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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B56B6C it is the complementary color #4A9493. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B56B6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B56B6C shade: #BA6B67, #CB7D7A, #DC8F8D, #EDA1A0 and #FEB3B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B56B6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B56B6C shade: #B56B6C, #A45959, #934746, #823533 and #712320

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B56B6C shade: #B3696A and #B36969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B56B6C shade: #B3696A, #B3697E, #B36992, #B369A6 and #AD69B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B56B6C shade matches the following richer shades: #B3696A, #C55759, #D84547, #EA3335 and #FC2124

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B56B6C shade: #B3696A, #A17B7C, #8F8E8E, #7DA09F and #6BB2B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B56B6C shade: #B36992, #B3697E, #B3696B, #B37C69 and #B39069

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B56B6C shade: #874444, #A25152, #B3696A, #C18586 and #CFA0A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B56B6C shade: #B56B6C, #A6B369 and #6988B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B56B6C shade: #B56B6C, #6BB369 and #696BB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B56B6C shade: #B56B6C, #A6B369, #69B3B2 and #7769B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B56B6C shade: #B56B6C, #90B369, #69B3B2 and #8D69B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 40 / 29

HEX #B56B6C

RGB 181 107 108

HSL 359.19, 0.33%, 0.56%

LAB 53.41, 29.59, 12.19

 

Complementary color

CMYK 50 / 0 / 1 / 42

HEX #4A9493

RGB 74 148 147

HSL 179.19, 0.33%, 0.44%

LAB 56.82, -23.19, -6.57

 

CMYK 0 / 42 / 45 / 27

HEX #BA6B67

RGB 186 107 103

HSL 2.89, 0.38%, 0.57%

LAB 53.96, 30.98, 15.98

 

CMYK 0 / 38 / 40 / 20

HEX #CB7D7A

RGB 203 125 122

HSL 2.22, 0.44%, 0.64%

LAB 60.58, 29.92, 14.5

 

CMYK 0 / 35 / 36 / 14

HEX #DC8F8D

RGB 220 143 141

HSL 1.52, 0.53%, 0.71%

LAB 67.11, 28.96, 13.2

 

CMYK 0 / 32 / 32 / 7

HEX #EDA1A0

RGB 237 161 160

HSL 0.78, 0.68%, 0.78%

LAB 73.57, 28.09, 12.03

 

CMYK 0 / 30 / 30 / 0

HEX #FEB3B3

RGB 254 179 179

HSL 0, 0.97%, 0.85%

LAB 79.93, 27.3, 10.97

 

CMYK 0 / 41 / 40 / 29

HEX #B56B6C

RGB 181 107 108

HSL 359.19, 0.33%, 0.56%

LAB 53.41, 29.59, 12.19

 

CMYK 0 / 46 / 46 / 36

HEX #A45959

RGB 164 89 89

HSL 0, 0.3%, 0.5%

LAB 46.66, 30.68, 13.76

 

CMYK 0 / 52 / 52 / 42

HEX #934746

RGB 147 71 70

HSL 0.78, 0.35%, 0.43%

LAB 39.83, 31.86, 15.63

 

CMYK 0 / 59 / 61 / 49

HEX #823533

RGB 130 53 51

HSL 1.52, 0.44%, 0.35%

LAB 32.99, 33.08, 17.96

 

CMYK 0 / 69 / 72 / 56

HEX #712320

RGB 113 35 32

HSL 2.22, 0.56%, 0.28%

LAB 26.21, 34.16, 20.97

 

CMYK 0 / 41 / 41 / 30

HEX #B3696A

RGB 179 105 106

HSL 359.19, 0.33%, 0.56%

LAB 52.65, 29.68, 12.27

 

CMYK 0 / 41 / 41 / 30

HEX #B36969

RGB 179 105 105

HSL 0, 0.33%, 0.56%

LAB 52.63, 29.56, 12.82

 

