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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B54E74 it is the complementary color #4AB18B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B54E74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B54E74 shade: #BA4E6F, #CB6082, #DC7295, #ED84A8 and #FE96BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B54E74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B54E74 shade: #B54E74, #A43C61, #932A4E, #82183B and #710628

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B54E74 shade: #B54E74, #B54E58 and #B54E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B54E74 shade: #B54E74, #B54E90, #B54EAB, #A34EB5 and #874EB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B54E74 shade matches the following richer shades: #B54E74, #C93A6F, #DD266A and #F11264

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B54E74 shade: #B54E74, #A16379, #8C777F, #788B84 and #649F89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B54E74 shade: #B54EAC, #B54E91, #B54E76, #B54E5A and #B55E4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B54E74 shade: #7D344F, #9A4061, #B54E74, #C16B8B and #CD88A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B54E74 shade: #B54E74, #B5A24E and #4E9FB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B54E74 shade: #B54E74, #76B54E and #4E76B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B54E74 shade: #B54E74, #B5A24E, #4EB58E and #4E61B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B54E74 shade: #B54E74, #A9B54E, #4EB58E and #5A4EB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 36 / 29

HEX #B54E74

RGB 181 78 116

HSL 337.86, 0.41%, 0.51%

LAB 47.67, 45.65, -0.8

 

Complementary color

CMYK 58 / 0 / 21 / 31

HEX #4AB18B

RGB 74 177 139

HSL 157.86, 0.41%, 0.49%

LAB 65.56, -39.06, 10.61

 

CMYK 0 / 58 / 40 / 27

HEX #BA4E6F

RGB 186 78 111

HSL 341.67, 0.44%, 0.52%

LAB 48.3, 46.75, 3.25

 

CMYK 0 / 53 / 36 / 20

HEX #CB6082

RGB 203 96 130

HSL 340.93, 0.51%, 0.59%

LAB 54.73, 45.96, 1.54

 

CMYK 0 / 48 / 32 / 14

HEX #DC7295

RGB 220 114 149

HSL 340.19, 0.6%, 0.65%

LAB 61.15, 45.11, 0.11

 

CMYK 0 / 44 / 29 / 7

HEX #ED84A8

RGB 237 132 168

HSL 339.43, 0.74%, 0.72%

LAB 67.53, 44.25, -1.12

 

CMYK 0 / 41 / 26 / 0

HEX #FE96BB

RGB 254 150 187

HSL 338.65, 0.98%, 0.79%

LAB 73.85, 43.41, -2.2

 

CMYK 0 / 57 / 36 / 29

HEX #B54E74

RGB 181 78 116

HSL 337.86, 0.41%, 0.51%

LAB 47.67, 45.65, -0.8

 

CMYK 0 / 63 / 41 / 36

HEX #A43C61

RGB 164 60 97

HSL 338.65, 0.46%, 0.44%

LAB 41.2, 46.25, 1.11

 

CMYK 0 / 71 / 47 / 42

HEX #932A4E

RGB 147 42 78

HSL 339.43, 0.56%, 0.37%

LAB 34.82, 46.48, 3.57

 

CMYK 0 / 82 / 55 / 49

HEX #82183B

RGB 130 24 59

HSL 340.19, 0.69%, 0.3%

LAB 28.68, 45.96, 6.9

 

CMYK 0 / 95 / 65 / 56

HEX #710628

RGB 113 6 40

HSL 340.93, 0.9%, 0.23%

LAB 22.98, 44.12, 11.46

 

CMYK 0 / 57 / 36 / 29

HEX #B54E74

RGB 181 78 116

HSL 337.86, 0.41%, 0.51%

LAB 47.67, 45.65, -0.8

 

CMYK 0 / 57 / 51 / 29

HEX #B54E58

RGB 181 78 88

HSL 354.17, 0.41%, 0.51%

LAB 46.94, 42.69, 15.16

 

