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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B56834 it is the complementary color #4A97CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B56834. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B56834 shade: #BA682F, #CB7A42, #DC8C55, #ED9E68 and #FEB07B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B56834. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B56834 shade: #B56834, #A45621, #93440E, #823200 and #712000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B56834 shade: #B56834, #B54634 and #B53434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B56834 shade: #B56834, #B58B34, #B5AE34, #9AB534 and #77B534

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B56834 shade matches the following richer shades: #B56834, #C86521 and #DB610E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B56834 shade: #B56834, #A26C47, #8F705A, #7C736D and #697780

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B56834 shade: #B53445, #B54534, #B56834, #B58A34 and #B5AD34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B56834 shade: #754322, #95562B, #B56834, #CA7D49 and #D39469

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B56834 shade: #B56834, #68B534 and #3434B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B56834 shade: #B56834, #34B568 and #6834B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B56834 shade: #B56834, #68B534, #3482B5 and #8234B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B56834 shade: #B56834, #41B534, #3482B5 and #A834B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 71 / 29

HEX #B56834

RGB 181 104 52

HSL 24.19, 0.55%, 0.46%

LAB 51.81, 26.49, 41.63

 

Complementary color

CMYK 64 / 26 / 0 / 20

HEX #4A97CB

RGB 74 151 203

HSL 204.19, 0.55%, 0.54%

LAB 59.8, -7.78, -33.81

 

CMYK 0 / 44 / 75 / 27

HEX #BA682F

RGB 186 104 47

HSL 24.6, 0.6%, 0.46%

LAB 52.45, 28.34, 44.99

 

CMYK 0 / 40 / 67 / 20

HEX #CB7A42

RGB 203 122 66

HSL 24.53, 0.57%, 0.53%

LAB 58.98, 26.69, 43.3

 

CMYK 0 / 36 / 61 / 14

HEX #DC8C55

RGB 220 140 85

HSL 24.44, 0.66%, 0.6%

LAB 65.46, 25.24, 41.61

 

CMYK 0 / 33 / 56 / 7

HEX #ED9E68

RGB 237 158 104

HSL 24.36, 0.79%, 0.67%

LAB 71.86, 23.96, 39.99

 

CMYK 0 / 31 / 52 / 0

HEX #FEB07B

RGB 254 176 123

HSL 24.27, 0.98%, 0.74%

LAB 78.2, 22.82, 38.47

 

CMYK 0 / 43 / 71 / 29

HEX #B56834

RGB 181 104 52

HSL 24.19, 0.55%, 0.46%

LAB 51.81, 26.49, 41.63

 

CMYK 0 / 48 / 80 / 36

HEX #A45621

RGB 164 86 33

HSL 24.27, 0.66%, 0.39%

LAB 45.16, 28.27, 43.28

 

CMYK 0 / 54 / 90 / 42

HEX #93440E

RGB 147 68 14

HSL 24.36, 0.83%, 0.32%

LAB 38.5, 30.28, 44.27

 

CMYK 0 / 62 / 100 / 49

HEX #823200

RGB 130 50 0

HSL 23.08, 1%, 0.25%

LAB 31.87, 32.41, 43.34

 

CMYK 0 / 72 / 100 / 56

HEX #712000

RGB 113 32 0

HSL 16.99, 1%, 0.22%

LAB 25.39, 34.37, 36.76

 

CMYK 0 / 43 / 71 / 29

HEX #B56834

RGB 181 104 52

HSL 24.19, 0.55%, 0.46%

LAB 51.81, 26.49, 41.63

 

CMYK 0 / 61 / 71 / 29

HEX #B54634

RGB 181 70 52

HSL 8.37, 0.55%, 0.46%

LAB 44.87, 43.98, 33.89

 

CMYK 0 / 71 / 71 / 29

HEX #B53434

RGB 181 52 52

HSL 0, 0.55%, 0.46%

LAB 42.04, 51.63, 30.59

 

CMYK 0 / 43 / 71 / 29

HEX #B56834

RGB 181 104 52

HSL 24.19, 0.55%, 0.46%

LAB 51.81, 26.49, 41.63

 

CMYK 0 / 23 / 71 / 29

HEX #B58B34

RGB 181 139 52

HSL 40.47, 0.55%, 0.46%

LAB 60.37, 7.07, 50.67

 

CMYK 0 / 4 / 71 / 29

HEX #B5AE34

RGB 181 174 52

HSL 56.74, 0.55%, 0.46%

LAB 69.71, -11.72, 60.02

 

CMYK 15 / 0 / 71 / 29

HEX #9AB534

RGB 154 181 52

HSL 72.56, 0.55%, 0.46%

LAB 69.59, -26.71, 59.18

 

CMYK 34 / 0 / 71 / 29

HEX #77B534

RGB 119 181 52

HSL 88.84, 0.55%, 0.46%

LAB 67.44, -40.36, 56.33

 

CMYK 0 / 43 / 71 / 29

HEX #B56834

RGB 181 104 52

HSL 24.19, 0.55%, 0.46%

LAB 51.81, 26.49, 41.63

 

CMYK 0 / 50 / 84 / 22

HEX #C86521

RGB 200 101 33

HSL 24.43, 0.72%, 0.46%

LAB 53.7, 35.18, 53.08

 

CMYK 0 / 56 / 94 / 14

HEX #DB610E

RGB 219 97 14

HSL 24.29, 0.88%, 0.46%

LAB 55.73, 44.26, 61.89

 

CMYK 0 / 43 / 71 / 29

HEX #B56834

RGB 181 104 52

HSL 24.19, 0.55%, 0.46%

LAB 51.81, 26.49, 41.63

 

