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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B56CCA it is the complementary color #4A9335. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B56CCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B56CCA shade: #BA6CC5, #CB7ED8, #DC90EB, #EDA2FE and #FEB4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B56CCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B56CCA shade: #B56CCA, #A45AB7, #9348A4, #823691 and #71247E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B56CCA shade: #B56CCA, #CA6CC5, #CA6CAC, #CA6C93 and #CA6C7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B56CCA shade: #B56CCA, #9C6CCA, #826CCA and #6C6CCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B56CCA shade matches the following richer shades: #B56CCA, #BE5CDA, #C74CEA and #D03CFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B56CCA shade: #B56CCA, #AC7CBA, #A38CAA, #9A9D9A and #91AD89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B56CCA shade: #826CCA, #9B6CCA, #B46CCA, #CA6CC7 and #CA6CAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B56CCA shade: #903CA8, #A64EBF, #B56CCA, #C48BD5 and #D3A9E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B56CCA shade: #B56CCA, #CA6C6F and #6CCA8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B56CCA shade: #B56CCA, #CAB46C and #6CCAB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B56CCA shade: #B56CCA, #CA6C6F, #82CA6C and #6CCAC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B56CCA shade: #B56CCA, #CA856C, #82CA6C and #6CB1CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 47 / 0 / 21

HEX #B56CCA

RGB 181 108 202

HSL 286.6, 0.47%, 0.61%

LAB 56.89, 44.46, -37.21

 

Complementary color

CMYK 50 / 0 / 64 / 42

HEX #4A9335

RGB 74 147 53

HSL 106.6, 0.47%, 0.39%

LAB 54.64, -41.04, 41.69

 

CMYK 6 / 45 / 0 / 23

HEX #BA6CC5

RGB 186 108 197

HSL 292.58, 0.43%, 0.6%

LAB 57.27, 44.92, -33.74

 

CMYK 6 / 42 / 0 / 15

HEX #CB7ED8

RGB 203 126 216

HSL 291.33, 0.54%, 0.67%

LAB 63.82, 44.17, -34.1

 

CMYK 6 / 39 / 0 / 8

HEX #DC90EB

RGB 220 144 235

HSL 290.11, 0.69%, 0.74%

LAB 70.29, 43.42, -34.42

 

CMYK 7 / 36 / 0 / 0

HEX #EDA2FE

RGB 237 162 254

HSL 288.91, 0.98%, 0.82%

LAB 76.68, 42.69, -34.71

 

CMYK 0 / 29 / 0 / 0

HEX #FEB4FF

RGB 254 180 255

HSL 299.2, 1%, 0.85%

LAB 82.34, 38.65, -26.39

 

CMYK 10 / 47 / 0 / 21

HEX #B56CCA

RGB 181 108 202

HSL 286.6, 0.47%, 0.61%

LAB 56.89, 44.46, -37.21

 

CMYK 10 / 51 / 0 / 28

HEX #A45AB7

RGB 164 90 183

HSL 287.74, 0.39%, 0.54%

LAB 50.24, 45.22, -36.88

 

CMYK 10 / 56 / 0 / 36

HEX #9348A4

RGB 147 72 164

HSL 288.91, 0.39%, 0.46%

LAB 43.53, 45.9, -36.44

 

CMYK 10 / 63 / 0 / 43

HEX #823691

RGB 130 54 145

HSL 290.11, 0.46%, 0.39%

LAB 36.8, 46.4, -35.83

 

CMYK 10 / 71 / 0 / 51

HEX #71247E

RGB 113 36 126

HSL 291.33, 0.56%, 0.32%

LAB 30.11, 46.45, -34.88

 

CMYK 10 / 47 / 0 / 21

HEX #B56CCA

RGB 181 108 202

HSL 286.6, 0.47%, 0.61%

LAB 56.89, 44.46, -37.21

 

CMYK 0 / 47 / 2 / 21

HEX #CA6CC5

RGB 202 108 197

HSL 303.19, 0.47%, 0.61%

LAB 59.26, 49.65, -30.47

 

