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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5A2AA it is the complementary color #4A5D55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5A2AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5A2AA shade: #BAA2A5, #CBB4B8, #DCC6CB, #EDD8DE and #FEEAF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5A2AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5A2AA shade: #B5A2AA, #A49097, #937E84, #826C71 and #715A5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5A2AA shade: #B4A1A9, #B4A1A4 and #B4A1A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5A2AA shade: #B4A1A9, #B4A1AE, #B4A1B3, #AFA1B4 and #AAA1B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5A2AA shade matches the following richer shades: #B4A1A9, #C193A7, #CF86A5, #DC78A2 and #EA6BA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5A2AA shade: #B4A1A9, #A6AFAB, #98BCAD, #8BCAAF and #7DD8B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5A2AA shade: #B4A1B3, #B4A1AE, #B4A1A9, #B4A1A4 and #B4A3A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5A2AA shade: #8F737F, #A18A94, #B4A1A9, #C6B8BE and #D8CFD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5A2AA shade: #B5A2AA, #B4AFA1 and #A1B1B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5A2AA shade: #B5A2AA, #A9B4A1 and #A1A9B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5A2AA shade: #B5A2AA, #B4AFA1, #A1B4AC and #A1A5B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5A2AA shade: #B5A2AA, #B2B4A1, #A1B4AC and #A2A1B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 6 / 29

HEX #B5A2AA

RGB 181 162 170

HSL 334.74, 0.11%, 0.67%

LAB 68.44, 8.33, -1.62

 

Complementary color

CMYK 20 / 0 / 9 / 64

HEX #4A5D55

RGB 74 93 85

HSL 154.74, 0.11%, 0.33%

LAB 37.74, -9.1, 2.2

 

CMYK 0 / 13 / 11 / 27

HEX #BAA2A5

RGB 186 162 165

HSL 352.5, 0.15%, 0.68%

LAB 68.75, 9.28, 1.67

 

CMYK 0 / 11 / 9 / 20

HEX #CBB4B8

RGB 203 180 184

HSL 349.57, 0.18%, 0.75%

LAB 75.33, 8.9, 0.98

 

CMYK 0 / 10 / 8 / 14

HEX #DCC6CB

RGB 220 198 203

HSL 346.36, 0.24%, 0.82%

LAB 81.79, 8.56, 0.31

 

CMYK 0 / 9 / 6 / 7

HEX #EDD8DE

RGB 237 216 222

HSL 342.86, 0.37%, 0.89%

LAB 88.16, 8.25, -0.33

 

CMYK 0 / 8 / 5 / 0

HEX #FEEAF1

RGB 254 234 241

HSL 339, 0.91%, 0.96%

LAB 94.43, 7.95, -0.94

 

CMYK 0 / 10 / 6 / 29

HEX #B5A2AA

RGB 181 162 170

HSL 334.74, 0.11%, 0.67%

LAB 68.44, 8.33, -1.62

 

CMYK 0 / 12 / 8 / 36

HEX #A49097

RGB 164 144 151

HSL 339, 0.1%, 0.6%

LAB 61.72, 8.7, -0.96

 

CMYK 0 / 14 / 10 / 42

HEX #937E84

RGB 147 126 132

HSL 342.86, 0.09%, 0.54%

LAB 54.86, 9.11, -0.27

 

CMYK 0 / 17 / 13 / 49

HEX #826C71

RGB 130 108 113

HSL 346.36, 0.09%, 0.47%

LAB 47.83, 9.57, 0.47

 

CMYK 0 / 20 / 17 / 56

HEX #715A5E

RGB 113 90 94

HSL 349.57, 0.11%, 0.4%

LAB 40.62, 10.11, 1.27

 

CMYK 0 / 11 / 6 / 29

HEX #B4A1A9

RGB 180 161 169

HSL 334.74, 0.11%, 0.67%

LAB 68.06, 8.34, -1.62

 

CMYK 0 / 11 / 9 / 29

HEX #B4A1A4

RGB 180 161 164

HSL 350.53, 0.11%, 0.67%

LAB 67.93, 7.45, 0.97

 

