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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B586CA it is the complementary color #4A7935. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B586CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B586CA shade: #BA86C5, #CB98D8, #DCAAEB, #EDBCFE and #FECEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B586CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B586CA shade: #B586CA, #A474B7, #9362A4, #825091 and #713E7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B586CA shade: #B586CA, #C786CA, #CA86BA, #CA86A8 and #CA8696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B586CA shade: #B586CA, #A286CA, #9086CA and #8686CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B586CA shade matches the following richer shades: #B586CA, #BA78D8, #BF6AE6 and #C55CF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B586CA shade: #B586CA, #AF94BC, #AAA2AE, #A5B0A0 and #9FBE92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B586CA shade: #9086CA, #A286CA, #B486CA, #C686CA and #CA86BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B586CA shade: #914DB0, #A369BD, #B586CA, #C6A3D6 and #D8BFE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B586CA shade: #B586CA, #CA868E and #86CA99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B586CA shade: #B586CA, #CAB486 and #86CAB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B586CA shade: #B586CA, #CA868E, #9BCA86 and #86CAC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B586CA shade: #B586CA, #CA9286, #9BCA86 and #86BDCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 34 / 0 / 21

HEX #B586CA

RGB 181 134 202

HSL 281.47, 0.39%, 0.66%

LAB 62.62, 30.22, -28.29

 

Complementary color

CMYK 39 / 0 / 56 / 53

HEX #4A7935

RGB 74 121 53

HSL 101.47, 0.39%, 0.34%

LAB 46.16, -29.52, 31.94

 

CMYK 6 / 32 / 0 / 23

HEX #BA86C5

RGB 186 134 197

HSL 289.52, 0.35%, 0.65%

LAB 62.94, 30.8, -24.95

 

CMYK 6 / 30 / 0 / 15

HEX #CB98D8

RGB 203 152 216

HSL 287.81, 0.45%, 0.72%

LAB 69.55, 30.12, -25.25

 

CMYK 6 / 28 / 0 / 8

HEX #DCAAEB

RGB 220 170 235

HSL 286.15, 0.62%, 0.79%

LAB 76.05, 29.49, -25.55

 

CMYK 7 / 26 / 0 / 0

HEX #EDBCFE

RGB 237 188 254

HSL 284.55, 0.97%, 0.87%

LAB 82.45, 28.9, -25.85

 

CMYK 0 / 19 / 0 / 0

HEX #FECEFF

RGB 254 206 255

HSL 298.78, 1%, 0.9%

LAB 88.18, 25, -17.55

 

CMYK 10 / 34 / 0 / 21

HEX #B586CA

RGB 181 134 202

HSL 281.47, 0.39%, 0.66%

LAB 62.62, 30.22, -28.29

 

CMYK 10 / 37 / 0 / 28

HEX #A474B7

RGB 164 116 183

HSL 282.99, 0.32%, 0.59%

LAB 55.89, 30.95, -28.06

 

CMYK 10 / 40 / 0 / 36

HEX #9362A4

RGB 147 98 164

HSL 284.55, 0.27%, 0.51%

LAB 49.03, 31.73, -27.83

 

CMYK 10 / 45 / 0 / 43

HEX #825091

RGB 130 80 145

HSL 286.15, 0.29%, 0.44%

LAB 42.04, 32.55, -27.56

 

CMYK 10 / 51 / 0 / 51

HEX #713E7E

RGB 113 62 126

HSL 287.81, 0.34%, 0.37%

LAB 34.93, 33.38, -27.24

 

CMYK 10 / 34 / 0 / 21

HEX #B586CA

RGB 181 134 202

HSL 281.47, 0.39%, 0.66%

LAB 62.62, 30.22, -28.29

 

CMYK 1 / 34 / 0 / 21

HEX #C786CA

RGB 199 134 202

HSL 297.35, 0.39%, 0.66%

LAB 64.53, 35.95, -25.2

 

