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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5364A it is the complementary color #4AC9B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5364A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5364A shade: #BA3645, #CB4858, #DC5A6B, #ED6C7E and #FE7E91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5364A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5364A shade: #B5364A, #A42437, #931224, #820011 and #710000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5364A shade: #B43549 and #B43535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5364A shade: #B43549, #B4356C, #B4358E, #B435B0 and #9635B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5364A shade matches the following richer shades: #B43549, #C7223C and #DA0F2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5364A shade: #B43549, #A14856, #8E5B63, #7B6E70 and #68817D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5364A shade: #B4358E, #B4356C, #B4354B, #B44235 and #B46435

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5364A shade: #75222F, #942C3C, #B43549, #C94A5E and #D26A7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5364A shade: #B5364A, #B0B435 and #357DB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5364A shade: #B5364A, #4BB435 and #354BB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5364A shade: #B5364A, #B0B435, #35B49F and #3A35B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5364A shade: #B5364A, #8AB435, #35B49F and #6035B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 59 / 29

HEX #B5364A

RGB 181 54 74

HSL 350.55, 0.54%, 0.46%

LAB 42.7, 52.17, 18

 

Complementary color

CMYK 63 / 0 / 10 / 21

HEX #4AC9B5

RGB 74 201 181

HSL 170.55, 0.54%, 0.54%

LAB 73.91, -39.53, -0.32

 

CMYK 0 / 71 / 63 / 27

HEX #BA3645

RGB 186 54 69

HSL 353.18, 0.55%, 0.47%

LAB 43.52, 53.42, 22.33

 

CMYK 0 / 65 / 57 / 20

HEX #CB4858

RGB 203 72 88

HSL 352.67, 0.56%, 0.54%

LAB 49.54, 52.97, 19.29

 

CMYK 0 / 59 / 51 / 14

HEX #DC5A6B

RGB 220 90 107

HSL 352.15, 0.65%, 0.61%

LAB 55.67, 52.24, 16.79

 

CMYK 0 / 54 / 47 / 7

HEX #ED6C7E

RGB 237 108 126

HSL 351.63, 0.78%, 0.68%

LAB 61.86, 51.35, 14.69

 

CMYK 0 / 50 / 43 / 0

HEX #FE7E91

RGB 254 126 145

HSL 351.09, 0.98%, 0.75%

LAB 68.05, 50.42, 12.9

 

CMYK 0 / 70 / 59 / 29

HEX #B5364A

RGB 181 54 74

HSL 350.55, 0.54%, 0.46%

LAB 42.7, 52.17, 18

 

CMYK 0 / 78 / 66 / 36

HEX #A42437

RGB 164 36 55

HSL 351.09, 0.64%, 0.39%

LAB 36.8, 52.07, 21.59

 

CMYK 0 / 88 / 76 / 42

HEX #931224

RGB 147 18 36

HSL 351.63, 0.78%, 0.32%

LAB 31.26, 51.01, 26.1

 

CMYK 0 / 100 / 87 / 49

HEX #820011

RGB 130 0 17

HSL 352.15, 1%, 0.25%

LAB 26.12, 48.92, 31.25

 

CMYK 0 / 100 / 100 / 56

HEX #710000

RGB 113 0 0

HSL 0, 1%, 0.22%

LAB 21.98, 43.95, 33.34

 

CMYK 0 / 71 / 59 / 29

HEX #B43549

RGB 180 53 73

HSL 350.55, 0.55%, 0.46%

LAB 42.35, 52.17, 18.13

 

CMYK 0 / 71 / 71 / 29

HEX #B43535

RGB 180 53 53

HSL 0, 0.55%, 0.46%

LAB 42.01, 50.97, 29.91

 

CMYK 0 / 71 / 59 / 29

HEX #B43549

RGB 180 53 73

HSL 350.55, 0.55%, 0.46%

LAB 42.35, 52.17, 18.13

 

CMYK 0 / 71 / 40 / 29

HEX #B4356C

RGB 180 53 108

HSL 334.02, 0.55%, 0.46%

LAB 43.26, 55.25, -2.39

 

CMYK 0 / 71 / 21 / 29

HEX #B4358E

RGB 180 53 142

HSL 317.95, 0.55%, 0.46%

LAB 44.52, 59.39, -21.33

 

CMYK 0 / 71 / 2 / 29

HEX #B435B0

RGB 180 53 176

HSL 301.89, 0.55%, 0.46%

LAB 46.16, 64.51, -39.08

 

CMYK 17 / 71 / 0 / 29

HEX #9635B4

RGB 150 53 180

HSL 285.83, 0.55%, 0.46%

LAB 41.73, 58.58, -48.77

 

CMYK 0 / 71 / 59 / 29

HEX #B43549

RGB 180 53 73

HSL 350.55, 0.55%, 0.46%

LAB 42.35, 52.17, 18.13

 

CMYK 0 / 83 / 70 / 22

HEX #C7223C

RGB 199 34 60

HSL 350.55, 0.71%, 0.46%

LAB 43.67, 62.9, 28.56

 

CMYK 0 / 93 / 78 / 15

HEX #DA0F2F

RGB 218 15 47

HSL 350.54, 0.87%, 0.46%

LAB 46.25, 70.59, 40.22

 

CMYK 0 / 71 / 59 / 29

HEX #B43549

RGB 180 53 73

HSL 350.55, 0.55%, 0.46%

LAB 42.35, 52.17, 18.13

 

