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Color name
HEX #B5400C

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5400C it is the complementary color #4ABFF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5400C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5400C shade: #BA4007, #CB521A, #DC642D, #ED7640 and #FE8853

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5400C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5400C shade: #B5400C, #A42E00, #931C00, #820A00 and #710000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5400C shade: #B6400B, #B6120B and #B60B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5400C shade: #B6400B, #B66E0B, #B69C0B, #A2B60B and #74B60B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5400C shade matches the following richer shades: #B6400B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5400C shade: #B6400B, #A6461B, #964C2A, #87523A and #77584A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5400C shade: #B60B33, #B6110B, #B63E0B, #B66C0B and #B6990B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5400C shade: #682406, #8F3209, #B6400B, #DC4D0E and #F06223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5400C shade: #B5400C, #60B60B and #0B1CB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5400C shade: #B5400C, #0BB63E and #3E0BB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5400C shade: #B5400C, #60B60B, #0B83B6 and #600BB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5400C shade: #B5400C, #2DB60B, #0B83B6 and #940BB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 93 / 29

HEX #B5400C

RGB 181 64 12

HSL 18.46, 0.88%, 0.38%

LAB 43.53, 45.45, 51.2

 

Complementary color

CMYK 70 / 21 / 0 / 5

HEX #4ABFF3

RGB 74 191 243

HSL 198.46, 0.88%, 0.62%

LAB 73.02, -16.54, -35.28

 

CMYK 0 / 66 / 96 / 27

HEX #BA4007

RGB 186 64 7

HSL 19.11, 0.93%, 0.38%

LAB 44.41, 47.19, 53.57

 

CMYK 0 / 60 / 87 / 20

HEX #CB521A

RGB 203 82 26

HSL 18.98, 0.77%, 0.45%

LAB 50.46, 45.57, 53.25

 

CMYK 0 / 55 / 80 / 14

HEX #DC642D

RGB 220 100 45

HSL 18.86, 0.71%, 0.52%

LAB 56.6, 43.88, 51.72

 

CMYK 0 / 50 / 73 / 7

HEX #ED7640

RGB 237 118 64

HSL 18.73, 0.83%, 0.59%

LAB 62.79, 42.23, 49.81

 

CMYK 0 / 46 / 67 / 0

HEX #FE8853

RGB 254 136 83

HSL 18.6, 0.99%, 0.66%

LAB 68.97, 40.68, 47.84

 

CMYK 0 / 65 / 93 / 29

HEX #B5400C

RGB 181 64 12

HSL 18.46, 0.88%, 0.38%

LAB 43.53, 45.45, 51.2

 

CMYK 0 / 72 / 100 / 36

HEX #A42E00

RGB 164 46 0

HSL 16.83, 1%, 0.32%

LAB 37.57, 46.83, 49.89

 

CMYK 0 / 81 / 100 / 42

HEX #931C00

RGB 147 28 0

HSL 11.43, 1%, 0.29%

LAB 31.88, 47.52, 44.94

 

CMYK 0 / 92 / 100 / 49

HEX #820A00

RGB 130 10 0

HSL 4.62, 1%, 0.25%

LAB 26.63, 46.78, 39.23

 

CMYK 0 / 100 / 100 / 56

HEX #710000

RGB 113 0 0

HSL 0, 1%, 0.22%

LAB 21.98, 43.95, 33.34

 

CMYK 0 / 65 / 94 / 29

HEX #B6400B

RGB 182 64 11

HSL 18.6, 0.89%, 0.38%

LAB 43.71, 45.8, 51.69

 

CMYK 0 / 90 / 94 / 29

HEX #B6120B

RGB 182 18 11

HSL 2.46, 0.89%, 0.38%

LAB 38.55, 60.09, 48.43

 

CMYK 0 / 94 / 94 / 29

HEX #B60B0B

RGB 182 11 11

HSL 0, 0.89%, 0.38%

LAB 38.21, 61.07, 48.23

 

CMYK 0 / 65 / 94 / 29

HEX #B6400B

RGB 182 64 11

HSL 18.6, 0.89%, 0.38%

LAB 43.71, 45.8, 51.69

 

CMYK 0 / 40 / 94 / 29

HEX #B66E0B

RGB 182 110 11

HSL 34.74, 0.89%, 0.38%

LAB 53.08, 22.28, 58.17

 

CMYK 0 / 14 / 94 / 29

HEX #B69C0B

RGB 182 156 11

HSL 50.88, 0.89%, 0.38%

LAB 64.76, -3.05, 66.76

 

CMYK 11 / 0 / 94 / 29

HEX #A2B60B

RGB 162 182 11

HSL 67.02, 0.89%, 0.38%

LAB 70.29, -25.23, 70.24

 

CMYK 36 / 0 / 94 / 29

HEX #74B60B

RGB 116 182 11

HSL 83.16, 0.89%, 0.38%

LAB 67.42, -43.59, 66.76

 

CMYK 0 / 65 / 94 / 29

HEX #B6400B

RGB 182 64 11

HSL 18.6, 0.89%, 0.38%

LAB 43.71, 45.8, 51.69

 

CMYK 0 / 65 / 94 / 29

HEX #B6400B

RGB 182 64 11

HSL 18.6, 0.89%, 0.38%

LAB 43.71, 45.8, 51.69

 

CMYK 0 / 58 / 84 / 35

HEX #A6461B

RGB 166 70 27

HSL 18.56, 0.72%, 0.38%

LAB 42.1, 37.29, 43.27

 

