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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5CDF6 it is the complementary color #4A3209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5CDF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5CDF6 shade: #BACDF1, #CBDFFF, #DCF1FF, #EDFFFF and #FEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5CDF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5CDF6 shade: #B5CDF6, #A4BBE3, #93A9D0, #8297BD and #7185AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5CDF6 shade: #B6CDF6, #B6BCF6, #C1B6F6, #D2B6F6 and #E3B6F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5CDF6 shade: #B6CDF6, #B6BCF6 and #B6B6F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5CDF6 shade matches the following richer shades: #B6CDF6 and #AFCCFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5CDF6 shade: #B6CDF6, #BCCFEF, #C3D1E8, #CAD3E2 and #D0D4DB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5CDF6 shade: #B6F0F6, #B6DFF6, #B6CEF6, #B6BDF6 and #BFB6F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5CDF6 shade: #6C9CEC, #91B5F1, #B6CDF6 and #DBE6FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5CDF6 shade: #B5CDF6, #EAB6F6 and #E8F6B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5CDF6 shade: #B5CDF6, #F6B6CE and #CEF6B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5CDF6 shade: #B5CDF6, #EAB6F6, #F6DDB6 and #C2F6B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5CDF6 shade: #B5CDF6, #F6B6EE, #F6DDB6 and #B6F6BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 17 / 0 / 4

HEX #B5CDF6

RGB 181 205 246

HSL 217.85, 0.78%, 0.84%

LAB 81.91, 0.89, -22.8

 

Complementary color

CMYK 0 / 32 / 88 / 71

HEX #4A3209

RGB 74 50 9

HSL 37.85, 0.78%, 0.16%

LAB 22.85, 6.66, 28.35

 

CMYK 23 / 15 / 0 / 5

HEX #BACDF1

RGB 186 205 241

HSL 219.27, 0.66%, 0.84%

LAB 82.08, 1.22, -19.85

 

CMYK 20 / 13 / 0 / 0

HEX #CBDFFF

RGB 203 223 255

HSL 216.92, 1%, 0.9%

LAB 88.3, -0.05, -17.76

 

CMYK 14 / 5 / 0 / 0

HEX #DCF1FF

RGB 220 241 255

HSL 204, 1%, 0.93%

LAB 94.03, -4.13, -9.08

 

CMYK 7 / 0 / 0 / 0

HEX #EDFFFF

RGB 237 255 255

HSL 180, 1%, 0.96%

LAB 98.73, -5.84, -2.02

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF

RGB 254 255 255

HSL 180, 1%, 1%

LAB 99.93, -0.32, -0.13

 

CMYK 26 / 17 / 0 / 4

HEX #B5CDF6

RGB 181 205 246

HSL 217.85, 0.78%, 0.84%

LAB 81.91, 0.89, -22.8

 

CMYK 28 / 18 / 0 / 11

HEX #A4BBE3

RGB 164 187 227

HSL 218.1, 0.53%, 0.77%

LAB 75.44, 1.1, -22.56

 

CMYK 29 / 19 / 0 / 18

HEX #93A9D0

RGB 147 169 208

HSL 218.36, 0.39%, 0.7%

LAB 68.85, 1.34, -22.33

 

CMYK 31 / 20 / 0 / 26

HEX #8297BD

RGB 130 151 189

HSL 218.64, 0.31%, 0.63%

LAB 62.13, 1.61, -22.11

 

CMYK 34 / 22 / 0 / 33

HEX #7185AA

RGB 113 133 170

HSL 218.95, 0.25%, 0.55%

LAB 55.27, 1.91, -21.93

 

CMYK 26 / 17 / 0 / 4

HEX #B6CDF6

RGB 182 205 246

HSL 218.44, 0.78%, 0.84%

LAB 81.98, 1.18, -22.7

 

CMYK 26 / 24 / 0 / 4

HEX #B6BCF6

RGB 182 188 246

HSL 234.38, 0.78%, 0.84%

LAB 77.62, 10.36, -29.36

 

CMYK 22 / 26 / 0 / 4

HEX #C1B6F6

RGB 193 182 246

HSL 250.31, 0.78%, 0.84%

LAB 76.95, 16.91, -30.32

 

CMYK 15 / 26 / 0 / 4

HEX #D2B6F6

RGB 210 182 246

HSL 266.25, 0.78%, 0.84%

LAB 78.35, 22.09, -28.04

 

CMYK 8 / 26 / 0 / 4

HEX #E3B6F6

RGB 227 182 246

HSL 282.19, 0.78%, 0.84%

LAB 79.86, 27.4, -25.6

 

CMYK 26 / 17 / 0 / 4

HEX #B6CDF6

RGB 182 205 246

HSL 218.44, 0.78%, 0.84%

LAB 81.98, 1.18, -22.7

 

CMYK 26 / 24 / 0 / 4

HEX #B6BCF6

RGB 182 188 246

HSL 234.38, 0.78%, 0.84%

LAB 77.62, 10.36, -29.36

 

CMYK 26 / 26 / 0 / 4

HEX #B6B6F6

RGB 182 182 246

HSL 240, 0.78%, 0.84%

LAB 76.1, 13.65, -31.69

 

CMYK 26 / 17 / 0 / 4

HEX #B6CDF6

RGB 182 205 246

HSL 218.44, 0.78%, 0.84%

LAB 81.98, 1.18, -22.7

 

CMYK 31 / 19 / 0 / 1

HEX #AFCCFC

RGB 175 204 252

HSL 217.4, 0.93%, 0.84%

LAB 81.47, 1.12, -26.71

 

