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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B525A4 it is the complementary color #4ADA5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B525A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B525A4 shade: #BA259F, #CB37B2, #DC49C5, #ED5BD8 and #FE6DEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B525A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B525A4 shade: #B525A4, #A41391, #93017E, #82006B and #710058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B525A4 shade: #B625A4, #B6257D, #B62556, #B6252F and #B62525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B525A4 shade: #B625A4, #A025B6, #7925B6, #5225B6 and #2A25B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B525A4 shade matches the following richer shades: #B625A4, #C713B2 and #D901C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B525A4 shade: #B625A4, #A43797, #924889, #805A7C and #6F6C6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B525A4 shade: #7925B6, #A025B6, #B625A5, #B6257E and #B62557

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B525A4 shade: #711766, #931E85, #B625A4, #D42FC1 and #DB52CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B525A4 shade: #B525A4, #B65325 and #25B68D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B525A4 shade: #B525A4, #A5B625 and #25A5B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B525A4 shade: #B525A4, #B65325, #25B636 and #2588B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B525A4 shade: #B525A4, #B67E25, #25B636 and #255CB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 9 / 29

HEX #B525A4

RGB 181 37 164

HSL 307.08, 0.66%, 0.43%

LAB 43.98, 67.75, -35.38

 

Complementary color

CMYK 66 / 0 / 58 / 15

HEX #4ADA5B

RGB 74 218 91

HSL 127.08, 0.66%, 0.57%

LAB 77.49, -63.37, 50.55

 

CMYK 0 / 80 / 15 / 27

HEX #BA259F

RGB 186 37 159

HSL 310.87, 0.67%, 0.44%

LAB 44.61, 68.11, -31.35

 

CMYK 0 / 73 / 12 / 20

HEX #CB37B2

RGB 203 55 178

HSL 310.14, 0.59%, 0.51%

LAB 50.27, 69.41, -33.52

 

CMYK 0 / 67 / 10 / 14

HEX #DC49C5

RGB 220 73 197

HSL 309.39, 0.68%, 0.57%

LAB 56.1, 69.99, -35.21

 

CMYK 0 / 62 / 9 / 7

HEX #ED5BD8

RGB 237 91 216

HSL 308.63, 0.8%, 0.64%

LAB 62.04, 70.1, -36.54

 

CMYK 0 / 57 / 7 / 0

HEX #FE6DEB

RGB 254 109 235

HSL 307.86, 0.99%, 0.71%

LAB 68.03, 69.9, -37.61

 

CMYK 0 / 80 / 9 / 29

HEX #B525A4

RGB 181 37 164

HSL 307.08, 0.66%, 0.43%

LAB 43.98, 67.75, -35.38

 

CMYK 0 / 88 / 12 / 36

HEX #A41391

RGB 164 19 145

HSL 307.86, 0.79%, 0.36%

LAB 38.56, 65.45, -32.68

 

CMYK 0 / 99 / 14 / 42

HEX #93017E

RGB 147 1 126

HSL 308.63, 0.99%, 0.29%

LAB 33.42, 61.97, -29.24

 

CMYK 0 / 100 / 18 / 49

HEX #82006B

RGB 130 0 107

HSL 310.62, 1%, 0.25%

LAB 28.92, 56.23, -24.46

 

CMYK 0 / 100 / 22 / 56

HEX #710058

RGB 113 0 88

HSL 313.27, 1%, 0.22%

LAB 24.37, 50.21, -19.39

 

CMYK 0 / 80 / 10 / 29

HEX #B625A4

RGB 182 37 164

HSL 307.45, 0.66%, 0.43%

LAB 44.16, 67.97, -35.1

 

CMYK 0 / 80 / 31 / 29

HEX #B6257D

RGB 182 37 125

HSL 323.59, 0.66%, 0.43%

LAB 42.38, 62.86, -14.19

 

