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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B562C1 it is the complementary color #4A9D3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B562C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B562C1 shade: #BA62BC, #CB74CF, #DC86E2, #ED98F5 and #FEAAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B562C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B562C1 shade: #B562C1, #A450AE, #933E9B, #822C88 and #711A75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B562C1 shade: #B462C0, #C062B2, #C06299, #C06280 and #C06266

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B562C1 shade: #B462C0, #9B62C0, #8162C0, #6862C0 and #6262C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B562C1 shade matches the following richer shades: #B462C0, #C150D2, #CF3EE3 and #DC2CF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B562C1 shade: #B462C0, #A773AE, #9A859D, #8C978B and #7FA979

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B562C1 shade: #8162C0, #9A62C0, #B362C0, #C062B3 and #C0629A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B562C1 shade: #893B94, #A447B2, #B462C0, #C27FCC and #D09DD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B562C1 shade: #B562C1, #C06862 and #62C08E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B562C1 shade: #B562C1, #C0B362 and #62C0B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B562C1 shade: #B562C1, #C06862, #6EC062 and #62BAC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B562C1 shade: #B562C1, #C08462, #6EC062 and #629DC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 49 / 0 / 24

HEX #B562C1

RGB 181 98 193

HSL 292.42, 0.43%, 0.57%

LAB 54.46, 47.9, -35.88

 

Complementary color

CMYK 53 / 0 / 61 / 38

HEX #4A9D3E

RGB 74 157 62

HSL 112.42, 0.43%, 0.43%

LAB 57.96, -44.15, 41.27

 

CMYK 1 / 48 / 0 / 26

HEX #BA62BC

RGB 186 98 188

HSL 298.67, 0.4%, 0.56%

LAB 54.87, 48.39, -32.32

 

CMYK 2 / 44 / 0 / 19

HEX #CB74CF

RGB 203 116 207

HSL 297.36, 0.49%, 0.63%

LAB 61.39, 47.68, -32.82

 

CMYK 3 / 41 / 0 / 11

HEX #DC86E2

RGB 220 134 226

HSL 296.09, 0.61%, 0.71%

LAB 67.84, 46.95, -33.25

 

CMYK 3 / 38 / 0 / 4

HEX #ED98F5

RGB 237 152 245

HSL 294.84, 0.82%, 0.78%

LAB 74.22, 46.21, -33.63

 

CMYK 0 / 33 / 0 / 0

HEX #FEAAFF

RGB 254 170 255

HSL 299.29, 1%, 0.83%

LAB 80.2, 43.85, -29.67

 

CMYK 6 / 49 / 0 / 24

HEX #B562C1

RGB 181 98 193

HSL 292.42, 0.43%, 0.57%

LAB 54.46, 47.9, -35.88

 

CMYK 6 / 54 / 0 / 32

HEX #A450AE

RGB 164 80 174

HSL 293.62, 0.37%, 0.5%

LAB 47.86, 48.55, -35.37

 

CMYK 5 / 60 / 0 / 39

HEX #933E9B

RGB 147 62 155

HSL 294.84, 0.43%, 0.43%

LAB 41.24, 49.04, -34.69

 

CMYK 4 / 68 / 0 / 47

HEX #822C88

RGB 130 44 136

HSL 296.09, 0.51%, 0.35%

LAB 34.65, 49.15, -33.71

 

CMYK 3 / 78 / 0 / 54

HEX #711A75

RGB 113 26 117

HSL 297.36, 0.64%, 0.28%

LAB 28.2, 48.54, -32.21

 

CMYK 6 / 49 / 0 / 25

HEX #B462C0

RGB 180 98 192

HSL 292.34, 0.43%, 0.57%

LAB 54.29, 47.42, -35.59

 

CMYK 0 / 49 / 7 / 25

HEX #C062B2

RGB 192 98 178

HSL 308.94, 0.43%, 0.57%

LAB 55.23, 48.39, -25.93

 

CMYK 0 / 49 / 20 / 25

HEX #C06299

RGB 192 98 153

HSL 324.89, 0.43%, 0.57%

LAB 54.28, 44.37, -12.83

 

