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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B595BF it is the complementary color #4A6A40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B595BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B595BF shade: #BA95BA, #CBA7CD, #DCB9E0, #EDCBF3 and #FEDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B595BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B595BF shade: #B595BF, #A483AC, #937199, #825F86 and #714D73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B595BF shade: #B595BF, #BF95BE, #BF95B3, #BF95A7 and #BF959C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B595BF shade: #B595BF, #AA95BF, #9F95BF and #9595BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B595BF shade matches the following richer shades: #B595BF, #BC88CD, #C47ADB, #CB6CE8 and #D25FF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B595BF shade: #B595BF, #AEA3B2, #A7B1A4, #A0BE97 and #99CC89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B595BF shade: #9E95BF, #AA95BF, #B595BF, #BF95BF and #BF95B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B595BF shade: #9262A0, #A37CB0, #B595BF, #C7AFCF and #D9C9DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B595BF shade: #B595BF, #BF9597 and #95BFA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B595BF shade: #B595BF, #BFB595 and #95BFB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B595BF shade: #B595BF, #BF9597, #A0BF95 and #95BFBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B595BF shade: #B595BF, #BFA095, #A0BF95 and #95B5BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 22 / 0 / 25

HEX #B595BF

RGB 181 149 191

HSL 285.71, 0.25%, 0.67%

LAB 65.81, 19.57, -17.25

 

Complementary color

CMYK 30 / 0 / 40 / 58

HEX #4A6A40

RGB 74 106 64

HSL 105.71, 0.25%, 0.33%

LAB 41.43, -20.46, 19.96

 

CMYK 0 / 20 / 0 / 27

HEX #BA95BA

RGB 186 149 186

HSL 300, 0.21%, 0.66%

LAB 66.12, 20.29, -13.94

 

CMYK 1 / 19 / 0 / 20

HEX #CBA7CD

RGB 203 167 205

HSL 296.84, 0.28%, 0.73%

LAB 72.72, 19.77, -14.38

 

CMYK 2 / 17 / 0 / 12

HEX #DCB9E0

RGB 220 185 224

HSL 293.85, 0.39%, 0.8%

LAB 79.21, 19.28, -14.81

 

CMYK 2 / 16 / 0 / 5

HEX #EDCBF3

RGB 237 203 243

HSL 291, 0.63%, 0.87%

LAB 85.6, 18.83, -15.23

 

CMYK 0 / 13 / 0 / 0

HEX #FEDDFF

RGB 254 221 255

HSL 298.24, 1%, 0.93%

LAB 91.69, 17.14, -12.29

 

CMYK 5 / 22 / 0 / 25

HEX #B595BF

RGB 181 149 191

HSL 285.71, 0.25%, 0.67%

LAB 65.81, 19.57, -17.25

 

CMYK 5 / 24 / 0 / 33

HEX #A483AC

RGB 164 131 172

HSL 288.29, 0.2%, 0.59%

LAB 59.07, 20.12, -16.89

 

CMYK 4 / 26 / 0 / 40

HEX #937199

RGB 147 113 153

HSL 291, 0.16%, 0.52%

LAB 52.19, 20.73, -16.52

 

CMYK 3 / 29 / 0 / 47

HEX #825F86

RGB 130 95 134

HSL 293.85, 0.17%, 0.45%

LAB 45.15, 21.4, -16.13

 

CMYK 2 / 33 / 0 / 55

HEX #714D73

RGB 113 77 115

HSL 296.84, 0.2%, 0.38%

LAB 37.94, 22.15, -15.73

 

CMYK 5 / 22 / 0 / 25

HEX #B595BF

RGB 181 149 191

HSL 285.71, 0.25%, 0.67%

LAB 65.81, 19.57, -17.25

 

CMYK 0 / 22 / 1 / 25

HEX #BF95BE

RGB 191 149 190

HSL 301.43, 0.25%, 0.67%

LAB 66.74, 22.77, -15.19

 

CMYK 0 / 22 / 6 / 25

HEX #BF95B3

RGB 191 149 179

HSL 317.14, 0.25%, 0.67%

LAB 66.39, 20.73, -9.57

 

