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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B56D83 it is the complementary color #4A927C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B56D83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B56D83 shade: #BA6D7E, #CB7F91, #DC91A4, #EDA3B7 and #FEB5CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B56D83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B56D83 shade: #B56D83, #A45B70, #93495D, #82374A and #712537

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B56D83 shade: #B56D83, #B56D6F and #B56D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B56D83 shade: #B56D83, #B56D96, #B56DAA, #AD6DB5 and #996DB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B56D83 shade matches the following richer shades: #B56D83, #C75B7C, #D94975, #EA376E and #FC2667

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B56D83 shade: #B56D83, #A37E8A, #929091, #80A297 and #6EB49E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B56D83 shade: #B56DAA, #B56D97, #B56D84, #B56D70 and #B57C6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B56D83 shade: #8A455A, #A5536C, #B56D83, #C3889A and #D1A4B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B56D83 shade: #B56D83, #B5AD6D and #6DA1B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B56D83 shade: #B56D83, #84B56D and #6D84B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B56D83 shade: #B56D83, #B5AD6D, #6DB59E and #6D75B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B56D83 shade: #B56D83, #A8B56D, #6DB59E and #7A6DB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 28 / 29

HEX #B56D83

RGB 181 109 131

HSL 341.67, 0.33%, 0.57%

LAB 54.45, 31.48, 0.17

 

Complementary color

CMYK 49 / 0 / 15 / 43

HEX #4A927C

RGB 74 146 124

HSL 161.67, 0.33%, 0.43%

LAB 55.55, -28.14, 4.75

 

CMYK 0 / 41 / 32 / 27

HEX #BA6D7E

RGB 186 109 126

HSL 346.75, 0.36%, 0.58%

LAB 54.95, 32.65, 3.91

 

CMYK 0 / 37 / 29 / 20

HEX #CB7F91

RGB 203 127 145

HSL 345.79, 0.42%, 0.65%

LAB 61.58, 31.74, 2.77

 

CMYK 0 / 34 / 25 / 14

HEX #DC91A4

RGB 220 145 164

HSL 344.8, 0.52%, 0.72%

LAB 68.13, 30.91, 1.76

 

CMYK 0 / 31 / 23 / 7

HEX #EDA3B7

RGB 237 163 183

HSL 343.78, 0.67%, 0.78%

LAB 74.58, 30.14, 0.85

 

CMYK 0 / 29 / 20 / 0

HEX #FEB5CA

RGB 254 181 202

HSL 342.74, 0.97%, 0.85%

LAB 80.95, 29.42, 0.01

 

CMYK 0 / 40 / 28 / 29

HEX #B56D83

RGB 181 109 131

HSL 341.67, 0.33%, 0.57%

LAB 54.45, 31.48, 0.17

 

CMYK 0 / 45 / 32 / 36

HEX #A45B70

RGB 164 91 112

HSL 342.74, 0.29%, 0.5%

LAB 47.68, 32.39, 1.34

 

CMYK 0 / 50 / 37 / 42

HEX #93495D

RGB 147 73 93

HSL 343.78, 0.34%, 0.43%

LAB 40.83, 33.35, 2.73

 

CMYK 0 / 58 / 43 / 49

HEX #82374A

RGB 130 55 74

HSL 344.8, 0.41%, 0.36%

LAB 33.93, 34.29, 4.48

 

CMYK 0 / 67 / 51 / 56

HEX #712537

RGB 113 37 55

HSL 345.79, 0.51%, 0.29%

LAB 27.04, 35.05, 6.8

 

CMYK 0 / 40 / 28 / 29

HEX #B56D83

RGB 181 109 131

HSL 341.67, 0.33%, 0.57%

LAB 54.45, 31.48, 0.17

 

CMYK 0 / 40 / 39 / 29

HEX #B56D6F

RGB 181 109 111

HSL 358.33, 0.33%, 0.57%

LAB 53.93, 28.85, 11.16

 

