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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5C330 it is the complementary color #4A3CCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5C330. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5C330 shade: #BAC32B, #CBD53E, #DCE751, #EDF964 and #FEFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5C330. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5C330 shade: #B5C330, #A4B11D, #939F0A, #828D00 and #717B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5C330 shade: #B5C330, #C3AA30, #C38230, #C35A30 and #C33330

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5C330 shade: #B5C330, #8EC330, #66C330, #3FC330 and #30C34A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5C330 shade matches the following richer shades: #B5C330, #C5D71D and #D5EB09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5C330 shade: #B5C330, #A5B044, #959C58, #85886C and #757480

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5C330 shade: #C38130, #C3A830, #B7C330, #90C330 and #69C330

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5C330 shade: #788120, #97A228, #B5C330, #C5D24B and #D0DA6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5C330 shade: #B5C330, #30C35A and #9530C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5C330 shade: #B5C330, #30B7C3 and #C330B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5C330 shade: #B5C330, #30C35A, #3D30C3 and #C3309A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5C330 shade: #B5C330, #30C386, #3D30C3 and #C3306E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 75 / 24

HEX #B5C330

RGB 181 195 48

HSL 65.71, 0.6%, 0.48%

LAB 75.49, -22.49, 66.9

 

Complementary color

CMYK 64 / 71 / 0 / 19

HEX #4A3CCF

RGB 74 60 207

HSL 245.71, 0.6%, 0.52%

LAB 36.35, 48.7, -73.69

 

CMYK 5 / 0 / 78 / 24

HEX #BAC32B

RGB 186 195 43

HSL 63.55, 0.64%, 0.47%

LAB 75.85, -20.58, 68.89

 

CMYK 5 / 0 / 71 / 16

HEX #CBD53E

RGB 203 213 62

HSL 63.97, 0.64%, 0.54%

LAB 82.18, -21.48, 69.15

 

CMYK 5 / 0 / 65 / 9

HEX #DCE751

RGB 220 231 81

HSL 64.4, 0.76%, 0.61%

LAB 88.43, -22.22, 68.83

 

CMYK 5 / 0 / 60 / 2

HEX #EDF964

RGB 237 249 100

HSL 64.83, 0.93%, 0.68%

LAB 94.6, -22.84, 68.16

 

CMYK 0 / 0 / 53 / 0

HEX #FEFF77

RGB 254 255 119

HSL 60.44, 1%, 0.73%

LAB 97.6, -17.65, 63.77

 

CMYK 7 / 0 / 75 / 24

HEX #B5C330

RGB 181 195 48

HSL 65.71, 0.6%, 0.48%

LAB 75.49, -22.49, 66.9

 

CMYK 7 / 0 / 84 / 31

HEX #A4B11D

RGB 164 177 29

HSL 65.27, 0.72%, 0.4%

LAB 69.06, -21.52, 66.06

 

CMYK 8 / 0 / 94 / 38

HEX #939F0A

RGB 147 159 10

HSL 64.83, 0.88%, 0.33%

LAB 62.53, -20.33, 63.84

 

CMYK 8 / 0 / 100 / 45

HEX #828D00

RGB 130 141 0

HSL 64.68, 1%, 0.28%

LAB 55.88, -18.87, 59.71

 

CMYK 8 / 0 / 100 / 52

HEX #717B00

RGB 113 123 0

HSL 64.88, 1%, 0.24%

LAB 49.1, -17.23, 54.07

 

CMYK 7 / 0 / 75 / 24

HEX #B5C330

RGB 181 195 48

HSL 65.71, 0.6%, 0.48%

LAB 75.49, -22.49, 66.9

 

CMYK 0 / 13 / 75 / 24

HEX #C3AA30

RGB 195 170 48

HSL 49.8, 0.6%, 0.48%

LAB 69.87, -3.69, 62.06

 

CMYK 0 / 33 / 75 / 24

HEX #C38230

RGB 195 130 48

HSL 33.47, 0.6%, 0.48%

LAB 59.69, 18, 52.24

 