CMYK 0 / 22 / 13 / 25

HEX #BF95A7

RGB 191 149 167

HSL 334.29, 0.25%, 0.67%

LAB 66.03, 18.63, -3.37

 

CMYK 0 / 22 / 18 / 25

HEX #BF959C

RGB 191 149 156

HSL 350, 0.25%, 0.67%

LAB 65.73, 16.83, 2.37

 

CMYK 5 / 22 / 0 / 25

HEX #B595BF

RGB 181 149 191

HSL 285.71, 0.25%, 0.67%

LAB 65.81, 19.57, -17.25

 

CMYK 11 / 22 / 0 / 25

HEX #AA95BF

RGB 170 149 191

HSL 270, 0.25%, 0.67%

LAB 64.81, 15.89, -18.87

 

CMYK 17 / 22 / 0 / 25

HEX #9F95BF

RGB 159 149 191

HSL 254.29, 0.25%, 0.67%

LAB 63.86, 12.28, -20.4

 

CMYK 22 / 22 / 0 / 25

HEX #9595BF

RGB 149 149 191

HSL 240, 0.25%, 0.67%

LAB 63.05, 9.07, -21.71

 

CMYK 5 / 22 / 0 / 25

HEX #B595BF

RGB 181 149 191

HSL 285.71, 0.25%, 0.67%

LAB 65.81, 19.57, -17.25

 

CMYK 8 / 34 / 0 / 20

HEX #BC88CD

RGB 188 136 205

HSL 285.22, 0.41%, 0.67%

LAB 63.92, 31.95, -27.91

 

CMYK 11 / 44 / 0 / 14

HEX #C47ADB

RGB 196 122 219

HSL 285.77, 0.57%, 0.67%

LAB 62.31, 44.82, -38.18

 

CMYK 13 / 53 / 0 / 9

HEX #CB6CE8

RGB 203 108 232

HSL 285.97, 0.73%, 0.67%

LAB 61, 56.52, -47.44

 

CMYK 15 / 61 / 0 / 4

HEX #D25FF6

RGB 210 95 246

HSL 285.7, 0.89%, 0.67%

LAB 60.37, 67.05, -56.16

 

CMYK 5 / 22 / 0 / 25

HEX #B595BF

RGB 181 149 191

HSL 285.71, 0.25%, 0.67%

LAB 65.81, 19.57, -17.25

 

CMYK 2 / 8 / 0 / 30

HEX #AEA3B2

RGB 174 163 178

HSL 284, 0.09%, 0.67%

LAB 68.32, 6.79, -6.3

 

CMYK 6 / 0 / 7 / 31

HEX #A7B1A4

RGB 167 177 164

HSL 106.15, 0.08%, 0.67%

LAB 71.1, -5.95, 5.44

 

CMYK 16 / 0 / 21 / 25

HEX #A0BE97

RGB 160 190 151

HSL 106.15, 0.23%, 0.67%

LAB 73.89, -17.52, 16.39

 

CMYK 25 / 0 / 33 / 20

HEX #99CC89

RGB 153 204 137

HSL 105.67, 0.4%, 0.67%

LAB 77.14, -29.14, 28.18

 

CMYK 17 / 22 / 0 / 25

HEX #9E95BF

RGB 158 149 191

HSL 252.86, 0.25%, 0.67%

LAB 63.77, 11.95, -20.53

 

CMYK 11 / 22 / 0 / 25

HEX #AA95BF

RGB 170 149 191

HSL 270, 0.25%, 0.67%

LAB 64.81, 15.89, -18.87

 

CMYK 5 / 22 / 0 / 25

HEX #B595BF

RGB 181 149 191

HSL 285.71, 0.25%, 0.67%

LAB 65.81, 19.57, -17.25

 

CMYK 0 / 22 / 0 / 25

HEX #BF95BF

RGB 191 149 191

HSL 300, 0.25%, 0.67%

LAB 66.77, 22.96, -15.7

 