CMYK 26 / 17 / 0 / 4

HEX #B6CDF6

RGB 182 205 246

HSL 218.44, 0.78%, 0.84%

LAB 81.98, 1.18, -22.7

 

CMYK 21 / 13 / 0 / 6

HEX #BCCFEF

RGB 188 207 239

HSL 217.65, 0.61%, 0.84%

LAB 82.67, 0.32, -17.88

 

CMYK 16 / 10 / 0 / 9

HEX #C3D1E8

RGB 195 209 232

HSL 217.3, 0.45%, 0.84%

LAB 83.46, -0.09, -12.93

 

CMYK 11 / 7 / 0 / 11

HEX #CAD3E2

RGB 202 211 226

HSL 217.5, 0.29%, 0.84%

LAB 84.3, -0.13, -8.44

 

CMYK 5 / 3 / 0 / 14

HEX #D0D4DB

RGB 208 212 219

HSL 218.18, 0.13%, 0.84%

LAB 84.8, -0.05, -3.93

 

CMYK 26 / 2 / 0 / 4

HEX #B6F0F6

RGB 182 240 246

HSL 185.63, 0.78%, 0.84%

LAB 91.2, -16.88, -8.86

 

CMYK 26 / 9 / 0 / 4

HEX #B6DFF6

RGB 182 223 246

HSL 201.56, 0.78%, 0.84%

LAB 86.69, -8.26, -15.59

 

CMYK 26 / 16 / 0 / 4

HEX #B6CEF6

RGB 182 206 246

HSL 217.5, 0.78%, 0.84%

LAB 82.24, 0.65, -22.3

 

CMYK 26 / 23 / 0 / 4

HEX #B6BDF6

RGB 182 189 246

HSL 233.44, 0.78%, 0.84%

LAB 77.87, 9.81, -28.97

 

CMYK 22 / 26 / 0 / 4

HEX #BFB6F6

RGB 191 182 246

HSL 248.44, 0.78%, 0.84%

LAB 76.79, 16.31, -30.57

 

CMYK 54 / 34 / 0 / 7

HEX #6C9CEC

RGB 108 156 236

HSL 217.5, 0.77%, 0.67%

LAB 64.18, 6.58, -45.18

 

CMYK 40 / 25 / 0 / 5

HEX #91B5F1

RGB 145 181 241

HSL 217.5, 0.77%, 0.76%

LAB 73.17, 2.68, -33.73

 

CMYK 26 / 17 / 0 / 4

HEX #B6CDF6

RGB 182 205 246

HSL 218.44, 0.78%, 0.84%

LAB 81.98, 1.18, -22.7

 

CMYK 12 / 8 / 0 / 2

HEX #DBE6FA

RGB 219 230 250

HSL 218.71, 0.76%, 0.92%

LAB 91.03, 0.21, -10.94

 

CMYK 26 / 17 / 0 / 4

HEX #B5CDF6

RGB 181 205 246

HSL 217.85, 0.78%, 0.84%

LAB 81.91, 0.89, -22.8

 

CMYK 5 / 26 / 0 / 4

HEX #EAB6F6

RGB 234 182 246

HSL 288.75, 0.78%, 0.84%

LAB 80.52, 29.62, -24.54

 

CMYK 6 / 0 / 26 / 4

HEX #E8F6B6

RGB 232 246 182

HSL 73.13, 0.78%, 0.84%

LAB 94.5, -14.93, 29.33

 

CMYK 26 / 17 / 0 / 4

HEX #B5CDF6

RGB 181 205 246

HSL 217.85, 0.78%, 0.84%

LAB 81.91, 0.89, -22.8

 

CMYK 0 / 26 / 16 / 4

HEX #F6B6CE

RGB 246 182 206

HSL 337.5, 0.78%, 0.84%

LAB 80.46, 26.7, -2.96

 

CMYK 16 / 0 / 26 / 4

HEX #CEF6B6

RGB 206 246 182

HSL 97.5, 0.78%, 0.84%

LAB 92.76, -24.11, 26.66

 

CMYK 26 / 17 / 0 / 4

HEX #B5CDF6

RGB 181 205 246

HSL 217.85, 0.78%, 0.84%

LAB 81.91, 0.89, -22.8

 

CMYK 5 / 26 / 0 / 4

HEX #EAB6F6

RGB 234 182 246

HSL 288.75, 0.78%, 0.84%

LAB 80.52, 29.62, -24.54

 

CMYK 0 / 10 / 26 / 4

HEX #F6DDB6

RGB 246 221 182

HSL 36.56, 0.78%, 0.84%

LAB 89.24, 2.8, 22.31

 

CMYK 21 / 0 / 26 / 4

HEX #C2F6B6

RGB 194 246 182

HSL 108.75, 0.78%, 0.84%

LAB 92.02, -28.18, 25.54

 

CMYK 26 / 17 / 0 / 4

HEX #B5CDF6

RGB 181 205 246

HSL 217.85, 0.78%, 0.84%

LAB 81.91, 0.89, -22.8

 

CMYK 0 / 26 / 3 / 4

HEX #F6B6EE

RGB 246 182 238

HSL 307.5, 0.78%, 0.84%

LAB 81.41, 32.01, -18.78

 

CMYK 0 / 10 / 26 / 4

HEX #F6DDB6

RGB 246 221 182

HSL 36.56, 0.78%, 0.84%

LAB 89.24, 2.8, 22.31

 

CMYK 26 / 0 / 23 / 4

HEX #B6F6BD

RGB 182 246 189

HSL 126.56, 0.78%, 0.84%

LAB 91.47, -30.94, 21.1

 

Description

Color code: HEX #B5CDF6 | qconv.com Color code: HEX #B5CDF6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 205 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 205 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 17 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 17% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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