CMYK 0 / 11 / 11 / 29

HEX #B4A1A1

RGB 180 161 161

HSL 0, 0.11%, 0.67%

LAB 67.85, 6.93, 2.52

 

CMYK 0 / 11 / 6 / 29

HEX #B4A1A9

RGB 180 161 169

HSL 334.74, 0.11%, 0.67%

LAB 68.06, 8.34, -1.62

 

CMYK 0 / 11 / 3 / 29

HEX #B4A1AE

RGB 180 161 174

HSL 318.95, 0.11%, 0.67%

LAB 68.2, 9.26, -4.19

 

CMYK 0 / 11 / 1 / 29

HEX #B4A1B3

RGB 180 161 179

HSL 303.16, 0.11%, 0.67%

LAB 68.35, 10.19, -6.76

 

CMYK 3 / 11 / 0 / 29

HEX #AFA1B4

RGB 175 161 180

HSL 284.21, 0.11%, 0.67%

LAB 67.95, 8.63, -7.96

 

CMYK 6 / 11 / 0 / 29

HEX #AAA1B4

RGB 170 161 180

HSL 268.42, 0.11%, 0.67%

LAB 67.52, 6.9, -8.63

 

CMYK 0 / 11 / 6 / 29

HEX #B4A1A9

RGB 180 161 169

HSL 334.74, 0.11%, 0.67%

LAB 68.06, 8.34, -1.62

 

CMYK 0 / 24 / 13 / 24

HEX #C193A7

RGB 193 147 167

HSL 333.91, 0.27%, 0.67%

LAB 65.74, 20.47, -3.76

 

CMYK 0 / 35 / 20 / 19

HEX #CF86A5

RGB 207 134 165

HSL 334.52, 0.43%, 0.67%

LAB 64.19, 32.31, -4.76

 

CMYK 0 / 45 / 26 / 14

HEX #DC78A2

RGB 220 120 162

HSL 334.8, 0.59%, 0.67%

LAB 62.72, 43.77, -5.03

 

CMYK 0 / 54 / 32 / 8

HEX #EA6BA0

RGB 234 107 160

HSL 334.96, 0.75%, 0.67%

LAB 62.12, 54.5, -4.56

 

CMYK 0 / 11 / 6 / 29

HEX #B4A1A9

RGB 180 161 169

HSL 334.74, 0.11%, 0.67%

LAB 68.06, 8.34, -1.62

 

CMYK 5 / 0 / 2 / 31

HEX #A6AFAB

RGB 166 175 171

HSL 153.33, 0.05%, 0.67%

LAB 70.67, -3.92, 0.95

 

CMYK 19 / 0 / 8 / 26

HEX #98BCAD

RGB 152 188 173

HSL 155, 0.21%, 0.67%

LAB 73.32, -15.15, 3.59

 

CMYK 31 / 0 / 13 / 21

HEX #8BCAAF

RGB 139 202 175

HSL 154.29, 0.37%, 0.67%

LAB 76.57, -25.88, 7.09

 

CMYK 42 / 0 / 18 / 15

HEX #7DD8B1

RGB 125 216 177

HSL 154.29, 0.54%, 0.67%

LAB 79.98, -36.07, 10.8

 

CMYK 0 / 11 / 1 / 29

HEX #B4A1B3

RGB 180 161 179

HSL 303.16, 0.11%, 0.67%

LAB 68.35, 10.19, -6.76

 

CMYK 0 / 11 / 3 / 29

HEX #B4A1AE

RGB 180 161 174

HSL 318.95, 0.11%, 0.67%

LAB 68.2, 9.26, -4.19

 

CMYK 0 / 11 / 6 / 29

HEX #B4A1A9

RGB 180 161 169

HSL 334.74, 0.11%, 0.67%

LAB 68.06, 8.34, -1.62

 

CMYK 0 / 11 / 9 / 29

HEX #B4A1A4

RGB 180 161 164

HSL 350.53, 0.11%, 0.67%

LAB 67.93, 7.45, 0.97

 

