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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5C9C2 it is the complementary color #4A363D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5C9C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5C9C2 shade: #BAC9BD, #CBDBD0, #DCEDE3, #EDFFF6 and #FEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5C9C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5C9C2 shade: #B5C9C2, #A4B7AF, #93A59C, #829389 and #718176

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5C9C2 shade: #B5C9C2, #B5C9BC, #B5C9B7, #B8C9B5 and #BDC9B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5C9C2 shade: #B5C9C2, #B5C9C7, #B5C5C9, #B5C0C9 and #B5BAC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5C9C2 shade matches the following richer shades: #B5C9C2, #AAD3C5, #A0DEC8, #96E8CB and #8BF2CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5C9C2 shade: #B5C9C2, #BFBFBF, #C9B4BC, #D3AAB9 and #DEA0B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5C9C2 shade: #B5C9B7, #B5C9BC, #B5C9C2, #B5C9C7 and #B5C5C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5C9C2 shade: #85A69B, #9DB8AE, #B5C9C2, #CCDAD5 and #E4ECE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5C9C2 shade: #B5C9C2, #B5B8C9 and #C9BAB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5C9C2 shade: #B5C9C2, #C2B5C9 and #C9C2B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5C9C2 shade: #B5C9C2, #B5B8C9, #C9B5BC and #C9C6B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5C9C2 shade: #B5C9C2, #B8B5C9, #C9B5BC and #C6C9B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 3 / 21

HEX #B5C9C2

RGB 181 201 194

HSL 159, 0.16%, 0.75%

LAB 79.32, -8.11, 1.18

 

Complementary color

CMYK 0 / 27 / 18 / 71

HEX #4A363D

RGB 74 54 61

HSL 339, 0.16%, 0.25%

LAB 25.05, 10.23, -0.88

 

CMYK 7 / 0 / 6 / 21

HEX #BAC9BD

RGB 186 201 189

HSL 132, 0.12%, 0.76%

LAB 79.55, -7.36, 4.23

 

CMYK 7 / 0 / 5 / 14

HEX #CBDBD0

RGB 203 219 208

HSL 138.75, 0.18%, 0.83%

LAB 85.96, -7.4, 3.56

 

CMYK 7 / 0 / 4 / 7

HEX #DCEDE3

RGB 220 237 227

HSL 144.71, 0.32%, 0.9%

LAB 92.28, -7.44, 2.9

 

CMYK 7 / 0 / 4 / 0

HEX #EDFFF6

RGB 237 255 246

HSL 150, 1%, 0.96%

LAB 98.5, -7.48, 2.27

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF

RGB 254 255 255

HSL 180, 1%, 1%

LAB 99.93, -0.32, -0.13

 

CMYK 10 / 0 / 3 / 21

HEX #B5C9C2

RGB 181 201 194

HSL 159, 0.16%, 0.75%

LAB 79.32, -8.11, 1.18

 

CMYK 10 / 0 / 4 / 28

HEX #A4B7AF

RGB 164 183 175

HSL 154.74, 0.12%, 0.68%

LAB 72.8, -8.11, 1.83

 

CMYK 11 / 0 / 5 / 35

HEX #93A59C

RGB 147 165 156

HSL 150, 0.09%, 0.61%

LAB 66.15, -8.11, 2.51

 

CMYK 12 / 0 / 7 / 42

HEX #829389

RGB 130 147 137

HSL 144.71, 0.07%, 0.54%

LAB 59.36, -8.12, 3.23

 

CMYK 12 / 0 / 9 / 49

HEX #718176

RGB 113 129 118

HSL 138.75, 0.07%, 0.47%

LAB 52.42, -8.15, 3.98

 

CMYK 10 / 0 / 3 / 21

HEX #B5C9C2

RGB 181 201 194

HSL 159, 0.16%, 0.75%

LAB 79.32, -8.11, 1.18

 

CMYK 10 / 0 / 6 / 21

HEX #B5C9BC

RGB 181 201 188

HSL 141, 0.16%, 0.75%

LAB 79.17, -9.25, 4.18

 

CMYK 10 / 0 / 9 / 21

HEX #B5C9B7

RGB 181 201 183

HSL 126, 0.16%, 0.75%

LAB 79.05, -10.18, 6.69

 

