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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B56876 it is the complementary color #4A9789. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B56876. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B56876 shade: #BA6871, #CB7A84, #DC8C97, #ED9EAA and #FEB0BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B56876. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B56876 shade: #B56876, #A45663, #934450, #82323D and #71202A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B56876 shade: #B46876 and #B46868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B56876 shade: #B46876, #B4688B, #B4689F, #B468B4 and #A168B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B56876 shade matches the following richer shades: #B46876, #C7566A, #D9445F, #EB3253 and #FD2048

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B56876 shade: #B46876, #A27A82, #908C8D, #7E9F99 and #6CB1A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B56876 shade: #B4689F, #B4688A, #B46876, #B46F68 and #B48368

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B56876 shade: #88434F, #A3505F, #B46876, #C2848F and #D09FA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B56876 shade: #B56876, #B3B468 and #6895B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B56876 shade: #B56876, #76B468 and #6876B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B56876 shade: #B56876, #B3B468, #68B4A6 and #6968B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B56876 shade: #B56876, #9CB468, #68B4A6 and #8068B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 35 / 29

HEX #B56876

RGB 181 104 118

HSL 349.09, 0.34%, 0.56%

LAB 52.98, 32.45, 5.7

 

Complementary color

CMYK 51 / 0 / 9 / 41

HEX #4A9789

RGB 74 151 137

HSL 169.09, 0.34%, 0.44%

LAB 57.46, -27.36, 0.08

 

CMYK 0 / 44 / 39 / 27

HEX #BA6871

RGB 186 104 113

HSL 353.41, 0.37%, 0.57%

LAB 53.53, 33.72, 9.51

 

CMYK 0 / 40 / 35 / 20

HEX #CB7A84

RGB 203 122 132

HSL 352.59, 0.44%, 0.64%

LAB 60.14, 32.73, 8.15

 

CMYK 0 / 36 / 31 / 14

HEX #DC8C97

RGB 220 140 151

HSL 351.75, 0.53%, 0.71%

LAB 66.68, 31.82, 6.96

 

CMYK 0 / 33 / 28 / 7

HEX #ED9EAA

RGB 237 158 170

HSL 350.89, 0.69%, 0.77%

LAB 73.13, 30.98, 5.9

 

CMYK 0 / 31 / 26 / 0

HEX #FEB0BD

RGB 254 176 189

HSL 350, 0.98%, 0.84%

LAB 79.5, 30.2, 4.93

 

CMYK 0 / 43 / 35 / 29

HEX #B56876

RGB 181 104 118

HSL 349.09, 0.34%, 0.56%

LAB 52.98, 32.45, 5.7

 

CMYK 0 / 48 / 40 / 36

HEX #A45663

RGB 164 86 99

HSL 350, 0.31%, 0.49%

LAB 46.24, 33.45, 7.13

 

CMYK 0 / 54 / 46 / 42

HEX #934450

RGB 147 68 80

HSL 350.89, 0.37%, 0.42%

LAB 39.44, 34.49, 8.86

 

CMYK 0 / 62 / 53 / 49

HEX #82323D

RGB 130 50 61

HSL 351.75, 0.44%, 0.35%

LAB 32.62, 35.47, 11.05

 

CMYK 0 / 72 / 63 / 56

HEX #71202A

RGB 113 32 42

HSL 352.59, 0.56%, 0.28%

LAB 25.89, 36.18, 13.97

 

CMYK 0 / 42 / 34 / 29

HEX #B46876

RGB 180 104 118

HSL 348.95, 0.34%, 0.56%

LAB 52.85, 32.08, 5.5

 

CMYK 0 / 42 / 42 / 29

HEX #B46868

RGB 180 104 104

HSL 0, 0.34%, 0.56%

LAB 52.51, 30.39, 13.27

 

CMYK 0 / 42 / 34 / 29

HEX #B46876

RGB 180 104 118

HSL 348.95, 0.34%, 0.56%

LAB 52.85, 32.08, 5.5

 

CMYK 0 / 42 / 23 / 29

HEX #B4688B

RGB 180 104 139

HSL 332.37, 0.34%, 0.56%

LAB 53.46, 35.01, -6.01

 

CMYK 0 / 42 / 12 / 29

HEX #B4689F

RGB 180 104 159

HSL 316.58, 0.34%, 0.56%

LAB 54.14, 38.22, -16.7

 

CMYK 0 / 42 / 0 / 29

HEX #B468B4

RGB 180 104 180

HSL 300, 0.34%, 0.56%

LAB 54.97, 41.98, -27.62

 

CMYK 11 / 42 / 0 / 29

HEX #A168B4

RGB 161 104 180

HSL 285, 0.34%, 0.56%

LAB 52.7, 36.12, -31.32

 

CMYK 0 / 42 / 34 / 29

HEX #B46876

RGB 180 104 118

HSL 348.95, 0.34%, 0.56%

LAB 52.85, 32.08, 5.5

 

CMYK 0 / 57 / 47 / 22

HEX #C7566A

RGB 199 86 106

HSL 349.38, 0.5%, 0.56%

LAB 51.65, 46.85, 11.3

 

CMYK 0 / 69 / 56 / 15

HEX #D9445F

RGB 217 68 95

HSL 349.13, 0.66%, 0.56%

LAB 51.51, 59.53, 18.15

 

CMYK 0 / 79 / 65 / 8

HEX #EB3253

RGB 235 50 83

HSL 349.3, 0.82%, 0.56%

LAB 52.47, 69.82, 27.21

 

CMYK 0 / 87 / 72 / 1

HEX #FD2048

RGB 253 32 72

HSL 349.14, 0.98%, 0.56%

LAB 54.43, 77.84, 36.88

 

