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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5AF79 it is the complementary color #4A5086. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5AF79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5AF79 shade: #BAAF74, #CBC187, #DCD39A, #EDE5AD and #FEF7C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5AF79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5AF79 shade: #B5AF79, #A49D66, #938B53, #827940 and #71672D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5AF79 shade: #B4AE78, #B49E78, #B48E78, #B47D78 and #B47878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5AF79 shade: #B4AE78, #AAB478, #9AB478, #89B478 and #79B478

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5AF79 shade matches the following richer shades: #B4AE78, #C5BC67, #D6C956, #E7D745 and #F8E434

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5AF79 shade: #B4AE78, #A3A189, #929399, #8286AA and #7178BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5AF79 shade: #B48E78, #B49E78, #B4AE78, #AAB478 and #9AB478

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5AF79 shade: #8C864D, #A69E5D, #B4AE78, #C3BE92 and #D2CEAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5AF79 shade: #B5AF79, #78B47E and #9678B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5AF79 shade: #B5AF79, #78B4AE and #AE78B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5AF79 shade: #B5AF79, #78B47E, #787EB4 and #B478AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5AF79 shade: #B5AF79, #78B490, #787EB4 and #B4789C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 33 / 29

HEX #B5AF79

RGB 181 175 121

HSL 54, 0.29%, 0.59%

LAB 70.78, -6.22, 28.51

 

Complementary color

CMYK 45 / 40 / 0 / 47

HEX #4A5086

RGB 74 80 134

HSL 234, 0.29%, 0.41%

LAB 35.82, 12.65, -31.05

 

CMYK 0 / 6 / 38 / 27

HEX #BAAF74

RGB 186 175 116

HSL 50.57, 0.34%, 0.59%

LAB 71.12, -4.82, 31.69

 

CMYK 0 / 5 / 33 / 20

HEX #CBC187

RGB 203 193 135

HSL 51.18, 0.4%, 0.66%

LAB 77.63, -5.21, 30.52

 

CMYK 0 / 4 / 30 / 14

HEX #DCD39A

RGB 220 211 154

HSL 51.82, 0.49%, 0.73%

LAB 84.04, -5.54, 29.4

 

CMYK 0 / 3 / 27 / 7

HEX #EDE5AD

RGB 237 229 173

HSL 52.5, 0.64%, 0.8%

LAB 90.35, -5.82, 28.35

 

CMYK 0 / 3 / 24 / 0

HEX #FEF7C0

RGB 254 247 192

HSL 53.23, 0.97%, 0.87%

LAB 96.57, -6.08, 27.35

 

CMYK 0 / 3 / 33 / 29

HEX #B5AF79

RGB 181 175 121

HSL 54, 0.29%, 0.59%

LAB 70.78, -6.22, 28.51

 

CMYK 0 / 4 / 38 / 36

HEX #A49D66

RGB 164 157 102

HSL 53.23, 0.25%, 0.52%

LAB 64.13, -5.86, 29.7

 

CMYK 0 / 5 / 44 / 42

HEX #938B53

RGB 147 139 83

HSL 52.5, 0.28%, 0.45%

LAB 57.36, -5.41, 30.96

 

CMYK 0 / 7 / 51 / 49

HEX #827940

RGB 130 121 64

HSL 51.82, 0.34%, 0.38%

LAB 50.44, -4.85, 32.27

 

CMYK 0 / 9 / 60 / 56

HEX #71672D

RGB 113 103 45

HSL 51.18, 0.43%, 0.31%

LAB 43.36, -4.1, 33.56

 

CMYK 0 / 3 / 33 / 29

HEX #B4AE78

RGB 180 174 120

HSL 54, 0.29%, 0.59%

LAB 70.41, -6.22, 28.54

 

CMYK 0 / 12 / 33 / 29

HEX #B49E78

RGB 180 158 120

HSL 38, 0.29%, 0.59%

LAB 66.15, 2.38, 22.85

 

CMYK 0 / 21 / 33 / 29

HEX #B48E78

RGB 180 142 120

HSL 22, 0.29%, 0.59%

LAB 62, 11.2, 17.2

 

