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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5BF58 it is the complementary color #4A40A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5BF58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5BF58 shade: #BABF53, #CBD166, #DCE379, #EDF58C and #FEFF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5BF58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5BF58 shade: #B5BF58, #A4AD45, #939B32, #82891F and #71770C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5BF58 shade: #B5BF58, #BFAE58, #BF9258, #BF7658 and #BF5A58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5BF58 shade: #B5BF58, #9ABF58, #7EBF58, #62BF58 and #58BF6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5BF58 shade matches the following richer shades: #B5BF58, #C4D246, #D3E533 and #E2F720

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5BF58 shade: #B5BF58, #A6AD6B, #979A7D, #888890 and #7A75A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5BF58 shade: #BF9158, #BFAC58, #B7BF58, #9BBF58 and #80BF58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5BF58 shade: #868F36, #A2AD41, #B5BF58, #C3CB76 and #D0D694

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5BF58 shade: #B5BF58, #58BF75 and #9F58BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5BF58 shade: #B5BF58, #58B7BF and #BF58B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5BF58 shade: #B5BF58, #58BF75, #6158BF and #BF58A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5BF58 shade: #B5BF58, #58BF94, #6158BF and #BF5883

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 54 / 25

HEX #B5BF58

RGB 181 191 88

HSL 65.83, 0.45%, 0.55%

LAB 74.69, -17.95, 50

 

Complementary color

CMYK 56 / 62 / 0 / 35

HEX #4A40A7

RGB 74 64 167

HSL 245.83, 0.45%, 0.45%

LAB 33.8, 33.59, -54.3

 

CMYK 3 / 0 / 57 / 25

HEX #BABF53

RGB 186 191 83

HSL 62.78, 0.46%, 0.54%

LAB 75.03, -16.3, 52.79

 

CMYK 3 / 0 / 51 / 18

HEX #CBD166

RGB 203 209 102

HSL 63.36, 0.54%, 0.61%

LAB 81.43, -16.81, 51.74

 

CMYK 3 / 0 / 47 / 11

HEX #DCE379

RGB 220 227 121

HSL 63.96, 0.65%, 0.68%

LAB 87.74, -17.22, 50.62

 

CMYK 3 / 0 / 43 / 4

HEX #EDF58C

RGB 237 245 140

HSL 64.57, 0.84%, 0.75%

LAB 93.97, -17.56, 49.48

 

CMYK 0 / 0 / 38 / 0

HEX #FEFF9F

RGB 254 255 159

HSL 60.63, 1%, 0.81%

LAB 98.07, -13.98, 45.75

 

CMYK 5 / 0 / 54 / 25

HEX #B5BF58

RGB 181 191 88

HSL 65.83, 0.45%, 0.55%

LAB 74.69, -17.95, 50

 

CMYK 5 / 0 / 60 / 32

HEX #A4AD45

RGB 164 173 69

HSL 65.19, 0.43%, 0.47%

LAB 68.17, -17.44, 50.99

 

CMYK 5 / 0 / 68 / 39

HEX #939B32

RGB 147 155 50

HSL 64.57, 0.51%, 0.4%

LAB 61.55, -16.78, 51.71

 

CMYK 5 / 0 / 77 / 46

HEX #82891F

RGB 130 137 31

HSL 63.96, 0.63%, 0.33%

LAB 54.8, -15.93, 51.84

 

CMYK 5 / 0 / 90 / 53

HEX #71770C

RGB 113 119 12

HSL 63.36, 0.82%, 0.26%

LAB 47.92, -14.81, 50.7

 

CMYK 5 / 0 / 54 / 25

HEX #B5BF58

RGB 181 191 88

HSL 65.83, 0.45%, 0.55%

LAB 74.69, -17.95, 50

 

CMYK 0 / 9 / 54 / 25

HEX #BFAE58

RGB 191 174 88

HSL 50.1, 0.45%, 0.55%

LAB 70.91, -5.02, 45.8

 

CMYK 0 / 24 / 54 / 25

HEX #BF9258

RGB 191 146 88

HSL 33.79, 0.45%, 0.55%

LAB 63.62, 10.08, 37.04

 