CMYK 0 / 49 / 33 / 25

HEX #C06280

RGB 192 98 128

HSL 340.85, 0.43%, 0.57%

LAB 53.49, 40.9, 0.72

 

CMYK 0 / 49 / 47 / 25

HEX #C06266

RGB 192 98 102

HSL 357.45, 0.43%, 0.57%

LAB 52.84, 37.95, 15.16

 

CMYK 6 / 49 / 0 / 25

HEX #B462C0

RGB 180 98 192

HSL 292.34, 0.43%, 0.57%

LAB 54.29, 47.42, -35.59

 

CMYK 19 / 49 / 0 / 25

HEX #9B62C0

RGB 155 98 192

HSL 276.38, 0.43%, 0.57%

LAB 51.28, 40.31, -40.52

 

CMYK 33 / 49 / 0 / 25

HEX #8162C0

RGB 129 98 192

HSL 259.79, 0.43%, 0.57%

LAB 48.52, 33.18, -45.07

 

CMYK 46 / 49 / 0 / 25

HEX #6862C0

RGB 104 98 192

HSL 243.83, 0.43%, 0.57%

LAB 46.29, 26.86, -48.76

 

CMYK 49 / 49 / 0 / 25

HEX #6262C0

RGB 98 98 192

HSL 240, 0.43%, 0.57%

LAB 45.82, 25.46, -49.53

 

CMYK 6 / 49 / 0 / 25

HEX #B462C0

RGB 180 98 192

HSL 292.34, 0.43%, 0.57%

LAB 54.29, 47.42, -35.59

 

CMYK 8 / 62 / 0 / 18

HEX #C150D2

RGB 193 80 210

HSL 292.15, 0.59%, 0.57%

LAB 53.74, 62.82, -46.63

 

CMYK 9 / 73 / 0 / 11

HEX #CF3EE3

RGB 207 62 227

HSL 292.73, 0.75%, 0.57%

LAB 54.3, 75.76, -55.26

 

CMYK 10 / 82 / 0 / 4

HEX #DC2CF5

RGB 220 44 245

HSL 292.54, 0.91%, 0.57%

LAB 55.69, 86.07, -63.02

 

CMYK 6 / 49 / 0 / 25

HEX #B462C0

RGB 180 98 192

HSL 292.34, 0.43%, 0.57%

LAB 54.29, 47.42, -35.59

 

CMYK 4 / 34 / 0 / 32

HEX #A773AE

RGB 167 115 174

HSL 292.88, 0.27%, 0.57%

LAB 55.62, 30.63, -23.28

 

CMYK 2 / 15 / 0 / 38

HEX #9A859D

RGB 154 133 157

HSL 292.5, 0.11%, 0.57%

LAB 58.11, 12.45, -9.83

 

CMYK 7 / 0 / 8 / 41

HEX #8C978B

RGB 140 151 139

HSL 115, 0.05%, 0.57%

LAB 61.28, -6.3, 4.96

 

CMYK 25 / 0 / 28 / 34

HEX #7FA979

RGB 127 169 121

HSL 112.5, 0.22%, 0.57%

LAB 65.18, -23.7, 20.31

 

CMYK 33 / 49 / 0 / 25

HEX #8162C0

RGB 129 98 192

HSL 259.79, 0.43%, 0.57%

LAB 48.52, 33.18, -45.07

 

CMYK 20 / 49 / 0 / 25

HEX #9A62C0

RGB 154 98 192

HSL 275.74, 0.43%, 0.57%

LAB 51.16, 40.02, -40.71

 

CMYK 7 / 49 / 0 / 25

HEX #B362C0

RGB 179 98 192

HSL 291.7, 0.43%, 0.57%

LAB 54.16, 47.13, -35.79

 

CMYK 0 / 49 / 7 / 25

HEX #C062B3

RGB 192 98 179

HSL 308.3, 0.43%, 0.57%

LAB 55.27, 48.56, -26.44

 

