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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B59077 it is the complementary color #4A6F88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B59077. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B59077 shade: #BA9072, #CBA285, #DCB498, #EDC6AB and #FED8BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B59077. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B59077 shade: #B59077, #A47E64, #936C51, #825A3E and #71482B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B59077 shade: #B59077, #B57F77 and #B57777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B59077 shade: #B59077, #B5A177, #B5B277, #A8B577 and #97B577

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B59077 shade matches the following richer shades: #B59077, #C68D66, #D78955, #E88644 and #F98333

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B59077 shade: #B59077, #A49388, #939698, #839AA9 and #729DBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B59077 shade: #B5777F, #B57F77, #B59077, #B5A077 and #B5B177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B59077 shade: #8D664C, #A77A5C, #B59077, #C4A691 and #D2BCAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B59077 shade: #B59077, #90B577 and #7777B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B59077 shade: #B59077, #77B590 and #9077B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B59077 shade: #B59077, #90B577, #779CB5 and #9C77B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B59077 shade: #B59077, #7DB577, #779CB5 and #AF77B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 34 / 29

HEX #B59077

RGB 181 144 119

HSL 24.19, 0.3%, 0.59%

LAB 62.59, 10.37, 18.59

 

Complementary color

CMYK 46 / 18 / 0 / 47

HEX #4A6F88

RGB 74 111 136

HSL 204.19, 0.3%, 0.41%

LAB 45.08, -6, -17.85

 

CMYK 0 / 23 / 39 / 27

HEX #BA9072

RGB 186 144 114

HSL 25, 0.34%, 0.59%

LAB 63.01, 11.78, 22.04

 

CMYK 0 / 20 / 34 / 20

HEX #CBA285

RGB 203 162 133

HSL 24.86, 0.4%, 0.66%

LAB 69.63, 11.07, 20.84

 

CMYK 0 / 18 / 31 / 14

HEX #DCB498

RGB 220 180 152

HSL 24.71, 0.49%, 0.73%

LAB 76.15, 10.45, 19.73

 

CMYK 0 / 16 / 28 / 7

HEX #EDC6AB

RGB 237 198 171

HSL 24.55, 0.65%, 0.8%

LAB 82.56, 9.91, 18.7

 

CMYK 0 / 15 / 25 / 0

HEX #FED8BE

RGB 254 216 190

HSL 24.38, 0.97%, 0.87%

LAB 88.88, 9.42, 17.73

 

CMYK 0 / 20 / 34 / 29

HEX #B59077

RGB 181 144 119

HSL 24.19, 0.3%, 0.59%

LAB 62.59, 10.37, 18.59

 

CMYK 0 / 23 / 39 / 36

HEX #A47E64

RGB 164 126 100

HSL 24.38, 0.26%, 0.52%

LAB 55.82, 11.09, 19.81

 

CMYK 0 / 27 / 45 / 42

HEX #936C51

RGB 147 108 81

HSL 24.55, 0.29%, 0.45%

LAB 48.91, 11.95, 21.17

 

CMYK 0 / 31 / 52 / 49

HEX #825A3E

RGB 130 90 62

HSL 24.71, 0.35%, 0.38%

LAB 41.85, 12.99, 22.69

 

CMYK 0 / 36 / 62 / 56

HEX #71482B

RGB 113 72 43

HSL 24.86, 0.45%, 0.31%

LAB 34.64, 14.28, 24.41

 

CMYK 0 / 20 / 34 / 29

HEX #B59077

RGB 181 144 119

HSL 24.19, 0.3%, 0.59%

LAB 62.59, 10.37, 18.59

 

CMYK 0 / 30 / 34 / 29

HEX #B57F77

RGB 181 127 119

HSL 7.74, 0.3%, 0.59%

LAB 58.35, 19.85, 12.72

 

CMYK 0 / 34 / 34 / 29

HEX #B57777

RGB 181 119 119

HSL 0, 0.3%, 0.59%

LAB 56.44, 24.32, 10.03

 