CMYK 0 / 40 / 40 / 29

HEX #B56D6D

RGB 181 109 109

HSL 0, 0.33%, 0.57%

LAB 53.88, 28.61, 12.27

 

CMYK 0 / 40 / 28 / 29

HEX #B56D83

RGB 181 109 131

HSL 341.67, 0.33%, 0.57%

LAB 54.45, 31.48, 0.17

 

CMYK 0 / 40 / 17 / 29

HEX #B56D96

RGB 181 109 150

HSL 325.83, 0.33%, 0.57%

LAB 55.03, 34.36, -10.09

 

CMYK 0 / 40 / 6 / 29

HEX #B56DAA

RGB 181 109 170

HSL 309.17, 0.33%, 0.57%

LAB 55.75, 37.77, -20.63

 

CMYK 4 / 40 / 0 / 29

HEX #AD6DB5

RGB 173 109 181

HSL 293.33, 0.33%, 0.57%

LAB 55.23, 37.29, -27.85

 

CMYK 15 / 40 / 0 / 29

HEX #996DB5

RGB 153 109 181

HSL 276.67, 0.33%, 0.57%

LAB 53, 31.05, -31.49

 

CMYK 0 / 40 / 28 / 29

HEX #B56D83

RGB 181 109 131

HSL 341.67, 0.33%, 0.57%

LAB 54.45, 31.48, 0.17

 

CMYK 0 / 54 / 38 / 22

HEX #C75B7C

RGB 199 91 124

HSL 341.67, 0.49%, 0.57%

LAB 53.04, 46.35, 2.55

 

CMYK 0 / 66 / 46 / 15

HEX #D94975

RGB 217 73 117

HSL 341.67, 0.65%, 0.57%

LAB 52.73, 59.41, 6.66

 

CMYK 0 / 76 / 53 / 8

HEX #EA376E

RGB 234 55 110

HSL 341.56, 0.81%, 0.57%

LAB 53.33, 69.86, 12.13

 

CMYK 0 / 85 / 59 / 1

HEX #FC2667

RGB 252 38 103

HSL 341.78, 0.97%, 0.57%

LAB 55.14, 78.07, 19.35

 

CMYK 0 / 40 / 28 / 29

HEX #B56D83

RGB 181 109 131

HSL 341.67, 0.33%, 0.57%

LAB 54.45, 31.48, 0.17

 

CMYK 0 / 23 / 15 / 36

HEX #A37E8A

RGB 163 126 138

HSL 340.54, 0.17%, 0.57%

LAB 56.63, 16.25, -0.97

 

CMYK 0 / 1 / 1 / 43

HEX #929091

RGB 146 144 145

HSL 330, 0.01%, 0.57%

LAB 59.98, 0.93, -0.28

 

CMYK 21 / 0 / 7 / 36

HEX #80A297

RGB 128 162 151

HSL 160.59, 0.15%, 0.57%

LAB 63.89, -14.01, 1.87

 

CMYK 39 / 0 / 12 / 29

HEX #6EB49E

RGB 110 180 158

HSL 161.14, 0.32%, 0.57%

LAB 68.33, -27.2, 4.29

 

CMYK 0 / 40 / 6 / 29

HEX #B56DAA

RGB 181 109 170

HSL 309.17, 0.33%, 0.57%

LAB 55.75, 37.77, -20.63

 

CMYK 0 / 40 / 17 / 29

HEX #B56D97

RGB 181 109 151

HSL 325, 0.33%, 0.57%

LAB 55.07, 34.52, -10.62

 

CMYK 0 / 40 / 27 / 29

HEX #B56D84

RGB 181 109 132

HSL 340.83, 0.33%, 0.57%

LAB 54.48, 31.62, -0.38

 

CMYK 0 / 40 / 38 / 29

HEX #B56D70

RGB 181 109 112

HSL 357.5, 0.33%, 0.57%

LAB 53.95, 28.97, 10.61

 

CMYK 0 / 31 / 40 / 29

HEX #B57C6D

RGB 181 124 109

HSL 12.5, 0.33%, 0.57%

LAB 57.41, 20.28, 17.15

 

