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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5AFB0 it is the complementary color #4A504F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5AFB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5AFB0 shade: #BAAFAB, #CBC1BE, #DCD3D1, #EDE5E4 and #FEF7F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5AFB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5AFB0 shade: #B5AFB0, #A49D9D, #938B8A, #827977 and #716764

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5AFB0 shade: #B5AFB0 and #B5AFAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5AFB0 shade: #B5AFB0, #B5AFB2, #B5AFB3, #B5AFB5 and #B4AFB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5AFB0 shade matches the following richer shades: #B5AFB0, #C1A3A8, #CE969F, #DA8A97 and #E77D8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5AFB0 shade: #B5AFB0, #A9BBB8, #9CC8C0, #90D4C9 and #84E0D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5AFB0 shade: #B5AFB3, #B5AFB2, #B5AFB0, #B5B0AF and #B5B1AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5AFB0 shade: #8D8486, #A1999B, #B5AFB0, #C9C4C5 and #DDDADA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5AFB0 shade: #B5AFB0, #B5B5AF and #AFB2B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5AFB0 shade: #B5AFB0, #B0B5AF and #AFB0B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5AFB0 shade: #B5AFB0, #B5B5AF, #AFB5B4 and #AFAFB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5AFB0 shade: #B5AFB0, #B3B5AF, #AFB5B4 and #B1AFB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 3 / 29

HEX #B5AFB0

RGB 181 175 176

HSL 350, 0.04%, 0.7%

LAB 71.97, 2.32, 0.24

 

Complementary color

CMYK 7 / 0 / 1 / 69

HEX #4A504F

RGB 74 80 79

HSL 170, 0.04%, 0.3%

LAB 33.47, -2.63, -0.25

 

CMYK 0 / 6 / 8 / 27

HEX #BAAFAB

RGB 186 175 171

HSL 16, 0.1%, 0.7%

LAB 72.25, 3.22, 3.45

 

CMYK 0 / 5 / 6 / 20

HEX #CBC1BE

RGB 203 193 190

HSL 13.85, 0.11%, 0.77%

LAB 78.78, 2.97, 2.75

 

CMYK 0 / 4 / 5 / 14

HEX #DCD3D1

RGB 220 211 209

HSL 10.91, 0.14%, 0.84%

LAB 85.2, 2.75, 2.08

 

CMYK 0 / 3 / 4 / 7

HEX #EDE5E4

RGB 237 229 228

HSL 6.67, 0.2%, 0.91%

LAB 91.53, 2.53, 1.44

 

CMYK 0 / 3 / 3 / 0

HEX #FEF7F7

RGB 254 247 247

HSL 0, 0.78%, 0.98%

LAB 97.76, 2.33, 0.82

 

CMYK 0 / 3 / 3 / 29

HEX #B5AFB0

RGB 181 175 176

HSL 350, 0.04%, 0.7%

LAB 71.97, 2.32, 0.24

 

CMYK 0 / 4 / 4 / 36

HEX #A49D9D

RGB 164 157 157

HSL 0, 0.04%, 0.63%

LAB 65.31, 2.54, 0.9

 

CMYK 0 / 5 / 6 / 42

HEX #938B8A

RGB 147 139 138

HSL 6.67, 0.04%, 0.56%

LAB 58.51, 2.79, 1.59

 

CMYK 0 / 7 / 8 / 49

HEX #827977

RGB 130 121 119

HSL 10.91, 0.04%, 0.49%

LAB 51.56, 3.06, 2.33

 

CMYK 0 / 9 / 12 / 56

HEX #716764

RGB 113 103 100

HSL 13.85, 0.06%, 0.42%

LAB 44.42, 3.38, 3.11

 

CMYK 0 / 3 / 3 / 29

HEX #B5AFB0

RGB 181 175 176

HSL 350, 0.04%, 0.7%

LAB 71.97, 2.32, 0.24

 