CMYK 0 / 20 / 34 / 29

HEX #B59077

RGB 181 144 119

HSL 24.19, 0.3%, 0.59%

LAB 62.59, 10.37, 18.59

 

CMYK 0 / 11 / 34 / 29

HEX #B5A177

RGB 181 161 119

HSL 40.65, 0.3%, 0.59%

LAB 67.01, 1.03, 24.57

 

CMYK 0 / 2 / 34 / 29

HEX #B5B277

RGB 181 178 119

HSL 57.1, 0.3%, 0.59%

LAB 71.55, -8.05, 30.59

 

CMYK 7 / 0 / 34 / 29

HEX #A8B577

RGB 168 181 119

HSL 72.58, 0.3%, 0.59%

LAB 71.35, -14.76, 30.14

 

CMYK 17 / 0 / 34 / 29

HEX #97B577

RGB 151 181 119

HSL 89.03, 0.3%, 0.59%

LAB 70.15, -21.27, 28.32

 

CMYK 0 / 20 / 34 / 29

HEX #B59077

RGB 181 144 119

HSL 24.19, 0.3%, 0.59%

LAB 62.59, 10.37, 18.59

 

CMYK 0 / 29 / 48 / 22

HEX #C68D66

RGB 198 141 102

HSL 24.38, 0.46%, 0.59%

LAB 63.36, 17.06, 29.35

 

CMYK 0 / 36 / 60 / 16

HEX #D78955

RGB 215 137 85

HSL 24, 0.62%, 0.59%

LAB 64.16, 24.8, 39.9

 

CMYK 0 / 42 / 71 / 9

HEX #E88644

RGB 232 134 68

HSL 24.15, 0.78%, 0.59%

LAB 65.45, 32.29, 50.52

 

CMYK 0 / 47 / 80 / 2

HEX #F98333

RGB 249 131 51

HSL 24.24, 0.94%, 0.59%

LAB 66.98, 39.87, 60.44

 

CMYK 0 / 20 / 34 / 29

HEX #B59077

RGB 181 144 119

HSL 24.19, 0.3%, 0.59%

LAB 62.59, 10.37, 18.59

 

CMYK 0 / 10 / 17 / 36

HEX #A49388

RGB 164 147 136

HSL 23.57, 0.13%, 0.59%

LAB 62.12, 4.44, 8.11

 

CMYK 3 / 1 / 0 / 40

HEX #939698

RGB 147 150 152

HSL 204, 0.02%, 0.59%

LAB 61.9, -0.69, -1.44

 

CMYK 22 / 9 / 0 / 34

HEX #839AA9

RGB 131 154 169

HSL 203.68, 0.18%, 0.59%

LAB 62.34, -4.67, -10.52

 

CMYK 39 / 16 / 0 / 27

HEX #729DBA

RGB 114 157 186

HSL 204.17, 0.34%, 0.59%

LAB 62.71, -7.12, -19.64

 

CMYK 0 / 34 / 30 / 29

HEX #B5777F

RGB 181 119 127

HSL 352.26, 0.3%, 0.59%

LAB 56.63, 25.39, 5.67

 

CMYK 0 / 30 / 34 / 29

HEX #B57F77

RGB 181 127 119

HSL 7.74, 0.3%, 0.59%

LAB 58.35, 19.85, 12.72

 

CMYK 0 / 20 / 34 / 29

HEX #B59077

RGB 181 144 119

HSL 24.19, 0.3%, 0.59%

LAB 62.59, 10.37, 18.59

 

CMYK 0 / 12 / 34 / 29

HEX #B5A077

RGB 181 160 119

HSL 39.68, 0.3%, 0.59%

LAB 66.75, 1.57, 24.22

 

CMYK 0 / 2 / 34 / 29

HEX #B5B177

RGB 181 177 119

HSL 56.13, 0.3%, 0.59%

LAB 71.28, -7.53, 30.24

 

