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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5B2AA it is the complementary color #4A4D55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5B2AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5B2AA shade: #BAB2A5, #CBC4B8, #DCD6CB, #EDE8DE and #FEFAF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5B2AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5B2AA shade: #B5B2AA, #A4A097, #938E84, #827C71 and #716A5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5B2AA shade: #B5B2AA, #B5AFAA, #B5ACAA and #B5AAAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5B2AA shade: #B5B2AA, #B5B5AA, #B2B5AA, #AFB5AA and #ACB5AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5B2AA shade matches the following richer shades: #B5B2AA, #C2B89D, #CFBE90, #DBC384 and #E8C977

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5B2AA shade: #B5B2AA, #A8ACB7, #9BA6C3, #8FA1D0 and #829BDD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5B2AA shade: #B5ACAA, #B5AFAA, #B5B2AA, #B5B5AA and #B2B5AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5B2AA shade: #8F8A7E, #A29E94, #B5B2AA, #C8C6C0 and #DBDAD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5B2AA shade: #B5B2AA, #ABB5AA and #ADAAB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5B2AA shade: #B5B2AA, #AAB5B2 and #B2AAB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5B2AA shade: #B5B2AA, #ABB5AA, #AAADB5 and #B4AAB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5B2AA shade: #B5B2AA, #AAB5AC, #AAADB5 and #B5AAB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 6 / 29

HEX #B5B2AA

RGB 181 178 170

HSL 43.64, 0.07%, 0.69%

LAB 72.61, -0.38, 4.45

 

Complementary color

CMYK 13 / 9 / 0 / 67

HEX #4A4D55

RGB 74 77 85

HSL 223.64, 0.07%, 0.31%

LAB 32.74, 0.65, -5.13

 

CMYK 0 / 4 / 11 / 27

HEX #BAB2A5

RGB 186 178 165

HSL 37.14, 0.13%, 0.69%

LAB 72.89, 0.58, 7.65

 

CMYK 0 / 3 / 9 / 20

HEX #CBC4B8

RGB 203 196 184

HSL 37.89, 0.15%, 0.76%

LAB 79.41, 0.36, 6.88

 

CMYK 0 / 3 / 8 / 14

HEX #DCD6CB

RGB 220 214 203

HSL 38.82, 0.2%, 0.83%

LAB 85.82, 0.16, 6.15

 

CMYK 0 / 2 / 6 / 7

HEX #EDE8DE

RGB 237 232 222

HSL 40, 0.29%, 0.9%

LAB 92.13, -0.03, 5.44

 

CMYK 0 / 2 / 5 / 0

HEX #FEFAF1

RGB 254 250 241

HSL 41.54, 0.87%, 0.97%

LAB 98.35, -0.2, 4.77

 

CMYK 0 / 2 / 6 / 29

HEX #B5B2AA

RGB 181 178 170

HSL 43.64, 0.07%, 0.69%

LAB 72.61, -0.38, 4.45

 

CMYK 0 / 2 / 8 / 36

HEX #A4A097

RGB 164 160 151

HSL 41.54, 0.07%, 0.62%

LAB 65.96, -0.19, 5.19

 

CMYK 0 / 3 / 10 / 42

HEX #938E84

RGB 147 142 132

HSL 40, 0.06%, 0.55%

LAB 59.17, 0.01, 5.98

 

CMYK 0 / 5 / 13 / 49

HEX #827C71

RGB 130 124 113

HSL 38.82, 0.07%, 0.48%

LAB 52.23, 0.25, 6.81

 

CMYK 0 / 6 / 17 / 56

HEX #716A5E

RGB 113 106 94

HSL 37.89, 0.09%, 0.41%

LAB 45.12, 0.52, 7.72

 

CMYK 0 / 2 / 6 / 29

HEX #B5B2AA

RGB 181 178 170

HSL 43.64, 0.07%, 0.69%

LAB 72.61, -0.38, 4.45

 

CMYK 0 / 3 / 6 / 29

HEX #B5AFAA

RGB 181 175 170

HSL 27.27, 0.07%, 0.69%

LAB 71.82, 1.23, 3.31

 