CMYK 0 / 9 / 11 / 29

HEX #B4A3A1

RGB 180 163 161

HSL 6.32, 0.11%, 0.67%

LAB 68.37, 5.83, 3.27

 

CMYK 0 / 20 / 11 / 44

HEX #8F737F

RGB 143 115 127

HSL 334.29, 0.11%, 0.51%

LAB 51.42, 13.05, -2.43

 

CMYK 0 / 14 / 8 / 37

HEX #A18A94

RGB 161 138 148

HSL 333.91, 0.11%, 0.59%

LAB 59.79, 10.43, -2.11

 

CMYK 0 / 11 / 6 / 29

HEX #B4A1A9

RGB 180 161 169

HSL 334.74, 0.11%, 0.67%

LAB 68.06, 8.34, -1.62

 

CMYK 0 / 7 / 4 / 22

HEX #C6B8BE

RGB 198 184 190

HSL 334.29, 0.11%, 0.75%

LAB 76.07, 6.02, -1.25

 

CMYK 0 / 4 / 2 / 15

HEX #D8CFD3

RGB 216 207 211

HSL 333.33, 0.1%, 0.83%

LAB 83.93, 3.81, -0.88

 

CMYK 0 / 10 / 6 / 29

HEX #B5A2AA

RGB 181 162 170

HSL 334.74, 0.11%, 0.67%

LAB 68.44, 8.33, -1.62

 

CMYK 0 / 3 / 11 / 29

HEX #B4AFA1

RGB 180 175 161

HSL 44.21, 0.11%, 0.67%

LAB 71.51, -0.69, 7.8

 

CMYK 11 / 2 / 0 / 29

HEX #A1B1B4

RGB 161 177 180

HSL 189.47, 0.11%, 0.67%

LAB 71.09, -4.92, -3.43

 

CMYK 0 / 10 / 6 / 29

HEX #B5A2AA

RGB 181 162 170

HSL 334.74, 0.11%, 0.67%

LAB 68.44, 8.33, -1.62

 

CMYK 6 / 0 / 11 / 29

HEX #A9B4A1

RGB 169 180 161

HSL 94.74, 0.11%, 0.67%

LAB 71.99, -7.37, 8.38

 

CMYK 11 / 6 / 0 / 29

HEX #A1A9B4

RGB 161 169 180

HSL 214.74, 0.11%, 0.67%

LAB 68.93, -0.59, -6.62

 

CMYK 0 / 10 / 6 / 29

HEX #B5A2AA

RGB 181 162 170

HSL 334.74, 0.11%, 0.67%

LAB 68.44, 8.33, -1.62

 

CMYK 0 / 3 / 11 / 29

HEX #B4AFA1

RGB 180 175 161

HSL 44.21, 0.11%, 0.67%

LAB 71.51, -0.69, 7.8

 

CMYK 11 / 0 / 4 / 29

HEX #A1B4AC

RGB 161 180 172

HSL 154.74, 0.11%, 0.67%

LAB 71.69, -8.13, 1.84

 

CMYK 11 / 8 / 0 / 29

HEX #A1A5B4

RGB 161 165 180

HSL 227.37, 0.11%, 0.67%

LAB 67.86, 1.6, -8.21

 

CMYK 0 / 10 / 6 / 29

HEX #B5A2AA

RGB 181 162 170

HSL 334.74, 0.11%, 0.67%

LAB 68.44, 8.33, -1.62

 

CMYK 1 / 0 / 11 / 29

HEX #B2B4A1

RGB 178 180 161

HSL 66.32, 0.11%, 0.67%

LAB 72.68, -4.1, 9.45

 

CMYK 11 / 0 / 4 / 29

HEX #A1B4AC

RGB 161 180 172

HSL 154.74, 0.11%, 0.67%

LAB 71.69, -8.13, 1.84

 

CMYK 10 / 11 / 0 / 29

HEX #A2A1B4

RGB 162 161 180

HSL 243.16, 0.11%, 0.67%

LAB 66.87, 4.15, -9.67

 

Description

Color code: HEX #B5A2AA | qconv.com Color code: HEX #B5A2AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 162 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 162 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 6 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 6% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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