CMYK 0 / 57 / 57 / 29

HEX #B54E4E

RGB 181 78 78

HSL 0, 0.41%, 0.51%

LAB 46.74, 41.84, 20.92

 

CMYK 0 / 57 / 36 / 29

HEX #B54E74

RGB 181 78 116

HSL 337.86, 0.41%, 0.51%

LAB 47.67, 45.65, -0.8

 

CMYK 0 / 57 / 20 / 29

HEX #B54E90

RGB 181 78 144

HSL 321.55, 0.41%, 0.51%

LAB 48.62, 49.4, -16.24

 

CMYK 0 / 57 / 6 / 29

HEX #B54EAB

RGB 181 78 171

HSL 305.83, 0.41%, 0.51%

LAB 49.75, 53.69, -30.48

 

CMYK 10 / 57 / 0 / 29

HEX #A34EB5

RGB 163 78 181

HSL 289.51, 0.41%, 0.51%

LAB 47.72, 50.64, -39.71

 

CMYK 25 / 57 / 0 / 29

HEX #874EB5

RGB 135 78 181

HSL 273.2, 0.41%, 0.51%

LAB 44.14, 43.31, -45.61

 

CMYK 0 / 57 / 36 / 29

HEX #B54E74

RGB 181 78 116

HSL 337.86, 0.41%, 0.51%

LAB 47.67, 45.65, -0.8

 

CMYK 0 / 71 / 45 / 21

HEX #C93A6F

RGB 201 58 111

HSL 337.76, 0.57%, 0.51%

LAB 47.74, 59.8, 2.75

 

CMYK 0 / 83 / 52 / 13

HEX #DD266A

RGB 221 38 106

HSL 337.7, 0.73%, 0.51%

LAB 49.25, 70.57, 8.47

 

CMYK 0 / 93 / 59 / 5

HEX #F11264

RGB 241 18 100

HSL 337.94, 0.89%, 0.51%

LAB 51.9, 78.22, 16.4

 

CMYK 0 / 57 / 36 / 29

HEX #B54E74

RGB 181 78 116

HSL 337.86, 0.41%, 0.51%

LAB 47.67, 45.65, -0.8

 

CMYK 0 / 39 / 25 / 37

HEX #A16379

RGB 161 99 121

HSL 338.71, 0.25%, 0.51%

LAB 49.35, 28.12, -1.67

 

CMYK 0 / 15 / 9 / 45

HEX #8C777F

RGB 140 119 127

HSL 337.14, 0.08%, 0.51%

LAB 52.18, 9.57, -1.35

 

CMYK 14 / 0 / 5 / 45

HEX #788B84

RGB 120 139 132

HSL 157.89, 0.08%, 0.51%

LAB 56.21, -8.3, 1.43

 

CMYK 37 / 0 / 14 / 38

HEX #649F89

RGB 100 159 137

HSL 157.63, 0.24%, 0.51%

LAB 61.06, -24.36, 5.44

 

CMYK 0 / 57 / 5 / 29

HEX #B54EAC

RGB 181 78 172

HSL 305.24, 0.41%, 0.51%

LAB 49.8, 53.86, -30.99

 

CMYK 0 / 57 / 20 / 29

HEX #B54E91

RGB 181 78 145

HSL 320.97, 0.41%, 0.51%

LAB 48.66, 49.55, -16.78

 

CMYK 0 / 57 / 35 / 29

HEX #B54E76

RGB 181 78 118

HSL 336.7, 0.41%, 0.51%

LAB 47.73, 45.89, -1.93

 

CMYK 0 / 57 / 50 / 29

HEX #B54E5A

RGB 181 78 90

HSL 353.01, 0.41%, 0.51%

LAB 46.99, 42.88, 14.01

 

CMYK 0 / 48 / 57 / 29

HEX #B55E4E

RGB 181 94 78

HSL 9.32, 0.41%, 0.51%

LAB 49.95, 33.64, 25.11

 