CMYK 0 / 5 / 6 / 29

HEX #B5ACAA

RGB 181 172 170

HSL 10.91, 0.07%, 0.69%

LAB 71.03, 2.86, 2.17

 

CMYK 0 / 6 / 6 / 29

HEX #B5AAAA

RGB 181 170 170

HSL 0, 0.07%, 0.69%

LAB 70.51, 3.95, 1.41

 

CMYK 0 / 2 / 6 / 29

HEX #B5B2AA

RGB 181 178 170

HSL 43.64, 0.07%, 0.69%

LAB 72.61, -0.38, 4.45

 

CMYK 0 / 0 / 6 / 29

HEX #B5B5AA

RGB 181 181 170

HSL 60, 0.07%, 0.69%

LAB 73.4, -1.99, 5.59

 

CMYK 2 / 0 / 6 / 29

HEX #B2B5AA

RGB 178 181 170

HSL 76.36, 0.07%, 0.69%

LAB 73.16, -3.07, 5.23

 

CMYK 3 / 0 / 6 / 29

HEX #AFB5AA

RGB 175 181 170

HSL 92.73, 0.07%, 0.69%

LAB 72.93, -4.14, 4.86

 

CMYK 5 / 0 / 6 / 29

HEX #ACB5AA

RGB 172 181 170

HSL 109.09, 0.07%, 0.69%

LAB 72.71, -5.21, 4.51

 

CMYK 0 / 2 / 6 / 29

HEX #B5B2AA

RGB 181 178 170

HSL 43.64, 0.07%, 0.69%

LAB 72.61, -0.38, 4.45

 

CMYK 0 / 5 / 19 / 24

HEX #C2B89D

RGB 194 184 157

HSL 43.78, 0.23%, 0.69%

LAB 74.94, -0.93, 15

 

CMYK 0 / 8 / 30 / 19

HEX #CFBE90

RGB 207 190 144

HSL 43.81, 0.4%, 0.69%

LAB 77.34, -0.94, 25.45

 

CMYK 0 / 11 / 40 / 14

HEX #DBC384

RGB 219 195 132

HSL 43.45, 0.55%, 0.69%

LAB 79.47, -0.26, 34.75

 

CMYK 0 / 13 / 49 / 9

HEX #E8C977

RGB 232 201 119

HSL 43.54, 0.71%, 0.69%

LAB 81.98, 0.54, 44.77

 

CMYK 0 / 2 / 6 / 29

HEX #B5B2AA

RGB 181 178 170

HSL 43.64, 0.07%, 0.69%

LAB 72.61, -0.38, 4.45

 

CMYK 8 / 6 / 0 / 28

HEX #A8ACB7

RGB 168 172 183

HSL 224, 0.09%, 0.69%

LAB 70.35, 0.77, -6.12

 

CMYK 21 / 15 / 0 / 24

HEX #9BA6C3

RGB 155 166 195

HSL 223.5, 0.25%, 0.69%

LAB 68.15, 2.36, -16.14

 

CMYK 31 / 23 / 0 / 18

HEX #8FA1D0

RGB 143 161 208

HSL 223.38, 0.41%, 0.69%

LAB 66.43, 4.63, -26.05

 

CMYK 41 / 30 / 0 / 13

HEX #829BDD

RGB 130 155 221

HSL 223.52, 0.57%, 0.69%

LAB 64.49, 7.92, -36.32

 

CMYK 0 / 5 / 6 / 29

HEX #B5ACAA

RGB 181 172 170

HSL 10.91, 0.07%, 0.69%

LAB 71.03, 2.86, 2.17

 

CMYK 0 / 3 / 6 / 29

HEX #B5AFAA

RGB 181 175 170

HSL 27.27, 0.07%, 0.69%

LAB 71.82, 1.23, 3.31

 

CMYK 0 / 2 / 6 / 29

HEX #B5B2AA

RGB 181 178 170

HSL 43.64, 0.07%, 0.69%

LAB 72.61, -0.38, 4.45

 

CMYK 0 / 0 / 6 / 29

HEX #B5B5AA

RGB 181 181 170

HSL 60, 0.07%, 0.69%

LAB 73.4, -1.99, 5.59

 

