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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B57572 it is the complementary color #4A8A8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B57572. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B57572 shade: #BA756D, #CB8780, #DC9993, #EDABA6 and #FEBDB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B57572. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B57572 shade: #B57572, #A4635F, #93514C, #823F39 and #712D26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B57572 shade: #B57572 and #B57272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B57572 shade: #B57572, #B58772, #B59972, #B5AB72 and #ACB572

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B57572 shade matches the following richer shades: #B57572, #C66561, #D75650, #E9463E and #FA362D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B57572 shade: #B57572, #A38584, #929595, #81A5A6 and #6FB4B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B57572 shade: #B57293, #B57282, #B57472, #B58672 and #B59872

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B57572 shade: #8B4C49, #A65B57, #B57572, #C3908D and #D1AAA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B57572 shade: #B57572, #A5B572 and #728BB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B57572 shade: #B57572, #72B574 and #7472B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B57572 shade: #B57572, #A5B572, #72B2B5 and #8272B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B57572 shade: #B57572, #91B572, #72B2B5 and #9672B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 37 / 29

HEX #B57572

RGB 181 117 114

HSL 2.69, 0.31%, 0.58%

LAB 55.85, 24.79, 12.1

 

Complementary color

CMYK 48 / 2 / 0 / 45

HEX #4A8A8D

RGB 74 138 141

HSL 182.69, 0.31%, 0.42%

LAB 53.55, -19.64, -7.99

 

CMYK 0 / 37 / 41 / 27

HEX #BA756D

RGB 186 117 109

HSL 6.23, 0.36%, 0.58%

LAB 56.35, 26.17, 15.79

 

CMYK 0 / 33 / 37 / 20

HEX #CB8780

RGB 203 135 128

HSL 5.6, 0.42%, 0.65%

LAB 63, 25.2, 14.46

 

CMYK 0 / 30 / 33 / 14

HEX #DC9993

RGB 220 153 147

HSL 4.93, 0.51%, 0.72%

LAB 69.54, 24.33, 13.27

 

CMYK 0 / 28 / 30 / 7

HEX #EDABA6

RGB 237 171 166

HSL 4.23, 0.66%, 0.79%

LAB 76, 23.55, 12.19

 

CMYK 0 / 26 / 27 / 0

HEX #FEBDB9

RGB 254 189 185

HSL 3.48, 0.97%, 0.86%

LAB 82.36, 22.84, 11.19

 

CMYK 0 / 35 / 37 / 29

HEX #B57572

RGB 181 117 114

HSL 2.69, 0.31%, 0.58%

LAB 55.85, 24.79, 12.1

 

CMYK 0 / 40 / 42 / 36

HEX #A4635F

RGB 164 99 95

HSL 3.48, 0.27%, 0.51%

LAB 49.06, 25.81, 13.49

 

CMYK 0 / 45 / 48 / 42

HEX #93514C

RGB 147 81 76

HSL 4.23, 0.32%, 0.44%

LAB 42.17, 26.95, 15.11

 

CMYK 0 / 52 / 56 / 49

HEX #823F39

RGB 130 63 57

HSL 4.93, 0.39%, 0.37%

LAB 35.2, 28.21, 17.07

 

CMYK 0 / 60 / 66 / 56

HEX #712D26

RGB 113 45 38

HSL 5.6, 0.5%, 0.3%

LAB 28.19, 29.55, 19.54

 

CMYK 0 / 35 / 37 / 29

HEX #B57572

RGB 181 117 114

HSL 2.69, 0.31%, 0.58%

LAB 55.85, 24.79, 12.1

 

CMYK 0 / 37 / 37 / 29

HEX #B57272

RGB 181 114 114

HSL 0, 0.31%, 0.58%

LAB 55.15, 26.46, 11.12

 

CMYK 0 / 35 / 37 / 29

HEX #B57572

RGB 181 117 114

HSL 2.69, 0.31%, 0.58%

LAB 55.85, 24.79, 12.1

 

CMYK 0 / 25 / 37 / 29

HEX #B58772

RGB 181 135 114

HSL 18.81, 0.31%, 0.58%

LAB 60.22, 14.75, 18.15

 

CMYK 0 / 15 / 37 / 29

HEX #B59972

RGB 181 153 114

HSL 34.93, 0.31%, 0.58%

LAB 64.82, 4.77, 24.38

 

CMYK 0 / 6 / 37 / 29

HEX #B5AB72

RGB 181 171 114

HSL 51.04, 0.31%, 0.58%

LAB 69.59, -4.96, 30.67

 

CMYK 5 / 0 / 37 / 29

HEX #ACB572

RGB 172 181 114

HSL 68.06, 0.31%, 0.58%

LAB 71.58, -13.81, 33.11

 

CMYK 0 / 35 / 37 / 29

HEX #B57572

RGB 181 117 114

HSL 2.69, 0.31%, 0.58%

LAB 55.85, 24.79, 12.1

 

CMYK 0 / 49 / 51 / 22

HEX #C66561

RGB 198 101 97

HSL 2.38, 0.47%, 0.58%

LAB 54.21, 38.17, 20.1

 

CMYK 0 / 60 / 63 / 16

HEX #D75650

RGB 215 86 80

HSL 2.67, 0.63%, 0.58%

LAB 53.69, 50.33, 29.78

 

CMYK 0 / 70 / 73 / 9

HEX #E9463E

RGB 233 70 62

HSL 2.81, 0.8%, 0.58%

LAB 54.08, 61.9, 41.17

 

CMYK 0 / 78 / 82 / 2

HEX #FA362D

RGB 250 54 45

HSL 2.63, 0.95%, 0.58%

LAB 55.23, 71.44, 52.26

 