CMYK 0 / 38 / 54 / 25

HEX #BF7658

RGB 191 118 88

HSL 17.48, 0.45%, 0.55%

LAB 56.82, 25.52, 28.5

 

CMYK 0 / 53 / 54 / 25

HEX #BF5A58

RGB 191 90 88

HSL 1.17, 0.45%, 0.55%

LAB 50.8, 40.38, 20.63

 

CMYK 5 / 0 / 54 / 25

HEX #B5BF58

RGB 181 191 88

HSL 65.83, 0.45%, 0.55%

LAB 74.69, -17.95, 50

 

CMYK 19 / 0 / 54 / 25

HEX #9ABF58

RGB 154 191 88

HSL 81.55, 0.45%, 0.55%

LAB 72.78, -28.73, 47.3

 

CMYK 34 / 0 / 54 / 25

HEX #7EBF58

RGB 126 191 88

HSL 97.86, 0.45%, 0.55%

LAB 71.15, -39.04, 44.96

 

CMYK 49 / 0 / 54 / 25

HEX #62BF58

RGB 98 191 88

HSL 114.17, 0.45%, 0.55%

LAB 69.87, -47.94, 43.12

 

CMYK 54 / 0 / 45 / 25

HEX #58BF6A

RGB 88 191 106

HSL 130.49, 0.45%, 0.55%

LAB 69.74, -48.1, 33.95

 

CMYK 5 / 0 / 54 / 25

HEX #B5BF58

RGB 181 191 88

HSL 65.83, 0.45%, 0.55%

LAB 74.69, -17.95, 50

 

CMYK 7 / 0 / 67 / 18

HEX #C4D246

RGB 196 210 70

HSL 66, 0.61%, 0.55%

LAB 80.89, -22.47, 64.76

 

CMYK 8 / 0 / 78 / 10

HEX #D3E533

RGB 211 229 51

HSL 66.07, 0.77%, 0.55%

LAB 87.06, -26.35, 77.36

 

CMYK 9 / 0 / 87 / 3

HEX #E2F720

RGB 226 247 32

HSL 65.86, 0.93%, 0.55%

LAB 92.92, -29.24, 87.03

 

CMYK 5 / 0 / 54 / 25

HEX #B5BF58

RGB 181 191 88

HSL 65.83, 0.45%, 0.55%

LAB 74.69, -17.95, 50

 

CMYK 4 / 0 / 38 / 32

HEX #A6AD6B

RGB 166 173 107

HSL 66.36, 0.29%, 0.55%

LAB 68.79, -12.92, 33.09

 

CMYK 2 / 0 / 19 / 40

HEX #979A7D

RGB 151 154 125

HSL 66.21, 0.13%, 0.55%

LAB 62.65, -6.25, 14.89

 

CMYK 6 / 6 / 0 / 44

HEX #888890

RGB 136 136 144

HSL 240, 0.03%, 0.55%

LAB 56.94, 1.62, -4.27

 

CMYK 25 / 28 / 0 / 36

HEX #7A75A2

RGB 122 117 162

HSL 246.67, 0.19%, 0.55%

LAB 51.23, 12.04, -23.45

 

CMYK 0 / 24 / 54 / 25

HEX #BF9158

RGB 191 145 88

HSL 33.2, 0.45%, 0.55%

LAB 63.37, 10.63, 36.73

 

CMYK 0 / 10 / 54 / 25

HEX #BFAC58

RGB 191 172 88

HSL 48.93, 0.45%, 0.55%

LAB 70.38, -3.97, 45.18

 

CMYK 4 / 0 / 54 / 25

HEX #B7BF58

RGB 183 191 88

HSL 64.66, 0.45%, 0.55%

LAB 74.85, -17.13, 50.22

 

CMYK 19 / 0 / 54 / 25

HEX #9BBF58

RGB 155 191 88

HSL 80.97, 0.45%, 0.55%

LAB 72.85, -28.35, 47.39

 