CMYK 0 / 34 / 8 / 21

HEX #CA86BA

RGB 202 134 186

HSL 314.12, 0.39%, 0.66%

LAB 64.28, 34.02, -16.55

 

CMYK 0 / 34 / 17 / 21

HEX #CA86A8

RGB 202 134 168

HSL 330, 0.39%, 0.66%

LAB 63.7, 31, -7.25

 

CMYK 0 / 34 / 26 / 21

HEX #CA8696

RGB 202 134 150

HSL 345.88, 0.39%, 0.66%

LAB 63.18, 28.28, 2.22

 

CMYK 10 / 34 / 0 / 21

HEX #B586CA

RGB 181 134 202

HSL 281.47, 0.39%, 0.66%

LAB 62.62, 30.22, -28.29

 

CMYK 20 / 34 / 0 / 21

HEX #A286CA

RGB 162 134 202

HSL 264.71, 0.39%, 0.66%

LAB 60.78, 24.3, -31.3

 

CMYK 29 / 34 / 0 / 21

HEX #9086CA

RGB 144 134 202

HSL 248.82, 0.39%, 0.66%

LAB 59.2, 18.88, -33.87

 

CMYK 34 / 34 / 0 / 21

HEX #8686CA

RGB 134 134 202

HSL 240, 0.39%, 0.66%

LAB 58.4, 15.99, -35.18

 

CMYK 10 / 34 / 0 / 21

HEX #B586CA

RGB 181 134 202

HSL 281.47, 0.39%, 0.66%

LAB 62.62, 30.22, -28.29

 

CMYK 14 / 44 / 0 / 15

HEX #BA78D8

RGB 186 120 216

HSL 281.25, 0.55%, 0.66%

LAB 60.63, 42.38, -39.21

 

CMYK 17 / 54 / 0 / 10

HEX #BF6AE6

RGB 191 106 230

HSL 281.13, 0.71%, 0.66%

LAB 59.06, 54, -49.48

 

CMYK 19 / 62 / 0 / 4

HEX #C55CF4

RGB 197 92 244

HSL 281.45, 0.87%, 0.66%

LAB 58.09, 65.02, -58.79

 

CMYK 10 / 34 / 0 / 21

HEX #B586CA

RGB 181 134 202

HSL 281.47, 0.39%, 0.66%

LAB 62.62, 30.22, -28.29

 

CMYK 7 / 21 / 0 / 26

HEX #AF94BC

RGB 175 148 188

HSL 280.5, 0.23%, 0.66%

LAB 64.9, 17.5, -17

 

CMYK 2 / 7 / 0 / 32

HEX #AAA2AE

RGB 170 162 174

HSL 280, 0.07%, 0.66%

LAB 67.61, 5.16, -5.17

 

CMYK 6 / 0 / 9 / 31

HEX #A5B0A0

RGB 165 176 160

HSL 101.25, 0.09%, 0.66%

LAB 70.59, -6.86, 6.87

 

CMYK 16 / 0 / 23 / 25

HEX #9FBE92

RGB 159 190 146

HSL 102.27, 0.25%, 0.66%

LAB 73.72, -18.72, 18.84

 

CMYK 29 / 34 / 0 / 21

HEX #9086CA

RGB 144 134 202

HSL 248.82, 0.39%, 0.66%

LAB 59.2, 18.88, -33.87

 

CMYK 20 / 34 / 0 / 21

HEX #A286CA

RGB 162 134 202

HSL 264.71, 0.39%, 0.66%

LAB 60.78, 24.3, -31.3

 

CMYK 11 / 34 / 0 / 21

HEX #B486CA

RGB 180 134 202

HSL 280.59, 0.39%, 0.66%

LAB 62.52, 29.91, -28.46

 

CMYK 2 / 34 / 0 / 21

HEX #C686CA

RGB 198 134 202

HSL 296.47, 0.39%, 0.66%

LAB 64.42, 35.63, -25.38

 

CMYK 0 / 34 / 7 / 21

HEX #CA86BB

RGB 202 134 187

HSL 313.24, 0.39%, 0.66%

LAB 64.32, 34.19, -17.06

 

