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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B55E72 it is the complementary color #4AA18D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B55E72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B55E72 shade: #BA5E6D, #CB7080, #DC8293, #ED94A6 and #FEA6B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B55E72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B55E72 shade: #B55E72, #A44C5F, #933A4C, #822839 and #711626

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B55E72 shade: #B55E72 and #B55E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B55E72 shade: #B55E72, #B55E89, #B55EA1, #B15EB5 and #9A5EB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B55E72 shade matches the following richer shades: #B55E72, #C84B67, #DB385D and #EE2553

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B55E72 shade: #B55E72, #A2717C, #8F8486, #7C9791 and #69AA9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B55E72 shade: #B55EA0, #B55E89, #B55E72, #B5615E and #B5785E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B55E72 shade: #843C4D, #A0495D, #B55E72, #C27A8B and #CF96A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B55E72 shade: #B55E72, #B5B25E and #5E95B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B55E72 shade: #B55E72, #72B55E and #5E72B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B55E72 shade: #B55E72, #B5B25E, #5EB5A0 and #5E61B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B55E72 shade: #B55E72, #9DB55E, #5EB5A0 and #755EB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 37 / 29

HEX #B55E72

RGB 181 94 114

HSL 346.21, 0.37%, 0.54%

LAB 50.74, 37.31, 4.86

 

Complementary color

CMYK 54 / 0 / 12 / 37

HEX #4AA18D

RGB 74 161 141

HSL 166.21, 0.37%, 0.46%

LAB 60.67, -31.2, 2.48

 

CMYK 0 / 49 / 41 / 27

HEX #BA5E6D

RGB 186 94 109

HSL 350.22, 0.4%, 0.55%

LAB 51.32, 38.55, 8.77

 

CMYK 0 / 45 / 37 / 20

HEX #CB7080

RGB 203 112 128

HSL 349.45, 0.47%, 0.62%

LAB 57.89, 37.56, 7.25

 

CMYK 0 / 41 / 33 / 14

HEX #DC8293

RGB 220 130 147

HSL 348.67, 0.56%, 0.69%

LAB 64.39, 36.61, 5.95

 

CMYK 0 / 38 / 30 / 7

HEX #ED94A6

RGB 237 148 166

HSL 347.87, 0.71%, 0.75%

LAB 70.83, 35.72, 4.8

 

CMYK 0 / 35 / 27 / 0

HEX #FEA6B9

RGB 254 166 185

HSL 347.05, 0.98%, 0.82%

LAB 77.19, 34.89, 3.77

 

CMYK 0 / 48 / 37 / 29

HEX #B55E72

RGB 181 94 114

HSL 346.21, 0.37%, 0.54%

LAB 50.74, 37.31, 4.86

 

CMYK 0 / 54 / 42 / 36

HEX #A44C5F

RGB 164 76 95

HSL 347.05, 0.37%, 0.47%

LAB 44.07, 38.27, 6.48

 

CMYK 0 / 61 / 48 / 42

HEX #933A4C

RGB 147 58 76

HSL 347.87, 0.43%, 0.4%

LAB 37.39, 39.16, 8.51

 

CMYK 0 / 69 / 56 / 49

HEX #822839

RGB 130 40 57

HSL 348.67, 0.53%, 0.33%

LAB 30.78, 39.81, 11.14

 

CMYK 0 / 81 / 66 / 56

HEX #711626

RGB 113 22 38

HSL 349.45, 0.67%, 0.26%

LAB 24.4, 39.81, 14.72

 

CMYK 0 / 48 / 37 / 29

HEX #B55E72

RGB 181 94 114

HSL 346.21, 0.37%, 0.54%

LAB 50.74, 37.31, 4.86

 

CMYK 0 / 48 / 48 / 29

HEX #B55E5E

RGB 181 94 94

HSL 0, 0.37%, 0.54%

LAB 50.26, 35.09, 16.1

 

CMYK 0 / 48 / 37 / 29

HEX #B55E72

RGB 181 94 114

HSL 346.21, 0.37%, 0.54%

LAB 50.74, 37.31, 4.86

 

CMYK 0 / 48 / 24 / 29

HEX #B55E89

RGB 181 94 137

HSL 330.34, 0.37%, 0.54%

LAB 51.42, 40.38, -7.84

 

CMYK 0 / 48 / 11 / 29

HEX #B55EA1

RGB 181 94 161

HSL 313.79, 0.37%, 0.54%

LAB 52.29, 44.15, -20.69

 

CMYK 2 / 48 / 0 / 29

HEX #B15EB5

RGB 177 94 181

HSL 297.24, 0.37%, 0.54%

LAB 52.61, 46.5, -31.89

 

CMYK 15 / 48 / 0 / 29

HEX #9A5EB5

RGB 154 94 181

HSL 281.38, 0.37%, 0.54%

LAB 49.75, 39.78, -36.57

 

CMYK 0 / 48 / 37 / 29

HEX #B55E72

RGB 181 94 114

HSL 346.21, 0.37%, 0.54%

LAB 50.74, 37.31, 4.86

 

CMYK 0 / 63 / 49 / 22

HEX #C84B67

RGB 200 75 103

HSL 346.56, 0.53%, 0.54%

LAB 49.85, 51.95, 10.59

 

CMYK 0 / 74 / 58 / 14

HEX #DB385D

RGB 219 56 93

HSL 346.38, 0.69%, 0.54%

LAB 50.31, 64.19, 17.79

 

CMYK 0 / 84 / 65 / 7

HEX #EE2553

RGB 238 37 83

HSL 346.27, 0.86%, 0.54%

LAB 51.98, 73.65, 26.69

 

