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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5D07A it is the complementary color #4A2F85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5D07A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5D07A shade: #BAD075, #CBE288, #DCF49B, #EDFFAE and #FEFFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5D07A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5D07A shade: #B5D07A, #A4BE67, #93AC54, #829A41 and #71882E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5D07A shade: #B5D07A, #CCD07A, #D0BD7A, #D0A67A and #D08F7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5D07A shade: #B5D07A, #9ED07A, #87D07A, #7AD085 and #7AD09C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5D07A shade matches the following richer shades: #B5D07A, #BBDF6C, #C0ED5E and #C5FB4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5D07A shade: #B5D07A, #B0C289, #AAB397, #A5A5A6 and #A096B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5D07A shade: #D0BC7A, #CDD07A, #B6D07A, #A0D07A and #89D07A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5D07A shade: #92B840, #A4C55C, #B5D07A, #C6DB99 and #D7E6B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5D07A shade: #B5D07A, #7AD0A5 and #C87AD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5D07A shade: #B5D07A, #7AB6D0 and #D07AB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5D07A shade: #B5D07A, #7AD0A5, #947AD0 and #D07AA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5D07A shade: #B5D07A, #7AD0BF, #947AD0 and #D07A8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 41 / 18

HEX #B5D07A

RGB 181 208 122

HSL 78.84, 0.48%, 0.65%

LAB 79.81, -22.9, 39.68

 

Complementary color

CMYK 44 / 65 / 0 / 48

HEX #4A2F85

RGB 74 47 133

HSL 258.84, 0.48%, 0.35%

LAB 27.25, 33.38, -44.14

 

CMYK 11 / 0 / 44 / 18

HEX #BAD075

RGB 186 208 117

HSL 74.51, 0.49%, 0.64%

LAB 80.09, -21.56, 42.59

 

CMYK 10 / 0 / 40 / 11

HEX #CBE288

RGB 203 226 136

HSL 75.33, 0.61%, 0.71%

LAB 86.44, -21.71, 41.44

 

CMYK 10 / 0 / 36 / 4

HEX #DCF49B

RGB 220 244 155

HSL 76.18, 0.8%, 0.78%

LAB 92.7, -21.82, 40.32

 

CMYK 7 / 0 / 32 / 0

HEX #EDFFAE

RGB 237 255 174

HSL 73.33, 1%, 0.84%

LAB 97.06, -18.55, 36.83

 

CMYK 0 / 0 / 24 / 0

HEX #FEFFC1

RGB 254 255 193

HSL 60.97, 1%, 0.88%

LAB 98.61, -9.91, 29.61

 

CMYK 13 / 0 / 41 / 18

HEX #B5D07A

RGB 181 208 122

HSL 78.84, 0.48%, 0.65%

LAB 79.81, -22.9, 39.68

 

CMYK 14 / 0 / 46 / 25

HEX #A4BE67

RGB 164 190 103

HSL 77.93, 0.4%, 0.57%

LAB 73.35, -22.79, 40.84

 

CMYK 15 / 0 / 51 / 33

HEX #93AC54

RGB 147 172 84

HSL 77.05, 0.35%, 0.5%

LAB 66.79, -22.62, 42.01

 

CMYK 16 / 0 / 58 / 40

HEX #829A41

RGB 130 154 65

HSL 76.18, 0.41%, 0.43%

LAB 60.1, -22.37, 43.11

 

CMYK 17 / 0 / 66 / 47

HEX #71882E

RGB 113 136 46

HSL 75.33, 0.49%, 0.36%

LAB 53.29, -21.99, 44

 

CMYK 13 / 0 / 41 / 18

HEX #B5D07A

RGB 181 208 122

HSL 78.84, 0.48%, 0.65%

LAB 79.81, -22.9, 39.68

 

CMYK 2 / 0 / 41 / 18

HEX #CCD07A

RGB 204 208 122

HSL 62.79, 0.48%, 0.65%

LAB 81.49, -13.98, 42.15

 

CMYK 0 / 9 / 41 / 18

HEX #D0BD7A

RGB 208 189 122

HSL 46.74, 0.48%, 0.65%

LAB 76.81, -2.62, 36.28

 