CMYK 0 / 47 / 15 / 21

HEX #CA6CAC

RGB 202 108 172

HSL 319.15, 0.47%, 0.61%

LAB 58.28, 45.44, -17.67

 

CMYK 0 / 47 / 27 / 21

HEX #CA6C93

RGB 202 108 147

HSL 335.11, 0.47%, 0.61%

LAB 57.45, 41.73, -4.45

 

CMYK 0 / 47 / 40 / 21

HEX #CA6C7A

RGB 202 108 122

HSL 351.06, 0.47%, 0.61%

LAB 56.77, 38.59, 9.13

 

CMYK 10 / 47 / 0 / 21

HEX #B56CCA

RGB 181 108 202

HSL 286.6, 0.47%, 0.61%

LAB 56.89, 44.46, -37.21

 

CMYK 23 / 47 / 0 / 21

HEX #9C6CCA

RGB 156 108 202

HSL 270.64, 0.47%, 0.61%

LAB 54.09, 37.32, -41.81

 

CMYK 36 / 47 / 0 / 21

HEX #826CCA

RGB 130 108 202

HSL 254.04, 0.47%, 0.61%

LAB 51.54, 30.23, -46.02

 

CMYK 47 / 47 / 0 / 21

HEX #6C6CCA

RGB 108 108 202

HSL 240, 0.47%, 0.61%

LAB 49.71, 24.72, -49.03

 

CMYK 10 / 47 / 0 / 21

HEX #B56CCA

RGB 181 108 202

HSL 286.6, 0.47%, 0.61%

LAB 56.89, 44.46, -37.21

 

CMYK 13 / 58 / 0 / 15

HEX #BE5CDA

RGB 190 92 218

HSL 286.67, 0.63%, 0.61%

LAB 55.75, 58.16, -48.01

 

CMYK 15 / 68 / 0 / 8

HEX #C74CEA

RGB 199 76 234

HSL 286.71, 0.79%, 0.61%

LAB 55.33, 70.3, -57.61

 

CMYK 17 / 76 / 0 / 2

HEX #D03CFA

RGB 208 60 250

HSL 286.74, 0.95%, 0.61%

LAB 55.63, 80.62, -66.01

 

CMYK 10 / 47 / 0 / 21

HEX #B56CCA

RGB 181 108 202

HSL 286.6, 0.47%, 0.61%

LAB 56.89, 44.46, -37.21

 

CMYK 8 / 33 / 0 / 27

HEX #AC7CBA

RGB 172 124 186

HSL 286.45, 0.31%, 0.61%

LAB 58.72, 29.63, -25.33

 

CMYK 4 / 18 / 0 / 33

HEX #A38CAA

RGB 163 140 170

HSL 286, 0.15%, 0.61%

LAB 61.17, 14.24, -12.58

 

CMYK 2 / 0 / 2 / 38

HEX #9A9D9A

RGB 154 157 154

HSL 120, 0.02%, 0.61%

LAB 64.42, -1.65, 1.18

 

CMYK 16 / 0 / 21 / 32

HEX #91AD89

RGB 145 173 137

HSL 106.67, 0.18%, 0.61%

LAB 67.81, -16.57, 15.37

 

CMYK 36 / 47 / 0 / 21

HEX #826CCA

RGB 130 108 202

HSL 254.04, 0.47%, 0.61%

LAB 51.54, 30.23, -46.02

 

CMYK 23 / 47 / 0 / 21

HEX #9B6CCA

RGB 155 108 202

HSL 270, 0.47%, 0.61%

LAB 53.98, 37.04, -41.99

 

CMYK 11 / 47 / 0 / 21

HEX #B46CCA

RGB 180 108 202

HSL 285.96, 0.47%, 0.61%

LAB 56.77, 44.17, -37.4

 

CMYK 0 / 47 / 1 / 21

HEX #CA6CC7

RGB 202 108 199

HSL 301.91, 0.47%, 0.61%

LAB 59.35, 50.01, -31.48

 

