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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5969F it is the complementary color #4A6960. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5969F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5969F shade: #BA969A, #CBA8AD, #DCBAC0, #EDCCD3 and #FEDEE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5969F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5969F shade: #B5969F, #A4848C, #937279, #826066 and #714E53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5969F shade: #B4969F, #B49697 and #B49696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5969F shade: #B4969F, #B496A7, #B496AF, #B196B4 and #A996B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5969F shade matches the following richer shades: #B4969F, #C38899, #D17993, #E06B8D and #EE5C87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5969F shade: #B4969F, #A6A5A5, #98B3AB, #89C1B1 and #7BD0B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5969F shade: #B496AF, #B496A7, #B4969F, #B49697 and #B49D96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5969F shade: #916773, #A37E89, #B4969F, #C6AEB5 and #D7C6CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5969F shade: #B5969F, #B4B196 and #96ABB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5969F shade: #B5969F, #9FB496 and #969FB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5969F shade: #B5969F, #B4B196, #96B4AB and #9699B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5969F shade: #B5969F, #AEB496, #96B4AB and #9C96B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 12 / 29

HEX #B5969F

RGB 181 150 159

HSL 342.58, 0.17%, 0.65%

LAB 65.07, 13.05, -0.39

 

Complementary color

CMYK 30 / 0 / 9 / 59

HEX #4A6960

RGB 74 105 96

HSL 162.58, 0.17%, 0.35%

LAB 41.85, -13.42, 1.43

 

CMYK 0 / 19 / 17 / 27

HEX #BA969A

RGB 186 150 154

HSL 353.33, 0.21%, 0.66%

LAB 65.42, 14.08, 3

 

CMYK 0 / 17 / 15 / 20

HEX #CBA8AD

RGB 203 168 173

HSL 351.43, 0.25%, 0.73%

LAB 72.04, 13.57, 2.22

 

CMYK 0 / 15 / 13 / 14

HEX #DCBAC0

RGB 220 186 192

HSL 349.41, 0.33%, 0.8%

LAB 78.54, 13.12, 1.5

 

CMYK 0 / 14 / 11 / 7

HEX #EDCCD3

RGB 237 204 211

HSL 347.27, 0.48%, 0.86%

LAB 84.94, 12.7, 0.81

 

CMYK 0 / 13 / 9 / 0

HEX #FEDEE6

RGB 254 222 230

HSL 345, 0.94%, 0.93%

LAB 91.25, 12.32, 0.15

 

CMYK 0 / 17 / 12 / 29

HEX #B5969F

RGB 181 150 159

HSL 342.58, 0.17%, 0.65%

LAB 65.07, 13.05, -0.39

 

CMYK 0 / 20 / 15 / 36

HEX #A4848C

RGB 164 132 140

HSL 345, 0.15%, 0.58%

LAB 58.31, 13.55, 0.34

 

CMYK 0 / 22 / 18 / 42

HEX #937279

RGB 147 114 121

HSL 347.27, 0.13%, 0.51%

LAB 51.4, 14.13, 1.13

 

CMYK 0 / 26 / 22 / 49

HEX #826066

RGB 130 96 102

HSL 349.41, 0.15%, 0.44%

LAB 44.33, 14.78, 2

 

CMYK 0 / 31 / 27 / 56

HEX #714E53

RGB 113 78 83

HSL 351.43, 0.18%, 0.37%

LAB 37.09, 15.55, 2.98

 

CMYK 0 / 17 / 12 / 29

HEX #B4969F

RGB 180 150 159

HSL 342, 0.17%, 0.65%

LAB 64.98, 12.68, -0.54

 

CMYK 0 / 17 / 16 / 29

HEX #B49697

RGB 180 150 151

HSL 358, 0.17%, 0.65%

LAB 64.76, 11.33, 3.65

 

CMYK 0 / 17 / 17 / 29

HEX #B49696

RGB 180 150 150

HSL 0, 0.17%, 0.65%

LAB 64.74, 11.17, 4.18

 