CMYK 0 / 20 / 41 / 18

HEX #D0A67A

RGB 208 166 122

HSL 30.7, 0.48%, 0.65%

LAB 70.93, 9.61, 28.63

 

CMYK 0 / 31 / 41 / 18

HEX #D08F7A

RGB 208 143 122

HSL 14.65, 0.48%, 0.65%

LAB 65.33, 22.1, 21.12

 

CMYK 13 / 0 / 41 / 18

HEX #B5D07A

RGB 181 208 122

HSL 78.84, 0.48%, 0.65%

LAB 79.81, -22.9, 39.68

 

CMYK 24 / 0 / 41 / 18

HEX #9ED07A

RGB 158 208 122

HSL 94.88, 0.48%, 0.65%

LAB 78.34, -31.4, 37.5

 

CMYK 35 / 0 / 41 / 18

HEX #87D07A

RGB 135 208 122

HSL 110.93, 0.48%, 0.65%

LAB 77.08, -39.25, 35.64

 

CMYK 41 / 0 / 36 / 18

HEX #7AD085

RGB 122 208 133

HSL 127.67, 0.48%, 0.65%

LAB 76.64, -41.58, 29.32

 

CMYK 41 / 0 / 25 / 18

HEX #7AD09C

RGB 122 208 156

HSL 143.72, 0.48%, 0.65%

LAB 77.07, -37.46, 17.83

 

CMYK 13 / 0 / 41 / 18

HEX #B5D07A

RGB 181 208 122

HSL 78.84, 0.48%, 0.65%

LAB 79.81, -22.9, 39.68

 

CMYK 16 / 0 / 52 / 13

HEX #BBDF6C

RGB 187 223 108

HSL 78.78, 0.64%, 0.65%

LAB 84.19, -29.32, 51.91

 

CMYK 19 / 0 / 60 / 7

HEX #C0ED5E

RGB 192 237 94

HSL 78.88, 0.8%, 0.65%

LAB 88.25, -35.12, 62.82

 

CMYK 22 / 0 / 69 / 2

HEX #C5FB4F

RGB 197 251 79

HSL 78.84, 0.96%, 0.65%

LAB 92.32, -40.54, 73.06

 

CMYK 13 / 0 / 41 / 18

HEX #B5D07A

RGB 181 208 122

HSL 78.84, 0.48%, 0.65%

LAB 79.81, -22.9, 39.68

 

CMYK 9 / 0 / 29 / 24

HEX #B0C289

RGB 176 194 137

HSL 78.95, 0.32%, 0.65%

LAB 75.84, -15.88, 26.7

 

CMYK 5 / 0 / 16 / 30

HEX #AAB397

RGB 170 179 151

HSL 79.29, 0.16%, 0.65%

LAB 71.57, -8.2, 13.24

 

CMYK 1 / 1 / 0 / 35

HEX #A5A5A6

RGB 165 165 166

HSL 240, 0.01%, 0.65%

LAB 67.77, 0.19, -0.52

 

CMYK 11 / 17 / 0 / 29

HEX #A096B4

RGB 160 150 180

HSL 260, 0.17%, 0.65%

LAB 63.82, 9.63, -14.27

 

CMYK 0 / 10 / 41 / 18

HEX #D0BC7A

RGB 208 188 122

HSL 46.05, 0.48%, 0.65%

LAB 76.55, -2.1, 35.95

 

CMYK 1 / 0 / 41 / 18

HEX #CDD07A

RGB 205 208 122

HSL 62.09, 0.48%, 0.65%

LAB 81.56, -13.58, 42.26

 

CMYK 13 / 0 / 41 / 18

HEX #B6D07A

RGB 182 208 122

HSL 78.14, 0.48%, 0.65%

LAB 79.88, -22.52, 39.78

 

CMYK 23 / 0 / 41 / 18

HEX #A0D07A

RGB 160 208 122

HSL 93.49, 0.48%, 0.65%

LAB 78.46, -30.69, 37.68

 