CMYK 0 / 58 / 37 / 51

HEX #7D344F

RGB 125 52 79

HSL 337.81, 0.41%, 0.35%

LAB 32.66, 34.64, -0.69

 

CMYK 0 / 58 / 37 / 40

HEX #9A4061

RGB 154 64 97

HSL 338, 0.41%, 0.43%

LAB 40.25, 41.02, -0.48

 

CMYK 0 / 57 / 36 / 29

HEX #B54E74

RGB 181 78 116

HSL 337.86, 0.41%, 0.51%

LAB 47.67, 45.65, -0.8

 

CMYK 0 / 45 / 28 / 24

HEX #C16B8B

RGB 193 107 139

HSL 337.67, 0.41%, 0.59%

LAB 55.8, 38.01, -2.35

 

CMYK 0 / 34 / 21 / 20

HEX #CD88A2

RGB 205 136 162

HSL 337.39, 0.41%, 0.67%

LAB 64.32, 30.05, -2.89

 

CMYK 0 / 57 / 36 / 29

HEX #B54E74

RGB 181 78 116

HSL 337.86, 0.41%, 0.51%

LAB 47.67, 45.65, -0.8

 

CMYK 0 / 10 / 57 / 29

HEX #B5A24E

RGB 181 162 78

HSL 48.93, 0.41%, 0.51%

LAB 66.68, -3.73, 45.51

 

CMYK 57 / 12 / 0 / 29

HEX #4E9FB5

RGB 78 159 181

HSL 192.82, 0.41%, 0.51%

LAB 61.44, -18.29, -18.91

 

CMYK 0 / 57 / 36 / 29

HEX #B54E74

RGB 181 78 116

HSL 337.86, 0.41%, 0.51%

LAB 47.67, 45.65, -0.8

 

CMYK 35 / 0 / 57 / 29

HEX #76B54E

RGB 118 181 78

HSL 96.7, 0.41%, 0.51%

LAB 67.61, -38.47, 45.43

 

CMYK 57 / 35 / 0 / 29

HEX #4E76B5

RGB 78 118 181

HSL 216.7, 0.41%, 0.51%

LAB 49.39, 5.07, -37.58

 

CMYK 0 / 57 / 36 / 29

HEX #B54E74

RGB 181 78 116

HSL 337.86, 0.41%, 0.51%

LAB 47.67, 45.65, -0.8

 

CMYK 0 / 10 / 57 / 29

HEX #B5A24E

RGB 181 162 78

HSL 48.93, 0.41%, 0.51%

LAB 66.68, -3.73, 45.51

 

CMYK 57 / 0 / 22 / 29

HEX #4EB58E

RGB 78 181 142

HSL 157.28, 0.41%, 0.51%

LAB 66.99, -39.3, 11

 

CMYK 57 / 46 / 0 / 29

HEX #4E61B5

RGB 78 97 181

HSL 228.93, 0.41%, 0.51%

LAB 43.51, 18.14, -46.9

 

CMYK 0 / 57 / 36 / 29

HEX #B54E74

RGB 181 78 116

HSL 337.86, 0.41%, 0.51%

LAB 47.67, 45.65, -0.8

 

CMYK 7 / 0 / 57 / 29

HEX #A9B54E

RGB 169 181 78

HSL 66.99, 0.41%, 0.51%

LAB 70.89, -18.7, 50.05

 

CMYK 57 / 0 / 22 / 29

HEX #4EB58E

RGB 78 181 142

HSL 157.28, 0.41%, 0.51%

LAB 66.99, -39.3, 11

 

CMYK 50 / 57 / 0 / 29

HEX #5A4EB5

RGB 90 78 181

HSL 246.99, 0.41%, 0.51%

LAB 39.51, 32.61, -53.3

 

Description

Color code: HEX #B54E74 | qconv.com Color code: HEX #B54E74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 78 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 78 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 36 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 36% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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