CMYK 0 / 17 / 12 / 29

HEX #B4969F

RGB 180 150 159

HSL 342, 0.17%, 0.65%

LAB 64.98, 12.68, -0.54

 

CMYK 0 / 17 / 7 / 29

HEX #B496A7

RGB 180 150 167

HSL 326, 0.17%, 0.65%

LAB 65.2, 14.09, -4.7

 

CMYK 0 / 17 / 3 / 29

HEX #B496AF

RGB 180 150 175

HSL 310, 0.17%, 0.65%

LAB 65.44, 15.56, -8.84

 

CMYK 2 / 17 / 0 / 29

HEX #B196B4

RGB 177 150 180

HSL 294, 0.17%, 0.65%

LAB 65.32, 15.46, -11.86

 

CMYK 6 / 17 / 0 / 29

HEX #A996B4

RGB 169 150 180

HSL 278, 0.17%, 0.65%

LAB 64.6, 12.7, -13.02

 

CMYK 0 / 17 / 12 / 29

HEX #B4969F

RGB 180 150 159

HSL 342, 0.17%, 0.65%

LAB 64.98, 12.68, -0.54

 

CMYK 0 / 30 / 22 / 24

HEX #C38899

RGB 195 136 153

HSL 342.71, 0.33%, 0.65%

LAB 62.94, 25.04, 0.06

 

CMYK 0 / 42 / 30 / 18

HEX #D17993

RGB 209 121 147

HSL 342.27, 0.49%, 0.65%

LAB 61.08, 37.39, 0.98

 

CMYK 0 / 52 / 37 / 12

HEX #E06B8D

RGB 224 107 141

HSL 342.56, 0.65%, 0.65%

LAB 60.15, 48.98, 3.34

 

CMYK 0 / 61 / 43 / 7

HEX #EE5C87

RGB 238 92 135

HSL 342.33, 0.81%, 0.65%

LAB 59.51, 59.74, 6.18

 

CMYK 0 / 17 / 12 / 29

HEX #B4969F

RGB 180 150 159

HSL 342, 0.17%, 0.65%

LAB 64.98, 12.68, -0.54

 

CMYK 0 / 1 / 1 / 35

HEX #A6A5A5

RGB 166 165 165

HSL 0, 0.01%, 0.65%

LAB 67.82, 0.36, 0.12

 

CMYK 15 / 0 / 4 / 30

HEX #98B3AB

RGB 152 179 171

HSL 162.22, 0.15%, 0.65%

LAB 70.77, -10.85, 0.98

 

CMYK 29 / 0 / 8 / 24

HEX #89C1B1

RGB 137 193 177

HSL 162.86, 0.31%, 0.65%

LAB 73.95, -21.59, 2.22

 

CMYK 41 / 0 / 12 / 18

HEX #7BD0B7

RGB 123 208 183

HSL 162.35, 0.47%, 0.65%

LAB 77.72, -31.57, 4.35

 

CMYK 0 / 17 / 3 / 29

HEX #B496AF

RGB 180 150 175

HSL 310, 0.17%, 0.65%

LAB 65.44, 15.56, -8.84

 

CMYK 0 / 17 / 7 / 29

HEX #B496A7

RGB 180 150 167

HSL 326, 0.17%, 0.65%

LAB 65.2, 14.09, -4.7

 

CMYK 0 / 17 / 12 / 29

HEX #B4969F

RGB 180 150 159

HSL 342, 0.17%, 0.65%

LAB 64.98, 12.68, -0.54

 

CMYK 0 / 17 / 16 / 29

HEX #B49697

RGB 180 150 151

HSL 358, 0.17%, 0.65%

LAB 64.76, 11.33, 3.65

 

CMYK 0 / 13 / 17 / 29

HEX #B49D96

RGB 180 157 150

HSL 14, 0.17%, 0.65%

LAB 66.53, 7.29, 6.76

 

