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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B597DD it is the complementary color #4A6822. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B597DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B597DD shade: #BA97D8, #CBA9EB, #DCBBFE, #EDCDFF and #FEDFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B597DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B597DD shade: #B597DD, #A485CA, #9373B7, #8261A4 and #714F91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B597DD shade: #B597DD, #C897DD, #DB97DD, #DD97CC and #DD97B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B597DD shade: #B597DD, #A297DD and #9797DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B597DD shade matches the following richer shades: #B597DD, #B38BE8, #B180F3 and #B075FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B597DD shade: #B597DD, #B6A2D2, #B8ADC6, #B9B8BB and #BBC3B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B597DD shade: #979FDD, #A197DD, #B497DD, #C797DD and #D997DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B597DD shade: #8858C9, #9E77D3, #B597DD, #CBB6E7 and #E1D5F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B597DD shade: #B597DD, #DD97B1 and #97DD98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B597DD shade: #B597DD, #DDB497 and #97DDB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B597DD shade: #B597DD, #DD97B1, #C0DD97 and #97DDC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B597DD shade: #B597DD, #DD979C, #C0DD97 and #97DDD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 32 / 0 / 13

HEX #B597DD

RGB 181 151 221

HSL 265.71, 0.51%, 0.73%

LAB 67.41, 24.83, -31.48

 

Complementary color

CMYK 29 / 0 / 67 / 59

HEX #4A6822

RGB 74 104 34

HSL 85.71, 0.51%, 0.27%

LAB 40.36, -23.25, 34.81

 

CMYK 14 / 30 / 0 / 15

HEX #BA97D8

RGB 186 151 216

HSL 272.31, 0.45%, 0.72%

LAB 67.67, 25.28, -28.27

 

CMYK 14 / 28 / 0 / 8

HEX #CBA9EB

RGB 203 169 235

HSL 270.91, 0.62%, 0.79%

LAB 74.23, 24.69, -28.47

 

CMYK 13 / 26 / 0 / 0

HEX #DCBBFE

RGB 220 187 254

HSL 269.55, 0.97%, 0.86%

LAB 80.69, 24.14, -28.67

 

CMYK 7 / 20 / 0 / 0

HEX #EDCDFF

RGB 237 205 255

HSL 278.4, 1%, 0.9%

LAB 86.45, 20.05, -20.31

 

CMYK 0 / 13 / 0 / 0

HEX #FEDFFF

RGB 254 223 255

HSL 298.13, 1%, 0.94%

LAB 92.16, 16.1, -11.58

 

CMYK 18 / 32 / 0 / 13

HEX #B597DD

RGB 181 151 221

HSL 265.71, 0.51%, 0.73%

LAB 67.41, 24.83, -31.48

 

CMYK 19 / 34 / 0 / 21

HEX #A485CA

RGB 164 133 202

HSL 266.96, 0.39%, 0.66%

LAB 60.72, 25.48, -31.37

 

CMYK 20 / 37 / 0 / 28

HEX #9373B7

RGB 147 115 183

HSL 268.24, 0.32%, 0.58%

LAB 53.9, 26.2, -31.29

 

CMYK 21 / 41 / 0 / 36

HEX #8261A4

RGB 130 97 164

HSL 269.55, 0.27%, 0.51%

LAB 46.94, 26.99, -31.22

 

CMYK 22 / 46 / 0 / 43

HEX #714F91

RGB 113 79 145

HSL 270.91, 0.29%, 0.44%

LAB 39.83, 27.86, -31.18

 

CMYK 18 / 32 / 0 / 13

HEX #B597DD

RGB 181 151 221

HSL 265.71, 0.51%, 0.73%

LAB 67.41, 24.83, -31.48

 

CMYK 10 / 32 / 0 / 13

HEX #C897DD

RGB 200 151 221

HSL 282, 0.51%, 0.73%

LAB 69.21, 30.73, -28.56

 

