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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B529EE it is the complementary color #4AD611. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B529EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B529EE shade: #BA29E9, #CB3BFC, #DC4DFF, #ED5FFF and #FE71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B529EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B529EE shade: #B529EE, #A417DB, #9305C8, #8200B5 and #7100A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B529EE shade: #B52AED, #E92AED, #ED2ABD, #ED2A88 and #ED2A53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B529EE shade: #B52AED, #802AED, #4C2AED and #2A2AED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B529EE shade matches the following richer shades: #B52AED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B529EE shade: #B52AED, #AD3DDB, #A54FC8, #9D62B6 and #9674A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B529EE shade: #4B2AED, #7F2AED, #B32AED, #E72AED and #ED2AC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B529EE shade: #860EB7, #A211DD, #B52AED, #C250F0 and #CF77F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B529EE shade: #B529EE, #ED2A3E and #2AED65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B529EE shade: #B529EE, #EDB32A and #2AEDB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B529EE shade: #B529EE, #ED2A3E, #65ED2A and #2AEDDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B529EE shade: #B529EE, #ED512A, #65ED2A and #2AC6ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 83 / 0 / 7

HEX #B529EE

RGB 181 41 238

HSL 282.64, 0.85%, 0.55%

LAB 48.99, 79.23, -70.23

 

Complementary color

CMYK 65 / 0 / 92 / 16

HEX #4AD611

RGB 74 214 17

HSL 102.64, 0.85%, 0.45%

LAB 75.82, -67.19, 72.23

 

CMYK 20 / 82 / 0 / 9

HEX #BA29E9

RGB 186 41 233

HSL 285.31, 0.81%, 0.54%

LAB 49.38, 79.1, -66.73

 

CMYK 19 / 77 / 0 / 1

HEX #CB3BFC

RGB 203 59 252

HSL 284.77, 0.97%, 0.61%

LAB 54.92, 80.4, -68.3

 

CMYK 14 / 70 / 0 / 0

HEX #DC4DFF

RGB 220 77 255

HSL 288.2, 1%, 0.65%

LAB 59.66, 78.11, -62.21

 

CMYK 7 / 63 / 0 / 0

HEX #ED5FFF

RGB 237 95 255

HSL 293.25, 1%, 0.69%

LAB 64.49, 74.87, -54.36

 

CMYK 0 / 56 / 0 / 0

HEX #FE71FF

RGB 254 113 255

HSL 299.58, 1%, 0.72%

LAB 69.54, 71.41, -46.23

 

CMYK 24 / 83 / 0 / 7

HEX #B529EE

RGB 181 41 238

HSL 282.64, 0.85%, 0.55%

LAB 48.99, 79.23, -70.23

 

CMYK 25 / 89 / 0 / 14

HEX #A417DB

RGB 164 23 219

HSL 283.16, 0.81%, 0.47%

LAB 43.68, 77.03, -68.18

 

CMYK 27 / 98 / 0 / 22

HEX #9305C8

RGB 147 5 200

HSL 283.69, 0.95%, 0.4%

LAB 38.69, 73.61, -65.44

 

CMYK 28 / 100 / 0 / 29

HEX #8200B5

RGB 130 0 181

HSL 283.09, 1%, 0.35%

LAB 34.15, 68.52, -61.78

 

CMYK 30 / 100 / 0 / 36

HEX #7100A2

RGB 113 0 162

HSL 281.85, 1%, 0.32%

LAB 29.71, 62.75, -57.75

 

CMYK 24 / 82 / 0 / 7

HEX #B52AED

RGB 181 42 237

HSL 282.77, 0.84%, 0.55%

LAB 49, 78.79, -69.64

 

CMYK 2 / 82 / 0 / 7

HEX #E92AED

RGB 233 42 237

HSL 298.77, 0.84%, 0.55%

LAB 57.17, 87.49, -56.07

 

CMYK 0 / 82 / 20 / 7

HEX #ED2ABD

RGB 237 42 189

HSL 314.77, 0.84%, 0.55%

LAB 55.42, 81.7, -31.46

 

CMYK 0 / 82 / 43 / 7

HEX #ED2A88

RGB 237 42 136

HSL 331.08, 0.84%, 0.55%

LAB 53.43, 76.06, -3.28

 

CMYK 0 / 82 / 65 / 7

HEX #ED2A53

RGB 237 42 83

HSL 347.38, 0.84%, 0.55%

LAB 52.16, 72.33, 26.88

 

CMYK 24 / 82 / 0 / 7

HEX #B52AED

RGB 181 42 237

HSL 282.77, 0.84%, 0.55%

LAB 49, 78.79, -69.64

 

CMYK 46 / 82 / 0 / 7

HEX #802AED

RGB 128 42 237

HSL 266.46, 0.84%, 0.55%

LAB 41.78, 71.37, -81.74

 

CMYK 68 / 82 / 0 / 7

HEX #4C2AED

RGB 76 42 237

HSL 250.46, 0.84%, 0.55%

LAB 36.57, 66.25, -90.52

 

CMYK 82 / 82 / 0 / 7

HEX #2A2AED

RGB 42 42 237

HSL 240, 0.84%, 0.55%

LAB 34.52, 64.32, -93.97

 

CMYK 24 / 82 / 0 / 7

HEX #B52AED

RGB 181 42 237

HSL 282.77, 0.84%, 0.55%

LAB 49, 78.79, -69.64

 

CMYK 24 / 82 / 0 / 7

HEX #B52AED

RGB 181 42 237

HSL 282.77, 0.84%, 0.55%

LAB 49, 78.79, -69.64

 