CMYK 0 / 41 / 41 / 30

HEX #B3696A

RGB 179 105 106

HSL 359.19, 0.33%, 0.56%

LAB 52.65, 29.68, 12.27

 

CMYK 0 / 41 / 30 / 30

HEX #B3697E

RGB 179 105 126

HSL 342.97, 0.33%, 0.56%

LAB 53.16, 32.23, 1.2

 

CMYK 0 / 41 / 18 / 30

HEX #B36992

RGB 179 105 146

HSL 326.76, 0.33%, 0.56%

LAB 53.77, 35.2, -9.66

 

CMYK 0 / 41 / 7 / 30

HEX #B369A6

RGB 179 105 166

HSL 310.54, 0.33%, 0.56%

LAB 54.49, 38.57, -20.26

 

CMYK 3 / 41 / 0 / 30

HEX #AD69B3

RGB 173 105 179

HSL 295.14, 0.33%, 0.56%

LAB 54.28, 39.08, -28.17

 

CMYK 0 / 41 / 41 / 30

HEX #B3696A

RGB 179 105 106

HSL 359.19, 0.33%, 0.56%

LAB 52.65, 29.68, 12.27

 

CMYK 0 / 56 / 55 / 23

HEX #C55759

RGB 197 87 89

HSL 358.91, 0.49%, 0.56%

LAB 51.16, 44.14, 20.69

 

CMYK 0 / 68 / 67 / 15

HEX #D84547

RGB 216 69 71

HSL 359.18, 0.65%, 0.56%

LAB 51.05, 57.32, 31.75

 

CMYK 0 / 78 / 77 / 8

HEX #EA3335

RGB 234 51 53

HSL 359.34, 0.81%, 0.56%

LAB 51.97, 67.98, 43.86

 

CMYK 0 / 87 / 86 / 1

HEX #FC2124

RGB 252 33 36

HSL 359.18, 0.97%, 0.56%

LAB 53.93, 76.38, 55.58

 

CMYK 0 / 41 / 41 / 30

HEX #B3696A

RGB 179 105 106

HSL 359.19, 0.33%, 0.56%

LAB 52.65, 29.68, 12.27

 

CMYK 0 / 24 / 23 / 37

HEX #A17B7C

RGB 161 123 124

HSL 358.42, 0.17%, 0.56%

LAB 55.28, 14.92, 5.16

 

CMYK 0 / 1 / 1 / 44

HEX #8F8E8E

RGB 143 142 142

HSL 0, 0%, 0.56%

LAB 59.1, 0.37, 0.12

 

CMYK 22 / 0 / 1 / 37

HEX #7DA09F

RGB 125 160 159

HSL 178.29, 0.16%, 0.56%

LAB 63.35, -12.17, -3.44

 

CMYK 40 / 0 / 1 / 30

HEX #6BB2B1

RGB 107 178 177

HSL 179.15, 0.32%, 0.56%

LAB 68.12, -22.48, -6.51

 

CMYK 0 / 41 / 18 / 30

HEX #B36992

RGB 179 105 146

HSL 326.76, 0.33%, 0.56%

LAB 53.77, 35.2, -9.66

 

CMYK 0 / 41 / 30 / 30

HEX #B3697E

RGB 179 105 126

HSL 342.97, 0.33%, 0.56%

LAB 53.16, 32.23, 1.2

 

CMYK 0 / 41 / 40 / 30

HEX #B3696B

RGB 179 105 107

HSL 358.38, 0.33%, 0.56%

LAB 52.67, 29.8, 11.71

 

CMYK 0 / 31 / 41 / 30

HEX #B37C69

RGB 179 124 105

HSL 15.41, 0.33%, 0.56%

LAB 57.09, 19, 18.97

 

CMYK 0 / 20 / 41 / 30

HEX #B39069

RGB 179 144 105

HSL 31.62, 0.33%, 0.56%

LAB 62.13, 7.84, 25.71

 

