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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5936D it is the complementary color #4A6C92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5936D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5936D shade: #BA9368, #CBA57B, #DCB78E, #EDC9A1 and #FEDBB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5936D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5936D shade: #B5936D, #A4815A, #936F47, #825D34 and #714B21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5936D shade: #B5936D, #B57F6D and #B56D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5936D shade: #B5936D, #B5A66D, #B0B56D, #9DB56D and #89B56D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5936D shade matches the following richer shades: #B5936D, #C7945B, #D99549, #EA9637 and #FC9726

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5936D shade: #B5936D, #A3927E, #929190, #8090A2 and #6E8FB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5936D shade: #B56D6E, #B57F6D, #B5926D, #B5A56D and #B1B56D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5936D shade: #8A6A45, #A57F53, #B5936D, #C3A788 and #D1BBA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5936D shade: #B5936D, #81B56D and #756DB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5936D shade: #B5936D, #6DB592 and #926DB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5936D shade: #B5936D, #81B56D, #6D90B5 and #A16DB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5936D shade: #B5936D, #6DB56E, #6D90B5 and #B56DB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 40 / 29

HEX #B5936D

RGB 181 147 109

HSL 31.67, 0.33%, 0.57%

LAB 63.17, 7.47, 24.93

 

Complementary color

CMYK 49 / 26 / 0 / 43

HEX #4A6C92

RGB 74 108 146

HSL 211.67, 0.33%, 0.43%

LAB 44.6, -1.13, -24.56

 

CMYK 0 / 21 / 44 / 27

HEX #BA9368

RGB 186 147 104

HSL 31.46, 0.37%, 0.57%

LAB 63.6, 8.98, 28.32

 

CMYK 0 / 19 / 39 / 20

HEX #CBA57B

RGB 203 165 123

HSL 31.5, 0.43%, 0.64%

LAB 70.2, 8.25, 27.04

 

CMYK 0 / 17 / 35 / 14

HEX #DCB78E

RGB 220 183 142

HSL 31.54, 0.53%, 0.71%

LAB 76.7, 7.61, 25.84

 

CMYK 0 / 15 / 32 / 7

HEX #EDC9A1

RGB 237 201 161

HSL 31.58, 0.68%, 0.78%

LAB 83.1, 7.05, 24.73

 

CMYK 0 / 14 / 29 / 0

HEX #FEDBB4

RGB 254 219 180

HSL 31.62, 0.97%, 0.85%

LAB 89.41, 6.55, 23.68

 

CMYK 0 / 19 / 40 / 29

HEX #B5936D

RGB 181 147 109

HSL 31.67, 0.33%, 0.57%

LAB 63.17, 7.47, 24.93

 

CMYK 0 / 21 / 45 / 36

HEX #A4815A

RGB 164 129 90

HSL 31.62, 0.29%, 0.5%

LAB 56.42, 8.24, 26.25

 

CMYK 0 / 24 / 52 / 42

HEX #936F47

RGB 147 111 71

HSL 31.58, 0.35%, 0.43%

LAB 49.53, 9.15, 27.68

 

CMYK 0 / 28 / 60 / 49

HEX #825D34

RGB 130 93 52

HSL 31.54, 0.43%, 0.36%

LAB 42.49, 10.28, 29.23

 

CMYK 0 / 34 / 71 / 56

HEX #714B21

RGB 113 75 33

HSL 31.5, 0.55%, 0.29%

LAB 35.31, 11.71, 30.85

 

CMYK 0 / 19 / 40 / 29

HEX #B5936D

RGB 181 147 109

HSL 31.67, 0.33%, 0.57%

LAB 63.17, 7.47, 24.93

 

CMYK 0 / 30 / 40 / 29

HEX #B57F6D

RGB 181 127 109

HSL 15, 0.33%, 0.57%

LAB 58.14, 18.61, 18.15

 

CMYK 0 / 40 / 40 / 29

HEX #B56D6D

RGB 181 109 109

HSL 0, 0.33%, 0.57%

LAB 53.88, 28.61, 12.27

 

