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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5DC18 it is the complementary color #4A23E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5DC18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5DC18 shade: #BADC13, #CBEE26, #DCFF39, #EDFF4C and #FEFF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5DC18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5DC18 shade: #B5DC18, #A4CA05, #93B800, #82A600 and #719400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5DC18 shade: #B5DC18, #DCCE18, #DC9918, #DC6418 and #DC3018

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5DC18 shade: #B5DC18, #80DC18, #4BDC18, #18DC1A and #18DC4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5DC18 shade matches the following richer shades: #B5DC18 and #C1F004

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5DC18 shade: #B5DC18, #A9C82C, #9DB440, #91A053 and #858D67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5DC18 shade: #DC9718, #DCCB18, #B8DC18, #84DC18 and #4FDC18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5DC18 shade: #789210, #96B714, #B5DC18, #C4E835 and #CFEC5A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5DC18 shade: #B5DC18, #18DC63 and #B118DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5DC18 shade: #B5DC18, #18B8DC and #DC18B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5DC18 shade: #B5DC18, #18DC63, #3C18DC and #DC1891

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5DC18 shade: #B5DC18, #18DC9E, #3C18DC and #DC1856

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 89 / 14

HEX #B5DC18

RGB 181 220 24

HSL 71.94, 0.8%, 0.48%

LAB 82.42, -35.06, 78.59

 

Complementary color

CMYK 68 / 85 / 0 / 9

HEX #4A23E7

RGB 74 35 231

HSL 251.94, 0.8%, 0.52%

LAB 34.86, 67.11, -89.95

 

CMYK 15 / 0 / 91 / 14

HEX #BADC13

RGB 186 220 19

HSL 70.15, 0.84%, 0.47%

LAB 82.74, -33.15, 79.71

 

CMYK 15 / 0 / 84 / 7

HEX #CBEE26

RGB 203 238 38

HSL 70.5, 0.85%, 0.54%

LAB 88.92, -34.17, 81.94

 

CMYK 14 / 0 / 78 / 0

HEX #DCFF39

RGB 220 255 57

HSL 70.61, 1%, 0.61%

LAB 94.75, -34.58, 82.86

 

CMYK 7 / 0 / 70 / 0

HEX #EDFF4C

RGB 237 255 76

HSL 66.03, 1%, 0.65%

LAB 96.02, -27.06, 78.64

 

CMYK 0 / 0 / 63 / 0

HEX #FEFF5F

RGB 254 255 95

HSL 60.38, 1%, 0.69%

LAB 97.4, -19.27, 73.52

 

CMYK 18 / 0 / 89 / 14

HEX #B5DC18

RGB 181 220 24

HSL 71.94, 0.8%, 0.48%

LAB 82.42, -35.06, 78.59

 

CMYK 19 / 0 / 98 / 21

HEX #A4CA05

RGB 164 202 5

HSL 71.57, 0.95%, 0.41%

LAB 76.16, -33.94, 75.47

 

CMYK 20 / 0 / 100 / 28

HEX #93B800

RGB 147 184 0

HSL 72.07, 1%, 0.36%

LAB 69.81, -32.61, 70.69

 

CMYK 22 / 0 / 100 / 35

HEX #82A600

RGB 130 166 0

HSL 73.01, 1%, 0.33%

LAB 63.36, -31.2, 65.32

 

CMYK 24 / 0 / 100 / 42

HEX #719400

RGB 113 148 0

HSL 74.19, 1%, 0.29%

LAB 56.77, -29.77, 59.83

 

CMYK 18 / 0 / 89 / 14

HEX #B5DC18

RGB 181 220 24

HSL 71.94, 0.8%, 0.48%

LAB 82.42, -35.06, 78.59

 

CMYK 0 / 6 / 89 / 14

HEX #DCCE18

RGB 220 206 24

HSL 55.71, 0.8%, 0.48%

LAB 81.52, -12.08, 79.11

 

CMYK 0 / 30 / 89 / 14

HEX #DC9918

RGB 220 153 24

HSL 39.49, 0.8%, 0.48%

LAB 68.07, 15.65, 68.64

 

CMYK 0 / 55 / 89 / 14

HEX #DC6418

RGB 220 100 24

HSL 23.27, 0.8%, 0.48%

LAB 56.48, 43.34, 59.79

 