CMYK 34 / 0 / 41 / 18

HEX #89D07A

RGB 137 208 122

HSL 109.53, 0.48%, 0.65%

LAB 77.18, -38.6, 35.79

 

CMYK 21 / 0 / 65 / 28

HEX #92B840

RGB 146 184 64

HSL 79, 0.48%, 0.49%

LAB 70.01, -30.6, 54.75

 

CMYK 17 / 0 / 53 / 23

HEX #A4C55C

RGB 164 197 92

HSL 78.86, 0.48%, 0.57%

LAB 75.2, -27.34, 48.41

 

CMYK 13 / 0 / 41 / 18

HEX #B5D07A

RGB 181 208 122

HSL 78.84, 0.48%, 0.65%

LAB 79.81, -22.9, 39.68

 

CMYK 10 / 0 / 30 / 14

HEX #C6DB99

RGB 198 219 153

HSL 79.09, 0.48%, 0.73%

LAB 84.47, -17.99, 30.21

 

CMYK 7 / 0 / 20 / 10

HEX #D7E6B7

RGB 215 230 183

HSL 79.15, 0.48%, 0.81%

LAB 89.14, -12.97, 21.27

 

CMYK 13 / 0 / 41 / 18

HEX #B5D07A

RGB 181 208 122

HSL 78.84, 0.48%, 0.65%

LAB 79.81, -22.9, 39.68

 

CMYK 41 / 0 / 21 / 18

HEX #7AD0A5

RGB 122 208 165

HSL 150, 0.48%, 0.65%

LAB 77.26, -35.68, 13.31

 

CMYK 4 / 41 / 0 / 18

HEX #C87AD0

RGB 200 122 208

HSL 294.42, 0.48%, 0.65%

LAB 62.3, 43.84, -32

 

CMYK 13 / 0 / 41 / 18

HEX #B5D07A

RGB 181 208 122

HSL 78.84, 0.48%, 0.65%

LAB 79.81, -22.9, 39.68

 

CMYK 41 / 13 / 0 / 18

HEX #7AB6D0

RGB 122 182 208

HSL 198.14, 0.48%, 0.65%

LAB 70.97, -12.65, -19.23

 

CMYK 0 / 41 / 13 / 18

HEX #D07AB6

RGB 208 122 182

HSL 318.14, 0.48%, 0.65%

LAB 62.26, 41.74, -17.29

 

CMYK 13 / 0 / 41 / 18

HEX #B5D07A

RGB 181 208 122

HSL 78.84, 0.48%, 0.65%

LAB 79.81, -22.9, 39.68

 

CMYK 41 / 0 / 21 / 18

HEX #7AD0A5

RGB 122 208 165

HSL 150, 0.48%, 0.65%

LAB 77.26, -35.68, 13.31

 

CMYK 29 / 41 / 0 / 18

HEX #947AD0

RGB 148 122 208

HSL 258.14, 0.48%, 0.65%

LAB 56.85, 28.52, -40.92

 

CMYK 0 / 41 / 21 / 18

HEX #D07AA5

RGB 208 122 165

HSL 330, 0.48%, 0.65%

LAB 61.69, 39.07, -8.45

 

CMYK 13 / 0 / 41 / 18

HEX #B5D07A

RGB 181 208 122

HSL 78.84, 0.48%, 0.65%

LAB 79.81, -22.9, 39.68

 

CMYK 41 / 0 / 8 / 18

HEX #7AD0BF

RGB 122 208 191

HSL 168.14, 0.48%, 0.65%

LAB 77.88, -30.01, 0.29

 

CMYK 29 / 41 / 0 / 18

HEX #947AD0

RGB 148 122 208

HSL 258.14, 0.48%, 0.65%

LAB 56.85, 28.52, -40.92

 

CMYK 0 / 41 / 33 / 18

HEX #D07A8C

RGB 208 122 140

HSL 347.44, 0.48%, 0.65%

LAB 60.98, 35.59, 4.84

 

Description

Color code: HEX #B5D07A | qconv.com Color code: HEX #B5D07A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 208 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 208 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 41 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 41% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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