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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5DA3E it is the complementary color #4A25C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5DA3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5DA3E shade: #BADA39, #CBEC4C, #DCFE5F, #EDFF72 and #FEFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5DA3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5DA3E shade: #B5DA3E, #A4C82B, #93B618, #82A405 and #719200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5DA3E shade: #B5DA3E, #DAD53E, #DAAB3E, #DA813E and #DA563E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5DA3E shade: #B5DA3E, #8BDA3E, #61DA3E, #3EDA45 and #3EDA6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5DA3E shade matches the following richer shades: #B5DA3E and #BFEC2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5DA3E shade: #B5DA3E, #ABC750, #A1B563, #97A275 and #8E9088

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5DA3E shade: #DAAB3E, #DAD53E, #B5DA3E, #8CDA3E and #62DA3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5DA3E shade: #86A61F, #A2C826, #B5DA3E, #C2E060 and #CFE783

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5DA3E shade: #B5DA3E, #3EDA81 and #C03EDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5DA3E shade: #B5DA3E, #3EB5DA and #DA3EB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5DA3E shade: #B5DA3E, #3EDA81, #623EDA and #DA3E96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5DA3E shade: #B5DA3E, #3EDAB0, #623EDA and #DA3E67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 72 / 15

HEX #B5DA3E

RGB 181 218 62

HSL 74.23, 0.68%, 0.55%

LAB 82.01, -32.76, 68.45

 

Complementary color

CMYK 62 / 81 / 0 / 24

HEX #4A25C1

RGB 74 37 193

HSL 254.23, 0.68%, 0.45%

LAB 30.95, 55.99, -74.42

 

CMYK 15 / 0 / 74 / 15

HEX #BADA39

RGB 186 218 57

HSL 71.93, 0.69%, 0.54%

LAB 82.31, -31.03, 70.54

 

CMYK 14 / 0 / 68 / 7

HEX #CBEC4C

RGB 203 236 76

HSL 72.38, 0.81%, 0.61%

LAB 88.55, -31.65, 70.45

 

CMYK 13 / 0 / 63 / 0

HEX #DCFE5F

RGB 220 254 95

HSL 72.83, 0.99%, 0.68%

LAB 94.71, -32.15, 69.94

 

CMYK 7 / 0 / 55 / 0

HEX #EDFF72

RGB 237 255 114

HSL 67.66, 1%, 0.72%

LAB 96.3, -24.66, 64.14

 

CMYK 0 / 0 / 48 / 0

HEX #FEFF85

RGB 254 255 133

HSL 60.49, 1%, 0.76%

LAB 97.75, -16.5, 57.66

 

CMYK 17 / 0 / 72 / 15

HEX #B5DA3E

RGB 181 218 62

HSL 74.23, 0.68%, 0.55%

LAB 82.01, -32.76, 68.45

 

CMYK 18 / 0 / 79 / 22

HEX #A4C82B

RGB 164 200 43

HSL 73.76, 0.65%, 0.48%

LAB 75.68, -32.09, 68.15

 

CMYK 19 / 0 / 87 / 29

HEX #93B618

RGB 147 182 24

HSL 73.29, 0.77%, 0.4%

LAB 69.27, -31.24, 66.87

 

CMYK 21 / 0 / 97 / 36

HEX #82A405

RGB 130 164 5

HSL 72.83, 0.94%, 0.33%

LAB 62.77, -30.17, 64.18

 

CMYK 23 / 0 / 100 / 43

HEX #719200

RGB 113 146 0

HSL 73.56, 1%, 0.29%

LAB 56.16, -28.82, 59.37

 

CMYK 17 / 0 / 72 / 15

HEX #B5DA3E

RGB 181 218 62

HSL 74.23, 0.68%, 0.55%

LAB 82.01, -32.76, 68.45

 

CMYK 0 / 2 / 72 / 15

HEX #DAD53E

RGB 218 213 62

HSL 58.08, 0.68%, 0.55%

LAB 83.36, -15.24, 70.69

 