CMYK 0 / 47 / 14 / 21

HEX #CA6CAE

RGB 202 108 174

HSL 317.87, 0.47%, 0.61%

LAB 58.36, 45.76, -18.72

 

CMYK 14 / 64 / 0 / 34

HEX #903CA8

RGB 144 60 168

HSL 286.67, 0.47%, 0.45%

LAB 41.2, 51.77, -42.56

 

CMYK 13 / 59 / 0 / 25

HEX #A64EBF

RGB 166 78 191

HSL 286.73, 0.47%, 0.53%

LAB 48.66, 53.42, -44.01

 

CMYK 10 / 47 / 0 / 21

HEX #B56CCA

RGB 181 108 202

HSL 286.6, 0.47%, 0.61%

LAB 56.89, 44.46, -37.21

 

CMYK 8 / 35 / 0 / 16

HEX #C48BD5

RGB 196 139 213

HSL 286.22, 0.47%, 0.69%

LAB 65.75, 34.43, -29.49

 

CMYK 6 / 25 / 0 / 12

HEX #D3A9E0

RGB 211 169 224

HSL 285.82, 0.47%, 0.77%

LAB 74.58, 24.99, -21.89

 

CMYK 10 / 47 / 0 / 21

HEX #B56CCA

RGB 181 108 202

HSL 286.6, 0.47%, 0.61%

LAB 56.89, 44.46, -37.21

 

CMYK 0 / 47 / 45 / 21

HEX #CA6C6F

RGB 202 108 111

HSL 358.09, 0.47%, 0.61%

LAB 56.52, 37.39, 15.19

 

CMYK 47 / 0 / 29 / 21

HEX #6CCA8F

RGB 108 202 143

HSL 142.34, 0.47%, 0.61%

LAB 74.45, -41.1, 21.02

 

CMYK 10 / 47 / 0 / 21

HEX #B56CCA

RGB 181 108 202

HSL 286.6, 0.47%, 0.61%

LAB 56.89, 44.46, -37.21

 

CMYK 0 / 11 / 47 / 21

HEX #CAB46C

RGB 202 180 108

HSL 45.96, 0.47%, 0.61%

LAB 73.73, -1.78, 39.46

 

CMYK 47 / 0 / 11 / 21

HEX #6CCAB4

RGB 108 202 180

HSL 165.96, 0.47%, 0.61%

LAB 75.28, -33.22, 2.35

 

CMYK 10 / 47 / 0 / 21

HEX #B56CCA

RGB 181 108 202

HSL 286.6, 0.47%, 0.61%

LAB 56.89, 44.46, -37.21

 

CMYK 0 / 47 / 45 / 21

HEX #CA6C6F

RGB 202 108 111

HSL 358.09, 0.47%, 0.61%

LAB 56.52, 37.39, 15.19

 

CMYK 36 / 0 / 47 / 21

HEX #82CA6C

RGB 130 202 108

HSL 105.96, 0.47%, 0.61%

LAB 74.87, -40.14, 39.8

 

CMYK 47 / 0 / 1 / 21

HEX #6CCAC7

RGB 108 202 199

HSL 178.09, 0.47%, 0.61%

LAB 75.79, -28.57, -7.16

 

CMYK 10 / 47 / 0 / 21

HEX #B56CCA

RGB 181 108 202

HSL 286.6, 0.47%, 0.61%

LAB 56.89, 44.46, -37.21

 

CMYK 0 / 34 / 47 / 21

HEX #CA856C

RGB 202 133 108

HSL 15.96, 0.47%, 0.61%

LAB 62.01, 23.67, 24.35

 

CMYK 36 / 0 / 47 / 21

HEX #82CA6C

RGB 130 202 108

HSL 105.96, 0.47%, 0.61%

LAB 74.87, -40.14, 39.8

 

CMYK 47 / 12 / 0 / 21

HEX #6CB1CA

RGB 108 177 202

HSL 195.96, 0.47%, 0.61%

LAB 68.68, -15.11, -19.48

 

Description

Color code: HEX #B56CCA | qconv.com Color code: HEX #B56CCA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 108 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 108 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 47 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 47% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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