CMYK 2 / 0 / 6 / 29

HEX #B2B5AA

RGB 178 181 170

HSL 76.36, 0.07%, 0.69%

LAB 73.16, -3.07, 5.23

 

CMYK 0 / 3 / 12 / 44

HEX #8F8A7E

RGB 143 138 126

HSL 42.35, 0.07%, 0.53%

LAB 57.58, -0.33, 7.08

 

CMYK 0 / 2 / 9 / 36

HEX #A29E94

RGB 162 158 148

HSL 42.86, 0.07%, 0.61%

LAB 65.18, -0.37, 5.73

 

CMYK 0 / 2 / 6 / 29

HEX #B5B2AA

RGB 181 178 170

HSL 43.64, 0.07%, 0.69%

LAB 72.61, -0.38, 4.45

 

CMYK 0 / 1 / 4 / 22

HEX #C8C6C0

RGB 200 198 192

HSL 45, 0.07%, 0.77%

LAB 79.88, -0.38, 3.24

 

CMYK 0 / 0 / 2 / 14

HEX #DBDAD6

RGB 219 218 214

HSL 48, 0.06%, 0.85%

LAB 87.03, -0.37, 2.07

 

CMYK 0 / 2 / 6 / 29

HEX #B5B2AA

RGB 181 178 170

HSL 43.64, 0.07%, 0.69%

LAB 72.61, -0.38, 4.45

 

CMYK 6 / 0 / 6 / 29

HEX #ABB5AA

RGB 171 181 170

HSL 114.55, 0.07%, 0.69%

LAB 72.63, -5.56, 4.39

 

CMYK 4 / 6 / 0 / 29

HEX #ADAAB5

RGB 173 170 181

HSL 256.36, 0.07%, 0.69%

LAB 70.15, 3.18, -5.26

 

CMYK 0 / 2 / 6 / 29

HEX #B5B2AA

RGB 181 178 170

HSL 43.64, 0.07%, 0.69%

LAB 72.61, -0.38, 4.45

 

CMYK 6 / 0 / 2 / 29

HEX #AAB5B2

RGB 170 181 178

HSL 163.64, 0.07%, 0.69%

LAB 72.77, -4.4, 0.2

 

CMYK 2 / 6 / 0 / 29

HEX #B2AAB5

RGB 178 170 181

HSL 283.64, 0.07%, 0.69%

LAB 70.56, 4.92, -4.62

 

CMYK 0 / 2 / 6 / 29

HEX #B5B2AA

RGB 181 178 170

HSL 43.64, 0.07%, 0.69%

LAB 72.61, -0.38, 4.45

 

CMYK 6 / 0 / 6 / 29

HEX #ABB5AA

RGB 171 181 170

HSL 114.55, 0.07%, 0.69%

LAB 72.63, -5.56, 4.39

 

CMYK 6 / 4 / 0 / 29

HEX #AAADB5

RGB 170 173 181

HSL 223.64, 0.07%, 0.69%

LAB 70.71, 0.5, -4.46

 

CMYK 1 / 6 / 0 / 29

HEX #B4AAB5

RGB 180 170 181

HSL 294.55, 0.07%, 0.69%

LAB 70.73, 5.62, -4.35

 

CMYK 0 / 2 / 6 / 29

HEX #B5B2AA

RGB 181 178 170

HSL 43.64, 0.07%, 0.69%

LAB 72.61, -0.38, 4.45

 

CMYK 6 / 0 / 5 / 29

HEX #AAB5AC

RGB 170 181 172

HSL 130.91, 0.07%, 0.69%

LAB 72.61, -5.54, 3.25

 

CMYK 6 / 4 / 0 / 29

HEX #AAADB5

RGB 170 173 181

HSL 223.64, 0.07%, 0.69%

LAB 70.71, 0.5, -4.46

 

CMYK 0 / 6 / 1 / 29

HEX #B5AAB3

RGB 181 170 179

HSL 310.91, 0.07%, 0.69%

LAB 70.75, 5.59, -3.2

 

Description

Color code: HEX #B5B2AA | qconv.com Color code: HEX #B5B2AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 178 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 178 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 6 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 6% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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