CMYK 0 / 22 / 72 / 15

HEX #DAAB3E

RGB 218 171 62

HSL 41.92, 0.68%, 0.55%

LAB 72.48, 6.42, 60.01

 

CMYK 0 / 41 / 72 / 15

HEX #DA813E

RGB 218 129 62

HSL 25.77, 0.68%, 0.55%

LAB 62.47, 28.93, 49.65

 

CMYK 0 / 61 / 72 / 15

HEX #DA563E

RGB 218 86 62

HSL 9.23, 0.68%, 0.55%

LAB 53.93, 50.39, 40.29

 

CMYK 17 / 0 / 72 / 15

HEX #B5DA3E

RGB 181 218 62

HSL 74.23, 0.68%, 0.55%

LAB 82.01, -32.76, 68.45

 

CMYK 36 / 0 / 72 / 15

HEX #8BDA3E

RGB 139 218 62

HSL 90.38, 0.68%, 0.55%

LAB 79.6, -48.35, 65.26

 

CMYK 56 / 0 / 72 / 15

HEX #61DA3E

RGB 97 218 62

HSL 106.54, 0.68%, 0.55%

LAB 77.89, -61.02, 62.98

 

CMYK 72 / 0 / 68 / 15

HEX #3EDA45

RGB 62 218 69

HSL 122.69, 0.68%, 0.55%

LAB 77.04, -67.81, 59.21

 

CMYK 72 / 0 / 49 / 15

HEX #3EDA6F

RGB 62 218 111

HSL 138.85, 0.68%, 0.55%

LAB 77.47, -62.72, 41.08

 

CMYK 17 / 0 / 72 / 15

HEX #B5DA3E

RGB 181 218 62

HSL 74.23, 0.68%, 0.55%

LAB 82.01, -32.76, 68.45

 

CMYK 19 / 0 / 82 / 7

HEX #BFEC2B

RGB 191 236 43

HSL 73.99, 0.84%, 0.55%

LAB 87.6, -37.84, 79.39

 

CMYK 17 / 0 / 72 / 15

HEX #B5DA3E

RGB 181 218 62

HSL 74.23, 0.68%, 0.55%

LAB 82.01, -32.76, 68.45

 

CMYK 14 / 0 / 60 / 22

HEX #ABC750

RGB 171 199 80

HSL 74.12, 0.52%, 0.55%

LAB 76.12, -26.59, 55.04

 

CMYK 11 / 0 / 45 / 29

HEX #A1B563

RGB 161 181 99

HSL 74.63, 0.36%, 0.55%

LAB 70.54, -19.93, 39.33

 

CMYK 7 / 0 / 28 / 36

HEX #97A275

RGB 151 162 117

HSL 74.67, 0.19%, 0.55%

LAB 64.73, -11.77, 22.16

 

CMYK 1 / 0 / 6 / 44

HEX #8E9088

RGB 142 144 136

HSL 75, 0.03%, 0.55%

LAB 59.41, -2.26, 3.99

 

CMYK 0 / 22 / 72 / 15

HEX #DAAB3E

RGB 218 171 62

HSL 41.92, 0.68%, 0.55%

LAB 72.48, 6.42, 60.01

 

CMYK 0 / 2 / 72 / 15

HEX #DAD53E

RGB 218 213 62

HSL 58.08, 0.68%, 0.55%

LAB 83.36, -15.24, 70.69

 

CMYK 17 / 0 / 72 / 15

HEX #B5DA3E

RGB 181 218 62

HSL 74.23, 0.68%, 0.55%

LAB 82.01, -32.76, 68.45

 

CMYK 36 / 0 / 72 / 15

HEX #8CDA3E

RGB 140 218 62

HSL 90, 0.68%, 0.55%

LAB 79.65, -48.01, 65.33

 

CMYK 55 / 0 / 72 / 15

HEX #62DA3E

RGB 98 218 62

HSL 106.15, 0.68%, 0.55%

LAB 77.93, -60.76, 63.03

 