CMYK 0 / 35 / 37 / 29

HEX #B57572

RGB 181 117 114

HSL 2.69, 0.31%, 0.58%

LAB 55.85, 24.79, 12.1

 

CMYK 0 / 18 / 19 / 36

HEX #A38584

RGB 163 133 132

HSL 1.94, 0.14%, 0.58%

LAB 58.25, 11.27, 4.85

 

CMYK 2 / 0 / 0 / 42

HEX #929595

RGB 146 149 149

HSL 180, 0.01%, 0.58%

LAB 61.46, -1.08, -0.39

 

CMYK 22 / 1 / 0 / 35

HEX #81A5A6

RGB 129 165 166

HSL 181.62, 0.17%, 0.58%

LAB 65.22, -11.99, -4.56

 

CMYK 40 / 2 / 0 / 28

HEX #6FB4B8

RGB 111 180 184

HSL 183.29, 0.34%, 0.58%

LAB 69.1, -20.69, -8.91

 

CMYK 0 / 37 / 19 / 29

HEX #B57293

RGB 181 114 147

HSL 330.45, 0.31%, 0.58%

LAB 56.05, 31.14, -6.82

 

CMYK 0 / 37 / 28 / 29

HEX #B57282

RGB 181 114 130

HSL 345.67, 0.31%, 0.58%

LAB 55.55, 28.58, 2.36

 

CMYK 0 / 36 / 37 / 29

HEX #B57472

RGB 181 116 114

HSL 1.79, 0.31%, 0.58%

LAB 55.61, 25.35, 11.77

 

CMYK 0 / 26 / 37 / 29

HEX #B58672

RGB 181 134 114

HSL 17.91, 0.31%, 0.58%

LAB 59.97, 15.3, 17.81

 

CMYK 0 / 16 / 37 / 29

HEX #B59872

RGB 181 152 114

HSL 34.03, 0.31%, 0.58%

LAB 64.56, 5.32, 24.03

 

CMYK 0 / 45 / 47 / 45

HEX #8B4C49

RGB 139 76 73

HSL 2.73, 0.31%, 0.42%

LAB 39.81, 26.19, 13.55

 

CMYK 0 / 45 / 48 / 35

HEX #A65B57

RGB 166 91 87

HSL 3.04, 0.31%, 0.5%

LAB 47.34, 30.17, 15.93

 

CMYK 0 / 35 / 37 / 29

HEX #B57572

RGB 181 117 114

HSL 2.69, 0.31%, 0.58%

LAB 55.85, 24.79, 12.1

 

CMYK 0 / 26 / 28 / 24

HEX #C3908D

RGB 195 144 141

HSL 3.33, 0.31%, 0.66%

LAB 64.54, 18.86, 9.16

 

CMYK 0 / 19 / 20 / 18

HEX #D1AAA8

RGB 209 170 168

HSL 2.93, 0.31%, 0.74%

LAB 72.98, 13.92, 6.4

 

CMYK 0 / 35 / 37 / 29

HEX #B57572

RGB 181 117 114

HSL 2.69, 0.31%, 0.58%

LAB 55.85, 24.79, 12.1

 

CMYK 9 / 0 / 37 / 29

HEX #A5B572

RGB 165 181 114

HSL 74.33, 0.31%, 0.58%

LAB 71.05, -16.57, 32.32

 

CMYK 37 / 23 / 0 / 29

HEX #728BB5

RGB 114 139 181

HSL 217.61, 0.31%, 0.58%

LAB 57.44, 1.7, -24.87

 

CMYK 0 / 35 / 37 / 29

HEX #B57572

RGB 181 117 114

HSL 2.69, 0.31%, 0.58%

LAB 55.85, 24.79, 12.1

 

CMYK 37 / 0 / 36 / 29

HEX #72B574

RGB 114 181 116

HSL 121.79, 0.31%, 0.58%

LAB 67.94, -34.68, 26.59

 

CMYK 36 / 37 / 0 / 29

HEX #7472B5

RGB 116 114 181

HSL 241.79, 0.31%, 0.58%

LAB 50.79, 17.07, -35.21

 

CMYK 0 / 35 / 37 / 29

HEX #B57572

RGB 181 117 114

HSL 2.69, 0.31%, 0.58%

LAB 55.85, 24.79, 12.1

 

CMYK 9 / 0 / 37 / 29

HEX #A5B572

RGB 165 181 114

HSL 74.33, 0.31%, 0.58%

LAB 71.05, -16.57, 32.32

 

CMYK 37 / 2 / 0 / 29

HEX #72B2B5

RGB 114 178 181

HSL 182.69, 0.31%, 0.58%

LAB 68.57, -19.63, -8.02

 

CMYK 28 / 37 / 0 / 29

HEX #8272B5

RGB 130 114 181

HSL 254.33, 0.31%, 0.58%

LAB 51.97, 21.13, -33.27

 

CMYK 0 / 35 / 37 / 29

HEX #B57572

RGB 181 117 114

HSL 2.69, 0.31%, 0.58%

LAB 55.85, 24.79, 12.1

 

CMYK 20 / 0 / 37 / 29

HEX #91B572

RGB 145 181 114

HSL 92.24, 0.31%, 0.58%

LAB 69.67, -24.22, 30.26

 

CMYK 37 / 2 / 0 / 29

HEX #72B2B5

RGB 114 178 181

HSL 182.69, 0.31%, 0.58%

LAB 68.57, -19.63, -8.02

 

CMYK 17 / 37 / 0 / 29

HEX #9672B5

RGB 150 114 181

HSL 272.24, 0.31%, 0.58%

LAB 53.87, 27.25, -30.16

 

Description

Color code: HEX #B57572 | qconv.com Color code: HEX #B57572 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 117 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 117 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 37 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 37% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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