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Color name
HEX #B54C16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B54C16 it is the complementary color #4AB3E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B54C16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B54C16 shade: #BA4C11, #CB5E24, #DC7037, #ED824A and #FE945D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B54C16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B54C16 shade: #B54C16, #A43A03, #932800, #821600 and #710400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B54C16 shade: #B54C16, #B52116 and #B51616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B54C16 shade: #B54C16, #B57716, #B5A216, #9DB516 and #72B516

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B54C16 shade matches the following richer shades: #B54C16 and #C64705

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B54C16 shade: #B54C16, #A55126, #945737, #845C47 and #736158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B54C16 shade: #B51636, #B52116, #B54B16, #B57516 and #B5A016

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B54C16 shade: #6C2D0D, #903D11, #B54C16, #DA5B1A and #E67338

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B54C16 shade: #B54C16, #60B516 and #1621B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B54C16 shade: #B54C16, #16B54B and #4B16B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B54C16 shade: #B54C16, #60B516, #1680B5 and #6B16B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B54C16 shade: #B54C16, #30B516, #1680B5 and #9B16B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 88 / 29

HEX #B54C16

RGB 181 76 22

HSL 20.38, 0.78%, 0.4%

LAB 45.7, 40.03, 49.42

 

Complementary color

CMYK 68 / 23 / 0 / 9

HEX #4AB3E9

RGB 74 179 233

HSL 200.38, 0.78%, 0.6%

LAB 69.17, -13.39, -35.82

 

CMYK 0 / 59 / 91 / 27

HEX #BA4C11

RGB 186 76 17

HSL 20.95, 0.83%, 0.4%

LAB 46.51, 41.85, 52.16

 

CMYK 0 / 54 / 82 / 20

HEX #CB5E24

RGB 203 94 36

HSL 20.84, 0.7%, 0.47%

LAB 52.76, 40.02, 51.17

HEX #CB5E24

CMYK 0 / 49 / 75 / 14

HEX #DC7037

RGB 220 112 55

HSL 20.73, 0.7%, 0.54%

LAB 59.05, 38.28, 49.49

HEX #DC7037

CMYK 0 / 45 / 69 / 7

HEX #ED824A

RGB 237 130 74

HSL 20.61, 0.82%, 0.61%

LAB 65.33, 36.65, 47.63

HEX #ED824A

CMYK 0 / 42 / 63 / 0

HEX #FE945D

RGB 254 148 93

HSL 20.5, 0.99%, 0.68%

LAB 71.58, 35.16, 45.8

HEX #FE945D

CMYK 0 / 58 / 88 / 29

HEX #B54C16

RGB 181 76 22

HSL 20.38, 0.78%, 0.4%

LAB 45.7, 40.03, 49.42

 

CMYK 0 / 65 / 98 / 36

HEX #A43A03

RGB 164 58 3

HSL 20.5, 0.96%, 0.33%

LAB 39.45, 41.8, 49.81

 

CMYK 0 / 73 / 100 / 42

HEX #932800

RGB 147 40 0

HSL 16.33, 1%, 0.29%

LAB 33.39, 43.32, 45.9

 

CMYK 0 / 83 / 100 / 49

HEX #821600

RGB 130 22 0

HSL 10.15, 1%, 0.25%

LAB 27.63, 43.94, 40.1

 

CMYK 0 / 96 / 100 / 56

HEX #710400

RGB 113 4 0

HSL 2.12, 1%, 0.22%

LAB 22.29, 43.05, 33.67

 

CMYK 0 / 58 / 88 / 29

HEX #B54C16

RGB 181 76 22

HSL 20.38, 0.78%, 0.4%

LAB 45.7, 40.03, 49.42

 

CMYK 0 / 82 / 88 / 29

HEX #B52116

RGB 181 33 22

HSL 4.15, 0.78%, 0.4%

LAB 39.53, 56.78, 44.46

 

CMYK 0 / 88 / 88 / 29

HEX #B51616

RGB 181 22 22

HSL 0, 0.78%, 0.4%

LAB 38.65, 59.28, 43.75

 

CMYK 0 / 58 / 88 / 29

HEX #B54C16

RGB 181 76 22

HSL 20.38, 0.78%, 0.4%

LAB 45.7, 40.03, 49.42

 

CMYK 0 / 34 / 88 / 29

HEX #B57716

RGB 181 119 22

HSL 36.6, 0.78%, 0.4%

LAB 55.15, 17.05, 57.01

 

CMYK 0 / 10 / 88 / 29

HEX #B5A216

RGB 181 162 22

HSL 52.83, 0.78%, 0.4%

LAB 66.31, -6.5, 65.97

 

CMYK 13 / 0 / 88 / 29

HEX #9DB516

RGB 157 181 22

HSL 69.06, 0.78%, 0.4%

LAB 69.66, -26.65, 67.88

 

CMYK 37 / 0 / 88 / 29

HEX #72B516

RGB 114 181 22

HSL 85.28, 0.78%, 0.4%

LAB 67.04, -43.62, 64.62

 

CMYK 0 / 58 / 88 / 29

HEX #B54C16

RGB 181 76 22

HSL 20.38, 0.78%, 0.4%

LAB 45.7, 40.03, 49.42

 

CMYK 0 / 64 / 97 / 22

HEX #C64705

RGB 198 71 5

HSL 20.52, 0.95%, 0.4%

LAB 47.65, 48.4, 57.11

 

CMYK 0 / 58 / 88 / 29

HEX #B54C16

RGB 181 76 22

HSL 20.38, 0.78%, 0.4%

LAB 45.7, 40.03, 49.42

 

