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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B55553 it is the complementary color #4AAAAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B55553. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B55553 shade: #BA554E, #CB6761, #DC7974, #ED8B87 and #FE9D9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B55553. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B55553 shade: #B55553, #A44340, #93312D, #821F1A and #710D07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B55553 shade: #B55553 and #B55353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B55553 shade: #B55553, #B57053, #B58A53, #B5A453 and #ABB553

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B55553 shade matches the following richer shades: #B55553, #C9423F, #DD2F2C and #F01C18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B55553 shade: #B55553, #A16867, #8D7B7B, #7A8E8F and #66A1A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B55553 shade: #B55386, #B5536C, #B55553, #B56F53 and #B58953

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B55553 shade: #7F3836, #9C4543, #B55553, #C17270 and #CE8E8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B55553 shade: #B55553, #A0B553 and #5379B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B55553 shade: #B55553, #53B555 and #5553B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B55553 shade: #B55553, #A0B553, #53B3B5 and #6853B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B55553 shade: #B55553, #82B553, #53B3B5 and #8653B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 54 / 29

HEX #B55553

RGB 181 85 83

HSL 1.22, 0.4%, 0.52%

LAB 48.19, 38.75, 19.85

 

Complementary color

CMYK 57 / 1 / 0 / 33

HEX #4AAAAC

RGB 74 170 172

HSL 181.22, 0.4%, 0.48%

LAB 64.31, -27.33, -9.55

 

CMYK 0 / 54 / 58 / 27

HEX #BA554E

RGB 186 85 78

HSL 3.89, 0.44%, 0.52%

LAB 48.87, 40.22, 23.85

 

CMYK 0 / 49 / 52 / 20

HEX #CB6761

RGB 203 103 97

HSL 3.4, 0.5%, 0.59%

LAB 55.34, 39.02, 21.74

 

CMYK 0 / 45 / 47 / 14

HEX #DC7974

RGB 220 121 116

HSL 2.88, 0.6%, 0.66%

LAB 61.78, 37.86, 19.93

 

CMYK 0 / 41 / 43 / 7

HEX #ED8B87

RGB 237 139 135

HSL 2.35, 0.74%, 0.73%

LAB 68.18, 36.78, 18.35

 

CMYK 0 / 38 / 39 / 0

HEX #FE9D9A

RGB 254 157 154

HSL 1.8, 0.98%, 0.8%

LAB 74.52, 35.78, 16.95

 

CMYK 0 / 53 / 54 / 29

HEX #B55553

RGB 181 85 83

HSL 1.22, 0.4%, 0.52%

LAB 48.19, 38.75, 19.85

 

CMYK 0 / 59 / 61 / 36

HEX #A44340

RGB 164 67 64

HSL 1.8, 0.44%, 0.45%

LAB 41.65, 39.91, 22.22

 

CMYK 0 / 67 / 69 / 42

HEX #93312D

RGB 147 49 45

HSL 2.35, 0.53%, 0.38%

LAB 35.18, 40.94, 25.12

 

CMYK 0 / 76 / 80 / 49

HEX #821F1A

RGB 130 31 26

HSL 2.88, 0.67%, 0.31%

LAB 28.9, 41.57, 28.68

 

CMYK 0 / 88 / 94 / 56

HEX #710D07

RGB 113 13 7

HSL 3.4, 0.88%, 0.24%

LAB 23.05, 41.2, 31.6

 

CMYK 0 / 53 / 54 / 29

HEX #B55553

RGB 181 85 83

HSL 1.22, 0.4%, 0.52%

LAB 48.19, 38.75, 19.85

 

CMYK 0 / 54 / 54 / 29

HEX #B55353

RGB 181 83 83

HSL 0, 0.4%, 0.52%

LAB 47.8, 39.77, 19.33

 

CMYK 0 / 53 / 54 / 29

HEX #B55553

RGB 181 85 83

HSL 1.22, 0.4%, 0.52%

LAB 48.19, 38.75, 19.85

 

CMYK 0 / 38 / 54 / 29

HEX #B57053

RGB 181 112 83

HSL 17.76, 0.4%, 0.52%

LAB 54.07, 24.27, 27.53

 

CMYK 0 / 24 / 54 / 29

HEX #B58A53

RGB 181 138 83

HSL 33.67, 0.4%, 0.52%

LAB 60.45, 9.79, 35.54

 

CMYK 0 / 9 / 54 / 29

HEX #B5A453

RGB 181 164 83

HSL 49.59, 0.4%, 0.52%

LAB 67.28, -4.39, 43.76

 

CMYK 6 / 0 / 54 / 29

HEX #ABB553

RGB 171 181 83

HSL 66.12, 0.4%, 0.52%

LAB 71.1, -17.45, 48

 

CMYK 0 / 53 / 54 / 29

HEX #B55553

RGB 181 85 83

HSL 1.22, 0.4%, 0.52%

LAB 48.19, 38.75, 19.85

 

CMYK 0 / 67 / 69 / 21

HEX #C9423F

RGB 201 66 63

HSL 1.3, 0.56%, 0.52%

LAB 47.85, 53.22, 31.91

 

CMYK 0 / 79 / 80 / 13

HEX #DD2F2C

RGB 221 47 44

HSL 1.02, 0.72%, 0.52%

LAB 48.99, 65.11, 44.86

 

CMYK 0 / 88 / 90 / 6

HEX #F01C18

RGB 240 28 24

HSL 1.11, 0.88%, 0.52%

LAB 51.18, 73.93, 57.58

 

CMYK 0 / 53 / 54 / 29

HEX #B55553

RGB 181 85 83

HSL 1.22, 0.4%, 0.52%

LAB 48.19, 38.75, 19.85

 

