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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B56C92 it is the complementary color #4A936D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B56C92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B56C92 shade: #BA6C8D, #CB7EA0, #DC90B3, #EDA2C6 and #FEB4D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B56C92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B56C92 shade: #B56C92, #A45A7F, #93486C, #823659 and #712446

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B56C92 shade: #B56D92, #B56D7F and #B56D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B56C92 shade: #B56D92, #B56DA6, #B16DB5, #9D6DB5 and #8A6DB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B56C92 shade matches the following richer shades: #B56D92, #C75B93, #D94994, #EA3795 and #FC2695

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B56C92 shade: #B56D92, #A37E92, #929091, #80A290 and #6EB48F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B56C92 shade: #B06DB5, #B56DA7, #B56D93, #B56D80 and #B56D6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B56C92 shade: #8A4569, #A5537E, #B56D92, #C388A7 and #D1A4BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B56C92 shade: #B56C92, #B59D6D and #6DB0B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B56C92 shade: #B56C92, #93B56D and #6D93B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B56C92 shade: #B56C92, #B59D6D, #6DB58E and #6D85B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B56C92 shade: #B56C92, #B5B36D, #6DB58E and #6D6FB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 19 / 29

HEX #B56C92

RGB 181 108 146

HSL 328.77, 0.33%, 0.57%

LAB 54.68, 34.27, -8.28

 

Complementary color

CMYK 50 / 0 / 26 / 42

HEX #4A936D

RGB 74 147 109

HSL 148.77, 0.33%, 0.43%

LAB 55.51, -32.05, 13.23

 

CMYK 0 / 42 / 24 / 27

HEX #BA6C8D

RGB 186 108 141

HSL 334.62, 0.36%, 0.58%

LAB 55.16, 35.28, -4.57

 

CMYK 0 / 38 / 21 / 20

HEX #CB7EA0

RGB 203 126 160

HSL 333.51, 0.43%, 0.65%

LAB 61.79, 34.44, -5.51

 

CMYK 0 / 35 / 19 / 14

HEX #DC90B3

RGB 220 144 179

HSL 332.37, 0.52%, 0.71%

LAB 68.33, 33.66, -6.35

 

CMYK 0 / 32 / 16 / 7

HEX #EDA2C6

RGB 237 162 198

HSL 331.2, 0.68%, 0.78%

LAB 74.78, 32.92, -7.11

 

CMYK 0 / 29 / 15 / 0

HEX #FEB4D9

RGB 254 180 217

HSL 330, 0.97%, 0.85%

LAB 81.14, 32.22, -7.81

 

CMYK 0 / 40 / 19 / 29

HEX #B56C92

RGB 181 108 146

HSL 328.77, 0.33%, 0.57%

LAB 54.68, 34.27, -8.28

 

CMYK 0 / 45 / 23 / 36

HEX #A45A7F

RGB 164 90 127

HSL 330, 0.29%, 0.5%

LAB 47.93, 35.11, -7.33

 

CMYK 0 / 51 / 27 / 42

HEX #93486C

RGB 147 72 108

HSL 331.2, 0.34%, 0.43%

LAB 41.09, 35.95, -6.2

 

CMYK 0 / 58 / 32 / 49

HEX #823659

RGB 130 54 89

HSL 332.37, 0.41%, 0.36%

LAB 34.2, 36.71, -4.77

 

CMYK 0 / 68 / 38 / 56

HEX #712446

RGB 113 36 70

HSL 333.51, 0.52%, 0.29%

LAB 27.34, 37.2, -2.84

 

CMYK 0 / 40 / 19 / 29

HEX #B56D92

RGB 181 109 146

HSL 329.17, 0.33%, 0.57%

LAB 54.9, 33.73, -7.95

 

CMYK 0 / 40 / 30 / 29

HEX #B56D7F

RGB 181 109 127

HSL 345, 0.33%, 0.57%

LAB 54.34, 30.92, 2.35

 