CMYK 33 / 0 / 54 / 25

HEX #80BF58

RGB 128 191 88

HSL 96.7, 0.45%, 0.55%

LAB 71.25, -38.34, 45.11

 

CMYK 6 / 0 / 62 / 44

HEX #868F36

RGB 134 143 54

HSL 66.07, 0.45%, 0.39%

LAB 57.06, -15.92, 44.93

 

CMYK 6 / 0 / 62 / 32

HEX #A2AD41

RGB 162 173 65

HSL 66.11, 0.45%, 0.47%

LAB 67.98, -18.57, 52.5

 

CMYK 5 / 0 / 54 / 25

HEX #B5BF58

RGB 181 191 88

HSL 65.83, 0.45%, 0.55%

LAB 74.69, -17.95, 50

 

CMYK 4 / 0 / 42 / 20

HEX #C3CB76

RGB 195 203 118

HSL 65.65, 0.45%, 0.63%

LAB 79.4, -15.44, 41.38

 

CMYK 3 / 0 / 31 / 16

HEX #D0D694

RGB 208 214 148

HSL 65.45, 0.45%, 0.71%

LAB 83.78, -12.41, 31.99

 

CMYK 5 / 0 / 54 / 25

HEX #B5BF58

RGB 181 191 88

HSL 65.83, 0.45%, 0.55%

LAB 74.69, -17.95, 50

 

CMYK 54 / 0 / 39 / 25

HEX #58BF75

RGB 88 191 117

HSL 136.89, 0.45%, 0.55%

LAB 69.91, -46.28, 28.48

 

CMYK 17 / 54 / 0 / 25

HEX #9F58BF

RGB 159 88 191

HSL 281.36, 0.45%, 0.55%

LAB 49.63, 46.57, -42.52

 

CMYK 5 / 0 / 54 / 25

HEX #B5BF58

RGB 181 191 88

HSL 65.83, 0.45%, 0.55%

LAB 74.69, -17.95, 50

 

CMYK 54 / 4 / 0 / 25

HEX #58B7BF

RGB 88 183 191

HSL 184.66, 0.45%, 0.55%

LAB 69.26, -25.69, -12.63

 

CMYK 0 / 54 / 4 / 25

HEX #BF58B7

RGB 191 88 183

HSL 304.66, 0.45%, 0.55%

LAB 53.47, 53.85, -31.57

 

CMYK 5 / 0 / 54 / 25

HEX #B5BF58

RGB 181 191 88

HSL 65.83, 0.45%, 0.55%

LAB 74.69, -17.95, 50

 

CMYK 54 / 0 / 39 / 25

HEX #58BF75

RGB 88 191 117

HSL 136.89, 0.45%, 0.55%

LAB 69.91, -46.28, 28.48

 

CMYK 49 / 54 / 0 / 25

HEX #6158BF

RGB 97 88 191

HSL 245.24, 0.45%, 0.55%

LAB 43.19, 31.08, -53.19

 

CMYK 0 / 54 / 15 / 25

HEX #BF58A2

RGB 191 88 162

HSL 316.89, 0.45%, 0.55%

LAB 52.58, 50.4, -20.71

 

CMYK 5 / 0 / 54 / 25

HEX #B5BF58

RGB 181 191 88

HSL 65.83, 0.45%, 0.55%

LAB 74.69, -17.95, 50

 

CMYK 54 / 0 / 23 / 25

HEX #58BF94

RGB 88 191 148

HSL 154.95, 0.45%, 0.55%

LAB 70.51, -40.18, 12.74

 

CMYK 49 / 54 / 0 / 25

HEX #6158BF

RGB 97 88 191

HSL 245.24, 0.45%, 0.55%

LAB 43.19, 31.08, -53.19

 

CMYK 0 / 54 / 31 / 25

HEX #BF5883

RGB 191 88 131

HSL 334.95, 0.45%, 0.55%

LAB 51.49, 45.98, -4.02

 

Description

Color code: HEX #B5BF58 | qconv.com Color code: HEX #B5BF58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 191 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 191 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 54 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 54% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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