CMYK 0 / 54 / 75 / 24

HEX #C35A30

RGB 195 90 48

HSL 17.14, 0.6%, 0.48%

LAB 50.84, 39.35, 43.23

 

CMYK 0 / 74 / 75 / 24

HEX #C33330

RGB 195 51 48

HSL 1.22, 0.6%, 0.48%

LAB 44.49, 56.25, 36.42

 

CMYK 7 / 0 / 75 / 24

HEX #B5C330

RGB 181 195 48

HSL 65.71, 0.6%, 0.48%

LAB 75.49, -22.49, 66.9

 

CMYK 27 / 0 / 75 / 24

HEX #8EC330

RGB 142 195 48

HSL 81.63, 0.6%, 0.48%

LAB 72.89, -38.21, 63.51

 

CMYK 48 / 0 / 75 / 24

HEX #66C330

RGB 102 195 48

HSL 97.96, 0.6%, 0.48%

LAB 70.92, -52.05, 60.93

 

CMYK 68 / 0 / 75 / 24

HEX #3FC330

RGB 63 195 48

HSL 113.88, 0.6%, 0.48%

LAB 69.68, -61.87, 59.3

 

CMYK 75 / 0 / 62 / 24

HEX #30C34A

RGB 48 195 74

HSL 130.61, 0.6%, 0.48%

LAB 69.58, -62.02, 48.89

 

CMYK 7 / 0 / 75 / 24

HEX #B5C330

RGB 181 195 48

HSL 65.71, 0.6%, 0.48%

LAB 75.49, -22.49, 66.9

 

CMYK 8 / 0 / 87 / 16

HEX #C5D71D

RGB 197 215 29

HSL 65.81, 0.76%, 0.48%

LAB 82.14, -26.11, 77.95

 

CMYK 9 / 0 / 96 / 8

HEX #D5EB09

RGB 213 235 9

HSL 65.84, 0.93%, 0.48%

LAB 88.72, -29.27, 86.17

 

CMYK 7 / 0 / 75 / 24

HEX #B5C330

RGB 181 195 48

HSL 65.71, 0.6%, 0.48%

LAB 75.49, -22.49, 66.9

 

CMYK 6 / 0 / 61 / 31

HEX #A5B044

RGB 165 176 68

HSL 66.11, 0.44%, 0.48%

LAB 69.09, -18.61, 52.45

 

CMYK 4 / 0 / 44 / 39

HEX #959C58

RGB 149 156 88

HSL 66.18, 0.28%, 0.48%

LAB 62.4, -13.17, 34.66

 

CMYK 2 / 0 / 21 / 47

HEX #85886C

RGB 133 136 108

HSL 66.43, 0.11%, 0.48%

LAB 55.76, -6.17, 14.7

 

CMYK 9 / 9 / 0 / 50

HEX #757480

RGB 117 116 128

HSL 245, 0.05%, 0.48%

LAB 49.29, 2.9, -6.44

 

CMYK 0 / 34 / 75 / 24

HEX #C38130

RGB 195 129 48

HSL 33.06, 0.6%, 0.48%

LAB 59.45, 18.55, 52

 

CMYK 0 / 14 / 75 / 24

HEX #C3A830

RGB 195 168 48

HSL 48.98, 0.6%, 0.48%

LAB 69.34, -2.63, 61.56

 

CMYK 6 / 0 / 75 / 24

HEX #B7C330

RGB 183 195 48

HSL 64.9, 0.6%, 0.48%

LAB 75.64, -21.65, 67.09

 

CMYK 26 / 0 / 75 / 24

HEX #90C330

RGB 144 195 48

HSL 80.82, 0.6%, 0.48%

LAB 73.01, -37.45, 63.67

 

CMYK 46 / 0 / 75 / 24

HEX #69C330

RGB 105 195 48

HSL 96.73, 0.6%, 0.48%

LAB 71.04, -51.12, 61.09

 

