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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B57795 it is the complementary color #4A886A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B57795. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B57795 shade: #BA7790, #CB89A3, #DC9BB6, #EDADC9 and #FEBFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B57795. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B57795 shade: #B57795, #A46582, #93536F, #82415C and #712F49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B57795 shade: #B57795, #B57784 and #B57777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B57795 shade: #B57795, #B577A6, #B477B5, #A377B5 and #9277B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B57795 shade matches the following richer shades: #B57795, #C66694, #D75594, #E84493 and #F93393

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B57795 shade: #B57795, #A48895, #939896, #83A997 and #72BA97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B57795 shade: #B377B5, #B577A7, #B57796, #B57785 and #B57977

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B57795 shade: #8D4C6C, #A75C80, #B57795, #C491AA and #D2ACBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B57795 shade: #B57795, #B5A277 and #77AFB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B57795 shade: #B57795, #96B577 and #7796B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B57795 shade: #B57795, #B5A277, #77B596 and #7789B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B57795 shade: #B57795, #B5B577, #77B596 and #7777B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 18 / 29

HEX #B57795

RGB 181 119 149

HSL 330.97, 0.3%, 0.59%

LAB 57.26, 28.7, -6.19

 

Complementary color

CMYK 46 / 0 / 22 / 47

HEX #4A886A

RGB 74 136 106

HSL 150.97, 0.3%, 0.41%

LAB 51.96, -27.42, 9.97

 

CMYK 0 / 36 / 23 / 27

HEX #BA7790

RGB 186 119 144

HSL 337.61, 0.33%, 0.6%

LAB 57.7, 29.73, -2.57

 

CMYK 0 / 33 / 20 / 20

HEX #CB89A3

RGB 203 137 163

HSL 336.36, 0.39%, 0.67%

LAB 64.35, 28.94, -3.44

 

CMYK 0 / 30 / 17 / 14

HEX #DC9BB6

RGB 220 155 182

HSL 335.08, 0.48%, 0.74%

LAB 70.9, 28.21, -4.22

 

CMYK 0 / 27 / 15 / 7

HEX #EDADC9

RGB 237 173 201

HSL 333.75, 0.64%, 0.8%

LAB 77.35, 27.54, -4.95

 

CMYK 0 / 25 / 13 / 0

HEX #FEBFDC

RGB 254 191 220

HSL 332.38, 0.97%, 0.87%

LAB 83.7, 26.92, -5.62

 

CMYK 0 / 34 / 18 / 29

HEX #B57795

RGB 181 119 149

HSL 330.97, 0.3%, 0.59%

LAB 57.26, 28.7, -6.19

 

CMYK 0 / 38 / 21 / 36

HEX #A46582

RGB 164 101 130

HSL 332.38, 0.26%, 0.52%

LAB 50.47, 29.51, -5.35

 

CMYK 0 / 44 / 24 / 42

HEX #93536F

RGB 147 83 111

HSL 333.75, 0.28%, 0.45%

LAB 43.56, 30.37, -4.37

 

CMYK 0 / 50 / 29 / 49

HEX #82415C

RGB 130 65 92

HSL 335.08, 0.33%, 0.38%

LAB 36.55, 31.27, -3.19

 

CMYK 0 / 58 / 35 / 56

HEX #712F49

RGB 113 47 73

HSL 336.36, 0.41%, 0.31%

LAB 29.47, 32.13, -1.68

 

CMYK 0 / 34 / 18 / 29

HEX #B57795

RGB 181 119 149

HSL 330.97, 0.3%, 0.59%

LAB 57.26, 28.7, -6.19

 

CMYK 0 / 34 / 27 / 29

HEX #B57784

RGB 181 119 132

HSL 347.42, 0.3%, 0.59%

LAB 56.77, 26.1, 2.95

 

CMYK 0 / 34 / 34 / 29

HEX #B57777

RGB 181 119 119

HSL 0, 0.3%, 0.59%

LAB 56.44, 24.32, 10.03

 