CMYK 19 / 0 / 81 / 35

HEX #86A61F

RGB 134 166 31

HSL 74.22, 0.69%, 0.39%

LAB 63.7, -28.78, 60.03

 

CMYK 19 / 0 / 81 / 22

HEX #A2C826

RGB 162 200 38

HSL 74.07, 0.68%, 0.47%

LAB 75.53, -33.09, 69.34

 

CMYK 17 / 0 / 72 / 15

HEX #B5DA3E

RGB 181 218 62

HSL 74.23, 0.68%, 0.55%

LAB 82.01, -32.76, 68.45

 

CMYK 13 / 0 / 57 / 12

HEX #C2E060

RGB 194 224 96

HSL 74.06, 0.67%, 0.63%

LAB 84.8, -28.16, 58.17

 

CMYK 10 / 0 / 43 / 9

HEX #CFE783

RGB 207 231 131

HSL 74.4, 0.68%, 0.71%

LAB 88, -23.17, 45.91

 

CMYK 17 / 0 / 72 / 15

HEX #B5DA3E

RGB 181 218 62

HSL 74.23, 0.68%, 0.55%

LAB 82.01, -32.76, 68.45

 

CMYK 72 / 0 / 41 / 15

HEX #3EDA81

RGB 62 218 129

HSL 145.77, 0.68%, 0.55%

LAB 77.73, -59.75, 32.46

 

CMYK 12 / 72 / 0 / 15

HEX #C03EDA

RGB 192 62 218

HSL 290, 0.68%, 0.55%

LAB 51.51, 71.15, -54.75

 

CMYK 17 / 0 / 72 / 15

HEX #B5DA3E

RGB 181 218 62

HSL 74.23, 0.68%, 0.55%

LAB 82.01, -32.76, 68.45

 

CMYK 72 / 17 / 0 / 15

HEX #3EB5DA

RGB 62 181 218

HSL 194.23, 0.68%, 0.55%

LAB 68.85, -20.94, -28.15

 

CMYK 0 / 72 / 17 / 15

HEX #DA3EB5

RGB 218 62 181

HSL 314.23, 0.68%, 0.55%

LAB 53.69, 71.07, -29.74

 

CMYK 17 / 0 / 72 / 15

HEX #B5DA3E

RGB 181 218 62

HSL 74.23, 0.68%, 0.55%

LAB 82.01, -32.76, 68.45

 

CMYK 72 / 0 / 41 / 15

HEX #3EDA81

RGB 62 218 129

HSL 145.77, 0.68%, 0.55%

LAB 77.73, -59.75, 32.46

 

CMYK 55 / 72 / 0 / 15

HEX #623EDA

RGB 98 62 218

HSL 253.85, 0.68%, 0.55%

LAB 39.75, 54.14, -74.36

 

CMYK 0 / 72 / 31 / 15

HEX #DA3E96

RGB 218 62 150

HSL 326.15, 0.68%, 0.55%

LAB 52.46, 67.16, -13.43

 

CMYK 17 / 0 / 72 / 15

HEX #B5DA3E

RGB 181 218 62

HSL 74.23, 0.68%, 0.55%

LAB 82.01, -32.76, 68.45

 

CMYK 72 / 0 / 19 / 15

HEX #3EDAB0

RGB 62 218 176

HSL 163.85, 0.68%, 0.55%

LAB 78.64, -49.9, 9.16

 

CMYK 55 / 72 / 0 / 15

HEX #623EDA

RGB 98 62 218

HSL 253.85, 0.68%, 0.55%

LAB 39.75, 54.14, -74.36

 

CMYK 0 / 72 / 53 / 15

HEX #DA3E67

RGB 218 62 103

HSL 344.23, 0.68%, 0.55%

LAB 51.07, 62.62, 12.76

 

Description

Color code: HEX #B5DA3E | qconv.com Color code: HEX #B5DA3E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 218 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 218 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 72 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 72% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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