CMYK 18 / 56 / 0 / 31

HEX #914DB0

RGB 145 77 176

HSL 281.21, 0.39%, 0.5%

LAB 44.89, 45.32, -41.41

 

CMYK 14 / 44 / 0 / 26

HEX #A369BD

RGB 163 105 189

HSL 281.43, 0.39%, 0.58%

LAB 53.56, 38.09, -35.15

 

CMYK 10 / 34 / 0 / 21

HEX #B586CA

RGB 181 134 202

HSL 281.47, 0.39%, 0.66%

LAB 62.62, 30.22, -28.29

 

CMYK 7 / 24 / 0 / 16

HEX #C6A3D6

RGB 198 163 214

HSL 281.18, 0.38%, 0.74%

LAB 71.59, 22.06, -21.07

 

CMYK 5 / 16 / 0 / 11

HEX #D8BFE3

RGB 216 191 227

HSL 281.67, 0.39%, 0.82%

LAB 80.41, 15.3, -14.66

 

CMYK 10 / 34 / 0 / 21

HEX #B586CA

RGB 181 134 202

HSL 281.47, 0.39%, 0.66%

LAB 62.62, 30.22, -28.29

 

CMYK 0 / 34 / 30 / 21

HEX #CA868E

RGB 202 134 142

HSL 352.94, 0.39%, 0.66%

LAB 62.98, 27.16, 6.47

 

CMYK 34 / 0 / 24 / 21

HEX #86CA99

RGB 134 202 153

HSL 136.76, 0.39%, 0.66%

LAB 75.83, -31.71, 17.79

 

CMYK 10 / 34 / 0 / 21

HEX #B586CA

RGB 181 134 202

HSL 281.47, 0.39%, 0.66%

LAB 62.62, 30.22, -28.29

 

CMYK 0 / 11 / 34 / 21

HEX #CAB486

RGB 202 180 134

HSL 40.59, 0.39%, 0.66%

LAB 74.14, 1.12, 26.38

 

CMYK 34 / 0 / 11 / 21

HEX #86CAB4

RGB 134 202 180

HSL 160.59, 0.39%, 0.66%

LAB 76.44, -26.29, 4.18

 

CMYK 10 / 34 / 0 / 21

HEX #B586CA

RGB 181 134 202

HSL 281.47, 0.39%, 0.66%

LAB 62.62, 30.22, -28.29

 

CMYK 0 / 34 / 30 / 21

HEX #CA868E

RGB 202 134 142

HSL 352.94, 0.39%, 0.66%

LAB 62.98, 27.16, 6.47

 

CMYK 23 / 0 / 34 / 21

HEX #9BCA86

RGB 155 202 134

HSL 101.47, 0.39%, 0.66%

LAB 76.64, -27.94, 29.1

 

CMYK 34 / 0 / 4 / 21

HEX #86CAC2

RGB 134 202 194

HSL 172.94, 0.39%, 0.66%

LAB 76.8, -23.18, -2.84

 

CMYK 10 / 34 / 0 / 21

HEX #B586CA

RGB 181 134 202

HSL 281.47, 0.39%, 0.66%

LAB 62.62, 30.22, -28.29

 

CMYK 0 / 28 / 34 / 21

HEX #CA9286

RGB 202 146 134

HSL 10.59, 0.39%, 0.66%

LAB 65.62, 19.54, 14.72

 

CMYK 23 / 0 / 34 / 21

HEX #9BCA86

RGB 155 202 134

HSL 101.47, 0.39%, 0.66%

LAB 76.64, -27.94, 29.1

 

CMYK 34 / 6 / 0 / 21

HEX #86BDCA

RGB 134 189 202

HSL 191.47, 0.39%, 0.66%

LAB 73.37, -14.65, -12.28

 

Description

Color code: HEX #B586CA | qconv.com Color code: HEX #B586CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 134 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 134 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 34 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 34% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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