CMYK 0 / 48 / 37 / 29

HEX #B55E72

RGB 181 94 114

HSL 346.21, 0.37%, 0.54%

LAB 50.74, 37.31, 4.86

 

CMYK 0 / 30 / 23 / 36

HEX #A2717C

RGB 162 113 124

HSL 346.53, 0.21%, 0.54%

LAB 52.89, 21.02, 1.73

 

CMYK 0 / 8 / 6 / 44

HEX #8F8486

RGB 143 132 134

HSL 349.09, 0.05%, 0.54%

LAB 56.15, 4.51, 0.41

 

CMYK 18 / 0 / 4 / 41

HEX #7C9791

RGB 124 151 145

HSL 166.67, 0.11%, 0.54%

LAB 60.3, -10.73, -0

 

CMYK 38 / 0 / 9 / 33

HEX #69AA9B

RGB 105 170 155

HSL 166.15, 0.28%, 0.54%

LAB 65.06, -24.32, 1.18

 

CMYK 0 / 48 / 12 / 29

HEX #B55EA0

RGB 181 94 160

HSL 314.48, 0.37%, 0.54%

LAB 52.25, 43.98, -20.16

 

CMYK 0 / 48 / 24 / 29

HEX #B55E89

RGB 181 94 137

HSL 330.34, 0.37%, 0.54%

LAB 51.42, 40.38, -7.84

 

CMYK 0 / 48 / 37 / 29

HEX #B55E72

RGB 181 94 114

HSL 346.21, 0.37%, 0.54%

LAB 50.74, 37.31, 4.86

 

CMYK 0 / 46 / 48 / 29

HEX #B5615E

RGB 181 97 94

HSL 2.07, 0.37%, 0.54%

LAB 50.9, 33.5, 16.97

 

CMYK 0 / 34 / 48 / 29

HEX #B5785E

RGB 181 120 94

HSL 17.93, 0.37%, 0.54%

LAB 56.15, 20.87, 24.01

 

CMYK 0 / 55 / 42 / 48

HEX #843C4D

RGB 132 60 77

HSL 345.83, 0.38%, 0.38%

LAB 35.35, 32.75, 4.63

 

CMYK 0 / 54 / 42 / 37

HEX #A0495D

RGB 160 73 93

HSL 346.21, 0.37%, 0.46%

LAB 42.81, 38.13, 5.83

 

CMYK 0 / 48 / 37 / 29

HEX #B55E72

RGB 181 94 114

HSL 346.21, 0.37%, 0.54%

LAB 50.74, 37.31, 4.86

 

CMYK 0 / 37 / 28 / 24

HEX #C27A8B

RGB 194 122 139

HSL 345.83, 0.37%, 0.62%

LAB 59.21, 30.31, 2.63

 

CMYK 0 / 28 / 21 / 19

HEX #CF96A3

RGB 207 150 163

HSL 346.32, 0.37%, 0.7%

LAB 67.82, 23.3, 1.69

 

CMYK 0 / 48 / 37 / 29

HEX #B55E72

RGB 181 94 114

HSL 346.21, 0.37%, 0.54%

LAB 50.74, 37.31, 4.86

 

CMYK 0 / 2 / 48 / 29

HEX #B5B25E

RGB 181 178 94

HSL 57.93, 0.37%, 0.54%

LAB 71.2, -10.77, 42.99

 

CMYK 48 / 18 / 0 / 29

HEX #5E95B5

RGB 94 149 181

HSL 202.07, 0.37%, 0.54%

LAB 59.17, -9.28, -22.32

 

CMYK 0 / 48 / 37 / 29

HEX #B55E72

RGB 181 94 114

HSL 346.21, 0.37%, 0.54%

LAB 50.74, 37.31, 4.86

 

CMYK 37 / 0 / 48 / 29

HEX #72B55E

RGB 114 181 94

HSL 106.21, 0.37%, 0.54%

LAB 67.6, -37.94, 37.57

 

CMYK 48 / 37 / 0 / 29

HEX #5E72B5

RGB 94 114 181

HSL 226.21, 0.37%, 0.54%

LAB 49.19, 11.22, -37.83

 

CMYK 0 / 48 / 37 / 29

HEX #B55E72

RGB 181 94 114

HSL 346.21, 0.37%, 0.54%

LAB 50.74, 37.31, 4.86

 

CMYK 0 / 2 / 48 / 29

HEX #B5B25E

RGB 181 178 94

HSL 57.93, 0.37%, 0.54%

LAB 71.2, -10.77, 42.99

 

CMYK 48 / 0 / 12 / 29

HEX #5EB5A0

RGB 94 181 160

HSL 165.52, 0.37%, 0.54%

LAB 68, -31.41, 2.62

 

CMYK 48 / 46 / 0 / 29

HEX #5E61B5

RGB 94 97 181

HSL 237.93, 0.37%, 0.54%

LAB 44.61, 21.73, -45.09

 

CMYK 0 / 48 / 37 / 29

HEX #B55E72

RGB 181 94 114

HSL 346.21, 0.37%, 0.54%

LAB 50.74, 37.31, 4.86

 

CMYK 13 / 0 / 48 / 29

HEX #9DB55E

RGB 157 181 94

HSL 76.55, 0.37%, 0.54%

LAB 70.19, -22.07, 41.34

 

CMYK 48 / 0 / 12 / 29

HEX #5EB5A0

RGB 94 181 160

HSL 165.52, 0.37%, 0.54%

LAB 68, -31.41, 2.62

 

CMYK 35 / 48 / 0 / 29

HEX #755EB5

RGB 117 94 181

HSL 255.86, 0.37%, 0.54%

LAB 45.8, 29.41, -43.08

 

Description

Color code: HEX #B55E72 | qconv.com Color code: HEX #B55E72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 94 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 94 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 37 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 37% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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