CMYK 0 / 3 / 3 / 29

HEX #B5AFAF

RGB 181 175 175

HSL 0, 0.04%, 0.7%

LAB 71.95, 2.13, 0.75

 

CMYK 0 / 3 / 3 / 29

HEX #B5AFB0

RGB 181 175 176

HSL 350, 0.04%, 0.7%

LAB 71.97, 2.32, 0.24

 

CMYK 0 / 3 / 2 / 29

HEX #B5AFB2

RGB 181 175 178

HSL 330, 0.04%, 0.7%

LAB 72.03, 2.69, -0.78

 

CMYK 0 / 3 / 1 / 29

HEX #B5AFB3

RGB 181 175 179

HSL 320, 0.04%, 0.7%

LAB 72.05, 2.87, -1.29

 

CMYK 0 / 3 / 0 / 29

HEX #B5AFB5

RGB 181 175 181

HSL 300, 0.04%, 0.7%

LAB 72.11, 3.25, -2.31

 

CMYK 1 / 3 / 0 / 29

HEX #B4AFB5

RGB 180 175 181

HSL 290, 0.04%, 0.7%

LAB 72.03, 2.89, -2.44

 

CMYK 0 / 3 / 3 / 29

HEX #B5AFB0

RGB 181 175 176

HSL 350, 0.04%, 0.7%

LAB 71.97, 2.32, 0.24

 

CMYK 0 / 16 / 13 / 24

HEX #C1A3A8

RGB 193 163 168

HSL 350, 0.19%, 0.7%

LAB 69.72, 11.81, 1.51

 

CMYK 0 / 27 / 23 / 19

HEX #CE969F

RGB 206 150 159

HSL 350.36, 0.36%, 0.7%

LAB 67.6, 22.33, 3.6

 

CMYK 0 / 37 / 31 / 15

HEX #DA8A97

RGB 218 138 151

HSL 350.25, 0.52%, 0.7%

LAB 65.99, 32.15, 5.95

 

CMYK 0 / 46 / 38 / 9

HEX #E77D8F

RGB 231 125 143

HSL 349.81, 0.69%, 0.7%

LAB 64.68, 42.67, 8.82

 

CMYK 0 / 3 / 3 / 29

HEX #B5AFB0

RGB 181 175 176

HSL 350, 0.04%, 0.7%

LAB 71.97, 2.32, 0.24

 

CMYK 10 / 0 / 2 / 27

HEX #A9BBB8

RGB 169 187 184

HSL 170, 0.12%, 0.7%

LAB 74.47, -6.75, -0.6

 

CMYK 22 / 0 / 4 / 22

HEX #9CC8C0

RGB 156 200 192

HSL 169.09, 0.29%, 0.7%

LAB 77.39, -16.11, -0.76

 

CMYK 32 / 0 / 5 / 17

HEX #90D4C9

RGB 144 212 201

HSL 170.29, 0.44%, 0.7%

LAB 80.31, -23.75, -1.4

 

CMYK 41 / 0 / 7 / 12

HEX #84E0D1

RGB 132 224 209

HSL 170.22, 0.6%, 0.7%

LAB 83.35, -30.94, -1.27

 

CMYK 0 / 3 / 1 / 29

HEX #B5AFB3

RGB 181 175 179

HSL 320, 0.04%, 0.7%

LAB 72.05, 2.87, -1.29

 

CMYK 0 / 3 / 2 / 29

HEX #B5AFB2

RGB 181 175 178

HSL 330, 0.04%, 0.7%

LAB 72.03, 2.69, -0.78

 

CMYK 0 / 3 / 3 / 29

HEX #B5AFB0

RGB 181 175 176

HSL 350, 0.04%, 0.7%

LAB 71.97, 2.32, 0.24

 

CMYK 0 / 3 / 3 / 29

HEX #B5B0AF

RGB 181 176 175

HSL 10, 0.04%, 0.7%

LAB 72.21, 1.59, 1.13

 

CMYK 0 / 2 / 3 / 29

HEX #B5B1AF

RGB 181 177 175

HSL 20, 0.04%, 0.7%

LAB 72.47, 1.05, 1.51

 