CMYK 1 / 32 / 0 / 13

HEX #DB97DD

RGB 219 151 221

HSL 298.29, 0.51%, 0.73%

LAB 71.16, 36.73, -25.4

 

CMYK 0 / 32 / 8 / 13

HEX #DD97CC

RGB 221 151 204

HSL 314.57, 0.51%, 0.73%

LAB 70.78, 34.33, -16.58

 

CMYK 0 / 32 / 16 / 13

HEX #DD97B9

RGB 221 151 185

HSL 330.86, 0.51%, 0.73%

LAB 70.18, 31.19, -6.93

 

CMYK 18 / 32 / 0 / 13

HEX #B597DD

RGB 181 151 221

HSL 265.71, 0.51%, 0.73%

LAB 67.41, 24.83, -31.48

 

CMYK 27 / 32 / 0 / 13

HEX #A297DD

RGB 162 151 221

HSL 249.43, 0.51%, 0.73%

LAB 65.78, 19.12, -34.14

 

CMYK 32 / 32 / 0 / 13

HEX #9797DD

RGB 151 151 221

HSL 240, 0.51%, 0.73%

LAB 64.91, 15.94, -35.56

 

CMYK 18 / 32 / 0 / 13

HEX #B597DD

RGB 181 151 221

HSL 265.71, 0.51%, 0.73%

LAB 67.41, 24.83, -31.48

 

CMYK 23 / 40 / 0 / 9

HEX #B38BE8

RGB 179 139 232

HSL 265.81, 0.67%, 0.73%

LAB 64.86, 33.46, -41.54

 

CMYK 27 / 47 / 0 / 5

HEX #B180F3

RGB 177 128 243

HSL 265.57, 0.83%, 0.73%

LAB 62.72, 41.6, -51

 

CMYK 31 / 54 / 0 / 0

HEX #B075FE

RGB 176 117 254

HSL 265.84, 0.99%, 0.73%

LAB 60.88, 49.94, -60

 

CMYK 18 / 32 / 0 / 13

HEX #B597DD

RGB 181 151 221

HSL 265.71, 0.51%, 0.73%

LAB 67.41, 24.83, -31.48

 

CMYK 13 / 23 / 0 / 18

HEX #B6A2D2

RGB 182 162 210

HSL 265, 0.35%, 0.73%

LAB 69.78, 16.59, -21.76

 

CMYK 7 / 13 / 0 / 22

HEX #B8ADC6

RGB 184 173 198

HSL 266.4, 0.18%, 0.73%

LAB 72.33, 8.68, -11.29

 

CMYK 1 / 2 / 0 / 27

HEX #B9B8BB

RGB 185 184 187

HSL 260, 0.02%, 0.73%

LAB 74.94, 0.91, -1.4

 

CMYK 4 / 0 / 10 / 24

HEX #BBC3B0

RGB 187 195 176

HSL 85.26, 0.14%, 0.73%

LAB 77.72, -6.2, 8.59

 

CMYK 32 / 28 / 0 / 13

HEX #979FDD

RGB 151 159 221

HSL 233.14, 0.51%, 0.73%

LAB 66.97, 11.38, -32.35

 

CMYK 27 / 32 / 0 / 13

HEX #A197DD

RGB 161 151 221

HSL 248.57, 0.51%, 0.73%

LAB 65.69, 18.83, -34.27

 

CMYK 19 / 32 / 0 / 13

HEX #B497DD

RGB 180 151 221

HSL 264.86, 0.51%, 0.73%

LAB 67.32, 24.52, -31.63

 

CMYK 10 / 32 / 0 / 13

HEX #C797DD

RGB 199 151 221

HSL 281.14, 0.51%, 0.73%

LAB 69.11, 30.41, -28.72

 

CMYK 2 / 32 / 0 / 13

HEX #D997DD

RGB 217 151 221

HSL 296.57, 0.51%, 0.73%

LAB 70.94, 36.09, -25.74

 

