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Color name
HEX #B5ADF6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5ADF6 it is the complementary color #4A5209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5ADF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5ADF6 shade: #BAADF1, #CBBFFF, #DCD1FF, #EDE3FF and #FEF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5ADF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5ADF6 shade: #B5ADF6, #A49BE3, #9389D0, #8277BD and #7165AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5ADF6 shade: #B4ACF5, #C8ACF5, #DCACF5, #EFACF5 and #F5ACE7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5ADF6 shade: #B4ACF5 and #ACACF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5ADF6 shade matches the following richer shades: #B4ACF5 and #AEA4FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5ADF6 shade: #B4ACF5, #BAB3EE, #C0BBE6, #C5C2DF and #CBCAD8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5ADF6 shade: #ACCCF5, #ACB8F5, #B3ACF5, #C7ACF5 and #DAACF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5ADF6 shade: #7162ED, #9287F1, #B4ACF5, #D5D1F9 and #F7F6FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5ADF6 shade: #B5ADF6, #F5ACDF and #C2F5AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5ADF6 shade: #B5ADF6, #F5B3AC and #ACF5B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5ADF6 shade: #B5ADF6, #F5ACDF, #EEF5AC and #ACF5C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5ADF6 shade: #B5ADF6, #F5ACC9, #EEF5AC and #ACF5D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 30 / 0 / 4

HEX #B5ADF6

RGB 181 173 246

HSL 246.58, 0.8%, 0.82%

LAB 73.78, 18.34, -35.28

 

Complementary color

CMYK 10 / 0 / 89 / 68

HEX #4A5209

RGB 74 82 9

HSL 66.58, 0.8%, 0.18%

LAB 32.94, -13.08, 37.55

 

CMYK 23 / 28 / 0 / 5

HEX #BAADF1

RGB 186 173 241

HSL 251.47, 0.71%, 0.81%

LAB 73.98, 18.63, -32.23

 

CMYK 20 / 25 / 0 / 0

HEX #CBBFFF

RGB 203 191 255

HSL 251.25, 1%, 0.87%

LAB 80.28, 17.02, -29.96

 

CMYK 14 / 18 / 0 / 0

HEX #DCD1FF

RGB 220 209 255

HSL 254.35, 1%, 0.91%

LAB 86.02, 12.56, -21.08

 

CMYK 7 / 11 / 0 / 0

HEX #EDE3FF

RGB 237 227 255

HSL 261.43, 1%, 0.95%

LAB 91.76, 8.48, -12.33

 

CMYK 0 / 4 / 0 / 0

HEX #FEF5FF

RGB 254 245 255

HSL 294, 1%, 0.98%

LAB 97.47, 4.75, -3.73

 

CMYK 26 / 30 / 0 / 4

HEX #B5ADF6

RGB 181 173 246

HSL 246.58, 0.8%, 0.82%

LAB 73.78, 18.34, -35.28

 

CMYK 28 / 32 / 0 / 11

HEX #A49BE3

RGB 164 155 227

HSL 247.5, 0.56%, 0.75%

LAB 67.19, 18.9, -35.25

 

CMYK 29 / 34 / 0 / 18

HEX #9389D0

RGB 147 137 208

HSL 248.45, 0.43%, 0.68%

LAB 60.47, 19.53, -35.25

 

CMYK 31 / 37 / 0 / 26

HEX #8277BD

RGB 130 119 189

HSL 249.43, 0.35%, 0.6%

LAB 53.61, 20.25, -35.3

 

CMYK 34 / 41 / 0 / 33

HEX #7165AA

RGB 113 101 170

HSL 250.43, 0.29%, 0.53%

LAB 46.61, 21.06, -35.39

 

CMYK 27 / 30 / 0 / 4

HEX #B4ACF5

RGB 180 172 245

HSL 246.58, 0.78%, 0.82%

LAB 73.42, 18.36, -35.31

 

CMYK 18 / 30 / 0 / 4

HEX #C8ACF5

RGB 200 172 245

HSL 263.01, 0.78%, 0.82%

LAB 75.06, 24.28, -32.64

 

CMYK 10 / 30 / 0 / 4

HEX #DCACF5

RGB 220 172 245

HSL 279.45, 0.78%, 0.82%

LAB 76.87, 30.4, -29.7

 

CMYK 2 / 30 / 0 / 4

HEX #EFACF5

RGB 239 172 245

HSL 295.07, 0.78%, 0.82%

LAB 78.72, 36.33, -26.7

 

CMYK 0 / 30 / 6 / 4

HEX #F5ACE7

RGB 245 172 231

HSL 311.51, 0.78%, 0.82%

LAB 78.86, 35.74, -18.88

 

CMYK 27 / 30 / 0 / 4

HEX #B4ACF5

RGB 180 172 245

HSL 246.58, 0.78%, 0.82%

LAB 73.42, 18.36, -35.31

 

CMYK 30 / 30 / 0 / 4

HEX #ACACF5

RGB 172 172 245

HSL 240, 0.78%, 0.82%

LAB 72.81, 16.07, -36.31

 

CMYK 27 / 30 / 0 / 4

HEX #B4ACF5

RGB 180 172 245

HSL 246.58, 0.78%, 0.82%

LAB 73.42, 18.36, -35.31

 

CMYK 31 / 35 / 0 / 1

HEX #AEA4FD

RGB 174 164 253

HSL 246.74, 0.96%, 0.82%

LAB 71.31, 23.1, -42.96

 

CMYK 27 / 30 / 0 / 4

HEX #B4ACF5

RGB 180 172 245

HSL 246.58, 0.78%, 0.82%

LAB 73.42, 18.36, -35.31

 