CMYK 0 / 35 / 36 / 37

HEX #A16867

RGB 161 104 103

HSL 1.03, 0.24%, 0.52%

LAB 50.05, 22.76, 10.05

 

CMYK 0 / 13 / 13 / 45

HEX #8D7B7B

RGB 141 123 123

HSL 0, 0.07%, 0.52%

LAB 53.23, 6.91, 2.54

 

CMYK 15 / 1 / 0 / 44

HEX #7A8E8F

RGB 122 142 143

HSL 182.86, 0.09%, 0.52%

LAB 57.53, -6.91, -2.95

 

CMYK 37 / 1 / 0 / 36

HEX #66A1A2

RGB 102 161 162

HSL 181, 0.24%, 0.52%

LAB 62.44, -18.84, -6.6

 

CMYK 0 / 54 / 26 / 29

HEX #B55386

RGB 181 83 134

HSL 328.78, 0.4%, 0.52%

LAB 49.17, 45.55, -9.42

 

CMYK 0 / 54 / 40 / 29

HEX #B5536C

RGB 181 83 108

HSL 344.69, 0.4%, 0.52%

LAB 48.38, 42.26, 5.07

 

CMYK 0 / 53 / 54 / 29

HEX #B55553

RGB 181 85 83

HSL 1.22, 0.4%, 0.52%

LAB 48.19, 38.75, 19.85

 

CMYK 0 / 39 / 54 / 29

HEX #B56F53

RGB 181 111 83

HSL 17.14, 0.4%, 0.52%

LAB 53.83, 24.82, 27.23

 

CMYK 0 / 24 / 54 / 29

HEX #B58953

RGB 181 137 83

HSL 33.06, 0.4%, 0.52%

LAB 60.19, 10.35, 35.23

 

CMYK 0 / 56 / 57 / 50

HEX #7F3836

RGB 127 56 54

HSL 1.64, 0.4%, 0.35%

LAB 33.15, 30.56, 16.18

 

CMYK 0 / 56 / 57 / 39

HEX #9C4543

RGB 156 69 67

HSL 1.35, 0.4%, 0.44%

LAB 40.78, 36.14, 19

 

CMYK 0 / 53 / 54 / 29

HEX #B55553

RGB 181 85 83

HSL 1.22, 0.4%, 0.52%

LAB 48.19, 38.75, 19.85

 

CMYK 0 / 41 / 42 / 24

HEX #C17270

RGB 193 114 112

HSL 1.48, 0.4%, 0.6%

LAB 56.63, 30.89, 14.57

 

CMYK 0 / 31 / 32 / 19

HEX #CE8E8D

RGB 206 142 141

HSL 0.92, 0.4%, 0.68%

LAB 65.27, 24.18, 10.37

 

CMYK 0 / 53 / 54 / 29

HEX #B55553

RGB 181 85 83

HSL 1.22, 0.4%, 0.52%

LAB 48.19, 38.75, 19.85

 

CMYK 12 / 0 / 54 / 29

HEX #A0B553

RGB 160 181 83

HSL 72.86, 0.4%, 0.52%

LAB 70.28, -21.95, 46.84

 

CMYK 54 / 33 / 0 / 29

HEX #5379B5

RGB 83 121 181

HSL 216.73, 0.4%, 0.52%

LAB 50.51, 4.35, -35.79

 

CMYK 0 / 53 / 54 / 29

HEX #B55553

RGB 181 85 83

HSL 1.22, 0.4%, 0.52%

LAB 48.19, 38.75, 19.85

 

CMYK 54 / 0 / 53 / 29

HEX #53B555

RGB 83 181 85

HSL 121.22, 0.4%, 0.52%

LAB 66.17, -48.44, 39.99

 

CMYK 53 / 54 / 0 / 29

HEX #5553B5

RGB 85 83 181

HSL 241.22, 0.4%, 0.52%

LAB 40.33, 28.46, -51.99

 

CMYK 0 / 53 / 54 / 29

HEX #B55553

RGB 181 85 83

HSL 1.22, 0.4%, 0.52%

LAB 48.19, 38.75, 19.85

 

CMYK 12 / 0 / 54 / 29

HEX #A0B553

RGB 160 181 83

HSL 72.86, 0.4%, 0.52%

LAB 70.28, -21.95, 46.84

 

CMYK 54 / 1 / 0 / 29

HEX #53B3B5

RGB 83 179 181

HSL 181.22, 0.4%, 0.52%

LAB 67.59, -27.49, -9.63

 

CMYK 43 / 54 / 0 / 29

HEX #6853B5

RGB 104 83 181

HSL 252.86, 0.4%, 0.52%

LAB 41.95, 32.73, -49.31

 

CMYK 0 / 53 / 54 / 29

HEX #B55553

RGB 181 85 83

HSL 1.22, 0.4%, 0.52%

LAB 48.19, 38.75, 19.85

 

CMYK 28 / 0 / 54 / 29

HEX #82B553

RGB 130 181 83

HSL 91.22, 0.4%, 0.52%

LAB 68.33, -33.62, 44.06

 

CMYK 54 / 1 / 0 / 29

HEX #53B3B5

RGB 83 179 181

HSL 181.22, 0.4%, 0.52%

LAB 67.59, -27.49, -9.63

 

CMYK 26 / 54 / 0 / 29

HEX #8653B5

RGB 134 83 181

HSL 271.22, 0.4%, 0.52%

LAB 45.07, 40.31, -44.14

 

Description

Color code: HEX #B55553 | qconv.com Color code: HEX #B55553 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 85 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 85 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 54 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 54% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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