CMYK 0 / 28 / 46 / 45

HEX #8D664C

RGB 141 102 76

HSL 24, 0.3%, 0.43%

LAB 46.56, 12.27, 20.85

 

CMYK 0 / 27 / 45 / 35

HEX #A77A5C

RGB 167 122 92

HSL 24, 0.3%, 0.51%

LAB 54.98, 13.69, 23.29

 

CMYK 0 / 20 / 34 / 29

HEX #B59077

RGB 181 144 119

HSL 24.19, 0.3%, 0.59%

LAB 62.59, 10.37, 18.59

 

CMYK 0 / 15 / 26 / 23

HEX #C4A691

RGB 196 166 145

HSL 24.71, 0.3%, 0.67%

LAB 70.21, 7.75, 14.95

 

CMYK 0 / 10 / 18 / 18

HEX #D2BCAC

RGB 210 188 172

HSL 25.26, 0.3%, 0.75%

LAB 77.67, 5.23, 10.93

 

CMYK 0 / 20 / 34 / 29

HEX #B59077

RGB 181 144 119

HSL 24.19, 0.3%, 0.59%

LAB 62.59, 10.37, 18.59

 

CMYK 20 / 0 / 34 / 29

HEX #90B577

RGB 144 181 119

HSL 95.81, 0.3%, 0.59%

LAB 69.69, -23.87, 27.63

 

CMYK 34 / 34 / 0 / 29

HEX #7777B5

RGB 119 119 181

HSL 240, 0.3%, 0.59%

LAB 52.34, 14.92, -32.75

 

CMYK 0 / 20 / 34 / 29

HEX #B59077

RGB 181 144 119

HSL 24.19, 0.3%, 0.59%

LAB 62.59, 10.37, 18.59

 

CMYK 34 / 0 / 20 / 29

HEX #77B590

RGB 119 181 144

HSL 144.19, 0.3%, 0.59%

LAB 68.74, -28.01, 12.62

 

CMYK 20 / 34 / 0 / 29

HEX #9077B5

RGB 144 119 181

HSL 264.19, 0.3%, 0.59%

LAB 54.51, 22.47, -29.21

 

CMYK 0 / 20 / 34 / 29

HEX #B59077

RGB 181 144 119

HSL 24.19, 0.3%, 0.59%

LAB 62.59, 10.37, 18.59

 

CMYK 20 / 0 / 34 / 29

HEX #90B577

RGB 144 181 119

HSL 95.81, 0.3%, 0.59%

LAB 69.69, -23.87, 27.63

 

CMYK 34 / 14 / 0 / 29

HEX #779CB5

RGB 119 156 181

HSL 204.19, 0.3%, 0.59%

LAB 62.54, -6.48, -17.06

 

CMYK 14 / 34 / 0 / 29

HEX #9C77B5

RGB 156 119 181

HSL 275.81, 0.3%, 0.59%

LAB 55.68, 26.26, -27.3

 

CMYK 0 / 20 / 34 / 29

HEX #B59077

RGB 181 144 119

HSL 24.19, 0.3%, 0.59%

LAB 62.59, 10.37, 18.59

 

CMYK 31 / 0 / 34 / 29

HEX #7DB577

RGB 125 181 119

HSL 114.19, 0.3%, 0.59%

LAB 68.56, -30.57, 25.93

 

CMYK 34 / 14 / 0 / 29

HEX #779CB5

RGB 119 156 181

HSL 204.19, 0.3%, 0.59%

LAB 62.54, -6.48, -17.06

 

CMYK 3 / 34 / 0 / 29

HEX #AF77B5

RGB 175 119 181

HSL 294.19, 0.3%, 0.59%

LAB 57.7, 32.39, -24.03

 

Description

Color code: HEX #B59077 | qconv.com Color code: HEX #B59077 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 144 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 144 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 34 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 34% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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