CMYK 32 / 56 / 0 / 21

HEX #8858C9

RGB 136 88 201

HSL 265.49, 0.51%, 0.57%

LAB 47.53, 42.99, -51.79

 

CMYK 25 / 44 / 0 / 17

HEX #9E77D3

RGB 158 119 211

HSL 265.43, 0.51%, 0.65%

LAB 57.24, 33.8, -41.94

 

CMYK 18 / 32 / 0 / 13

HEX #B597DD

RGB 181 151 221

HSL 265.71, 0.51%, 0.73%

LAB 67.41, 24.83, -31.48

 

CMYK 12 / 21 / 0 / 9

HEX #CBB6E7

RGB 203 182 231

HSL 265.71, 0.51%, 0.81%

LAB 77.23, 16.75, -21.72

 

CMYK 7 / 12 / 0 / 5

HEX #E1D5F1

RGB 225 213 241

HSL 265.71, 0.5%, 0.89%

LAB 86.97, 9.24, -12.22

 

CMYK 18 / 32 / 0 / 13

HEX #B597DD

RGB 181 151 221

HSL 265.71, 0.51%, 0.73%

LAB 67.41, 24.83, -31.48

 

CMYK 0 / 32 / 20 / 13

HEX #DD97B1

RGB 221 151 177

HSL 337.71, 0.51%, 0.73%

LAB 69.95, 29.95, -2.82

 

CMYK 32 / 0 / 31 / 13

HEX #97DD98

RGB 151 221 152

HSL 120.86, 0.51%, 0.73%

LAB 82.14, -35.4, 27.1

 

CMYK 18 / 32 / 0 / 13

HEX #B597DD

RGB 181 151 221

HSL 265.71, 0.51%, 0.73%

LAB 67.41, 24.83, -31.48

 

CMYK 0 / 19 / 32 / 13

HEX #DDB497

RGB 221 180 151

HSL 24.86, 0.51%, 0.73%

LAB 76.22, 10.71, 20.39

 

CMYK 32 / 0 / 19 / 13

HEX #97DDB4

RGB 151 221 180

HSL 144.86, 0.51%, 0.73%

LAB 82.69, -30.42, 13.23

 

CMYK 18 / 32 / 0 / 13

HEX #B597DD

RGB 181 151 221

HSL 265.71, 0.51%, 0.73%

LAB 67.41, 24.83, -31.48

 

CMYK 0 / 32 / 20 / 13

HEX #DD97B1

RGB 221 151 177

HSL 337.71, 0.51%, 0.73%

LAB 69.95, 29.95, -2.82

 

CMYK 13 / 0 / 32 / 13

HEX #C0DD97

RGB 192 221 151

HSL 84.86, 0.51%, 0.73%

LAB 84.56, -21.45, 31.29

 

CMYK 32 / 0 / 12 / 13

HEX #97DDC2

RGB 151 221 194

HSL 156.86, 0.51%, 0.73%

LAB 83.01, -27.62, 6.29

 

CMYK 18 / 32 / 0 / 13

HEX #B597DD

RGB 181 151 221

HSL 265.71, 0.51%, 0.73%

LAB 67.41, 24.83, -31.48

 

CMYK 0 / 32 / 29 / 13

HEX #DD979C

RGB 221 151 156

HSL 355.71, 0.51%, 0.73%

LAB 69.4, 26.95, 8.08

 

CMYK 13 / 0 / 32 / 13

HEX #C0DD97

RGB 192 221 151

HSL 84.86, 0.51%, 0.73%

LAB 84.56, -21.45, 31.29

 

CMYK 32 / 0 / 3 / 13

HEX #97DDD7

RGB 151 221 215

HSL 174.86, 0.51%, 0.73%

LAB 83.55, -23.09, -4.06

 

Description

Color code: HEX #B597DD | qconv.com Color code: HEX #B597DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 151 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 151 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 32 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 32% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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