CMYK 0 / 19 / 40 / 29

HEX #B5936D

RGB 181 147 109

HSL 31.67, 0.33%, 0.57%

LAB 63.17, 7.47, 24.93

 

CMYK 0 / 8 / 40 / 29

HEX #B5A66D

RGB 181 166 109

HSL 47.5, 0.33%, 0.57%

LAB 68.17, -2.87, 31.48

 

CMYK 3 / 0 / 40 / 29

HEX #B0B56D

RGB 176 181 109

HSL 64.17, 0.33%, 0.57%

LAB 71.81, -12.8, 36.07

 

CMYK 13 / 0 / 40 / 29

HEX #9DB56D

RGB 157 181 109

HSL 80, 0.33%, 0.57%

LAB 70.4, -20.32, 33.97

 

CMYK 24 / 0 / 40 / 29

HEX #89B56D

RGB 137 181 109

HSL 96.67, 0.33%, 0.57%

LAB 69.09, -27.85, 32.03

 

CMYK 0 / 19 / 40 / 29

HEX #B5936D

RGB 181 147 109

HSL 31.67, 0.33%, 0.57%

LAB 63.17, 7.47, 24.93

 

CMYK 0 / 26 / 54 / 22

HEX #C7945B

RGB 199 148 91

HSL 31.67, 0.49%, 0.57%

LAB 65.02, 12.63, 37.39

 

CMYK 0 / 31 / 66 / 15

HEX #D99549

RGB 217 149 73

HSL 31.67, 0.65%, 0.57%

LAB 67.07, 18.38, 49.37

 

CMYK 0 / 36 / 76 / 8

HEX #EA9637

RGB 234 150 55

HSL 31.84, 0.81%, 0.57%

LAB 69.17, 24.1, 60.19

 

CMYK 0 / 40 / 85 / 1

HEX #FC9726

RGB 252 151 38

HSL 31.68, 0.97%, 0.57%

LAB 71.53, 30.49, 69.27

 

CMYK 0 / 19 / 40 / 29

HEX #B5936D

RGB 181 147 109

HSL 31.67, 0.33%, 0.57%

LAB 63.17, 7.47, 24.93

 

CMYK 0 / 10 / 23 / 36

HEX #A3927E

RGB 163 146 126

HSL 32.43, 0.17%, 0.57%

LAB 61.53, 3.02, 12.91

 

CMYK 0 / 1 / 1 / 43

HEX #929190

RGB 146 145 144

HSL 30, 0.01%, 0.57%

LAB 60.23, 0.18, 0.65

 

CMYK 21 / 11 / 0 / 36

HEX #8090A2

RGB 128 144 162

HSL 211.76, 0.15%, 0.57%

LAB 59.11, -1.69, -11.42

 

CMYK 39 / 21 / 0 / 29

HEX #6E8FB4

RGB 110 143 180

HSL 211.71, 0.32%, 0.57%

LAB 58.28, -2, -23.04

 

CMYK 0 / 40 / 39 / 29

HEX #B56D6E

RGB 181 109 110

HSL 359.17, 0.33%, 0.57%

LAB 53.91, 28.73, 11.72

 

CMYK 0 / 30 / 40 / 29

HEX #B57F6D

RGB 181 127 109

HSL 15, 0.33%, 0.57%

LAB 58.14, 18.61, 18.15

 

CMYK 0 / 19 / 40 / 29

HEX #B5926D

RGB 181 146 109

HSL 30.83, 0.33%, 0.57%

LAB 62.92, 8.03, 24.59

 

CMYK 0 / 9 / 40 / 29

HEX #B5A56D

RGB 181 165 109

HSL 46.67, 0.33%, 0.57%

LAB 67.9, -2.34, 31.13

 

CMYK 2 / 0 / 40 / 29

HEX #B1B56D

RGB 177 181 109

HSL 63.33, 0.33%, 0.57%

LAB 71.89, -12.4, 36.18

 

