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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5B534 it is the complementary color #4A4ACB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5B534. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5B534 shade: #BAB52F, #CBC742, #DCD955, #EDEB68 and #FEFD7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5B534. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5B534 shade: #B5B534, #A4A321, #93910E, #827F00 and #716D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5B534 shade: #B5B534, #B59334, #B57034, #B54D34 and #B53434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5B534 shade: #B5B534, #93B534, #70B534, #4DB534 and #34B53E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5B534 shade matches the following richer shades: #B5B534, #C8C821 and #DBDB0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5B534 shade: #B5B534, #A2A247, #8F8F5A, #7C7C6D and #696980

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5B534 shade: #B57034, #B59334, #B5B534, #93B534 and #70B534

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5B534 shade: #757522, #95952B, #B5B534, #CACA49 and #D3D369

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5B534 shade: #B5B534, #34B54E and #8234B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5B534 shade: #B5B534, #34B5B5 and #B534B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5B534 shade: #B5B534, #34B54E, #3434B5 and #B5349C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5B534 shade: #B5B534, #34B575, #3434B5 and #B53475

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 71 / 29

HEX #B5B534

RGB 181 181 52

HSL 60, 0.55%, 0.46%

LAB 71.64, -15.31, 61.88

 

Complementary color

CMYK 64 / 64 / 0 / 20

HEX #4A4ACB

RGB 74 74 203

HSL 240, 0.55%, 0.54%

LAB 39.01, 39.26, -67.01

 

CMYK 0 / 3 / 75 / 27

HEX #BAB52F

RGB 186 181 47

HSL 57.84, 0.6%, 0.46%

LAB 72.02, -13.38, 64.14

 

CMYK 0 / 2 / 67 / 20

HEX #CBC742

RGB 203 199 66

HSL 58.25, 0.57%, 0.53%

LAB 78.42, -14.34, 63.97

 

CMYK 0 / 1 / 61 / 14

HEX #DCD955

RGB 220 217 85

HSL 58.67, 0.66%, 0.6%

LAB 84.74, -15.14, 63.34

 

CMYK 0 / 1 / 56 / 7

HEX #EDEB68

RGB 237 235 104

HSL 59.1, 0.79%, 0.67%

LAB 90.97, -15.8, 62.47

 

CMYK 0 / 0 / 52 / 0

HEX #FEFD7B

RGB 254 253 123

HSL 59.54, 0.98%, 0.74%

LAB 97.13, -16.37, 61.46

 

CMYK 0 / 0 / 71 / 29

HEX #B5B534

RGB 181 181 52

HSL 60, 0.55%, 0.46%

LAB 71.64, -15.31, 61.88

 

CMYK 0 / 1 / 80 / 36

HEX #A4A321

RGB 164 163 33

HSL 59.54, 0.66%, 0.39%

LAB 65.12, -14.28, 61.58

 

CMYK 0 / 1 / 90 / 42

HEX #93910E

RGB 147 145 14

HSL 59.1, 0.83%, 0.32%

LAB 58.5, -13, 60.04

 

CMYK 0 / 2 / 100 / 49

HEX #827F00

RGB 130 127 0

HSL 58.62, 1%, 0.25%

LAB 51.75, -11.46, 56.67

 

CMYK 0 / 4 / 100 / 56

HEX #716D00

RGB 113 109 0

HSL 57.88, 1%, 0.22%

LAB 44.87, -9.61, 50.96

 

CMYK 0 / 0 / 71 / 29

HEX #B5B534

RGB 181 181 52

HSL 60, 0.55%, 0.46%

LAB 71.64, -15.31, 61.88

 

CMYK 0 / 19 / 71 / 29

HEX #B59334

RGB 181 147 52

HSL 44.19, 0.55%, 0.46%

LAB 62.46, 2.67, 52.8

 