CMYK 0 / 29 / 21 / 43

HEX #916773

RGB 145 103 115

HSL 342.86, 0.17%, 0.49%

LAB 48.21, 18.75, 0.01

 

CMYK 0 / 23 / 16 / 36

HEX #A37E89

RGB 163 126 137

HSL 342.16, 0.17%, 0.57%

LAB 56.6, 16.08, -0.44

 

CMYK 0 / 17 / 12 / 29

HEX #B4969F

RGB 180 150 159

HSL 342, 0.17%, 0.65%

LAB 64.98, 12.68, -0.54

 

CMYK 0 / 12 / 9 / 22

HEX #C6AEB5

RGB 198 174 181

HSL 342.5, 0.17%, 0.73%

LAB 73.29, 9.84, -0.4

 

CMYK 0 / 8 / 6 / 16

HEX #D7C6CB

RGB 215 198 203

HSL 342.35, 0.18%, 0.81%

LAB 81.37, 6.81, -0.35

 

CMYK 0 / 17 / 12 / 29

HEX #B5969F

RGB 181 150 159

HSL 342.58, 0.17%, 0.65%

LAB 65.07, 13.05, -0.39

 

CMYK 0 / 2 / 17 / 29

HEX #B4B196

RGB 180 177 150

HSL 54, 0.17%, 0.65%

LAB 71.79, -3.56, 14.22

 

CMYK 17 / 5 / 0 / 29

HEX #96ABB4

RGB 150 171 180

HSL 198, 0.17%, 0.65%

LAB 68.68, -5.34, -7.08

 

CMYK 0 / 17 / 12 / 29

HEX #B5969F

RGB 181 150 159

HSL 342.58, 0.17%, 0.65%

LAB 65.07, 13.05, -0.39

 

CMYK 12 / 0 / 17 / 29

HEX #9FB496

RGB 159 180 150

HSL 102, 0.17%, 0.65%

LAB 71.02, -12.9, 12.9

 

CMYK 17 / 12 / 0 / 29

HEX #969FB4

RGB 150 159 180

HSL 222, 0.17%, 0.65%

LAB 65.42, 1.24, -11.95

 

CMYK 0 / 17 / 12 / 29

HEX #B5969F

RGB 181 150 159

HSL 342.58, 0.17%, 0.65%

LAB 65.07, 13.05, -0.39

 

CMYK 0 / 2 / 17 / 29

HEX #B4B196

RGB 180 177 150

HSL 54, 0.17%, 0.65%

LAB 71.79, -3.56, 14.22

 

CMYK 17 / 0 / 5 / 29

HEX #96B4AB

RGB 150 180 171

HSL 162, 0.17%, 0.65%

LAB 70.92, -12.04, 1.17

 

CMYK 17 / 15 / 0 / 29

HEX #9699B4

RGB 150 153 180

HSL 234, 0.17%, 0.65%

LAB 63.8, 4.6, -14.37

 

CMYK 0 / 17 / 12 / 29

HEX #B5969F

RGB 181 150 159

HSL 342.58, 0.17%, 0.65%

LAB 65.07, 13.05, -0.39

 

CMYK 3 / 0 / 17 / 29

HEX #AEB496

RGB 174 180 150

HSL 72, 0.17%, 0.65%

LAB 72.12, -7.4, 14.61

 

CMYK 17 / 0 / 5 / 29

HEX #96B4AB

RGB 150 180 171

HSL 162, 0.17%, 0.65%

LAB 70.92, -12.04, 1.17

 

CMYK 13 / 17 / 0 / 29

HEX #9C96B4

RGB 156 150 180

HSL 252, 0.17%, 0.65%

LAB 63.49, 8.29, -14.81

 

Description

Color code: HEX #B5969F | qconv.com Color code: HEX #B5969F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 150 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 150 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 12 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 12% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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