CMYK 0 / 49 / 20 / 25

HEX #C0629A

RGB 192 98 154

HSL 324.26, 0.43%, 0.57%

LAB 54.32, 44.52, -13.36

 

CMYK 7 / 60 / 0 / 42

HEX #893B94

RGB 137 59 148

HSL 292.58, 0.43%, 0.41%

LAB 38.87, 46.44, -34.3

 

CMYK 8 / 60 / 0 / 30

HEX #A447B2

RGB 164 71 178

HSL 292.15, 0.43%, 0.49%

LAB 46.46, 53.66, -39.93

 

CMYK 6 / 49 / 0 / 25

HEX #B462C0

RGB 180 98 192

HSL 292.34, 0.43%, 0.57%

LAB 54.29, 47.42, -35.59

 

CMYK 5 / 38 / 0 / 20

HEX #C27FCC

RGB 194 127 204

HSL 292.21, 0.43%, 0.65%

LAB 62.51, 38.56, -29.47

 

CMYK 4 / 27 / 0 / 15

HEX #D09DD8

RGB 208 157 216

HSL 291.86, 0.43%, 0.73%

LAB 71.2, 29, -22.68

 

CMYK 6 / 49 / 0 / 24

HEX #B562C1

RGB 181 98 193

HSL 292.42, 0.43%, 0.57%

LAB 54.46, 47.9, -35.88

 

CMYK 0 / 46 / 49 / 25

HEX #C06862

RGB 192 104 98

HSL 3.83, 0.43%, 0.57%

LAB 54.02, 34.4, 19.11

 

CMYK 49 / 0 / 26 / 25

HEX #62C08E

RGB 98 192 142

HSL 148.09, 0.43%, 0.57%

LAB 71.04, -39.47, 16.78

 

CMYK 6 / 49 / 0 / 24

HEX #B562C1

RGB 181 98 193

HSL 292.42, 0.43%, 0.57%

LAB 54.46, 47.9, -35.88

 

CMYK 0 / 7 / 49 / 25

HEX #C0B362

RGB 192 179 98

HSL 51.7, 0.43%, 0.57%

LAB 72.45, -6.35, 42.73

 

CMYK 49 / 0 / 7 / 25

HEX #62C0B3

RGB 98 192 179

HSL 171.7, 0.43%, 0.57%

LAB 71.93, -31.08, -2.05

 

CMYK 6 / 49 / 0 / 24

HEX #B562C1

RGB 181 98 193

HSL 292.42, 0.43%, 0.57%

LAB 54.46, 47.9, -35.88

 

CMYK 0 / 46 / 49 / 25

HEX #C06862

RGB 192 104 98

HSL 3.83, 0.43%, 0.57%

LAB 54.02, 34.4, 19.11

 

CMYK 43 / 0 / 49 / 25

HEX #6EC062

RGB 110 192 98

HSL 112.34, 0.43%, 0.57%

LAB 70.8, -43.5, 39.5

 

CMYK 49 / 3 / 0 / 25

HEX #62BAC0

RGB 98 186 192

HSL 183.83, 0.43%, 0.57%

LAB 70.54, -24.78, -11.22

 

CMYK 6 / 49 / 0 / 24

HEX #B562C1

RGB 181 98 193

HSL 292.42, 0.43%, 0.57%

LAB 54.46, 47.9, -35.88

 

CMYK 0 / 31 / 49 / 25

HEX #C08462

RGB 192 132 98

HSL 21.7, 0.43%, 0.57%

LAB 60.42, 19.15, 27.6

 

CMYK 43 / 0 / 49 / 25

HEX #6EC062

RGB 110 192 98

HSL 112.34, 0.43%, 0.57%

LAB 70.8, -43.5, 39.5

 

CMYK 49 / 18 / 0 / 25

HEX #629DC0

RGB 98 157 192

HSL 202.34, 0.43%, 0.57%

LAB 62.1, -9.54, -24.01

 

Description

Color code: HEX #B562C1 | qconv.com Color code: HEX #B562C1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 98 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 98 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 49 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 49% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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