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Color name
HEX #B54820

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B54820 it is the complementary color #4AB7DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B54820. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B54820 shade: #BA481B, #CB5A2E, #DC6C41, #ED7E54 and #FE9067

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B54820. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B54820 shade: #B54820, #A4360D, #932400, #821200 and #710000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B54820 shade: #B64820 and #B62020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B54820 shade: #B64820, #B67020, #B69920, #AAB620 and #82B620

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B54820 shade matches the following richer shades: #B64820 and #C7400E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B54820 shade: #B64820, #A45031, #935842, #826054 and #706865

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B54820 shade: #B62048, #B62020, #B64820, #B67020 and #B69820

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B54820 shade: #6F2C13, #923A19, #B64820, #D85626 and #DF7149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B54820 shade: #B54820, #70B620 and #2034B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B54820 shade: #B54820, #20B648 and #4820B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B54820 shade: #B54820, #70B620, #208EB6 and #6620B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B54820 shade: #B54820, #43B620, #208EB6 and #9320B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 82 / 29

HEX #B54820

RGB 181 72 32

HSL 16.11, 0.7%, 0.42%

LAB 45.03, 42.23, 44.57

 

Complementary color

CMYK 67 / 18 / 0 / 13

HEX #4AB7DF

RGB 74 183 223

HSL 196.11, 0.7%, 0.58%

LAB 69.93, -18.7, -29.19

 

CMYK 0 / 61 / 85 / 27

HEX #BA481B

RGB 186 72 27

HSL 16.98, 0.75%, 0.42%

LAB 45.84, 43.95, 47.86

 

CMYK 0 / 56 / 77 / 20

HEX #CB5A2E

RGB 203 90 46

HSL 16.82, 0.63%, 0.49%

LAB 52.07, 42.34, 45.89

 

CMYK 0 / 51 / 70 / 14

HEX #DC6C41

RGB 220 108 65

HSL 16.65, 0.69%, 0.56%

LAB 58.34, 40.76, 43.74

 

CMYK 0 / 47 / 65 / 7

HEX #ED7E54

RGB 237 126 84

HSL 16.47, 0.81%, 0.63%

LAB 64.62, 39.26, 41.67

 

CMYK 0 / 43 / 59 / 0

HEX #FE9067

RGB 254 144 103

HSL 16.29, 0.99%, 0.7%

LAB 70.87, 37.87, 39.75

 

CMYK 0 / 60 / 82 / 29

HEX #B54820

RGB 181 72 32

HSL 16.11, 0.7%, 0.42%

LAB 45.03, 42.23, 44.57

 

CMYK 0 / 67 / 92 / 36

HEX #A4360D

RGB 164 54 13

HSL 16.29, 0.85%, 0.35%

LAB 38.83, 43.72, 46.18

 

CMYK 0 / 76 / 100 / 42

HEX #932400

RGB 147 36 0

HSL 14.69, 1%, 0.29%

LAB 32.84, 44.85, 45.56

 

CMYK 0 / 86 / 100 / 49

HEX #821200

RGB 130 18 0

HSL 8.31, 1%, 0.25%

LAB 27.24, 45.04, 39.77

 

CMYK 0 / 100 / 100 / 56

HEX #710000

RGB 113 0 0

HSL 0, 1%, 0.22%

LAB 21.98, 43.95, 33.34

 

CMYK 0 / 60 / 82 / 29

HEX #B64820

RGB 182 72 32

HSL 16, 0.7%, 0.42%

LAB 45.2, 42.6, 44.79

 

CMYK 0 / 82 / 82 / 29

HEX #B62020

RGB 182 32 32

HSL 0, 0.7%, 0.42%

LAB 39.72, 57.57, 39.62

 

CMYK 0 / 60 / 82 / 29

HEX #B64820

RGB 182 72 32

HSL 16, 0.7%, 0.42%

LAB 45.2, 42.6, 44.79

 

CMYK 0 / 38 / 82 / 29

HEX #B67020

RGB 182 112 32

HSL 32, 0.7%, 0.42%

LAB 53.64, 21.66, 52.46

 

CMYK 0 / 16 / 82 / 29

HEX #B69920

RGB 182 153 32

HSL 48.4, 0.7%, 0.42%

LAB 64.02, -0.97, 61.56

 

CMYK 7 / 0 / 82 / 29

HEX #AAB620

RGB 170 182 32

HSL 64.8, 0.7%, 0.42%

LAB 70.94, -21.34, 67.11

 

CMYK 29 / 0 / 82 / 29

HEX #82B620

RGB 130 182 32

HSL 80.8, 0.7%, 0.42%

LAB 68.25, -37.74, 63.71

 

CMYK 0 / 60 / 82 / 29

HEX #B64820

RGB 182 72 32

HSL 16, 0.7%, 0.42%

LAB 45.2, 42.6, 44.79

 

CMYK 0 / 68 / 93 / 22

HEX #C7400E

RGB 199 64 14

HSL 16.22, 0.87%, 0.42%

LAB 46.76, 51.8, 54.32

 

CMYK 0 / 60 / 82 / 29

HEX #B64820

RGB 182 72 32

HSL 16, 0.7%, 0.42%

LAB 45.2, 42.6, 44.79

 

CMYK 0 / 51 / 70 / 36

HEX #A45031

RGB 164 80 49

HSL 16.17, 0.54%, 0.42%

LAB 44.02, 32.27, 33.87

 