CMYK 0 / 34 / 18 / 29

HEX #B57795

RGB 181 119 149

HSL 330.97, 0.3%, 0.59%

LAB 57.26, 28.7, -6.19

 

CMYK 0 / 34 / 8 / 29

HEX #B577A6

RGB 181 119 166

HSL 314.52, 0.3%, 0.59%

LAB 57.82, 31.58, -15.17

 

CMYK 1 / 34 / 0 / 29

HEX #B477B5

RGB 180 119 181

HSL 299.03, 0.3%, 0.59%

LAB 58.26, 34.02, -23.12

 

CMYK 10 / 34 / 0 / 29

HEX #A377B5

RGB 163 119 181

HSL 282.58, 0.3%, 0.59%

LAB 56.4, 28.51, -26.13

 

CMYK 19 / 34 / 0 / 29

HEX #9277B5

RGB 146 119 181

HSL 266.13, 0.3%, 0.59%

LAB 54.7, 23.09, -28.9

 

CMYK 0 / 34 / 18 / 29

HEX #B57795

RGB 181 119 149

HSL 330.97, 0.3%, 0.59%

LAB 57.26, 28.7, -6.19

 

CMYK 0 / 48 / 25 / 22

HEX #C66694

RGB 198 102 148

HSL 331.25, 0.46%, 0.59%

LAB 55.73, 43.59, -7.64

 

CMYK 0 / 60 / 31 / 16

HEX #D75594

RGB 215 85 148

HSL 330.92, 0.62%, 0.59%

LAB 55.16, 57.11, -8.24

 

CMYK 0 / 71 / 37 / 9

HEX #E84493

RGB 232 68 147

HSL 331.1, 0.78%, 0.59%

LAB 55.48, 68.5, -6.87

 

CMYK 0 / 80 / 41 / 2

HEX #F93393

RGB 249 51 147

HSL 330.91, 0.94%, 0.59%

LAB 56.7, 77.83, -4.74

 

CMYK 0 / 34 / 18 / 29

HEX #B57795

RGB 181 119 149

HSL 330.97, 0.3%, 0.59%

LAB 57.26, 28.7, -6.19

 

CMYK 0 / 17 / 9 / 36

HEX #A48895

RGB 164 136 149

HSL 332.14, 0.13%, 0.59%

LAB 59.59, 12.86, -2.95

 

CMYK 3 / 0 / 1 / 40

HEX #939896

RGB 147 152 150

HSL 156, 0.02%, 0.59%

LAB 62.39, -2.19, 0.41

 

CMYK 22 / 0 / 11 / 34

HEX #83A997

RGB 131 169 151

HSL 151.58, 0.18%, 0.59%

LAB 66.09, -16.7, 5.07

 

CMYK 39 / 0 / 19 / 27

HEX #72BA97

RGB 114 186 151

HSL 150.83, 0.34%, 0.59%

LAB 70.13, -30.48, 10.72

 

CMYK 1 / 34 / 0 / 29

HEX #B377B5

RGB 179 119 181

HSL 298.06, 0.3%, 0.59%

LAB 58.14, 33.7, -23.3

 

CMYK 0 / 34 / 8 / 29

HEX #B577A7

RGB 181 119 167

HSL 313.55, 0.3%, 0.59%

LAB 57.85, 31.76, -15.69

 

CMYK 0 / 34 / 17 / 29

HEX #B57796

RGB 181 119 150

HSL 330, 0.3%, 0.59%

LAB 57.29, 28.86, -6.72

 

CMYK 0 / 34 / 27 / 29

HEX #B57785

RGB 181 119 133

HSL 346.45, 0.3%, 0.59%

LAB 56.79, 26.24, 2.41

 

CMYK 0 / 33 / 34 / 29

HEX #B57977

RGB 181 121 119

HSL 1.94, 0.3%, 0.59%

LAB 56.91, 23.2, 10.7

 

