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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B59EBB it is the complementary color #4A6144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B59EBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B59EBB shade: #BA9EB6, #CBB0C9, #DCC2DC, #EDD4EF and #FEE6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B59EBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B59EBB shade: #B59EBB, #A48CA8, #937A95, #826882 and #71566F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B59EBB shade: #B69EBC, #BC9EBA, #BC9EB2, #BC9EAA and #BC9EA2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B59EBB shade: #B69EBC, #AE9EBC, #A69EBC and #9E9EBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B59EBB shade matches the following richer shades: #B69EBC, #BD91C9, #C584D6, #CD77E3 and #D469F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B59EBB shade: #B69EBC, #AEABAE, #A6B9A1, #9EC694 and #97D387

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B59EBB shade: #A69EBC, #AD9EBC, #B59EBC, #BC9EBA and #BC9EB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B59EBB shade: #916E9A, #A386AB, #B69EBC, #C8B7CD and #DACFDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B59EBB shade: #B59EBB, #BC9E9F and #9EBCA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B59EBB shade: #B59EBB, #BCB59E and #9EBCB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B59EBB shade: #B59EBB, #BC9E9F, #A5BC9E and #9EBCBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B59EBB shade: #B59EBB, #BCA79E, #A5BC9E and #9EB3BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 16 / 0 / 27

HEX #B59EBB

RGB 181 158 187

HSL 287.59, 0.18%, 0.68%

LAB 67.92, 13.75, -11.84

 

Complementary color

CMYK 24 / 0 / 30 / 62

HEX #4A6144

RGB 74 97 68

HSL 107.59, 0.18%, 0.32%

LAB 38.59, -14.89, 13.81

 

CMYK 0 / 15 / 2 / 27

HEX #BA9EB6

RGB 186 158 182

HSL 308.57, 0.17%, 0.67%

LAB 68.22, 14.53, -8.56

 

CMYK 0 / 13 / 1 / 20

HEX #CBB0C9

RGB 203 176 201

HSL 304.44, 0.21%, 0.74%

LAB 74.8, 14.1, -9.08

 

CMYK 0 / 12 / 0 / 14

HEX #DCC2DC

RGB 220 194 220

HSL 300, 0.27%, 0.81%

LAB 81.27, 13.71, -9.57

 

CMYK 1 / 11 / 0 / 6

HEX #EDD4EF

RGB 237 212 239

HSL 295.56, 0.46%, 0.88%

LAB 87.64, 13.34, -10.06

 

CMYK 0 / 10 / 0 / 0

HEX #FEE6FF

RGB 254 230 255

HSL 297.6, 1%, 0.95%

LAB 93.83, 12.46, -9.1

 

CMYK 3 / 16 / 0 / 27

HEX #B59EBB

RGB 181 158 187

HSL 287.59, 0.18%, 0.68%

LAB 67.92, 13.75, -11.84

 

CMYK 2 / 17 / 0 / 34

HEX #A48CA8

RGB 164 140 168

HSL 291.43, 0.14%, 0.6%

LAB 61.2, 14.19, -11.39

 

CMYK 1 / 18 / 0 / 42

HEX #937A95

RGB 147 122 149

HSL 295.56, 0.11%, 0.53%

LAB 54.34, 14.68, -10.94

 

CMYK 0 / 20 / 0 / 49

HEX #826882

RGB 130 104 130

HSL 300, 0.11%, 0.46%

LAB 47.31, 15.22, -10.47

 

CMYK 0 / 24 / 2 / 56

HEX #71566F

RGB 113 86 111

HSL 304.44, 0.14%, 0.39%

LAB 40.1, 15.83, -9.98

 

CMYK 3 / 16 / 0 / 26

HEX #B69EBC

RGB 182 158 188

HSL 288, 0.18%, 0.68%

LAB 68.04, 14.29, -12.21

 

CMYK 0 / 16 / 1 / 26

HEX #BC9EBA

RGB 188 158 186

HSL 304, 0.18%, 0.68%

LAB 68.53, 15.98, -10.31

 