CMYK 21 / 72 / 0 / 14

HEX #AD3DDB

RGB 173 61 219

HSL 282.53, 0.69%, 0.55%

LAB 48.68, 67.91, -60.01

 

CMYK 18 / 61 / 0 / 22

HEX #A54FC8

RGB 165 79 200

HSL 282.64, 0.52%, 0.55%

LAB 49.21, 54.53, -48.35

 

CMYK 14 / 46 / 0 / 29

HEX #9D62B6

RGB 157 98 182

HSL 282.14, 0.37%, 0.55%

LAB 51.01, 38.67, -35.15

 

CMYK 8 / 29 / 0 / 36

HEX #9674A3

RGB 150 116 163

HSL 283.4, 0.2%, 0.55%

LAB 53.62, 22.11, -20.13

 

CMYK 68 / 82 / 0 / 7

HEX #4B2AED

RGB 75 42 237

HSL 250.15, 0.84%, 0.55%

LAB 36.49, 66.18, -90.65

 

CMYK 46 / 82 / 0 / 7

HEX #7F2AED

RGB 127 42 237

HSL 266.15, 0.84%, 0.55%

LAB 41.66, 71.25, -81.94

 

CMYK 24 / 82 / 0 / 7

HEX #B32AED

RGB 179 42 237

HSL 282.15, 0.84%, 0.55%

LAB 48.7, 78.48, -70.14

 

CMYK 3 / 82 / 0 / 7

HEX #E72AED

RGB 231 42 237

HSL 298.15, 0.84%, 0.55%

LAB 56.84, 87.14, -56.61

 

CMYK 0 / 82 / 19 / 7

HEX #ED2AC0

RGB 237 42 192

HSL 313.85, 0.84%, 0.55%

LAB 55.55, 82.07, -32.98

 

CMYK 27 / 92 / 0 / 28

HEX #860EB7

RGB 134 14 183

HSL 282.6, 0.86%, 0.39%

LAB 35.6, 67.54, -60.59

 

CMYK 27 / 92 / 0 / 13

HEX #A211DD

RGB 162 17 221

HSL 282.65, 0.86%, 0.47%

LAB 43.22, 78.05, -70.1

 

CMYK 24 / 82 / 0 / 7

HEX #B52AED

RGB 181 42 237

HSL 282.77, 0.84%, 0.55%

LAB 49, 78.79, -69.64

 

CMYK 19 / 67 / 0 / 6

HEX #C250F0

RGB 194 80 240

HSL 282.75, 0.84%, 0.63%

LAB 55.58, 68.77, -60.61

 

CMYK 15 / 51 / 0 / 5

HEX #CF77F3

RGB 207 119 243

HSL 282.58, 0.84%, 0.71%

LAB 64.1, 54.29, -48.6

 

CMYK 24 / 83 / 0 / 7

HEX #B529EE

RGB 181 41 238

HSL 282.64, 0.85%, 0.55%

LAB 48.99, 79.23, -70.23

 

CMYK 0 / 82 / 74 / 7

HEX #ED2A3E

RGB 237 42 62

HSL 353.85, 0.84%, 0.55%

LAB 51.85, 71.39, 38.85

 

CMYK 82 / 0 / 57 / 7

HEX #2AED65

RGB 42 237 101

HSL 138.15, 0.84%, 0.55%

LAB 82.91, -72.85, 52.28

 

CMYK 24 / 83 / 0 / 7

HEX #B529EE

RGB 181 41 238

HSL 282.64, 0.85%, 0.55%

LAB 48.99, 79.23, -70.23

 

CMYK 0 / 24 / 82 / 7

HEX #EDB32A

RGB 237 179 42

HSL 42.15, 0.84%, 0.55%

LAB 76.32, 9.59, 71.39

 

CMYK 82 / 0 / 24 / 7

HEX #2AEDB3

RGB 42 237 179

HSL 162.15, 0.84%, 0.55%

LAB 84.13, -58.86, 15.32

 

CMYK 24 / 83 / 0 / 7

HEX #B529EE

RGB 181 41 238

HSL 282.64, 0.85%, 0.55%

LAB 48.99, 79.23, -70.23

 

CMYK 0 / 82 / 74 / 7

HEX #ED2A3E

RGB 237 42 62

HSL 353.85, 0.84%, 0.55%

LAB 51.85, 71.39, 38.85

 

CMYK 57 / 0 / 82 / 7

HEX #65ED2A

RGB 101 237 42

HSL 101.85, 0.84%, 0.55%

LAB 83.71, -67.77, 74.58

 

CMYK 82 / 0 / 8 / 7

HEX #2AEDDA

RGB 42 237 218

HSL 174.15, 0.84%, 0.55%

LAB 85.06, -49.12, -3.78

 

CMYK 24 / 83 / 0 / 7

HEX #B529EE

RGB 181 41 238

HSL 282.64, 0.85%, 0.55%

LAB 48.99, 79.23, -70.23

 

CMYK 0 / 66 / 82 / 7

HEX #ED512A

RGB 237 81 42

HSL 12, 0.84%, 0.55%

LAB 56.14, 58.3, 53.66

 

CMYK 57 / 0 / 82 / 7

HEX #65ED2A

RGB 101 237 42

HSL 101.85, 0.84%, 0.55%

LAB 83.71, -67.77, 74.58

 

CMYK 82 / 16 / 0 / 7

HEX #2AC6ED

RGB 42 198 237

HSL 192, 0.84%, 0.55%

LAB 74.19, -25.52, -30.29

 

Description

Color code: HEX #B529EE | qconv.com Color code: HEX #B529EE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 41 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 41 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 83 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 83% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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