CMYK 8 / 0 / 10 / 21

HEX #B8C9B5

RGB 184 201 181

HSL 111, 0.16%, 0.75%

LAB 79.21, -9.5, 8.02

 

CMYK 6 / 0 / 10 / 21

HEX #BDC9B5

RGB 189 201 181

HSL 96, 0.16%, 0.75%

LAB 79.57, -7.75, 8.59

 

CMYK 10 / 0 / 3 / 21

HEX #B5C9C2

RGB 181 201 194

HSL 159, 0.16%, 0.75%

LAB 79.32, -8.11, 1.18

 

CMYK 10 / 0 / 1 / 21

HEX #B5C9C7

RGB 181 201 199

HSL 174, 0.16%, 0.75%

LAB 79.45, -7.14, -1.32

 

CMYK 10 / 2 / 0 / 21

HEX #B5C5C9

RGB 181 197 201

HSL 192, 0.16%, 0.75%

LAB 78.45, -4.64, -3.88

 

CMYK 10 / 4 / 0 / 21

HEX #B5C0C9

RGB 181 192 201

HSL 207, 0.16%, 0.75%

LAB 77.13, -1.99, -5.82

 

CMYK 10 / 7 / 0 / 21

HEX #B5BAC9

RGB 181 186 201

HSL 225, 0.16%, 0.75%

LAB 75.55, 1.22, -8.16

 

CMYK 10 / 0 / 3 / 21

HEX #B5C9C2

RGB 181 201 194

HSL 159, 0.16%, 0.75%

LAB 79.32, -8.11, 1.18

 

CMYK 19 / 0 / 7 / 17

HEX #AAD3C5

RGB 170 211 197

HSL 159.51, 0.32%, 0.75%

LAB 81.38, -16.26, 2.48

 

CMYK 28 / 0 / 10 / 13

HEX #A0DEC8

RGB 160 222 200

HSL 158.71, 0.48%, 0.75%

LAB 83.91, -24.21, 4.47

 

CMYK 35 / 0 / 13 / 9

HEX #96E8CB

RGB 150 232 203

HSL 158.78, 0.64%, 0.75%

LAB 86.26, -31.28, 6.22

 

CMYK 43 / 0 / 15 / 5

HEX #8BF2CE

RGB 139 242 206

HSL 159.03, 0.8%, 0.75%

LAB 88.66, -38.19, 8.04

 

CMYK 10 / 0 / 3 / 21

HEX #B5C9C2

RGB 181 201 194

HSL 159, 0.16%, 0.75%

LAB 79.32, -8.11, 1.18

 

CMYK 0 / 0 / 0 / 25

HEX #BFBFBF

RGB 191 191 191

HSL 0, 0%, 0.75%

LAB 77.34, 0, -0.01

 

CMYK 0 / 10 / 6 / 21

HEX #C9B4BC

RGB 201 180 188

HSL 337.14, 0.16%, 0.75%

LAB 75.26, 8.88, -1.33

 

CMYK 0 / 19 / 12 / 17

HEX #D3AAB9

RGB 211 170 185

HSL 338.05, 0.32%, 0.75%

LAB 73.61, 17.36, -1.99

 

CMYK 0 / 28 / 18 / 13

HEX #DEA0B5

RGB 222 160 181

HSL 339.68, 0.48%, 0.75%

LAB 72.23, 26.08, -1.68

 

CMYK 10 / 0 / 9 / 21

HEX #B5C9B7

RGB 181 201 183

HSL 126, 0.16%, 0.75%

LAB 79.05, -10.18, 6.69

 

CMYK 10 / 0 / 6 / 21

HEX #B5C9BC

RGB 181 201 188

HSL 141, 0.16%, 0.75%

LAB 79.17, -9.25, 4.18

 

CMYK 10 / 0 / 3 / 21

HEX #B5C9C2

RGB 181 201 194

HSL 159, 0.16%, 0.75%

LAB 79.32, -8.11, 1.18

 

CMYK 10 / 0 / 1 / 21

HEX #B5C9C7

RGB 181 201 199

HSL 174, 0.16%, 0.75%

LAB 79.45, -7.14, -1.32

 