CMYK 0 / 31 / 33 / 29

HEX #B47D78

RGB 180 125 120

HSL 5, 0.29%, 0.59%

LAB 57.78, 20.7, 11.32

 

CMYK 0 / 33 / 33 / 29

HEX #B47878

RGB 180 120 120

HSL 0, 0.29%, 0.59%

LAB 56.58, 23.5, 9.63

 

CMYK 0 / 3 / 33 / 29

HEX #B4AE78

RGB 180 174 120

HSL 54, 0.29%, 0.59%

LAB 70.41, -6.22, 28.54

 

CMYK 6 / 0 / 33 / 29

HEX #AAB478

RGB 170 180 120

HSL 70, 0.29%, 0.59%

LAB 71.24, -13.33, 29.49

 

CMYK 14 / 0 / 33 / 29

HEX #9AB478

RGB 154 180 120

HSL 86, 0.29%, 0.59%

LAB 70.08, -19.49, 27.75

 

CMYK 24 / 0 / 33 / 29

HEX #89B478

RGB 137 180 120

HSL 103, 0.29%, 0.59%

LAB 68.98, -25.76, 26.08

 

CMYK 33 / 0 / 33 / 29

HEX #79B478

RGB 121 180 120

HSL 119, 0.29%, 0.59%

LAB 68.07, -31.27, 24.7

 

CMYK 0 / 3 / 33 / 29

HEX #B4AE78

RGB 180 174 120

HSL 54, 0.29%, 0.59%

LAB 70.41, -6.22, 28.54

 

CMYK 0 / 5 / 48 / 23

HEX #C5BC67

RGB 197 188 103

HSL 54.26, 0.45%, 0.59%

LAB 75.34, -8.5, 43.86

 

CMYK 0 / 6 / 60 / 16

HEX #D6C956

RGB 214 201 86

HSL 53.91, 0.61%, 0.59%

LAB 80.03, -9.51, 57.66

 

CMYK 0 / 7 / 70 / 9

HEX #E7D745

RGB 231 215 69

HSL 54.07, 0.77%, 0.59%

LAB 85.01, -10.47, 70.17

 

CMYK 0 / 8 / 79 / 3

HEX #F8E434

RGB 248 228 52

HSL 53.88, 0.93%, 0.59%

LAB 89.72, -10.52, 80.55

 

CMYK 0 / 3 / 33 / 29

HEX #B4AE78

RGB 180 174 120

HSL 54, 0.29%, 0.59%

LAB 70.41, -6.22, 28.54

 

CMYK 0 / 1 / 16 / 36

HEX #A3A189

RGB 163 161 137

HSL 55.38, 0.12%, 0.59%

LAB 65.81, -3.49, 12.77

 

CMYK 5 / 4 / 0 / 40

HEX #929399

RGB 146 147 153

HSL 231.43, 0.03%, 0.59%

LAB 61.03, 0.83, -3.29

 

CMYK 24 / 21 / 0 / 33

HEX #8286AA

RGB 130 134 170

HSL 234, 0.19%, 0.59%

LAB 56.78, 6.59, -19.5

 

CMYK 40 / 36 / 0 / 27

HEX #7178BB

RGB 113 120 187

HSL 234.32, 0.35%, 0.59%

LAB 52.43, 14.32, -36.1

 

CMYK 0 / 21 / 33 / 29

HEX #B48E78

RGB 180 142 120

HSL 22, 0.29%, 0.59%

LAB 62, 11.2, 17.2

 

CMYK 0 / 12 / 33 / 29

HEX #B49E78

RGB 180 158 120

HSL 38, 0.29%, 0.59%

LAB 66.15, 2.38, 22.85

 

CMYK 0 / 3 / 33 / 29

HEX #B4AE78

RGB 180 174 120

HSL 54, 0.29%, 0.59%

LAB 70.41, -6.22, 28.54

 

CMYK 6 / 0 / 33 / 29

HEX #AAB478

RGB 170 180 120

HSL 70, 0.29%, 0.59%

LAB 71.24, -13.33, 29.49

 

