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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5CCD2 it is the complementary color #4A332D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5CCD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5CCD2 shade: #BACCCD, #CBDEE0, #DCF0F3, #EDFFFF and #FEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5CCD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5CCD2 shade: #B5CCD2, #A4BABF, #93A8AC, #829699 and #718486

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5CCD2 shade: #B6CCD2, #B6C5D2, #B6BDD2, #B6B6D2 and #BEB6D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5CCD2 shade: #B6CCD2, #B6C5D2, #B6BDD2 and #B6B6D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5CCD2 shade matches the following richer shades: #B6CCD2, #ACD2DB, #A3D7E5, #99DDEE and #90E2F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5CCD2 shade: #B6CCD2, #BFC7C8, #C9C1BF, #D2BBB5 and #DCB6AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5CCD2 shade: #B6D2C9, #B6D2D0, #B6CCD2, #B6C5D2 and #B6BDD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5CCD2 shade: #83A9B3, #9CBAC2, #B6CCD2, #CFDEE2 and #E9F0F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5CCD2 shade: #B5CCD2, #C1B6D2 and #D2CCB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5CCD2 shade: #B5CCD2, #D2B6CC and #CCD2B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5CCD2 shade: #B5CCD2, #C1B6D2, #D2BBB6 and #C7D2B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5CCD2 shade: #B5CCD2, #C9B6D2, #D2BBB6 and #BED2B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 3 / 0 / 18

HEX #B5CCD2

RGB 181 204 210

HSL 192.41, 0.24%, 0.77%

LAB 80.55, -6.49, -5.61

 

Complementary color

CMYK 0 / 31 / 39 / 71

HEX #4A332D

RGB 74 51 45

HSL 12.41, 0.24%, 0.23%

LAB 23.71, 9.45, 7.93

 

CMYK 9 / 0 / 0 / 20

HEX #BACCCD

RGB 186 204 205

HSL 183.16, 0.16%, 0.77%

LAB 80.76, -5.87, -2.59

 

CMYK 9 / 1 / 0 / 12

HEX #CBDEE0

RGB 203 222 224

HSL 185.71, 0.25%, 0.84%

LAB 87.15, -5.92, -3.15

 

CMYK 9 / 1 / 0 / 5

HEX #DCF0F3

RGB 220 240 243

HSL 187.83, 0.49%, 0.91%

LAB 93.45, -5.97, -3.7

 

CMYK 7 / 0 / 0 / 0

HEX #EDFFFF

RGB 237 255 255

HSL 180, 1%, 0.96%

LAB 98.73, -5.84, -2.02

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF

RGB 254 255 255

HSL 180, 1%, 1%

LAB 99.93, -0.32, -0.13

 

CMYK 14 / 3 / 0 / 18

HEX #B5CCD2

RGB 181 204 210

HSL 192.41, 0.24%, 0.77%

LAB 80.55, -6.49, -5.61

 

CMYK 14 / 3 / 0 / 25

HEX #A4BABF

RGB 164 186 191

HSL 191.11, 0.17%, 0.7%

LAB 74.04, -6.46, -5.08

 

CMYK 15 / 2 / 0 / 33

HEX #93A8AC

RGB 147 168 172

HSL 189.6, 0.13%, 0.63%

LAB 67.42, -6.43, -4.54

 

CMYK 15 / 2 / 0 / 40

HEX #829699

RGB 130 150 153

HSL 187.83, 0.1%, 0.55%

LAB 60.66, -6.42, -3.98

 

CMYK 16 / 1 / 0 / 47

HEX #718486

RGB 113 132 134

HSL 185.71, 0.09%, 0.48%

LAB 53.74, -6.41, -3.4

 

CMYK 13 / 3 / 0 / 18

HEX #B6CCD2

RGB 182 204 210

HSL 192.86, 0.24%, 0.77%

LAB 80.62, -6.17, -5.5

 

CMYK 13 / 6 / 0 / 18

HEX #B6C5D2

RGB 182 197 210

HSL 207.86, 0.24%, 0.77%

LAB 78.77, -2.48, -8.24

 