CMYK 10 / 2 / 0 / 21

HEX #B5C5C9

RGB 181 197 201

HSL 192, 0.16%, 0.75%

LAB 78.45, -4.64, -3.88

 

CMYK 20 / 0 / 7 / 35

HEX #85A69B

RGB 133 166 155

HSL 160, 0.16%, 0.59%

LAB 65.46, -13.63, 1.95

 

CMYK 15 / 0 / 5 / 28

HEX #9DB8AE

RGB 157 184 174

HSL 157.78, 0.16%, 0.67%

LAB 72.56, -11.2, 1.98

 

CMYK 10 / 0 / 3 / 21

HEX #B5C9C2

RGB 181 201 194

HSL 159, 0.16%, 0.75%

LAB 79.32, -8.11, 1.18

 

CMYK 6 / 0 / 2 / 15

HEX #CCDAD5

RGB 204 218 213

HSL 158.57, 0.16%, 0.83%

LAB 85.9, -5.62, 0.83

 

CMYK 3 / 0 / 1 / 7

HEX #E4ECE9

RGB 228 236 233

HSL 157.5, 0.17%, 0.91%

LAB 92.74, -3.19, 0.52

 

CMYK 10 / 0 / 3 / 21

HEX #B5C9C2

RGB 181 201 194

HSL 159, 0.16%, 0.75%

LAB 79.32, -8.11, 1.18

 

CMYK 10 / 8 / 0 / 21

HEX #B5B8C9

RGB 181 184 201

HSL 231, 0.16%, 0.75%

LAB 75.03, 2.3, -8.94

 

CMYK 0 / 7 / 10 / 21

HEX #C9BAB5

RGB 201 186 181

HSL 15, 0.16%, 0.75%

LAB 76.6, 4.45, 4.44

 

CMYK 10 / 0 / 3 / 21

HEX #B5C9C2

RGB 181 201 194

HSL 159, 0.16%, 0.75%

LAB 79.32, -8.11, 1.18

 

CMYK 3 / 10 / 0 / 21

HEX #C2B5C9

RGB 194 181 201

HSL 279, 0.16%, 0.75%

LAB 75.29, 8.3, -8.44

 

CMYK 0 / 3 / 10 / 21

HEX #C9C2B5

RGB 201 194 181

HSL 39, 0.16%, 0.75%

LAB 78.66, 0.19, 7.4

 

CMYK 10 / 0 / 3 / 21

HEX #B5C9C2

RGB 181 201 194

HSL 159, 0.16%, 0.75%

LAB 79.32, -8.11, 1.18

 

CMYK 10 / 8 / 0 / 21

HEX #B5B8C9

RGB 181 184 201

HSL 231, 0.16%, 0.75%

LAB 75.03, 2.3, -8.94

 

CMYK 0 / 10 / 6 / 21

HEX #C9B5BC

RGB 201 181 188

HSL 339, 0.16%, 0.75%

LAB 75.51, 8.34, -0.96

 

CMYK 0 / 1 / 10 / 21

HEX #C9C6B5

RGB 201 198 181

HSL 51, 0.16%, 0.75%

LAB 79.69, -1.91, 8.88

 

CMYK 10 / 0 / 3 / 21

HEX #B5C9C2

RGB 181 201 194

HSL 159, 0.16%, 0.75%

LAB 79.32, -8.11, 1.18

 

CMYK 8 / 10 / 0 / 21

HEX #B8B5C9

RGB 184 181 201

HSL 249, 0.16%, 0.75%

LAB 74.48, 4.92, -9.73

 

CMYK 0 / 10 / 6 / 21

HEX #C9B5BC

RGB 201 181 188

HSL 339, 0.16%, 0.75%

LAB 75.51, 8.34, -0.96

 

CMYK 1 / 0 / 10 / 21

HEX #C6C9B5

RGB 198 201 181

HSL 69, 0.16%, 0.75%

LAB 80.24, -4.56, 9.64

 

Description

Color code: HEX #B5C9C2 | qconv.com Color code: HEX #B5C9C2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 201 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 201 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 3 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 3% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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