CMYK 0 / 50 / 35 / 46

HEX #8A455A

RGB 138 69 90

HSL 341.74, 0.33%, 0.41%

LAB 38.55, 31.77, 1.13

 

CMYK 0 / 50 / 35 / 35

HEX #A5536C

RGB 165 83 108

HSL 341.71, 0.33%, 0.49%

LAB 46, 36.54, 1.33

 

CMYK 0 / 40 / 28 / 29

HEX #B56D83

RGB 181 109 131

HSL 341.67, 0.33%, 0.57%

LAB 54.45, 31.48, 0.17

 

CMYK 0 / 30 / 21 / 24

HEX #C3889A

RGB 195 136 154

HSL 341.69, 0.33%, 0.65%

LAB 62.96, 25.19, -0.47

 

CMYK 0 / 22 / 15 / 18

HEX #D1A4B1

RGB 209 164 177

HSL 342.67, 0.33%, 0.73%

LAB 71.74, 18.59, -0.34

 

CMYK 0 / 40 / 28 / 29

HEX #B56D83

RGB 181 109 131

HSL 341.67, 0.33%, 0.57%

LAB 54.45, 31.48, 0.17

 

CMYK 0 / 4 / 40 / 29

HEX #B5AD6D

RGB 181 173 109

HSL 53.33, 0.33%, 0.57%

LAB 70.05, -6.6, 33.9

 

CMYK 40 / 11 / 0 / 29

HEX #6DA1B5

RGB 109 161 181

HSL 196.67, 0.33%, 0.57%

LAB 63.41, -12, -15.8

 

CMYK 0 / 40 / 28 / 29

HEX #B56D83

RGB 181 109 131

HSL 341.67, 0.33%, 0.57%

LAB 54.45, 31.48, 0.17

 

CMYK 27 / 0 / 40 / 29

HEX #84B56D

RGB 132 181 109

HSL 100.83, 0.33%, 0.57%

LAB 68.79, -29.66, 31.59

 

CMYK 40 / 27 / 0 / 29

HEX #6D84B5

RGB 109 132 181

HSL 220.83, 0.33%, 0.57%

LAB 55.16, 4.37, -28.42

 

CMYK 0 / 40 / 28 / 29

HEX #B56D83

RGB 181 109 131

HSL 341.67, 0.33%, 0.57%

LAB 54.45, 31.48, 0.17

 

CMYK 0 / 4 / 40 / 29

HEX #B5AD6D

RGB 181 173 109

HSL 53.33, 0.33%, 0.57%

LAB 70.05, -6.6, 33.9

 

CMYK 40 / 0 / 13 / 29

HEX #6DB59E

RGB 109 181 158

HSL 160.83, 0.33%, 0.57%

LAB 68.58, -27.96, 4.65

 

CMYK 40 / 35 / 0 / 29

HEX #6D75B5

RGB 109 117 181

HSL 233.33, 0.33%, 0.57%

LAB 51.05, 13.31, -34.84

 

CMYK 0 / 40 / 28 / 29

HEX #B56D83

RGB 181 109 131

HSL 341.67, 0.33%, 0.57%

LAB 54.45, 31.48, 0.17

 

CMYK 7 / 0 / 40 / 29

HEX #A8B56D

RGB 168 181 109

HSL 70.83, 0.33%, 0.57%

LAB 71.2, -16, 35.16

 

CMYK 40 / 0 / 13 / 29

HEX #6DB59E

RGB 109 181 158

HSL 160.83, 0.33%, 0.57%

LAB 68.58, -27.96, 4.65

 

CMYK 33 / 40 / 0 / 29

HEX #7A6DB5

RGB 122 109 181

HSL 250.83, 0.33%, 0.57%

LAB 49.99, 21.78, -36.42

 

Description

Color code: HEX #B56D83 | qconv.com Color code: HEX #B56D83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 109 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 109 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 28 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 28% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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