CMYK 0 / 40 / 40 / 29

HEX #B56D6D

RGB 181 109 109

HSL 0, 0.33%, 0.57%

LAB 53.88, 28.61, 12.27

 

CMYK 0 / 40 / 19 / 29

HEX #B56D92

RGB 181 109 146

HSL 329.17, 0.33%, 0.57%

LAB 54.9, 33.73, -7.95

 

CMYK 0 / 40 / 8 / 29

HEX #B56DA6

RGB 181 109 166

HSL 312.5, 0.33%, 0.57%

LAB 55.6, 37.06, -18.54

 

CMYK 2 / 40 / 0 / 29

HEX #B16DB5

RGB 177 109 181

HSL 296.67, 0.33%, 0.57%

LAB 55.71, 38.54, -27.08

 

CMYK 13 / 40 / 0 / 29

HEX #9D6DB5

RGB 157 109 181

HSL 280, 0.33%, 0.57%

LAB 53.43, 32.29, -30.79

 

CMYK 24 / 40 / 0 / 29

HEX #8A6DB5

RGB 138 109 181

HSL 264.17, 0.33%, 0.57%

LAB 51.47, 26.48, -34

 

CMYK 0 / 40 / 19 / 29

HEX #B56D92

RGB 181 109 146

HSL 329.17, 0.33%, 0.57%

LAB 54.9, 33.73, -7.95

 

CMYK 0 / 54 / 26 / 22

HEX #C75B93

RGB 199 91 147

HSL 328.89, 0.49%, 0.57%

LAB 53.74, 49.25, -10.02

 

CMYK 0 / 66 / 32 / 15

HEX #D94994

RGB 217 73 148

HSL 328.75, 0.65%, 0.57%

LAB 53.66, 62.66, -10.45

 

CMYK 0 / 76 / 36 / 8

HEX #EA3795

RGB 234 55 149

HSL 328.49, 0.81%, 0.57%

LAB 54.44, 73.3, -9.56

 

CMYK 0 / 85 / 41 / 1

HEX #FC2695

RGB 252 38 149

HSL 328.88, 0.97%, 0.57%

LAB 56.34, 81.5, -6.39

 

CMYK 0 / 40 / 19 / 29

HEX #B56D92

RGB 181 109 146

HSL 329.17, 0.33%, 0.57%

LAB 54.9, 33.73, -7.95

 

CMYK 0 / 23 / 10 / 36

HEX #A37E92

RGB 163 126 146

HSL 327.57, 0.17%, 0.57%

LAB 56.86, 17.64, -5.25

 

CMYK 0 / 1 / 1 / 43

HEX #929091

RGB 146 144 145

HSL 330, 0.01%, 0.57%

LAB 59.98, 0.93, -0.28

 

CMYK 21 / 0 / 11 / 36

HEX #80A290

RGB 128 162 144

HSL 148.24, 0.15%, 0.57%

LAB 63.71, -15.47, 5.53

 

CMYK 39 / 0 / 21 / 29

HEX #6EB48F

RGB 110 180 143

HSL 148.29, 0.32%, 0.57%

LAB 67.98, -30.43, 12.02

 

CMYK 3 / 40 / 0 / 29

HEX #B06DB5

RGB 176 109 181

HSL 295.83, 0.33%, 0.57%

LAB 55.59, 38.23, -27.27

 

CMYK 0 / 40 / 8 / 29

HEX #B56DA7

RGB 181 109 167

HSL 311.67, 0.33%, 0.57%

LAB 55.64, 37.24, -19.06

 

CMYK 0 / 40 / 19 / 29

HEX #B56D93

RGB 181 109 147

HSL 328.33, 0.33%, 0.57%

LAB 54.94, 33.88, -8.48

 

CMYK 0 / 40 / 29 / 29

HEX #B56D80

RGB 181 109 128

HSL 344.17, 0.33%, 0.57%

LAB 54.36, 31.06, 1.81

 

CMYK 0 / 40 / 40 / 29

HEX #B56D6D

RGB 181 109 109

HSL 0, 0.33%, 0.57%

LAB 53.88, 28.61, 12.27

 