CMYK 0 / 46 / 23 / 45

HEX #8D4C6C

RGB 141 76 108

HSL 330.46, 0.3%, 0.43%

LAB 41.08, 31.62, -6.31

 

CMYK 0 / 45 / 23 / 35

HEX #A75C80

RGB 167 92 128

HSL 331.2, 0.3%, 0.51%

LAB 48.8, 35.24, -6.59

 

CMYK 0 / 34 / 18 / 29

HEX #B57795

RGB 181 119 149

HSL 330.97, 0.3%, 0.59%

LAB 57.26, 28.7, -6.19

 

CMYK 0 / 26 / 13 / 23

HEX #C491AA

RGB 196 145 170

HSL 330.59, 0.3%, 0.67%

LAB 65.66, 23.16, -5.54

 

CMYK 0 / 18 / 9 / 18

HEX #D2ACBF

RGB 210 172 191

HSL 330, 0.3%, 0.75%

LAB 74.17, 16.93, -4.47

 

CMYK 0 / 34 / 18 / 29

HEX #B57795

RGB 181 119 149

HSL 330.97, 0.3%, 0.59%

LAB 57.26, 28.7, -6.19

 

CMYK 0 / 10 / 34 / 29

HEX #B5A277

RGB 181 162 119

HSL 41.61, 0.3%, 0.59%

LAB 67.27, 0.48, 24.93

 

CMYK 34 / 3 / 0 / 29

HEX #77AFB5

RGB 119 175 181

HSL 185.81, 0.3%, 0.59%

LAB 67.96, -16.7, -8.91

 

CMYK 0 / 34 / 18 / 29

HEX #B57795

RGB 181 119 149

HSL 330.97, 0.3%, 0.59%

LAB 57.26, 28.7, -6.19

 

CMYK 17 / 0 / 34 / 29

HEX #96B577

RGB 150 181 119

HSL 90, 0.3%, 0.59%

LAB 70.08, -21.64, 28.22

 

CMYK 34 / 17 / 0 / 29

HEX #7796B5

RGB 119 150 181

HSL 210, 0.3%, 0.59%

LAB 60.84, -3.13, -19.63

 

CMYK 0 / 34 / 18 / 29

HEX #B57795

RGB 181 119 149

HSL 330.97, 0.3%, 0.59%

LAB 57.26, 28.7, -6.19

 

CMYK 0 / 10 / 34 / 29

HEX #B5A277

RGB 181 162 119

HSL 41.61, 0.3%, 0.59%

LAB 67.27, 0.48, 24.93

 

CMYK 34 / 0 / 17 / 29

HEX #77B596

RGB 119 181 150

HSL 150, 0.3%, 0.59%

LAB 68.88, -26.79, 9.53

 

CMYK 34 / 24 / 0 / 29

HEX #7789B5

RGB 119 137 181

HSL 222.58, 0.3%, 0.59%

LAB 57.22, 4.3, -25.18

 

CMYK 0 / 34 / 18 / 29

HEX #B57795

RGB 181 119 149

HSL 330.97, 0.3%, 0.59%

LAB 57.26, 28.7, -6.19

 

CMYK 0 / 0 / 34 / 29

HEX #B5B577

RGB 181 181 119

HSL 60, 0.3%, 0.59%

LAB 72.36, -9.62, 31.65

 

CMYK 34 / 0 / 17 / 29

HEX #77B596

RGB 119 181 150

HSL 150, 0.3%, 0.59%

LAB 68.88, -26.79, 9.53

 

CMYK 34 / 34 / 0 / 29

HEX #7777B5

RGB 119 119 181

HSL 240, 0.3%, 0.59%

LAB 52.34, 14.92, -32.75

 

Description

Color code: HEX #B57795 | qconv.com Color code: HEX #B57795 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 119 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 119 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 18 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 18% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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