 / 29

HEX #1616B5

RGB 22 22 181

HSL 240, 0.78%, 0.4%

LAB 23.94, 55.41, -79.04

 

CMYK 0 / 88 / 3 / 29

HEX #B516B0

RGB 181 22 176

HSL 301.89, 0.78%, 0.4%

LAB 43.55, 72.71, -43.2

 

CMYK 0 / 97 / 3 / 22

HEX #C605C0

RGB 198 5 192

HSL 301.87, 0.95%, 0.4%

LAB 46.87, 79.93, -47.14

 

CMYK 0 / 88 / 3 / 29

HEX #B516B0

RGB 181 22 176

HSL 301.89, 0.78%, 0.4%

LAB 43.55, 72.71, -43.2

 

CMYK 0 / 77 / 2 / 35

HEX #A526A1

RGB 165 38 161

HSL 301.89, 0.63%, 0.4%

LAB 41.15, 63.62, -38.25

 

CMYK 0 / 63 / 2 / 42

HEX #943791

RGB 148 55 145

HSL 301.94, 0.46%, 0.4%

LAB 39.7, 50.66, -31.05

 

CMYK 0 / 46 / 2 / 48

HEX #844782

RGB 132 71 130

HSL 301.97, 0.3%, 0.4%

LAB 39.62, 35.17, -22.19

 

CMYK 0 / 23 / 1 / 55

HEX #735872

RGB 115 88 114

HSL 302.22, 0.13%, 0.4%

LAB 40.96, 15.99, -10.51

 

CMYK 45 / 88 / 0 / 29

HEX #6316B5

RGB 99 22 181

HSL 269.06, 0.78%, 0.4%

LAB 30.79, 60.94, -67.48

 

CMYK 22 / 88 / 0 / 29

HEX #8D16B5

RGB 141 22 181

HSL 284.91, 0.78%, 0.4%

LAB 37.06, 66.73, -56.96

 

CMYK 0 / 88 / 2 / 29

HEX #B516B2

RGB 181 22 178

HSL 301.13, 0.78%, 0.4%

LAB 43.67, 73.01, -44.2

 

CMYK 0 / 88 / 25 / 29

HEX #B51688

RGB 181 22 136

HSL 316.98, 0.78%, 0.4%

LAB 41.49, 67.28, -22.34

 

CMYK 0 / 88 / 48 / 29

HEX #B5165E

RGB 181 22 94

HSL 332.83, 0.78%, 0.4%

LAB 39.92, 62.95, 1.54

 

CMYK 0 / 88 / 3 / 58

HEX #6C0D69

RGB 108 13 105

HSL 301.89, 0.79%, 0.24%

LAB 25.25, 49.07, -29.26

 

CMYK 0 / 88 / 3 / 44

HEX #90118C

RGB 144 17 140

HSL 301.89, 0.79%, 0.32%

LAB 34.44, 61.13, -36.36

 

CMYK 0 / 88 / 3 / 29

HEX #B516B0

RGB 181 22 176

HSL 301.89, 0.78%, 0.4%

LAB 43.55, 72.71, -43.2

 

CMYK 0 / 88 / 3 / 15

HEX #DA1AD4

RGB 218 26 212

HSL 301.88, 0.79%, 0.48%

LAB 52.28, 83.97, -49.85

 

CMYK 0 / 76 / 3 / 10

HEX #E638E0

RGB 230 56 224

HSL 302.07, 0.78%, 0.56%

LAB 57.11, 81.67, -48.88

 

CMYK 0 / 88 / 3 / 29

HEX #B516B0

RGB 181 22 176

HSL 301.89, 0.78%, 0.4%

LAB 43.55, 72.71, -43.2

 

CMYK 0 / 69 / 88 / 29

HEX #B53816

RGB 181 56 22

HSL 12.83, 0.78%, 0.4%

LAB 42.32, 49.02, 46.7

 

CMYK 88 / 0 / 34 / 29

HEX #16B578

RGB 22 181 120

HSL 156.98, 0.78%, 0.4%

LAB 65.42, -52.33, 20.62

 

CMYK 0 / 88 / 3 / 29

HEX #B516B0

RGB 181 22 176

HSL 301.89, 0.78%, 0.4%

LAB 43.55, 72.71, -43.2

 

CMYK 2 / 0 / 88 / 29

HEX #B2B516

RGB 178 181 22

HSL 61.13, 0.78%, 0.4%

LAB 71.26, -17.65, 69.84

 

CMYK 88 / 2 / 0 / 29

HEX #16B2B5

RGB 22 178 181

HSL 181.13, 0.78%, 0.4%

LAB 66.02, -34.92, -12.11

 

CMYK 0 / 88 / 3 / 29

HEX #B516B0

RGB 181 22 176

HSL 301.89, 0.78%, 0.4%

LAB 43.55, 72.71, -43.2

 

CMYK 0 / 69 / 88 / 29

HEX #B53816

RGB 181 56 22

HSL 12.83, 0.78%, 0.4%

LAB 42.32, 49.02, 46.7

 

CMYK 88 / 0 / 86 / 29

HEX #16B519

RGB 22 181 25

HSL 121.13, 0.78%, 0.4%

LAB 64.39, -64.65, 60.66

 

CMYK 88 / 19 / 0 / 29

HEX #1693B5

RGB 22 147 181

HSL 192.83, 0.78%, 0.4%

LAB 56.46, -19.44, -26.66

 

CMYK 0 / 88 / 3 / 29

HEX #B516B0

RGB 181 22 176

HSL 301.89, 0.78%, 0.4%

LAB 43.55, 72.71, -43.2

 

CMYK 0 / 43 / 88 / 29

HEX #B56816

RGB 181 104 22

HSL 30.94, 0.78%, 0.4%

LAB 51.59, 25.35, 54.15

 

CMYK 88 / 0 / 86 / 29

HEX #16B519

RGB 22 181 25

HSL 121.13, 0.78%, 0.4%

LAB 64.39, -64.65, 60.66

 

CMYK 88 / 45 / 0 / 29

HEX #1663B5

RGB 22 99 181

HSL 210.94, 0.78%, 0.4%

LAB 41.89, 8.96, -49.63

 

Description

Color code: HEX #B516B0 | qconv.com Color code: HEX #B516B0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 22 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 22 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 3 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 3% 29% C M Y K

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