CMYK 0 / 50 / 24 / 46

HEX #8A4569

RGB 138 69 105

HSL 328.7, 0.33%, 0.41%

LAB 39.04, 33.93, -7.54

 

CMYK 0 / 50 / 24 / 35

HEX #A5537E

RGB 165 83 126

HSL 328.54, 0.33%, 0.49%

LAB 46.57, 39.05, -8.75

 

CMYK 0 / 40 / 19 / 29

HEX #B56D92

RGB 181 109 146

HSL 329.17, 0.33%, 0.57%

LAB 54.9, 33.73, -7.95

 

CMYK 0 / 30 / 14 / 24

HEX #C388A7

RGB 195 136 167

HSL 328.47, 0.33%, 0.65%

LAB 63.34, 27.26, -7.29

 

CMYK 0 / 22 / 11 / 18

HEX #D1A4BB

RGB 209 164 187

HSL 329.33, 0.33%, 0.73%

LAB 72.02, 20.25, -5.45

 

CMYK 0 / 40 / 19 / 29

HEX #B56C92

RGB 181 108 146

HSL 328.77, 0.33%, 0.57%

LAB 54.68, 34.27, -8.28

 

CMYK 0 / 13 / 40 / 29

HEX #B59D6D

RGB 181 157 109

HSL 40, 0.33%, 0.57%

LAB 65.78, 1.99, 28.37

 

CMYK 40 / 3 / 0 / 29

HEX #6DB0B5

RGB 109 176 181

HSL 184.17, 0.33%, 0.57%

LAB 67.75, -19.92, -9.27

 

CMYK 0 / 40 / 19 / 29

HEX #B56C92

RGB 181 108 146

HSL 328.77, 0.33%, 0.57%

LAB 54.68, 34.27, -8.28

 

CMYK 19 / 0 / 40 / 29

HEX #93B56D

RGB 147 181 109

HSL 88.33, 0.33%, 0.57%

LAB 69.72, -24.15, 32.97

 

CMYK 40 / 19 / 0 / 29

HEX #6D93B5

RGB 109 147 181

HSL 208.33, 0.33%, 0.57%

LAB 59.39, -4.27, -21.9

 

CMYK 0 / 40 / 19 / 29

HEX #B56C92

RGB 181 108 146

HSL 328.77, 0.33%, 0.57%

LAB 54.68, 34.27, -8.28

 

CMYK 0 / 13 / 40 / 29

HEX #B59D6D

RGB 181 157 109

HSL 40, 0.33%, 0.57%

LAB 65.78, 1.99, 28.37

 

CMYK 40 / 0 / 22 / 29

HEX #6DB58E

RGB 109 181 142

HSL 147.5, 0.33%, 0.57%

LAB 68.21, -31.4, 12.89

 

CMYK 40 / 27 / 0 / 29

HEX #6D85B5

RGB 109 133 181

HSL 220, 0.33%, 0.57%

LAB 55.44, 3.79, -27.98

 

CMYK 0 / 40 / 19 / 29

HEX #B56C92

RGB 181 108 146

HSL 328.77, 0.33%, 0.57%

LAB 54.68, 34.27, -8.28

 

CMYK 0 / 1 / 40 / 29

HEX #B5B36D

RGB 181 179 109

HSL 58.33, 0.33%, 0.57%

LAB 71.67, -9.75, 35.97

 

CMYK 40 / 0 / 22 / 29

HEX #6DB58E

RGB 109 181 142

HSL 147.5, 0.33%, 0.57%

LAB 68.21, -31.4, 12.89

 

CMYK 40 / 39 / 0 / 29

HEX #6D6FB5

RGB 109 111 181

HSL 238.33, 0.33%, 0.57%

LAB 49.44, 16.95, -37.36

 

Description

Color code: HEX #B56C92 | qconv.com Color code: HEX #B56C92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 108 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 108 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 19 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 19% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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