CMYK 14 / 0 / 33 / 29

HEX #9AB478

RGB 154 180 120

HSL 86, 0.29%, 0.59%

LAB 70.08, -19.49, 27.75

 

CMYK 0 / 4 / 45 / 45

HEX #8C864D

RGB 140 134 77

HSL 54.29, 0.29%, 0.43%

LAB 55.24, -6.33, 31.4

 

CMYK 0 / 5 / 44 / 35

HEX #A69E5D

RGB 166 158 93

HSL 53.42, 0.29%, 0.51%

LAB 64.44, -6.58, 34.91

 

CMYK 0 / 3 / 33 / 29

HEX #B4AE78

RGB 180 174 120

HSL 54, 0.29%, 0.59%

LAB 70.41, -6.22, 28.54

 

CMYK 0 / 3 / 25 / 24

HEX #C3BE92

RGB 195 190 146

HSL 53.88, 0.29%, 0.67%

LAB 76.38, -5.31, 22.91

 

CMYK 0 / 2 / 18 / 18

HEX #D2CEAD

RGB 210 206 173

HSL 53.51, 0.29%, 0.75%

LAB 82.3, -4.08, 16.94

 

CMYK 0 / 3 / 33 / 29

HEX #B5AF79

RGB 181 175 121

HSL 54, 0.29%, 0.59%

LAB 70.78, -6.22, 28.51

 

CMYK 33 / 0 / 30 / 29

HEX #78B47E

RGB 120 180 126

HSL 126, 0.29%, 0.59%

LAB 68.13, -30.58, 21.55

 

CMYK 17 / 33 / 0 / 29

HEX #9678B4

RGB 150 120 180

HSL 270, 0.29%, 0.59%

LAB 55.29, 23.54, -27.38

 

CMYK 0 / 3 / 33 / 29

HEX #B5AF79

RGB 181 175 121

HSL 54, 0.29%, 0.59%

LAB 70.78, -6.22, 28.51

 

CMYK 33 / 0 / 3 / 29

HEX #78B4AE

RGB 120 180 174

HSL 174, 0.29%, 0.59%

LAB 69.25, -20.68, -3.13

 

CMYK 3 / 33 / 0 / 29

HEX #AE78B4

RGB 174 120 180

HSL 294, 0.29%, 0.59%

LAB 57.78, 31.31, -23.34

 

CMYK 0 / 3 / 33 / 29

HEX #B5AF79

RGB 181 175 121

HSL 54, 0.29%, 0.59%

LAB 70.78, -6.22, 28.51

 

CMYK 33 / 0 / 30 / 29

HEX #78B47E

RGB 120 180 126

HSL 126, 0.29%, 0.59%

LAB 68.13, -30.58, 21.55

 

CMYK 33 / 30 / 0 / 29

HEX #787EB4

RGB 120 126 180

HSL 234, 0.29%, 0.59%

LAB 54.25, 10.78, -29.2

 

CMYK 0 / 33 / 3 / 29

HEX #B478AE

RGB 180 120 174

HSL 306, 0.29%, 0.59%

LAB 58.22, 32.15, -19.17

 

CMYK 0 / 3 / 33 / 29

HEX #B5AF79

RGB 181 175 121

HSL 54, 0.29%, 0.59%

LAB 70.78, -6.22, 28.51

 

CMYK 33 / 0 / 20 / 29

HEX #78B490

RGB 120 180 144

HSL 144, 0.29%, 0.59%

LAB 68.5, -27.21, 12.28

 

CMYK 33 / 30 / 0 / 29

HEX #787EB4

RGB 120 126 180

HSL 234, 0.29%, 0.59%

LAB 54.25, 10.78, -29.2

 

CMYK 0 / 33 / 13 / 29

HEX #B4789C

RGB 180 120 156

HSL 324, 0.29%, 0.59%

LAB 57.59, 28.94, -9.75

 

Description

Color code: HEX #B5AF79 | qconv.com Color code: HEX #B5AF79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 175 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 175 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 33 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 33% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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