CMYK 0 / 22 / 6 / 25

HEX #BF95B3

RGB 191 149 179

HSL 317.14, 0.25%, 0.67%

LAB 66.39, 20.73, -9.57

 

CMYK 9 / 39 / 0 / 37

HEX #9262A0

RGB 146 98 160

HSL 286.45, 0.25%, 0.51%

LAB 48.74, 30.55, -25.93

 

CMYK 7 / 30 / 0 / 31

HEX #A37CB0

RGB 163 124 176

HSL 285, 0.25%, 0.59%

LAB 57.4, 24.61, -21.73

 

CMYK 5 / 22 / 0 / 25

HEX #B595BF

RGB 181 149 191

HSL 285.71, 0.25%, 0.67%

LAB 65.81, 19.57, -17.25

 

CMYK 4 / 15 / 0 / 19

HEX #C7AFCF

RGB 199 175 207

HSL 285, 0.25%, 0.75%

LAB 74.39, 14.43, -13.01

 

CMYK 2 / 9 / 0 / 13

HEX #D9C9DE

RGB 217 201 222

HSL 285.71, 0.24%, 0.83%

LAB 82.81, 9.34, -8.39

 

CMYK 5 / 22 / 0 / 25

HEX #B595BF

RGB 181 149 191

HSL 285.71, 0.25%, 0.67%

LAB 65.81, 19.57, -17.25

 

CMYK 0 / 22 / 21 / 25

HEX #BF9597

RGB 191 149 151

HSL 357.14, 0.25%, 0.67%

LAB 65.6, 16.05, 4.99

 

CMYK 22 / 0 / 14 / 25

HEX #95BFA4

RGB 149 191 164

HSL 141.43, 0.25%, 0.67%

LAB 73.76, -19.44, 9.08

 

CMYK 5 / 22 / 0 / 25

HEX #B595BF

RGB 181 149 191

HSL 285.71, 0.25%, 0.67%

LAB 65.81, 19.57, -17.25

 

CMYK 0 / 5 / 22 / 25

HEX #BFB595

RGB 191 181 149

HSL 45.71, 0.25%, 0.67%

LAB 73.74, -1.67, 17.61

 

CMYK 22 / 0 / 5 / 25

HEX #95BFB5

RGB 149 191 181

HSL 165.71, 0.25%, 0.67%

LAB 74.18, -16.01, 0.46

 

CMYK 5 / 22 / 0 / 25

HEX #B595BF

RGB 181 149 191

HSL 285.71, 0.25%, 0.67%

LAB 65.81, 19.57, -17.25

 

CMYK 0 / 22 / 21 / 25

HEX #BF9597

RGB 191 149 151

HSL 357.14, 0.25%, 0.67%

LAB 65.6, 16.05, 4.99

 

CMYK 16 / 0 / 22 / 25

HEX #A0BF95

RGB 160 191 149

HSL 104.29, 0.25%, 0.67%

LAB 74.13, -18.37, 17.8

 

CMYK 22 / 0 / 1 / 25

HEX #95BFBD

RGB 149 191 189

HSL 177.14, 0.25%, 0.67%

LAB 74.4, -14.29, -3.58

 

CMYK 5 / 22 / 0 / 25

HEX #B595BF

RGB 181 149 191

HSL 285.71, 0.25%, 0.67%

LAB 65.81, 19.57, -17.25

 

CMYK 0 / 16 / 22 / 25

HEX #BFA095

RGB 191 160 149

HSL 15.71, 0.25%, 0.67%

LAB 68.31, 9.68, 9.98

 

CMYK 16 / 0 / 22 / 25

HEX #A0BF95

RGB 160 191 149

HSL 104.29, 0.25%, 0.67%

LAB 74.13, -18.37, 17.8

 

CMYK 22 / 5 / 0 / 25

HEX #95B5BF

RGB 149 181 191

HSL 194.29, 0.25%, 0.67%

LAB 71.69, -8.59, -8.68

 

Description

Color code: HEX #B595BF | qconv.com Color code: HEX #B595BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 149 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 149 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 22 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 22% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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