CMYK 0 / 16 / 5 / 26

HEX #BC9EB2

RGB 188 158 178

HSL 320, 0.18%, 0.68%

LAB 68.28, 14.5, -6.22

 

CMYK 0 / 16 / 10 / 26

HEX #BC9EAA

RGB 188 158 170

HSL 336, 0.18%, 0.68%

LAB 68.06, 13.08, -2.1

 

CMYK 0 / 16 / 14 / 26

HEX #BC9EA2

RGB 188 158 162

HSL 352, 0.18%, 0.68%

LAB 67.84, 11.71, 2.04

 

CMYK 3 / 16 / 0 / 26

HEX #B69EBC

RGB 182 158 188

HSL 288, 0.18%, 0.68%

LAB 68.04, 14.29, -12.21

 

CMYK 7 / 16 / 0 / 26

HEX #AE9EBC

RGB 174 158 188

HSL 272, 0.18%, 0.68%

LAB 67.34, 11.56, -13.33

 

CMYK 12 / 16 / 0 / 26

HEX #A69EBC

RGB 166 158 188

HSL 256, 0.18%, 0.68%

LAB 66.67, 8.86, -14.41

 

CMYK 16 / 16 / 0 / 26

HEX #9E9EBC

RGB 158 158 188

HSL 240, 0.18%, 0.68%

LAB 66.02, 6.21, -15.45

 

CMYK 3 / 16 / 0 / 26

HEX #B69EBC

RGB 182 158 188

HSL 288, 0.18%, 0.68%

LAB 68.04, 14.29, -12.21

 

CMYK 6 / 28 / 0 / 21

HEX #BD91C9

RGB 189 145 201

HSL 287.14, 0.34%, 0.68%

LAB 65.97, 26.47, -22.52

 

CMYK 8 / 38 / 0 / 16

HEX #C584D6

RGB 197 132 214

HSL 287.56, 0.5%, 0.68%

LAB 64.35, 38.75, -32.21

 

CMYK 10 / 48 / 0 / 11

HEX #CD77E3

RGB 205 119 227

HSL 287.78, 0.66%, 0.68%

LAB 63.11, 50.54, -41.32

 

CMYK 12 / 56 / 0 / 6

HEX #D469F0

RGB 212 105 240

HSL 287.56, 0.82%, 0.68%

LAB 61.99, 61.82, -50.25

 

CMYK 3 / 16 / 0 / 26

HEX #B69EBC

RGB 182 158 188

HSL 288, 0.18%, 0.68%

LAB 68.04, 14.29, -12.21

 

CMYK 0 / 2 / 0 / 32

HEX #AEABAE

RGB 174 171 174

HSL 300, 0.02%, 0.68%

LAB 70.3, 1.63, -1.17

 

CMYK 10 / 0 / 13 / 27

HEX #A6B9A1

RGB 166 185 161

HSL 107.5, 0.15%, 0.68%

LAB 73.14, -11.07, 9.98

 

CMYK 20 / 0 / 25 / 22

HEX #9EC694

RGB 158 198 148

HSL 108, 0.3%, 0.68%

LAB 75.94, -22.74, 20.82

 

CMYK 28 / 0 / 36 / 17

HEX #97D387

RGB 151 211 135

HSL 107.37, 0.46%, 0.68%

LAB 78.99, -33.42, 31.66

 

CMYK 12 / 16 / 0 / 26

HEX #A69EBC

RGB 166 158 188

HSL 256, 0.18%, 0.68%

LAB 66.67, 8.86, -14.41

 

CMYK 8 / 16 / 0 / 26

HEX #AD9EBC

RGB 173 158 188

HSL 270, 0.18%, 0.68%

LAB 67.25, 11.22, -13.47

 

CMYK 4 / 16 / 0 / 26

HEX #B59EBC

RGB 181 158 188

HSL 286, 0.18%, 0.68%

LAB 67.95, 13.95, -12.35

 

CMYK 0 / 16 / 1 / 26

HEX #BC9EBA

RGB 188 158 186

HSL 304, 0.18%, 0.68%

LAB 68.53, 15.98, -10.31

 