CMYK 22 / 25 / 0 / 7

HEX #BAB3EE

RGB 186 179 238

HSL 247.12, 0.63%, 0.82%

LAB 75.36, 14.63, -28.49

 

CMYK 17 / 19 / 0 / 10

HEX #C0BBE6

RGB 192 187 230

HSL 246.98, 0.46%, 0.82%

LAB 77.56, 10.33, -20.77

 

CMYK 12 / 13 / 0 / 13

HEX #C5C2DF

RGB 197 194 223

HSL 246.21, 0.31%, 0.82%

LAB 79.49, 6.67, -14.05

 

CMYK 6 / 6 / 0 / 15

HEX #CBCAD8

RGB 203 202 216

HSL 244.29, 0.15%, 0.82%

LAB 81.78, 2.98, -6.83

 

CMYK 30 / 17 / 0 / 4

HEX #ACCCF5

RGB 172 204 245

HSL 213.7, 0.78%, 0.82%

LAB 81.04, -1.41, -23.65

 

CMYK 30 / 25 / 0 / 4

HEX #ACB8F5

RGB 172 184 245

HSL 230.14, 0.78%, 0.82%

LAB 75.85, 9.42, -31.6

 

CMYK 27 / 30 / 0 / 4

HEX #B3ACF5

RGB 179 172 245

HSL 245.75, 0.78%, 0.82%

LAB 73.34, 18.08, -35.44

 

CMYK 19 / 30 / 0 / 4

HEX #C7ACF5

RGB 199 172 245

HSL 262.19, 0.78%, 0.82%

LAB 74.98, 23.98, -32.78

 

CMYK 11 / 30 / 0 / 4

HEX #DAACF5

RGB 218 172 245

HSL 277.81, 0.78%, 0.82%

LAB 76.68, 29.78, -30.01

 

CMYK 52 / 59 / 0 / 7

HEX #7162ED

RGB 113 98 237

HSL 246.47, 0.79%, 0.66%

LAB 49.93, 42.31, -68.49

 

CMYK 39 / 44 / 0 / 5

HEX #9287F1

RGB 146 135 241

HSL 246.23, 0.79%, 0.74%

LAB 61.47, 29.15, -52.05

 

CMYK 27 / 30 / 0 / 4

HEX #B4ACF5

RGB 180 172 245

HSL 246.58, 0.78%, 0.82%

LAB 73.42, 18.36, -35.31

 

CMYK 14 / 16 / 0 / 2

HEX #D5D1F9

RGB 213 209 249

HSL 246, 0.77%, 0.9%

LAB 85.29, 9.12, -19.06

 

CMYK 3 / 3 / 0 / 0

HEX #F7F6FE

RGB 247 246 254

HSL 247.5, 0.8%, 0.98%

LAB 97.16, 1.76, -3.72

 

CMYK 26 / 30 / 0 / 4

HEX #B5ADF6

RGB 181 173 246

HSL 246.58, 0.8%, 0.82%

LAB 73.78, 18.34, -35.28

 

CMYK 0 / 30 / 9 / 4

HEX #F5ACDF

RGB 245 172 223

HSL 318.08, 0.78%, 0.82%

LAB 78.6, 34.38, -14.93

 

CMYK 21 / 0 / 30 / 4

HEX #C2F5AC

RGB 194 245 172

HSL 101.92, 0.78%, 0.82%

LAB 91.57, -29.24, 30.01

 

CMYK 26 / 30 / 0 / 4

HEX #B5ADF6

RGB 181 173 246

HSL 246.58, 0.8%, 0.82%

LAB 73.78, 18.34, -35.28

 

CMYK 0 / 27 / 30 / 4

HEX #F5B3AC

RGB 245 179 172

HSL 5.75, 0.78%, 0.82%

LAB 78.83, 23.07, 13.05

 

CMYK 30 / 0 / 27 / 4

HEX #ACF5B3

RGB 172 245 179

HSL 125.75, 0.78%, 0.82%

LAB 90.47, -35.32, 24.75

 

CMYK 26 / 30 / 0 / 4

HEX #B5ADF6

RGB 181 173 246

HSL 246.58, 0.8%, 0.82%

LAB 73.78, 18.34, -35.28

 

CMYK 0 / 30 / 9 / 4

HEX #F5ACDF

RGB 245 172 223

HSL 318.08, 0.78%, 0.82%

LAB 78.6, 34.38, -14.93

 

CMYK 3 / 0 / 30 / 4

HEX #EEF5AC

RGB 238 245 172

HSL 65.75, 0.78%, 0.82%

LAB 94.51, -13.56, 34.46

 

CMYK 30 / 0 / 21 / 4

HEX #ACF5C2

RGB 172 245 194

HSL 138.08, 0.78%, 0.82%

LAB 90.77, -32.71, 17.46

 

CMYK 26 / 30 / 0 / 4

HEX #B5ADF6

RGB 181 173 246

HSL 246.58, 0.8%, 0.82%

LAB 73.78, 18.34, -35.28

 

CMYK 0 / 30 / 18 / 4

HEX #F5ACC9

RGB 245 172 201

HSL 336.16, 0.78%, 0.82%

LAB 77.95, 30.86, -3.96

 

CMYK 3 / 0 / 30 / 4

HEX #EEF5AC

RGB 238 245 172

HSL 65.75, 0.78%, 0.82%

LAB 94.51, -13.56, 34.46

 

CMYK 30 / 0 / 12 / 4

HEX #ACF5D8

RGB 172 245 216

HSL 156.16, 0.78%, 0.82%

LAB 91.25, -28.51, 6.77

 

Description

Color code: HEX #B5ADF6 | qconv.com Color code: HEX #B5ADF6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 173 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 173 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 30 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 30% 0% 4% C M Y K

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Provide designers and agencies with accurate color values.

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