CMYK 13 / 10 / 0 / 18

HEX #B6BDD2

RGB 182 189 210

HSL 225, 0.24%, 0.77%

LAB 76.68, 1.79, -11.36

 

CMYK 13 / 13 / 0 / 18

HEX #B6B6D2

RGB 182 182 210

HSL 240, 0.24%, 0.77%

LAB 74.86, 5.57, -14.08

 

CMYK 10 / 13 / 0 / 18

HEX #BEB6D2

RGB 190 182 210

HSL 257.14, 0.24%, 0.77%

LAB 75.49, 8.2, -13.07

 

CMYK 13 / 3 / 0 / 18

HEX #B6CCD2

RGB 182 204 210

HSL 192.86, 0.24%, 0.77%

LAB 80.62, -6.17, -5.5

 

CMYK 13 / 6 / 0 / 18

HEX #B6C5D2

RGB 182 197 210

HSL 207.86, 0.24%, 0.77%

LAB 78.77, -2.48, -8.24

 

CMYK 13 / 10 / 0 / 18

HEX #B6BDD2

RGB 182 189 210

HSL 225, 0.24%, 0.77%

LAB 76.68, 1.79, -11.36

 

CMYK 13 / 13 / 0 / 18

HEX #B6B6D2

RGB 182 182 210

HSL 240, 0.24%, 0.77%

LAB 74.86, 5.57, -14.08

 

CMYK 13 / 3 / 0 / 18

HEX #B6CCD2

RGB 182 204 210

HSL 192.86, 0.24%, 0.77%

LAB 80.62, -6.17, -5.5

 

CMYK 21 / 4 / 0 / 14

HEX #ACD2DB

RGB 172 210 219

HSL 191.49, 0.39%, 0.77%

LAB 81.83, -10.52, -8.6

 

CMYK 29 / 6 / 0 / 10

HEX #A3D7E5

RGB 163 215 229

HSL 192.73, 0.56%, 0.77%

LAB 82.94, -13.5, -12.32

 

CMYK 36 / 7 / 0 / 7

HEX #99DDEE

RGB 153 221 238

HSL 192, 0.71%, 0.77%

LAB 84.31, -17.16, -15.1

 

CMYK 42 / 9 / 0 / 3

HEX #90E2F8

RGB 144 226 248

HSL 192.69, 0.88%, 0.77%

LAB 85.55, -19.46, -18.55

 

CMYK 13 / 3 / 0 / 18

HEX #B6CCD2

RGB 182 204 210

HSL 192.86, 0.24%, 0.77%

LAB 80.62, -6.17, -5.5

 

CMYK 5 / 0 / 0 / 22

HEX #BFC7C8

RGB 191 199 200

HSL 186.67, 0.08%, 0.77%

LAB 79.67, -2.54, -1.46

 

CMYK 0 / 4 / 5 / 21

HEX #C9C1BF

RGB 201 193 191

HSL 12, 0.08%, 0.77%

LAB 78.65, 2.44, 1.99

 

CMYK 0 / 11 / 14 / 18

HEX #D2BBB5

RGB 210 187 181

HSL 12.41, 0.24%, 0.77%

LAB 77.63, 7.18, 6.01

 

CMYK 0 / 17 / 22 / 14

HEX #DCB6AC

RGB 220 182 172

HSL 12.5, 0.41%, 0.77%

LAB 77.07, 12.15, 10.21

 

CMYK 13 / 0 / 4 / 18

HEX #B6D2C9

RGB 182 210 201

HSL 160.71, 0.24%, 0.77%

LAB 81.98, -11.08, 1.3

 

CMYK 13 / 0 / 1 / 18

HEX #B6D2D0

RGB 182 210 208

HSL 175.71, 0.24%, 0.77%

LAB 82.16, -9.69, -2.16

 

CMYK 13 / 3 / 0 / 18

HEX #B6CCD2

RGB 182 204 210

HSL 192.86, 0.24%, 0.77%

LAB 80.62, -6.17, -5.5

 

CMYK 13 / 6 / 0 / 18

HEX #B6C5D2

RGB 182 197 210

HSL 207.86, 0.24%, 0.77%

LAB 78.77, -2.48, -8.24

 