CMYK 0 / 16 / 5 / 26

HEX #BC9EB2

RGB 188 158 178

HSL 320, 0.18%, 0.68%

LAB 68.28, 14.5, -6.22

 

CMYK 6 / 29 / 0 / 40

HEX #916E9A

RGB 145 110 154

HSL 287.73, 0.18%, 0.52%

LAB 51.27, 22, -18.52

 

CMYK 5 / 22 / 0 / 33

HEX #A386AB

RGB 163 134 171

HSL 287.03, 0.18%, 0.6%

LAB 59.69, 17.86, -15.39

 

CMYK 3 / 16 / 0 / 26

HEX #B69EBC

RGB 182 158 188

HSL 288, 0.18%, 0.68%

LAB 68.04, 14.29, -12.21

 

CMYK 2 / 11 / 0 / 20

HEX #C8B7CD

RGB 200 183 205

HSL 286.36, 0.18%, 0.76%

LAB 76.41, 10.03, -8.89

 

CMYK 1 / 6 / 0 / 13

HEX #DACFDD

RGB 218 207 221

HSL 287.14, 0.17%, 0.84%

LAB 84.36, 6.31, -5.56

 

CMYK 3 / 16 / 0 / 27

HEX #B59EBB

RGB 181 158 187

HSL 287.59, 0.18%, 0.68%

LAB 67.92, 13.75, -11.84

 

CMYK 0 / 16 / 15 / 26

HEX #BC9E9F

RGB 188 158 159

HSL 358, 0.18%, 0.68%

LAB 67.76, 11.22, 3.6

 

CMYK 16 / 0 / 10 / 26

HEX #9EBCA9

RGB 158 188 169

HSL 142, 0.18%, 0.68%

LAB 73.61, -13.93, 6.23

 

CMYK 3 / 16 / 0 / 27

HEX #B59EBB

RGB 181 158 187

HSL 287.59, 0.18%, 0.68%

LAB 67.92, 13.75, -11.84

 

CMYK 0 / 4 / 16 / 26

HEX #BCB59E

RGB 188 181 158

HSL 46, 0.18%, 0.68%

LAB 73.68, -1.43, 12.61

 

CMYK 16 / 0 / 4 / 26

HEX #9EBCB5

RGB 158 188 181

HSL 166, 0.18%, 0.68%

LAB 73.91, -11.55, 0.14

 

CMYK 3 / 16 / 0 / 27

HEX #B59EBB

RGB 181 158 187

HSL 287.59, 0.18%, 0.68%

LAB 67.92, 13.75, -11.84

 

CMYK 0 / 16 / 15 / 26

HEX #BC9E9F

RGB 188 158 159

HSL 358, 0.18%, 0.68%

LAB 67.76, 11.22, 3.6

 

CMYK 12 / 0 / 16 / 26

HEX #A5BC9E

RGB 165 188 158

HSL 106, 0.18%, 0.68%

LAB 73.83, -13.52, 12.57

 

CMYK 16 / 0 / 1 / 26

HEX #9EBCBB

RGB 158 188 187

HSL 178, 0.18%, 0.68%

LAB 74.08, -10.31, -2.9

 

CMYK 3 / 16 / 0 / 27

HEX #B59EBB

RGB 181 158 187

HSL 287.59, 0.18%, 0.68%

LAB 67.92, 13.75, -11.84

 

CMYK 0 / 11 / 16 / 26

HEX #BCA79E

RGB 188 167 158

HSL 18, 0.18%, 0.68%

LAB 70.03, 6.12, 7.43

 

CMYK 12 / 0 / 16 / 26

HEX #A5BC9E

RGB 165 188 158

HSL 106, 0.18%, 0.68%

LAB 73.83, -13.52, 12.57

 

CMYK 16 / 5 / 0 / 26

HEX #9EB3BC

RGB 158 179 188

HSL 198, 0.18%, 0.68%

LAB 71.65, -5.31, -7.03

 

Description

Color code: HEX #B59EBB | qconv.com Color code: HEX #B59EBB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 158 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 158 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 16 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 16% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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