CMYK 0 / 23 / 50 / 46

HEX #8A6A45

RGB 138 106 69

HSL 32.17, 0.33%, 0.41%

LAB 47.16, 7.86, 25.6

 

CMYK 0 / 23 / 50 / 35

HEX #A57F53

RGB 165 127 83

HSL 32.2, 0.33%, 0.49%

LAB 55.89, 9.06, 29.47

 

CMYK 0 / 19 / 40 / 29

HEX #B5936D

RGB 181 147 109

HSL 31.67, 0.33%, 0.57%

LAB 63.17, 7.47, 24.93

 

CMYK 0 / 14 / 30 / 24

HEX #C3A788

RGB 195 167 136

HSL 31.53, 0.33%, 0.65%

LAB 70.19, 5.58, 19.83

 

CMYK 0 / 11 / 22 / 18

HEX #D1BBA4

RGB 209 187 164

HSL 30.67, 0.33%, 0.73%

LAB 77.15, 4.18, 14.5

 

CMYK 0 / 19 / 40 / 29

HEX #B5936D

RGB 181 147 109

HSL 31.67, 0.33%, 0.57%

LAB 63.17, 7.47, 24.93

 

CMYK 29 / 0 / 40 / 29

HEX #81B56D

RGB 129 181 109

HSL 103.33, 0.33%, 0.57%

LAB 68.62, -30.72, 31.33

 

CMYK 35 / 40 / 0 / 29

HEX #756DB5

RGB 117 109 181

HSL 246.67, 0.33%, 0.57%

LAB 49.56, 20.37, -37.12

 

CMYK 0 / 19 / 40 / 29

HEX #B5936D

RGB 181 147 109

HSL 31.67, 0.33%, 0.57%

LAB 63.17, 7.47, 24.93

 

CMYK 40 / 0 / 19 / 29

HEX #6DB592

RGB 109 181 146

HSL 150.83, 0.33%, 0.57%

LAB 68.3, -30.58, 10.83

 

CMYK 19 / 40 / 0 / 29

HEX #926DB5

RGB 146 109 181

HSL 270.83, 0.33%, 0.57%

LAB 52.27, 28.9, -32.69

 

CMYK 0 / 19 / 40 / 29

HEX #B5936D

RGB 181 147 109

HSL 31.67, 0.33%, 0.57%

LAB 63.17, 7.47, 24.93

 

CMYK 29 / 0 / 40 / 29

HEX #81B56D

RGB 129 181 109

HSL 103.33, 0.33%, 0.57%

LAB 68.62, -30.72, 31.33

 

CMYK 40 / 20 / 0 / 29

HEX #6D90B5

RGB 109 144 181

HSL 210.83, 0.33%, 0.57%

LAB 58.54, -2.57, -23.21

 

CMYK 11 / 40 / 0 / 29

HEX #A16DB5

RGB 161 109 181

HSL 283.33, 0.33%, 0.57%

LAB 53.87, 33.53, -30.08

 

CMYK 0 / 19 / 40 / 29

HEX #B5936D

RGB 181 147 109

HSL 31.67, 0.33%, 0.57%

LAB 63.17, 7.47, 24.93

 

CMYK 40 / 0 / 39 / 29

HEX #6DB56E

RGB 109 181 110

HSL 120.83, 0.33%, 0.57%

LAB 67.59, -37.23, 29.27

 

CMYK 40 / 20 / 0 / 29

HEX #6D90B5

RGB 109 144 181

HSL 210.83, 0.33%, 0.57%

LAB 58.54, -2.57, -23.21

 

CMYK 0 / 40 / 1 / 29

HEX #B56DB4

RGB 181 109 180

HSL 300.83, 0.33%, 0.57%

LAB 56.14, 39.61, -25.79

 

Description

Color code: HEX #B5936D | qconv.com Color code: HEX #B5936D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 147 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 147 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 40 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 40% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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