CMYK 0 / 38 / 71 / 29

HEX #B57034

RGB 181 112 52

HSL 27.91, 0.55%, 0.46%

LAB 53.66, 22.08, 43.64

 

CMYK 0 / 57 / 71 / 29

HEX #B54D34

RGB 181 77 52

HSL 11.63, 0.55%, 0.46%

LAB 46.15, 40.64, 35.34

 

CMYK 0 / 71 / 71 / 29

HEX #B53434

RGB 181 52 52

HSL 0, 0.55%, 0.46%

LAB 42.04, 51.63, 30.59

 

CMYK 0 / 0 / 71 / 29

HEX #B5B534

RGB 181 181 52

HSL 60, 0.55%, 0.46%

LAB 71.64, -15.31, 61.88

 

CMYK 19 / 0 / 71 / 29

HEX #93B534

RGB 147 181 52

HSL 75.81, 0.55%, 0.46%

LAB 69.11, -29.57, 58.55

 

CMYK 38 / 0 / 71 / 29

HEX #70B534

RGB 112 181 52

HSL 92.09, 0.55%, 0.46%

LAB 67.08, -42.85, 55.85

 

CMYK 57 / 0 / 71 / 29

HEX #4DB534

RGB 77 181 52

HSL 108.37, 0.55%, 0.46%

LAB 65.65, -53.54, 53.93

 

CMYK 71 / 0 / 66 / 29

HEX #34B53E

RGB 52 181 62

HSL 124.65, 0.55%, 0.46%

LAB 65.06, -58.03, 49.07

 

CMYK 0 / 0 / 71 / 29

HEX #B5B534

RGB 181 181 52

HSL 60, 0.55%, 0.46%

LAB 71.64, -15.31, 61.88

 

CMYK 0 / 0 / 84 / 22

HEX #C8C821

RGB 200 200 33

HSL 60, 0.72%, 0.46%

LAB 78.29, -17.43, 74.03

 

CMYK 0 / 0 / 94 / 14

HEX #DBDB0E

RGB 219 219 14

HSL 60, 0.88%, 0.46%

LAB 84.87, -19.08, 83

 

CMYK 0 / 0 / 71 / 29

HEX #B5B534

RGB 181 181 52

HSL 60, 0.55%, 0.46%

LAB 71.64, -15.31, 61.88

 

CMYK 0 / 0 / 56 / 36

HEX #A2A247

RGB 162 162 71

HSL 60, 0.39%, 0.46%

LAB 64.94, -12.45, 46.43

 

CMYK 0 / 0 / 37 / 44

HEX #8F8F5A

RGB 143 143 90

HSL 60, 0.23%, 0.46%

LAB 58.25, -8.48, 28.23

 

CMYK 0 / 0 / 12 / 51

HEX #7C7C6D

RGB 124 124 109

HSL 60, 0.06%, 0.46%

LAB 51.62, -2.83, 8.2

 

CMYK 18 / 18 / 0 / 50

HEX #696980

RGB 105 105 128

HSL 240, 0.1%, 0.46%

LAB 45.17, 5.16, -12.73

 

CMYK 0 / 38 / 71 / 29

HEX #B57034

RGB 181 112 52

HSL 27.91, 0.55%, 0.46%

LAB 53.66, 22.08, 43.64

 

CMYK 0 / 19 / 71 / 29

HEX #B59334

RGB 181 147 52

HSL 44.19, 0.55%, 0.46%

LAB 62.46, 2.67, 52.8

 

CMYK 0 / 0 / 71 / 29

HEX #B5B534

RGB 181 181 52

HSL 60, 0.55%, 0.46%

LAB 71.64, -15.31, 61.88

 

CMYK 19 / 0 / 71 / 29

HEX #93B534

RGB 147 181 52

HSL 75.81, 0.55%, 0.46%

LAB 69.11, -29.57, 58.55

 

CMYK 38 / 0 / 71 / 29

HEX #70B534

RGB 112 181 52

HSL 92.09, 0.55%, 0.46%

LAB 67.08, -42.85, 55.85

 