CMYK 0 / 6 / 5 / 45

HEX #8D8486

RGB 141 132 134

HSL 346.67, 0.04%, 0.54%

LAB 55.97, 3.76, 0.13

 

CMYK 0 / 5 / 4 / 37

HEX #A1999B

RGB 161 153 155

HSL 345, 0.04%, 0.62%

LAB 63.94, 3.29, -0.01

 

CMYK 0 / 3 / 3 / 29

HEX #B5AFB0

RGB 181 175 176

HSL 350, 0.04%, 0.7%

LAB 71.97, 2.32, 0.24

 

CMYK 0 / 2 / 2 / 21

HEX #C9C4C5

RGB 201 196 197

HSL 348, 0.04%, 0.78%

LAB 79.57, 1.92, 0.11

 

CMYK 0 / 1 / 1 / 13

HEX #DDDADA

RGB 221 218 218

HSL 0, 0.04%, 0.86%

LAB 87.28, 1.02, 0.35

 

CMYK 0 / 3 / 3 / 29

HEX #B5AFB0

RGB 181 175 176

HSL 350, 0.04%, 0.7%

LAB 71.97, 2.32, 0.24

 

CMYK 0 / 0 / 3 / 29

HEX #B5B5AF

RGB 181 181 175

HSL 60, 0.04%, 0.7%

LAB 73.52, -1.1, 3.04

 

CMYK 3 / 2 / 0 / 29

HEX #AFB2B5

RGB 175 178 181

HSL 210, 0.04%, 0.7%

LAB 72.42, -0.47, -1.9

 

CMYK 0 / 3 / 3 / 29

HEX #B5AFB0

RGB 181 175 176

HSL 350, 0.04%, 0.7%

LAB 71.97, 2.32, 0.24

 

CMYK 3 / 0 / 3 / 29

HEX #B0B5AF

RGB 176 181 175

HSL 110, 0.04%, 0.7%

LAB 73.14, -2.87, 2.43

 

CMYK 3 / 3 / 0 / 29

HEX #AFB0B5

RGB 175 176 181

HSL 230, 0.04%, 0.7%

LAB 71.89, 0.61, -2.68

 

CMYK 0 / 3 / 3 / 29

HEX #B5AFB0

RGB 181 175 176

HSL 350, 0.04%, 0.7%

LAB 71.97, 2.32, 0.24

 

CMYK 0 / 0 / 3 / 29

HEX #B5B5AF

RGB 181 181 175

HSL 60, 0.04%, 0.7%

LAB 73.52, -1.1, 3.04

 

CMYK 3 / 0 / 1 / 29

HEX #AFB5B4

RGB 175 181 180

HSL 170, 0.04%, 0.7%

LAB 73.19, -2.28, -0.23

 

CMYK 3 / 3 / 0 / 29

HEX #AFAFB5

RGB 175 175 181

HSL 240, 0.04%, 0.7%

LAB 71.63, 1.15, -3.07

 

CMYK 0 / 3 / 3 / 29

HEX #B5AFB0

RGB 181 175 176

HSL 350, 0.04%, 0.7%

LAB 71.97, 2.32, 0.24

 

CMYK 1 / 0 / 3 / 29

HEX #B3B5AF

RGB 179 181 175

HSL 80, 0.04%, 0.7%

LAB 73.37, -1.81, 2.8

 

CMYK 3 / 0 / 1 / 29

HEX #AFB5B4

RGB 175 181 180

HSL 170, 0.04%, 0.7%

LAB 73.19, -2.28, -0.23

 

CMYK 2 / 3 / 0 / 29

HEX #B1AFB5

RGB 177 175 181

HSL 260, 0.04%, 0.7%

LAB 71.79, 1.84, -2.82

 

Description

Color code: HEX #B5AFB0 | qconv.com Color code: HEX #B5AFB0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 175 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 175 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 3 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 3% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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