CMYK 0 / 55 / 47 / 37

HEX #A14856

RGB 161 72 86

HSL 350.56, 0.38%, 0.46%

LAB 42.59, 38.25, 9.87

 

CMYK 0 / 36 / 30 / 44

HEX #8E5B63

RGB 142 91 99

HSL 350.59, 0.22%, 0.46%

LAB 44.42, 22.08, 4.13

 

CMYK 0 / 11 / 9 / 52

HEX #7B6E70

RGB 123 110 112

HSL 350.77, 0.06%, 0.46%

LAB 47.67, 5.45, 0.74

 

CMYK 19 / 0 / 3 / 49

HEX #68817D

RGB 104 129 125

HSL 170.4, 0.11%, 0.46%

LAB 51.98, -9.86, -0.82

 

CMYK 0 / 71 / 21 / 29

HEX #B4358E

RGB 180 53 142

HSL 317.95, 0.55%, 0.46%

LAB 44.52, 59.39, -21.33

 

CMYK 0 / 71 / 40 / 29

HEX #B4356C

RGB 180 53 108

HSL 334.02, 0.55%, 0.46%

LAB 43.26, 55.25, -2.39

 

CMYK 0 / 71 / 58 / 29

HEX #B4354B

RGB 180 53 75

HSL 349.61, 0.55%, 0.46%

LAB 42.4, 52.31, 16.94

 

CMYK 0 / 63 / 71 / 29

HEX #B44235

RGB 180 66 53

HSL 6.14, 0.55%, 0.46%

LAB 44.03, 45.5, 32.29

 

CMYK 0 / 44 / 71 / 29

HEX #B46435

RGB 180 100 53

HSL 22.2, 0.55%, 0.46%

LAB 50.77, 28.31, 39.95

 

CMYK 0 / 71 / 60 / 54

HEX #75222F

RGB 117 34 47

HSL 350.6, 0.55%, 0.3%

LAB 27.11, 37.1, 12.37

 

CMYK 0 / 70 / 59 / 42

HEX #942C3C

RGB 148 44 60

HSL 350.77, 0.54%, 0.38%

LAB 34.85, 44.43, 15.26

 

CMYK 0 / 71 / 59 / 29

HEX #B43549

RGB 180 53 73

HSL 350.55, 0.55%, 0.46%

LAB 42.35, 52.17, 18.13

 

CMYK 0 / 63 / 53 / 21

HEX #C94A5E

RGB 201 74 94

HSL 350.55, 0.54%, 0.54%

LAB 49.65, 51.93, 15.76

 

CMYK 0 / 50 / 42 / 18

HEX #D26A7A

RGB 210 106 122

HSL 350.77, 0.54%, 0.62%

LAB 57.48, 42.5, 10.29

 

CMYK 0 / 70 / 59 / 29

HEX #B5364A

RGB 181 54 74

HSL 350.55, 0.54%, 0.46%

LAB 42.7, 52.17, 18

 

CMYK 2 / 0 / 71 / 29

HEX #B0B435

RGB 176 180 53

HSL 61.89, 0.55%, 0.46%

LAB 70.96, -16.9, 60.72

 

CMYK 71 / 31 / 0 / 29

HEX #357DB4

RGB 53 125 180

HSL 205.98, 0.55%, 0.46%

LAB 50.36, -4.09, -35.55

 

CMYK 0 / 70 / 59 / 29

HEX #B5364A

RGB 181 54 74

HSL 350.55, 0.54%, 0.46%

LAB 42.7, 52.17, 18

 

CMYK 58 / 0 / 71 / 29

HEX #4BB435

RGB 75 180 53

HSL 109.61, 0.55%, 0.46%

LAB 65.28, -53.6, 53.14

 

CMYK 71 / 58 / 0 / 29

HEX #354BB4

RGB 53 75 180

HSL 229.61, 0.55%, 0.46%

LAB 36.15, 27.61, -58.28

 

CMYK 0 / 70 / 59 / 29

HEX #B5364A

RGB 181 54 74

HSL 350.55, 0.54%, 0.46%

LAB 42.7, 52.17, 18

 

CMYK 2 / 0 / 71 / 29

HEX #B0B435

RGB 176 180 53

HSL 61.89, 0.55%, 0.46%

LAB 70.96, -16.9, 60.72

 

CMYK 71 / 0 / 12 / 29

HEX #35B49F

RGB 53 180 159

HSL 170.08, 0.55%, 0.46%

LAB 66.45, -39.13, 0.77

 

CMYK 68 / 71 / 0 / 29

HEX #3A35B4

RGB 58 53 180

HSL 242.36, 0.55%, 0.46%

LAB 31.21, 42.05, -66.34

 

CMYK 0 / 70 / 59 / 29

HEX #B5364A

RGB 181 54 74

HSL 350.55, 0.54%, 0.46%

LAB 42.7, 52.17, 18

 

CMYK 23 / 0 / 71 / 29

HEX #8AB435

RGB 138 180 53

HSL 79.84, 0.55%, 0.46%

LAB 68.24, -32.64, 57.12

 

CMYK 71 / 0 / 12 / 29

HEX #35B49F

RGB 53 180 159

HSL 170.08, 0.55%, 0.46%

LAB 66.45, -39.13, 0.77

 

CMYK 47 / 71 / 0 / 29

HEX #6035B4

RGB 96 53 180

HSL 260.31, 0.55%, 0.46%

LAB 34.66, 47.8, -60.56

 

Description

Color code: HEX #B5364A | qconv.com Color code: HEX #B5364A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 54 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 54 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 59 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 59% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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