CMYK 0 / 40 / 55 / 42

HEX #935842

RGB 147 88 66

HSL 16.3, 0.38%, 0.42%

LAB 43.62, 21.98, 23.04

 

CMYK 0 / 26 / 35 / 49

HEX #826054

RGB 130 96 84

HSL 15.65, 0.21%, 0.42%

LAB 43.87, 12.06, 12.25

 

CMYK 0 / 7 / 10 / 56

HEX #706865

RGB 112 104 101

HSL 16.36, 0.05%, 0.42%

LAB 44.64, 2.57, 2.81

 

CMYK 0 / 82 / 60 / 29

HEX #B62048

RGB 182 32 72

HSL 344, 0.7%, 0.42%

LAB 40.32, 59.4, 16.1

 

CMYK 0 / 82 / 82 / 29

HEX #B62020

RGB 182 32 32

HSL 0, 0.7%, 0.42%

LAB 39.72, 57.57, 39.62

 

CMYK 0 / 60 / 82 / 29

HEX #B64820

RGB 182 72 32

HSL 16, 0.7%, 0.42%

LAB 45.2, 42.6, 44.79

 

CMYK 0 / 38 / 82 / 29

HEX #B67020

RGB 182 112 32

HSL 32, 0.7%, 0.42%

LAB 53.64, 21.66, 52.46

 

CMYK 0 / 16 / 82 / 29

HEX #B69820

RGB 182 152 32

HSL 48, 0.7%, 0.42%

LAB 63.76, -0.43, 61.33

 

CMYK 0 / 60 / 83 / 56

HEX #6F2C13

RGB 111 44 19

HSL 16.3, 0.71%, 0.25%

LAB 27.37, 28.2, 29.96

 

CMYK 0 / 60 / 83 / 43

HEX #923A19

RGB 146 58 25

HSL 16.36, 0.71%, 0.34%

LAB 36.38, 35.37, 37.69

 

CMYK 0 / 60 / 82 / 29

HEX #B64820

RGB 182 72 32

HSL 16, 0.7%, 0.42%

LAB 45.2, 42.6, 44.79

 

CMYK 0 / 60 / 82 / 15

HEX #D85626

RGB 216 86 38

HSL 16.18, 0.7%, 0.5%

LAB 53.38, 48.78, 51.63

 

CMYK 0 / 49 / 67 / 13

HEX #DF7149

RGB 223 113 73

HSL 16, 0.7%, 0.58%

LAB 59.87, 39.82, 41.41

 

CMYK 0 / 60 / 82 / 29

HEX #B54820

RGB 181 72 32

HSL 16.11, 0.7%, 0.42%

LAB 45.03, 42.23, 44.57

 

CMYK 38 / 0 / 82 / 29

HEX #70B620

RGB 112 182 32

HSL 88, 0.7%, 0.42%

LAB 67.28, -44.39, 62.48

 

CMYK 82 / 71 / 0 / 29

HEX #2034B6

RGB 32 52 182

HSL 232, 0.7%, 0.42%

LAB 29.76, 40.87, -69.96

 

CMYK 0 / 60 / 82 / 29

HEX #B54820

RGB 181 72 32

HSL 16.11, 0.7%, 0.42%

LAB 45.03, 42.23, 44.57

 

CMYK 82 / 0 / 60 / 29

HEX #20B648

RGB 32 182 72

HSL 136, 0.7%, 0.42%

LAB 65.15, -60.03, 44.65

 

CMYK 60 / 82 / 0 / 29

HEX #4820B6

RGB 72 32 182

HSL 256, 0.7%, 0.42%

LAB 28.87, 54.83, -71.35

 

CMYK 0 / 60 / 82 / 29

HEX #B54820

RGB 181 72 32

HSL 16.11, 0.7%, 0.42%

LAB 45.03, 42.23, 44.57

 

CMYK 38 / 0 / 82 / 29

HEX #70B620

RGB 112 182 32

HSL 88, 0.7%, 0.42%

LAB 67.28, -44.39, 62.48

 

CMYK 82 / 22 / 0 / 29

HEX #208EB6

RGB 32 142 182

HSL 196, 0.7%, 0.42%

LAB 55.1, -15.61, -29.32

 

CMYK 44 / 82 / 0 / 29

HEX #6620B6

RGB 102 32 182

HSL 268, 0.7%, 0.42%

LAB 32.34, 58.45, -65.52

 

CMYK 0 / 60 / 82 / 29

HEX #B54820

RGB 181 72 32

HSL 16.11, 0.7%, 0.42%

LAB 45.03, 42.23, 44.57

 

CMYK 63 / 0 / 82 / 29

HEX #43B620

RGB 67 182 32

HSL 106, 0.7%, 0.42%

LAB 65.56, -57.63, 60.28

 

CMYK 82 / 22 / 0 / 29

HEX #208EB6

RGB 32 142 182

HSL 196, 0.7%, 0.42%

LAB 55.1, -15.61, -29.32

 

CMYK 19 / 82 / 0 / 29

HEX #9320B6

RGB 147 32 182

HSL 286, 0.7%, 0.42%

LAB 38.92, 65.5, -54.5

 

Description

Color code: HEX #B54820 | qconv.com Color code: HEX #B54820 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 72 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 72 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 82 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 82% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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