CMYK 0 / 80 / 53 / 29

HEX #B62556

RGB 182 37 86

HSL 339.72, 0.66%, 0.43%

LAB 41.12, 59.07, 8.34

 

CMYK 0 / 80 / 74 / 29

HEX #B6252F

RGB 182 37 47

HSL 355.86, 0.66%, 0.43%

LAB 40.37, 56.73, 31.68

 

CMYK 0 / 80 / 80 / 29

HEX #B62525

RGB 182 37 37

HSL 0, 0.66%, 0.43%

LAB 40.25, 56.36, 37.38

 

CMYK 0 / 80 / 10 / 29

HEX #B625A4

RGB 182 37 164

HSL 307.45, 0.66%, 0.43%

LAB 44.16, 67.97, -35.1

 

CMYK 12 / 80 / 0 / 29

HEX #A025B6

RGB 160 37 182

HSL 290.9, 0.66%, 0.43%

LAB 41.49, 66.47, -50.25

 

CMYK 34 / 80 / 0 / 29

HEX #7925B6

RGB 121 37 182

HSL 274.76, 0.66%, 0.43%

LAB 35.53, 59.55, -60.19

 

CMYK 55 / 80 / 0 / 29

HEX #5225B6

RGB 82 37 182

HSL 258.62, 0.66%, 0.43%

LAB 30.63, 53.86, -68.41

 

CMYK 77 / 80 / 0 / 29

HEX #2A25B6

RGB 42 37 182

HSL 242.07, 0.66%, 0.43%

LAB 27.28, 49.97, -74.06

 

CMYK 0 / 80 / 10 / 29

HEX #B625A4

RGB 182 37 164

HSL 307.45, 0.66%, 0.43%

LAB 44.16, 67.97, -35.1

 

CMYK 0 / 90 / 11 / 22

HEX #C713B2

RGB 199 19 178

HSL 307, 0.83%, 0.43%

LAB 46.74, 76.76, -39.12

 

CMYK 0 / 100 / 12 / 15

HEX #D901C0

RGB 217 1 192

HSL 306.94, 0.99%, 0.43%

LAB 50.19, 83.49, -41.65

 

CMYK 0 / 80 / 10 / 29

HEX #B625A4

RGB 182 37 164

HSL 307.45, 0.66%, 0.43%

LAB 44.16, 67.97, -35.1

 

CMYK 0 / 66 / 8 / 36

HEX #A43797

RGB 164 55 151

HSL 307.16, 0.5%, 0.43%

LAB 42.55, 55.84, -30.04

 

CMYK 0 / 51 / 6 / 43

HEX #924889

RGB 146 72 137

HSL 307.3, 0.34%, 0.43%

LAB 42.08, 40.39, -22.5

 

CMYK 0 / 30 / 3 / 50

HEX #805A7C

RGB 128 90 124

HSL 306.32, 0.17%, 0.43%

LAB 43.3, 21.62, -12.94

 

CMYK 0 / 3 / 1 / 56

HEX #6F6C6E

RGB 111 108 110

HSL 320, 0.01%, 0.43%

LAB 45.95, 1.57, -0.71

 

CMYK 34 / 80 / 0 / 29

HEX #7925B6

RGB 121 37 182

HSL 274.76, 0.66%, 0.43%

LAB 35.53, 59.55, -60.19

 

CMYK 12 / 80 / 0 / 29

HEX #A025B6

RGB 160 37 182

HSL 290.9, 0.66%, 0.43%

LAB 41.49, 66.47, -50.25

 

CMYK 0 / 80 / 9 / 29

HEX #B625A5

RGB 182 37 165

HSL 307.03, 0.66%, 0.43%

LAB 44.21, 68.11, -35.61

 

CMYK 0 / 80 / 31 / 29

HEX #B6257E

RGB 182 37 126

HSL 323.17, 0.66%, 0.43%

LAB 42.42, 62.97, -14.74

 

CMYK 0 / 80 / 52 / 29

HEX #B62557

RGB 182 37 87

HSL 339.31, 0.66%, 0.43%

LAB 41.15, 59.15, 7.75

 