CMYK 0 / 33 / 56 / 36

HEX #A26C47

RGB 162 108 71

HSL 24.4, 0.39%, 0.46%

LAB 50.52, 17.43, 29.31

 

CMYK 0 / 22 / 37 / 44

HEX #8F705A

RGB 143 112 90

HSL 24.91, 0.23%, 0.46%

LAB 49.7, 9.01, 16.91

 

CMYK 0 / 7 / 12 / 51

HEX #7C736D

RGB 124 115 109

HSL 24, 0.06%, 0.46%

LAB 49.07, 2.36, 4.56

 

CMYK 18 / 7 / 0 / 50

HEX #697780

RGB 105 119 128

HSL 203.48, 0.1%, 0.46%

LAB 49.2, -3.13, -6.68

 

CMYK 0 / 71 / 62 / 29

HEX #B53445

RGB 181 52 69

HSL 352.09, 0.55%, 0.46%

LAB 42.32, 52.59, 20.6

 

CMYK 0 / 62 / 71 / 29

HEX #B54534

RGB 181 69 52

HSL 7.91, 0.55%, 0.46%

LAB 44.7, 44.44, 33.68

 

CMYK 0 / 43 / 71 / 29

HEX #B56834

RGB 181 104 52

HSL 24.19, 0.55%, 0.46%

LAB 51.81, 26.49, 41.63

 

CMYK 0 / 24 / 71 / 29

HEX #B58A34

RGB 181 138 52

HSL 40, 0.55%, 0.46%

LAB 60.11, 7.62, 50.41

 

CMYK 0 / 4 / 71 / 29

HEX #B5AD34

RGB 181 173 52

HSL 56.28, 0.55%, 0.46%

LAB 69.44, -11.2, 59.75

 

CMYK 0 / 43 / 71 / 54

HEX #754322

RGB 117 67 34

HSL 23.86, 0.55%, 0.3%

LAB 33.8, 18.46, 28.77

 

CMYK 0 / 42 / 71 / 42

HEX #95562B

RGB 149 86 43

HSL 24.34, 0.55%, 0.38%

LAB 43.09, 22.28, 35.48

 

CMYK 0 / 43 / 71 / 29

HEX #B56834

RGB 181 104 52

HSL 24.19, 0.55%, 0.46%

LAB 51.81, 26.49, 41.63

 

CMYK 0 / 38 / 64 / 21

HEX #CA7D49

RGB 202 125 73

HSL 24.19, 0.55%, 0.54%

LAB 59.62, 25.09, 40.4

 

CMYK 0 / 30 / 50 / 17

HEX #D39469

RGB 211 148 105

HSL 24.34, 0.55%, 0.62%

LAB 66.56, 18.86, 32.14

 

CMYK 0 / 43 / 71 / 29

HEX #B56834

RGB 181 104 52

HSL 24.19, 0.55%, 0.46%

LAB 51.81, 26.49, 41.63

 

CMYK 43 / 0 / 71 / 29

HEX #68B534

RGB 104 181 52

HSL 95.81, 0.55%, 0.46%

LAB 66.7, -45.56, 55.34

 

CMYK 71 / 71 / 0 / 29

HEX #3434B5

RGB 52 52 181

HSL 240, 0.55%, 0.46%

LAB 30.69, 42.28, -67.8

 

CMYK 0 / 43 / 71 / 29

HEX #B56834

RGB 181 104 52

HSL 24.19, 0.55%, 0.46%

LAB 51.81, 26.49, 41.63

 

CMYK 71 / 0 / 43 / 29

HEX #34B568

RGB 52 181 104

HSL 144.19, 0.55%, 0.46%

LAB 65.57, -52.06, 29.41

 

CMYK 43 / 71 / 0 / 29

HEX #6834B5

RGB 104 52 181

HSL 264.19, 0.55%, 0.46%

LAB 35.47, 50.01, -59.79

 

CMYK 0 / 43 / 71 / 29

HEX #B56834

RGB 181 104 52

HSL 24.19, 0.55%, 0.46%

LAB 51.81, 26.49, 41.63

 

CMYK 43 / 0 / 71 / 29

HEX #68B534

RGB 104 181 52

HSL 95.81, 0.55%, 0.46%

LAB 66.7, -45.56, 55.34

 

CMYK 71 / 28 / 0 / 29

HEX #3482B5

RGB 52 130 181

HSL 203.72, 0.55%, 0.46%

LAB 51.87, -6.82, -33.75

 

CMYK 28 / 71 / 0 / 29

HEX #8234B5

RGB 130 52 181

HSL 276.28, 0.55%, 0.46%

LAB 38.79, 55.02, -54.24

 

CMYK 0 / 43 / 71 / 29

HEX #B56834

RGB 181 104 52

HSL 24.19, 0.55%, 0.46%

LAB 51.81, 26.49, 41.63

 

CMYK 64 / 0 / 71 / 29

HEX #41B534

RGB 65 181 52

HSL 113.95, 0.55%, 0.46%

LAB 65.29, -56.4, 53.45

 

CMYK 71 / 28 / 0 / 29

HEX #3482B5

RGB 52 130 181

HSL 203.72, 0.55%, 0.46%

LAB 51.87, -6.82, -33.75

 

CMYK 7 / 71 / 0 / 29

HEX #A834B5

RGB 168 52 181

HSL 293.95, 0.55%, 0.46%

LAB 44.4, 63.05, -44.93

 

Description

Color code: HEX #B56834 | qconv.com Color code: HEX #B56834 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 104 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 104 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 71 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 71% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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