CMYK 7 / 0 / 75 / 49

HEX #788120

RGB 120 129 32

HSL 65.57, 0.6%, 0.32%

LAB 51.61, -16.16, 48.18

 

CMYK 7 / 0 / 75 / 36

HEX #97A228

RGB 151 162 40

HSL 65.41, 0.6%, 0.4%

LAB 63.81, -19.18, 57.79

 

CMYK 7 / 0 / 75 / 24

HEX #B5C330

RGB 181 195 48

HSL 65.71, 0.6%, 0.48%

LAB 75.49, -22.49, 66.9

 

CMYK 6 / 0 / 64 / 18

HEX #C5D24B

RGB 197 210 75

HSL 65.78, 0.6%, 0.56%

LAB 81, -21.76, 62.93

 

CMYK 5 / 0 / 50 / 15

HEX #D0DA6C

RGB 208 218 108

HSL 65.45, 0.6%, 0.64%

LAB 84.3, -18.73, 52.4

 

CMYK 7 / 0 / 75 / 24

HEX #B5C330

RGB 181 195 48

HSL 65.71, 0.6%, 0.48%

LAB 75.49, -22.49, 66.9

 

CMYK 75 / 0 / 54 / 24

HEX #30C35A

RGB 48 195 90

HSL 137.14, 0.6%, 0.48%

LAB 69.75, -59.95, 41.69

 

CMYK 24 / 75 / 0 / 24

HEX #9530C3

RGB 149 48 195

HSL 281.22, 0.6%, 0.48%

LAB 41.91, 63.31, -57.28

 

CMYK 7 / 0 / 75 / 24

HEX #B5C330

RGB 181 195 48

HSL 65.71, 0.6%, 0.48%

LAB 75.49, -22.49, 66.9

 

CMYK 75 / 6 / 0 / 24

HEX #30B7C3

RGB 48 183 195

HSL 184.9, 0.6%, 0.48%

LAB 68.34, -30.83, -16.31

 

CMYK 0 / 75 / 6 / 24

HEX #C330B7

RGB 195 48 183

HSL 304.9, 0.6%, 0.48%

LAB 48.43, 70.52, -39.43

 

CMYK 7 / 0 / 75 / 24

HEX #B5C330

RGB 181 195 48

HSL 65.71, 0.6%, 0.48%

LAB 75.49, -22.49, 66.9

 

CMYK 75 / 0 / 54 / 24

HEX #30C35A

RGB 48 195 90

HSL 137.14, 0.6%, 0.48%

LAB 69.75, -59.95, 41.69

 

CMYK 69 / 75 / 0 / 24

HEX #3D30C3

RGB 61 48 195

HSL 245.31, 0.6%, 0.48%

LAB 31.91, 49.98, -74.04

 

CMYK 0 / 75 / 21 / 24

HEX #C3309A

RGB 195 48 154

HSL 316.73, 0.6%, 0.48%

LAB 47.04, 66.41, -24.45

 

CMYK 7 / 0 / 75 / 24

HEX #B5C330

RGB 181 195 48

HSL 65.71, 0.6%, 0.48%

LAB 75.49, -22.49, 66.9

 

CMYK 75 / 0 / 31 / 24

HEX #30C386

RGB 48 195 134

HSL 155.1, 0.6%, 0.48%

LAB 70.44, -52.07, 20.03

 

CMYK 69 / 75 / 0 / 24

HEX #3D30C3

RGB 61 48 195

HSL 245.31, 0.6%, 0.48%

LAB 31.91, 49.98, -74.04

 

CMYK 0 / 75 / 44 / 24

HEX #C3306E

RGB 195 48 110

HSL 334.69, 0.6%, 0.48%

LAB 45.42, 61.41, -0.14

 

Description

Color code: HEX #B5C330 | qconv.com Color code: HEX #B5C330 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 195 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 195 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 75 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 75% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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