CMYK 0 / 50 / 50 / 47

HEX #874444

RGB 135 68 68

HSL 0, 0.33%, 0.4%

LAB 37.3, 28.53, 13.14

 

CMYK 0 / 50 / 49 / 36

HEX #A25152

RGB 162 81 82

HSL 359.26, 0.33%, 0.48%

LAB 44.48, 33.51, 14.96

 

CMYK 0 / 41 / 41 / 30

HEX #B3696A

RGB 179 105 106

HSL 359.19, 0.33%, 0.56%

LAB 52.65, 29.68, 12.27

 

CMYK 0 / 31 / 31 / 24

HEX #C18586

RGB 193 133 134

HSL 359, 0.33%, 0.64%

LAB 61.51, 23.2, 8.79

 

CMYK 0 / 23 / 22 / 19

HEX #CFA0A1

RGB 207 160 161

HSL 358.72, 0.33%, 0.72%

LAB 70.16, 17.55, 6.19

 

CMYK 0 / 41 / 40 / 29

HEX #B56B6C

RGB 181 107 108

HSL 359.19, 0.33%, 0.56%

LAB 53.41, 29.59, 12.19

 

CMYK 7 / 0 / 41 / 30

HEX #A6B369

RGB 166 179 105

HSL 70.54, 0.33%, 0.56%

LAB 70.43, -16.25, 36.22

 

CMYK 41 / 24 / 0 / 30

HEX #6988B3

RGB 105 136 179

HSL 214.86, 0.33%, 0.56%

LAB 55.95, 0.38, -26.07

 

CMYK 0 / 41 / 40 / 29

HEX #B56B6C

RGB 181 107 108

HSL 359.19, 0.33%, 0.56%

LAB 53.41, 29.59, 12.19

 

CMYK 40 / 0 / 41 / 30

HEX #6BB369

RGB 107 179 105

HSL 118.38, 0.33%, 0.56%

LAB 66.81, -37.74, 30.86

 

CMYK 41 / 40 / 0 / 30

HEX #696BB3

RGB 105 107 179

HSL 238.38, 0.33%, 0.56%

LAB 47.97, 17.73, -38.54

 

CMYK 0 / 41 / 40 / 29

HEX #B56B6C

RGB 181 107 108

HSL 359.19, 0.33%, 0.56%

LAB 53.41, 29.59, 12.19

 

CMYK 7 / 0 / 41 / 30

HEX #A6B369

RGB 166 179 105

HSL 70.54, 0.33%, 0.56%

LAB 70.43, -16.25, 36.22

 

CMYK 41 / 0 / 1 / 30

HEX #69B3B2

RGB 105 179 178

HSL 179.19, 0.33%, 0.56%

LAB 68.36, -23.24, -6.73

 

CMYK 34 / 41 / 0 / 30

HEX #7769B3

RGB 119 105 179

HSL 251.35, 0.33%, 0.56%

LAB 48.61, 22.8, -37.45

 

CMYK 0 / 41 / 40 / 29

HEX #B56B6C

RGB 181 107 108

HSL 359.19, 0.33%, 0.56%

LAB 53.41, 29.59, 12.19

 

CMYK 20 / 0 / 41 / 30

HEX #90B369

RGB 144 179 105

HSL 88.38, 0.33%, 0.56%

LAB 68.89, -24.82, 33.94

 

CMYK 41 / 0 / 1 / 30

HEX #69B3B2

RGB 105 179 178

HSL 179.19, 0.33%, 0.56%

LAB 68.36, -23.24, -6.73

 

CMYK 21 / 41 / 0 / 30

HEX #8D69B3

RGB 141 105 179

HSL 269.19, 0.33%, 0.56%

LAB 50.71, 29.24, -34.01

 

Description

Color code: HEX #B56B6C | qconv.com Color code: HEX #B56B6C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 107 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 107 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 40 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 40% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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