CMYK 0 / 0 / 71 / 54

HEX #757522

RGB 117 117 34

HSL 60, 0.55%, 0.3%

LAB 47.78, -10.93, 43.56

 

CMYK 0 / 0 / 71 / 42

HEX #95952B

RGB 149 149 43

HSL 60, 0.55%, 0.38%

LAB 59.94, -13.17, 52.93

 

CMYK 0 / 0 / 71 / 29

HEX #B5B534

RGB 181 181 52

HSL 60, 0.55%, 0.46%

LAB 71.64, -15.31, 61.88

 

CMYK 0 / 0 / 64 / 21

HEX #CACA49

RGB 202 202 73

HSL 60, 0.55%, 0.54%

LAB 79.2, -15.86, 61.98

 

CMYK 0 / 0 / 50 / 17

HEX #D3D369

RGB 211 211 105

HSL 60, 0.55%, 0.62%

LAB 82.62, -14.32, 51.89

 

CMYK 0 / 0 / 71 / 29

HEX #B5B534

RGB 181 181 52

HSL 60, 0.55%, 0.46%

LAB 71.64, -15.31, 61.88

 

CMYK 71 / 0 / 57 / 29

HEX #34B54E

RGB 52 181 78

HSL 132.09, 0.55%, 0.46%

LAB 65.22, -56.13, 42.02

 

CMYK 28 / 71 / 0 / 29

HEX #8234B5

RGB 130 52 181

HSL 276.28, 0.55%, 0.46%

LAB 38.79, 55.02, -54.24

 

CMYK 0 / 0 / 71 / 29

HEX #B5B534

RGB 181 181 52

HSL 60, 0.55%, 0.46%

LAB 71.64, -15.31, 61.88

 

CMYK 71 / 0 / 0 / 29

HEX #34B5B5

RGB 52 181 181

HSL 180, 0.55%, 0.46%

LAB 67.36, -33.58, -10.05

 

CMYK 0 / 71 / 0 / 29

HEX #B534B5

RGB 181 52 181

HSL 300, 0.55%, 0.46%

LAB 46.47, 65.9, -41.52

 

CMYK 0 / 0 / 71 / 29

HEX #B5B534

RGB 181 181 52

HSL 60, 0.55%, 0.46%

LAB 71.64, -15.31, 61.88

 

CMYK 71 / 0 / 57 / 29

HEX #34B54E

RGB 52 181 78

HSL 132.09, 0.55%, 0.46%

LAB 65.22, -56.13, 42.02

 

CMYK 71 / 71 / 0 / 29

HEX #3434B5

RGB 52 52 181

HSL 240, 0.55%, 0.46%

LAB 30.69, 42.28, -67.8

 

CMYK 0 / 71 / 14 / 29

HEX #B5349C

RGB 181 52 156

HSL 311.63, 0.55%, 0.46%

LAB 45.19, 61.99, -28.7

 

CMYK 0 / 0 / 71 / 29

HEX #B5B534

RGB 181 181 52

HSL 60, 0.55%, 0.46%

LAB 71.64, -15.31, 61.88

 

CMYK 71 / 0 / 35 / 29

HEX #34B575

RGB 52 181 117

HSL 150.23, 0.55%, 0.46%

LAB 65.8, -49.58, 22.82

 

CMYK 71 / 71 / 0 / 29

HEX #3434B5

RGB 52 52 181

HSL 240, 0.55%, 0.46%

LAB 30.69, 42.28, -67.8

 

CMYK 0 / 71 / 35 / 29

HEX #B53475

RGB 181 52 117

HSL 329.77, 0.55%, 0.46%

LAB 43.6, 56.9, -7.43

 

Description

Color code: HEX #B5B534 | qconv.com Color code: HEX #B5B534 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 181 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 181 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 71 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 71% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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