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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B55F15 it is the complementary color #4AA0EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B55F15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B55F15 shade: #BA5F10, #CB7123, #DC8336, #ED9549 and #FEA75C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B55F15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B55F15 shade: #B55F15, #A44D02, #933B00, #822900 and #711700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B55F15 shade: #B65F15, #B63415 and #B61515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B55F15 shade: #B65F15, #B68B15, #B6B615, #8AB615 and #5FB615

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B55F15 shade matches the following richer shades: #B65F15 and #C75E04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B55F15 shade: #B65F15, #A66125, #956236, #856346 and #746457

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B55F15 shade: #B61522, #B63215, #B65D15, #B68815 and #B6B315

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B55F15 shade: #6C390C, #914C11, #B65F15, #DB7319 and #E78836

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B55F15 shade: #B55F15, #4DB615 and #1D15B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B55F15 shade: #B55F15, #15B65D and #5D15B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B55F15 shade: #B55F15, #4DB615, #156EB6 and #7E15B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B55F15 shade: #B55F15, #1DB615, #156EB6 and #AE15B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 88 / 29

HEX #B55F15

RGB 181 95 21

HSL 27.75, 0.79%, 0.4%

LAB 49.57, 30.22, 52.86

 

Complementary color

CMYK 68 / 32 / 0 / 8

HEX #4AA0EA

RGB 74 160 234

HSL 207.75, 0.79%, 0.6%

LAB 63.79, -2.54, -44.79

 

CMYK 0 / 49 / 91 / 27

HEX #BA5F10

RGB 186 95 16

HSL 27.88, 0.84%, 0.4%

LAB 50.29, 32.2, 55.23

 

CMYK 0 / 44 / 83 / 20

HEX #CB7123

RGB 203 113 35

HSL 27.86, 0.71%, 0.47%

LAB 56.71, 30.16, 55.11

 

CMYK 0 / 40 / 75 / 14

HEX #DC8336

RGB 220 131 54

HSL 27.83, 0.7%, 0.54%

LAB 63.11, 28.33, 54.07

 

CMYK 0 / 37 / 69 / 7

HEX #ED9549

RGB 237 149 73

HSL 27.8, 0.82%, 0.61%

LAB 69.46, 26.69, 52.66

 

CMYK 0 / 34 / 64 / 0

HEX #FEA75C

RGB 254 167 92

HSL 27.78, 0.99%, 0.68%

LAB 75.75, 25.24, 51.15

 

CMYK 0 / 48 / 88 / 29

HEX #B55F15

RGB 181 95 21

HSL 27.75, 0.79%, 0.4%

LAB 49.57, 30.22, 52.86

 

CMYK 0 / 53 / 99 / 36

HEX #A44D02

RGB 164 77 2

HSL 27.78, 0.98%, 0.33%

LAB 43.07, 32.39, 52.26

 

CMYK 0 / 60 / 100 / 42

HEX #933B00

RGB 147 59 0

HSL 24.08, 1%, 0.29%

LAB 36.61, 34.71, 47.68

 

CMYK 0 / 68 / 100 / 49

HEX #822900

RGB 130 41 0

HSL 18.92, 1%, 0.25%

LAB 30.23, 36.75, 42.19

 

CMYK 0 / 80 / 100 / 56

HEX #711700

RGB 113 23 0

HSL 12.21, 1%, 0.22%

LAB 24.08, 38, 35.49

 

CMYK 0 / 48 / 88 / 29

HEX #B65F15

RGB 182 95 21

HSL 27.58, 0.79%, 0.4%

LAB 49.72, 30.64, 53.04

 

CMYK 0 / 71 / 88 / 29

HEX #B63415

RGB 182 52 21

HSL 11.55, 0.79%, 0.4%

LAB 41.93, 50.9, 46.89

 

CMYK 0 / 88 / 88 / 29

HEX #B61515

RGB 182 21 21

HSL 0, 0.79%, 0.4%

LAB 38.79, 59.72, 44.42

 

CMYK 0 / 48 / 88 / 29

HEX #B65F15

RGB 182 95 21

HSL 27.58, 0.79%, 0.4%

LAB 49.72, 30.64, 53.04

 

CMYK 0 / 24 / 88 / 29

HEX #B68B15

RGB 182 139 21

HSL 43.98, 0.79%, 0.4%

LAB 60.31, 6.38, 61.44

 

CMYK 0 / 0 / 88 / 29

HEX #B6B615

RGB 182 182 21

HSL 60, 0.79%, 0.4%

LAB 71.86, -16.44, 70.64

 

CMYK 24 / 0 / 88 / 29

HEX #8AB615

RGB 138 182 21

HSL 76.4, 0.79%, 0.4%

LAB 68.69, -34.96, 66.75

 

CMYK 48 / 0 / 88 / 29

HEX #5FB615

RGB 95 182 21

HSL 92.42, 0.79%, 0.4%

LAB 66.48, -50.46, 64

 

CMYK 0 / 48 / 88 / 29

HEX #B65F15

RGB 182 95 21

HSL 27.58, 0.79%, 0.4%

LAB 49.72, 30.64, 53.04

 

CMYK 0 / 53 / 98 / 22

HEX #C75E04

RGB 199 94 4

HSL 27.69, 0.96%, 0.4%

LAB 52.01, 37.85, 60.03

 

CMYK 0 / 48 / 88 / 29

HEX #B65F15

RGB 182 95 21

HSL 27.58, 0.79%, 0.4%

LAB 49.72, 30.64, 53.04

 