CMYK 13 / 10 / 0 / 18

HEX #B6BDD2

RGB 182 189 210

HSL 225, 0.24%, 0.77%

LAB 76.68, 1.79, -11.36

 

CMYK 27 / 6 / 0 / 30

HEX #83A9B3

RGB 131 169 179

HSL 192.5, 0.24%, 0.61%

LAB 66.87, -10.5, -9.36

 

CMYK 20 / 4 / 0 / 24

HEX #9CBAC2

RGB 156 186 194

HSL 192.63, 0.24%, 0.69%

LAB 73.6, -8.39, -7.43

 

CMYK 13 / 3 / 0 / 18

HEX #B6CCD2

RGB 182 204 210

HSL 192.86, 0.24%, 0.77%

LAB 80.62, -6.17, -5.5

 

CMYK 8 / 2 / 0 / 11

HEX #CFDEE2

RGB 207 222 226

HSL 192.63, 0.25%, 0.85%

LAB 87.48, -4.23, -3.69

 

CMYK 3 / 0 / 0 / 5

HEX #E9F0F1

RGB 233 240 241

HSL 187.5, 0.22%, 0.93%

LAB 94.31, -2.13, -1.3

 

CMYK 14 / 3 / 0 / 18

HEX #B5CCD2

RGB 181 204 210

HSL 192.41, 0.24%, 0.77%

LAB 80.55, -6.49, -5.61

 

CMYK 8 / 13 / 0 / 18

HEX #C1B6D2

RGB 193 182 210

HSL 263.57, 0.24%, 0.77%

LAB 75.73, 9.19, -12.69

 

CMYK 0 / 3 / 13 / 18

HEX #D2CCB6

RGB 210 204 182

HSL 47.14, 0.24%, 0.77%

LAB 81.98, -1.64, 11.7

 

CMYK 14 / 3 / 0 / 18

HEX #B5CCD2

RGB 181 204 210

HSL 192.41, 0.24%, 0.77%

LAB 80.55, -6.49, -5.61

 

CMYK 0 / 13 / 3 / 18

HEX #D2B6CC

RGB 210 182 204

HSL 312.86, 0.24%, 0.77%

LAB 76.99, 13.82, -7.39

 

CMYK 3 / 0 / 13 / 18

HEX #CCD2B6

RGB 204 210 182

HSL 72.86, 0.24%, 0.77%

LAB 83.08, -6.91, 13.19

 

CMYK 14 / 3 / 0 / 18

HEX #B5CCD2

RGB 181 204 210

HSL 192.41, 0.24%, 0.77%

LAB 80.55, -6.49, -5.61

 

CMYK 8 / 13 / 0 / 18

HEX #C1B6D2

RGB 193 182 210

HSL 263.57, 0.24%, 0.77%

LAB 75.73, 9.19, -12.69

 

CMYK 0 / 11 / 13 / 18

HEX #D2BBB6

RGB 210 187 182

HSL 10.71, 0.24%, 0.77%

LAB 77.65, 7.34, 5.51

 

CMYK 5 / 0 / 13 / 18

HEX #C7D2B6

RGB 199 210 182

HSL 83.57, 0.24%, 0.77%

LAB 82.71, -8.7, 12.61

 

CMYK 14 / 3 / 0 / 18

HEX #B5CCD2

RGB 181 204 210

HSL 192.41, 0.24%, 0.77%

LAB 80.55, -6.49, -5.61

 

CMYK 4 / 13 / 0 / 18

HEX #C9B6D2

RGB 201 182 210

HSL 280.71, 0.24%, 0.77%

LAB 76.39, 11.87, -11.63

 

CMYK 0 / 11 / 13 / 18

HEX #D2BBB6

RGB 210 187 182

HSL 10.71, 0.24%, 0.77%

LAB 77.65, 7.34, 5.51

 

CMYK 10 / 0 / 13 / 18

HEX #BED2B6

RGB 190 210 182

HSL 102.86, 0.24%, 0.77%

LAB 82.06, -11.86, 11.61

 

Description

Color code: HEX #B5CCD2 | qconv.com Color code: HEX #B5CCD2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 204 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 204 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 3 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 3% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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