CMYK 0 / 51 / 77 / 35

HEX #A55126

RGB 165 81 38

HSL 20.31, 0.63%, 0.4%

LAB 44.27, 31.6, 40.02

 

CMYK 0 / 41 / 63 / 42

HEX #945737

RGB 148 87 55

HSL 20.65, 0.46%, 0.4%

LAB 43.34, 22.07, 29.11

 

CMYK 0 / 30 / 46 / 48

HEX #845C47

RGB 132 92 71

HSL 20.66, 0.3%, 0.4%

LAB 42.79, 13.66, 18.61

 

CMYK 0 / 16 / 23 / 55

HEX #736158

RGB 115 97 88

HSL 20, 0.13%, 0.4%

LAB 42.61, 5.69, 7.82

 

CMYK 0 / 88 / 70 / 29

HEX #B51636

RGB 181 22 54

HSL 347.92, 0.78%, 0.4%

LAB 39.01, 60.33, 25.73

 

CMYK 0 / 82 / 88 / 29

HEX #B52116

RGB 181 33 22

HSL 4.15, 0.78%, 0.4%

LAB 39.53, 56.78, 44.46

 

CMYK 0 / 59 / 88 / 29

HEX #B54B16

RGB 181 75 22

HSL 20, 0.78%, 0.4%

LAB 45.52, 40.52, 49.27

 

CMYK 0 / 35 / 88 / 29

HEX #B57516

RGB 181 117 22

HSL 35.85, 0.78%, 0.4%

LAB 54.66, 18.16, 56.62

 

CMYK 0 / 12 / 88 / 29

HEX #B5A016

RGB 181 160 22

HSL 52.08, 0.78%, 0.4%

LAB 65.77, -5.44, 65.53

 

CMYK 0 / 58 / 88 / 58

HEX #6C2D0D

RGB 108 45 13

HSL 20.21, 0.79%, 0.24%

LAB 27, 26.17, 32.47

 

CMYK 0 / 58 / 88 / 44

HEX #903D11

RGB 144 61 17

HSL 20.79, 0.79%, 0.32%

LAB 36.57, 32.8, 41.37

 

CMYK 0 / 58 / 88 / 29

HEX #B54C16

RGB 181 76 22

HSL 20.38, 0.78%, 0.4%

LAB 45.7, 40.03, 49.42

 

CMYK 0 / 58 / 88 / 15

HEX #DA5B1A

RGB 218 91 26

HSL 20.31, 0.79%, 0.48%

LAB 54.51, 46.92, 57.49

 

CMYK 0 / 50 / 76 / 10

HEX #E67338

RGB 230 115 56

HSL 20.34, 0.78%, 0.56%

LAB 61.11, 40.7, 51.58

 

CMYK 0 / 58 / 88 / 29

HEX #B54C16

RGB 181 76 22

HSL 20.38, 0.78%, 0.4%

LAB 45.7, 40.03, 49.42

 

CMYK 47 / 0 / 88 / 29

HEX #60B516

RGB 96 181 22

HSL 92.08, 0.78%, 0.4%

LAB 66.21, -49.73, 63.59

 

CMYK 88 / 82 / 0 / 29

HEX #1621B5

RGB 22 33 181

HSL 235.85, 0.78%, 0.4%

LAB 25.55, 50.62, -76.36

 

CMYK 0 / 58 / 88 / 29

HEX #B54C16

RGB 181 76 22

HSL 20.38, 0.78%, 0.4%

LAB 45.7, 40.03, 49.42

 

CMYK 88 / 0 / 59 / 29

HEX #16B54B

RGB 22 181 75

HSL 140, 0.78%, 0.4%

LAB 64.74, -60.24, 42.77

 

CMYK 59 / 88 / 0 / 29

HEX #4B16B5

RGB 75 22 181

HSL 260, 0.78%, 0.4%

LAB 27.86, 58.45, -72.41

 

CMYK 0 / 58 / 88 / 29

HEX #B54C16

RGB 181 76 22

HSL 20.38, 0.78%, 0.4%

LAB 45.7, 40.03, 49.42

 

CMYK 47 / 0 / 88 / 29

HEX #60B516

RGB 96 181 22

HSL 92.08, 0.78%, 0.4%

LAB 66.21, -49.73, 63.59

 

CMYK 88 / 29 / 0 / 29

HEX #1680B5

RGB 22 128 181

HSL 200, 0.78%, 0.4%

LAB 50.62, -8.86, -35.76

 

CMYK 41 / 88 / 0 / 29

HEX #6B16B5

RGB 107 22 181

HSL 272.08, 0.78%, 0.4%

LAB 31.89, 61.92, -65.63

 

CMYK 0 / 58 / 88 / 29

HEX #B54C16

RGB 181 76 22

HSL 20.38, 0.78%, 0.4%

LAB 45.7, 40.03, 49.42

 

CMYK 73 / 0 / 88 / 29

HEX #30B516

RGB 48 181 22

HSL 110.19, 0.78%, 0.4%

LAB 64.75, -61.53, 61.76

 

CMYK 88 / 29 / 0 / 29

HEX #1680B5

RGB 22 128 181

HSL 200, 0.78%, 0.4%

LAB 50.62, -8.86, -35.76

 

CMYK 14 / 88 / 0 / 29

HEX #9B16B5

RGB 155 22 181

HSL 290.19, 0.78%, 0.4%

LAB 39.38, 68.98, -53.11

 

Description

Color code: HEX #B54C16 | qconv.com Color code: HEX #B54C16 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 76 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 76 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 88 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 88% 29% C M Y K

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