CMYK 0 / 42 / 34 / 29

HEX #B46876

RGB 180 104 118

HSL 348.95, 0.34%, 0.56%

LAB 52.85, 32.08, 5.5

 

CMYK 0 / 25 / 20 / 36

HEX #A27A82

RGB 162 122 130

HSL 348, 0.18%, 0.56%

LAB 55.29, 16.83, 1.71

 

CMYK 0 / 3 / 2 / 44

HEX #908C8D

RGB 144 140 141

HSL 345, 0.02%, 0.56%

LAB 58.61, 1.67, -0.01

 

CMYK 21 / 0 / 4 / 38

HEX #7E9F99

RGB 126 159 153

HSL 169.09, 0.15%, 0.56%

LAB 62.95, -12.64, -0.63

 

CMYK 39 / 0 / 7 / 31

HEX #6CB1A4

RGB 108 177 164

HSL 168.7, 0.31%, 0.56%

LAB 67.51, -24.88, -0.22

 

CMYK 0 / 42 / 12 / 29

HEX #B4689F

RGB 180 104 159

HSL 316.58, 0.34%, 0.56%

LAB 54.14, 38.22, -16.7

 

CMYK 0 / 42 / 23 / 29

HEX #B4688A

RGB 180 104 138

HSL 333.16, 0.34%, 0.56%

LAB 53.43, 34.86, -5.46

 

CMYK 0 / 42 / 34 / 29

HEX #B46876

RGB 180 104 118

HSL 348.95, 0.34%, 0.56%

LAB 52.85, 32.08, 5.5

 

CMYK 0 / 38 / 42 / 29

HEX #B46F68

RGB 180 111 104

HSL 5.53, 0.34%, 0.56%

LAB 54.1, 26.54, 15.47

 

CMYK 0 / 27 / 42 / 29

HEX #B48368

RGB 180 131 104

HSL 21.32, 0.34%, 0.56%

LAB 58.91, 15.38, 22.01

 

CMYK 0 / 51 / 42 / 47

HEX #88434F

RGB 136 67 79

HSL 349.57, 0.34%, 0.4%

LAB 37.5, 30.71, 6.52

 

CMYK 0 / 51 / 42 / 36

HEX #A3505F

RGB 163 80 95

HSL 349.16, 0.34%, 0.48%

LAB 44.73, 35.81, 7.4

 

CMYK 0 / 42 / 34 / 29

HEX #B46876

RGB 180 104 118

HSL 348.95, 0.34%, 0.56%

LAB 52.85, 32.08, 5.5

 

CMYK 0 / 32 / 26 / 24

HEX #C2848F

RGB 194 132 143

HSL 349.35, 0.34%, 0.64%

LAB 61.62, 25.39, 3.82

 

CMYK 0 / 24 / 19 / 18

HEX #D09FA8

RGB 208 159 168

HSL 348.98, 0.34%, 0.72%

LAB 70.2, 19.53, 2.38

 

CMYK 0 / 43 / 35 / 29

HEX #B56876

RGB 181 104 118

HSL 349.09, 0.34%, 0.56%

LAB 52.98, 32.45, 5.7

 

CMYK 1 / 0 / 42 / 29

HEX #B3B468

RGB 179 180 104

HSL 60.79, 0.34%, 0.56%

LAB 71.71, -11.62, 38.55

 

CMYK 42 / 17 / 0 / 29

HEX #6895B4

RGB 104 149 180

HSL 204.47, 0.34%, 0.56%

LAB 59.65, -7.02, -20.97

 

CMYK 0 / 43 / 35 / 29

HEX #B56876

RGB 181 104 118

HSL 349.09, 0.34%, 0.56%

LAB 52.98, 32.45, 5.7

 

CMYK 34 / 0 / 42 / 29

HEX #76B468

RGB 118 180 104

HSL 108.95, 0.34%, 0.56%

LAB 67.65, -34.76, 32.56

 

CMYK 42 / 34 / 0 / 29

HEX #6876B4

RGB 104 118 180

HSL 228.95, 0.34%, 0.56%

LAB 50.91, 11.06, -34.49

 

CMYK 0 / 43 / 35 / 29

HEX #B56876

RGB 181 104 118

HSL 349.09, 0.34%, 0.56%

LAB 52.98, 32.45, 5.7

 

CMYK 1 / 0 / 42 / 29

HEX #B3B468

RGB 179 180 104

HSL 60.79, 0.34%, 0.56%

LAB 71.71, -11.62, 38.55

 

CMYK 42 / 0 / 8 / 29

HEX #68B4A6

RGB 104 180 166

HSL 168.95, 0.34%, 0.56%

LAB 68.27, -26.96, -0.24

 

CMYK 42 / 42 / 0 / 29

HEX #6968B4

RGB 105 104 180

HSL 240.79, 0.34%, 0.56%

LAB 47.23, 19.86, -40.29

 

CMYK 0 / 43 / 35 / 29

HEX #B56876

RGB 181 104 118

HSL 349.09, 0.34%, 0.56%

LAB 52.98, 32.45, 5.7

 

CMYK 13 / 0 / 42 / 29

HEX #9CB468

RGB 156 180 104

HSL 78.95, 0.34%, 0.56%

LAB 69.97, -20.82, 36

 

CMYK 42 / 0 / 8 / 29

HEX #68B4A6

RGB 104 180 166

HSL 168.95, 0.34%, 0.56%

LAB 68.27, -26.96, -0.24

 

CMYK 29 / 42 / 0 / 29

HEX #8068B4

RGB 128 104 180

HSL 258.95, 0.34%, 0.56%

LAB 49.23, 26.23, -37

 

Description

Color code: HEX #B56876 | qconv.com Color code: HEX #B56876 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 104 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 104 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 35 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 35% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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