CMYK 0 / 80 / 10 / 56

HEX #711766

RGB 113 23 102

HSL 307.33, 0.66%, 0.27%

LAB 26.97, 46.95, -24.52

 

CMYK 0 / 80 / 10 / 42

HEX #931E85

RGB 147 30 133

HSL 307.18, 0.66%, 0.35%

LAB 35.65, 57.61, -30.09

 

CMYK 0 / 80 / 10 / 29

HEX #B625A4

RGB 182 37 164

HSL 307.45, 0.66%, 0.43%

LAB 44.16, 67.97, -35.1

 

CMYK 0 / 78 / 9 / 17

HEX #D42FC1

RGB 212 47 193

HSL 306.91, 0.66%, 0.51%

LAB 51.7, 75.86, -39.9

 

CMYK 0 / 63 / 7 / 14

HEX #DB52CB

RGB 219 82 203

HSL 307.01, 0.66%, 0.59%

LAB 57.47, 67.19, -36.51

 

CMYK 0 / 80 / 9 / 29

HEX #B525A4

RGB 181 37 164

HSL 307.08, 0.66%, 0.43%

LAB 43.98, 67.75, -35.38

 

CMYK 0 / 54 / 80 / 29

HEX #B65325

RGB 182 83 37

HSL 19.03, 0.66%, 0.43%

LAB 47.32, 37.37, 44.44

 

CMYK 80 / 0 / 23 / 29

HEX #25B68D

RGB 37 182 141

HSL 163.03, 0.66%, 0.43%

LAB 66.35, -46.56, 10.5

 

CMYK 0 / 80 / 9 / 29

HEX #B525A4

RGB 181 37 164

HSL 307.08, 0.66%, 0.43%

LAB 43.98, 67.75, -35.38

 

CMYK 9 / 0 / 80 / 29

HEX #A5B625

RGB 165 182 37

HSL 67.03, 0.66%, 0.43%

LAB 70.59, -23.3, 65.31

 

CMYK 80 / 9 / 0 / 29

HEX #25A5B6

RGB 37 165 182

HSL 187.03, 0.66%, 0.43%

LAB 62.24, -27.19, -18.36

 

CMYK 0 / 80 / 9 / 29

HEX #B525A4

RGB 181 37 164

HSL 307.08, 0.66%, 0.43%

LAB 43.98, 67.75, -35.38

 

CMYK 0 / 54 / 80 / 29

HEX #B65325

RGB 182 83 37

HSL 19.03, 0.66%, 0.43%

LAB 47.32, 37.37, 44.44

 

CMYK 80 / 0 / 70 / 29

HEX #25B636

RGB 37 182 54

HSL 127.03, 0.66%, 0.43%

LAB 65.05, -61.41, 52.25

 

CMYK 80 / 25 / 0 / 29

HEX #2588B6

RGB 37 136 182

HSL 199.03, 0.66%, 0.43%

LAB 53.36, -11.79, -32.02

 

CMYK 0 / 80 / 9 / 29

HEX #B525A4

RGB 181 37 164

HSL 307.08, 0.66%, 0.43%

LAB 43.98, 67.75, -35.38

 

CMYK 0 / 31 / 80 / 29

HEX #B67E25

RGB 182 126 37

HSL 36.83, 0.66%, 0.43%

LAB 57.08, 14.05, 53.67

 

CMYK 80 / 0 / 70 / 29

HEX #25B636

RGB 37 182 54

HSL 127.03, 0.66%, 0.43%

LAB 65.05, -61.41, 52.25

 

CMYK 80 / 49 / 0 / 29

HEX #255CB6

RGB 37 92 182

HSL 217.24, 0.66%, 0.43%

LAB 40.29, 15.22, -52.78

 

Description

Color code: HEX #B525A4 | qconv.com Color code: HEX #B525A4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 37 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 37 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 9 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 9% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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