CMYK 0 / 49 / 72 / 41

HEX #964C2A

RGB 150 76 42

HSL 18.89, 0.56%, 0.38%

LAB 40.93, 28.26, 33.66

 

CMYK 0 / 39 / 57 / 47

HEX #87523A

RGB 135 82 58

HSL 18.7, 0.4%, 0.38%

LAB 40.4, 19.54, 23.32

 

CMYK 0 / 26 / 38 / 53

HEX #77584A

RGB 119 88 74

HSL 18.67, 0.23%, 0.38%

LAB 40.24, 10.72, 13.1

 

CMYK 0 / 94 / 72 / 29

HEX #B60B33

RGB 182 11 51

HSL 345.96, 0.89%, 0.38%

LAB 38.59, 62.13, 27.15

 

CMYK 0 / 91 / 94 / 29

HEX #B6110B

RGB 182 17 11

HSL 2.11, 0.89%, 0.38%

LAB 38.5, 60.25, 48.4

 

CMYK 0 / 66 / 94 / 29

HEX #B63E0B

RGB 182 62 11

HSL 17.89, 0.89%, 0.38%

LAB 43.38, 46.67, 51.48

 

CMYK 0 / 41 / 94 / 29

HEX #B66C0B

RGB 182 108 11

HSL 34.04, 0.89%, 0.38%

LAB 52.61, 23.39, 57.84

 

CMYK 0 / 16 / 94 / 29

HEX #B6990B

RGB 182 153 11

HSL 49.82, 0.89%, 0.38%

LAB 63.96, -1.43, 66.16

 

CMYK 0 / 65 / 94 / 59

HEX #682406

RGB 104 36 6

HSL 18.37, 0.89%, 0.22%

LAB 24.38, 29.08, 32.73

 

CMYK 0 / 65 / 94 / 44

HEX #8F3209

RGB 143 50 9

HSL 18.36, 0.88%, 0.3%

LAB 34.27, 37.69, 42.55

 

CMYK 0 / 65 / 94 / 29

HEX #B6400B

RGB 182 64 11

HSL 18.6, 0.89%, 0.38%

LAB 43.71, 45.8, 51.69

 

CMYK 0 / 65 / 94 / 14

HEX #DC4D0E

RGB 220 77 14

HSL 18.35, 0.88%, 0.46%

LAB 52.46, 53.65, 59.83

 

CMYK 0 / 59 / 85 / 6

HEX #F06223

RGB 240 98 35

HSL 18.44, 0.87%, 0.54%

LAB 59.33, 51.9, 59.54

 

CMYK 0 / 65 / 93 / 29

HEX #B5400C

RGB 181 64 12

HSL 18.46, 0.88%, 0.38%

LAB 43.53, 45.45, 51.2

 

CMYK 47 / 0 / 94 / 29

HEX #60B60B

RGB 96 182 11

HSL 90.18, 0.89%, 0.38%

LAB 66.49, -50.4, 65.62

 

CMYK 94 / 85 / 0 / 29

HEX #0B1CB6

RGB 11 28 182

HSL 234.04, 0.89%, 0.38%

LAB 24.57, 52.98, -78.59

 

CMYK 0 / 65 / 93 / 29

HEX #B5400C

RGB 181 64 12

HSL 18.46, 0.88%, 0.38%

LAB 43.53, 45.45, 51.2

 

CMYK 94 / 0 / 66 / 29

HEX #0BB63E

RGB 11 182 62

HSL 137.89, 0.89%, 0.38%

LAB 64.86, -62.83, 48.7

 

CMYK 66 / 94 / 0 / 29

HEX #3E0BB6

RGB 62 11 182

HSL 257.89, 0.89%, 0.38%

LAB 25.69, 60.61, -76.66

 

CMYK 0 / 65 / 93 / 29

HEX #B5400C

RGB 181 64 12

HSL 18.46, 0.88%, 0.38%

LAB 43.53, 45.45, 51.2

 

CMYK 47 / 0 / 94 / 29

HEX #60B60B

RGB 96 182 11

HSL 90.18, 0.89%, 0.38%

LAB 66.49, -50.4, 65.62

 

CMYK 94 / 28 / 0 / 29

HEX #0B83B6

RGB 11 131 182

HSL 197.89, 0.89%, 0.38%

LAB 51.47, -10.81, -35

 

CMYK 47 / 94 / 0 / 29

HEX #600BB6

RGB 96 11 182

HSL 269.82, 0.89%, 0.38%

LAB 29.67, 63.28, -69.93

 

CMYK 0 / 65 / 93 / 29

HEX #B5400C

RGB 181 64 12

HSL 18.46, 0.88%, 0.38%

LAB 43.53, 45.45, 51.2

 

CMYK 75 / 0 / 94 / 29

HEX #2DB60B

RGB 45 182 11

HSL 108.07, 0.89%, 0.38%

LAB 64.99, -62.66, 63.77

 

CMYK 94 / 28 / 0 / 29

HEX #0B83B6

RGB 11 131 182

HSL 197.89, 0.89%, 0.38%

LAB 51.47, -10.81, -35

 

CMYK 19 / 94 / 0 / 29

HEX #940BB6

RGB 148 11 182

HSL 288.07, 0.89%, 0.38%

LAB 37.69, 69.79, -56.5

 

Description

Color code: HEX #B5400C | qconv.com Color code: HEX #B5400C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 64 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 64 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 93 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 93% 29% C M Y K

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Provide designers and agencies with accurate color values.

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