CMYK 0 / 42 / 78 / 35

HEX #A66125

RGB 166 97 37

HSL 27.91, 0.64%, 0.4%

LAB 47.99, 23.21, 44.3

 

CMYK 0 / 34 / 64 / 42

HEX #956236

RGB 149 98 54

HSL 27.79, 0.47%, 0.4%

LAB 46.17, 16.1, 33.06

 

CMYK 0 / 26 / 47 / 48

HEX #856346

RGB 133 99 70

HSL 27.62, 0.31%, 0.4%

LAB 44.73, 9.85, 21.79

 

CMYK 0 / 14 / 25 / 55

HEX #746457

RGB 116 100 87

HSL 26.9, 0.14%, 0.4%

LAB 43.53, 4.15, 9.73

 

CMYK 0 / 88 / 81 / 29

HEX #B61522

RGB 182 21 34

HSL 355.16, 0.79%, 0.4%

LAB 38.89, 60.03, 37.7

 

CMYK 0 / 73 / 88 / 29

HEX #B63215

RGB 182 50 21

HSL 10.81, 0.79%, 0.4%

LAB 41.66, 51.65, 46.68

 

CMYK 0 / 49 / 88 / 29

HEX #B65D15

RGB 182 93 21

HSL 26.83, 0.79%, 0.4%

LAB 49.29, 31.7, 52.7

 

CMYK 0 / 25 / 88 / 29

HEX #B68815

RGB 182 136 21

HSL 42.86, 0.79%, 0.4%

LAB 59.53, 8.03, 60.82

 

CMYK 0 / 2 / 88 / 29

HEX #B6B315

RGB 182 179 21

HSL 58.88, 0.79%, 0.4%

LAB 71.04, -14.91, 69.98

 

CMYK 0 / 47 / 89 / 58

HEX #6C390C

RGB 108 57 12

HSL 28.13, 0.8%, 0.24%

LAB 29.77, 19.21, 35.32

 

CMYK 0 / 48 / 88 / 43

HEX #914C11

RGB 145 76 17

HSL 27.66, 0.79%, 0.32%

LAB 39.96, 25.1, 44.25

 

CMYK 0 / 48 / 88 / 29

HEX #B65F15

RGB 182 95 21

HSL 27.58, 0.79%, 0.4%

LAB 49.72, 30.64, 53.04

 

CMYK 0 / 47 / 89 / 14

HEX #DB7319

RGB 219 115 25

HSL 27.84, 0.8%, 0.48%

LAB 59.34, 35.43, 61.6

 

CMYK 0 / 41 / 77 / 9

HEX #E78836

RGB 231 136 54

HSL 27.8, 0.79%, 0.56%

LAB 65.64, 30.21, 57.05

 

CMYK 0 / 48 / 88 / 29

HEX #B55F15

RGB 181 95 21

HSL 27.75, 0.79%, 0.4%

LAB 49.57, 30.22, 52.86

 

CMYK 58 / 0 / 88 / 29

HEX #4DB615

RGB 77 182 21

HSL 99.13, 0.79%, 0.4%

LAB 65.82, -55.64, 63.17

 

CMYK 84 / 88 / 0 / 29

HEX #1D15B6

RGB 29 21 182

HSL 242.98, 0.79%, 0.4%

LAB 24.24, 56.27, -79.12

 

CMYK 0 / 48 / 88 / 29

HEX #B55F15

RGB 181 95 21

HSL 27.75, 0.79%, 0.4%

LAB 49.57, 30.22, 52.86

 

CMYK 88 / 0 / 49 / 29

HEX #15B65D

RGB 21 182 93

HSL 146.83, 0.79%, 0.4%

LAB 65.28, -57.94, 34.62

 

CMYK 49 / 88 / 0 / 29

HEX #5D15B6

RGB 93 21 182

HSL 266.83, 0.79%, 0.4%

LAB 30.01, 60.77, -69.38

 

CMYK 0 / 48 / 88 / 29

HEX #B55F15

RGB 181 95 21

HSL 27.75, 0.79%, 0.4%

LAB 49.57, 30.22, 52.86

 

CMYK 58 / 0 / 88 / 29

HEX #4DB615

RGB 77 182 21

HSL 99.13, 0.79%, 0.4%

LAB 65.82, -55.64, 63.17

 

CMYK 88 / 40 / 0 / 29

HEX #156EB6

RGB 21 110 182

HSL 206.83, 0.79%, 0.4%

LAB 45.2, 2.29, -44.91

 

CMYK 31 / 88 / 0 / 29

HEX #7E15B6

RGB 126 21 182

HSL 279.13, 0.79%, 0.4%

LAB 34.7, 64.91, -61.51

 

CMYK 0 / 48 / 88 / 29

HEX #B55F15

RGB 181 95 21

HSL 27.75, 0.79%, 0.4%

LAB 49.57, 30.22, 52.86

 

CMYK 84 / 0 / 88 / 29

HEX #1DB615

RGB 29 182 21

HSL 117.02, 0.79%, 0.4%

LAB 64.78, -64.45, 61.87

 

CMYK 88 / 40 / 0 / 29

HEX #156EB6

RGB 21 110 182

HSL 206.83, 0.79%, 0.4%

LAB 45.2, 2.29, -44.91

 

CMYK 4 / 88 / 0 / 29

HEX #AE15B6

RGB 174 21 182

HSL 297.02, 0.79%, 0.4%

LAB 42.63, 72.55, -48.29

 

Description

Color code: HEX #B55F15 | qconv.com Color code: HEX #B55F15 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 95 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 95 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 88 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 88% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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