CMYK 0 / 78 / 89 / 14

HEX #DC3018

RGB 220 48 24

HSL 7.35, 0.8%, 0.48%

LAB 48.75, 64.08, 54.04

 

CMYK 18 / 0 / 89 / 14

HEX #B5DC18

RGB 181 220 24

HSL 71.94, 0.8%, 0.48%

LAB 82.42, -35.06, 78.59

 

CMYK 42 / 0 / 89 / 14

HEX #80DC18

RGB 128 220 24

HSL 88.16, 0.8%, 0.48%

LAB 79.52, -54.52, 75.02

 

CMYK 66 / 0 / 89 / 14

HEX #4BDC18

RGB 75 220 24

HSL 104.39, 0.8%, 0.48%

LAB 77.73, -68.71, 72.78

 

CMYK 89 / 0 / 88 / 14

HEX #18DC1A

RGB 24 220 26

HSL 120.61, 0.8%, 0.48%

LAB 76.95, -75.44, 71.46

 

CMYK 89 / 0 / 65 / 14

HEX #18DC4E

RGB 24 220 78

HSL 136.53, 0.8%, 0.48%

LAB 77.24, -71.82, 55.68

 

CMYK 18 / 0 / 89 / 14

HEX #B5DC18

RGB 181 220 24

HSL 71.94, 0.8%, 0.48%

LAB 82.42, -35.06, 78.59

 

CMYK 20 / 0 / 98 / 6

HEX #C1F004

RGB 193 240 4

HSL 71.95, 0.97%, 0.48%

LAB 88.76, -39.58, 86

 

CMYK 18 / 0 / 89 / 14

HEX #B5DC18

RGB 181 220 24

HSL 71.94, 0.8%, 0.48%

LAB 82.42, -35.06, 78.59

 

CMYK 16 / 0 / 78 / 22

HEX #A9C82C

RGB 169 200 44

HSL 71.92, 0.64%, 0.48%

LAB 76.02, -30.03, 68.29

 

CMYK 13 / 0 / 64 / 29

HEX #9DB440

RGB 157 180 64

HSL 71.9, 0.48%, 0.48%

LAB 69.6, -24.22, 54.54

 

CMYK 9 / 0 / 48 / 37

HEX #91A053

RGB 145 160 83

HSL 71.69, 0.32%, 0.48%

LAB 63.17, -17.45, 38.11

 

CMYK 6 / 0 / 27 / 45

HEX #858D67

RGB 133 141 103

HSL 72.63, 0.16%, 0.48%

LAB 57.09, -9.71, 19.35

 

CMYK 0 / 31 / 89 / 14

HEX #DC9718

RGB 220 151 24

HSL 38.88, 0.8%, 0.48%

LAB 67.59, 16.72, 68.27

 

CMYK 0 / 8 / 89 / 14

HEX #DCCB18

RGB 220 203 24

HSL 54.8, 0.8%, 0.48%

LAB 80.74, -10.57, 78.49

 

CMYK 16 / 0 / 89 / 14

HEX #B8DC18

RGB 184 220 24

HSL 71.02, 0.8%, 0.48%

LAB 82.62, -33.86, 78.83

 

CMYK 40 / 0 / 89 / 14

HEX #84DC18

RGB 132 220 24

HSL 86.94, 0.8%, 0.48%

LAB 79.7, -53.2, 75.24

 

CMYK 64 / 0 / 89 / 14

HEX #4FDC18

RGB 79 220 24

HSL 103.16, 0.8%, 0.48%

LAB 77.82, -67.88, 72.91

 

CMYK 18 / 0 / 89 / 43

HEX #789210

RGB 120 146 16

HSL 72, 0.8%, 0.32%

LAB 56.67, -25.48, 57.29

 

CMYK 18 / 0 / 89 / 28

HEX #96B714

RGB 150 183 20

HSL 72.15, 0.8%, 0.4%

LAB 69.75, -30.58, 68.12

 

CMYK 18 / 0 / 89 / 14

HEX #B5DC18

RGB 181 220 24

HSL 71.94, 0.8%, 0.48%

LAB 82.42, -35.06, 78.59

 

CMYK 16 / 0 / 77 / 9

HEX #C4E835

RGB 196 232 53

HSL 72.07, 0.8%, 0.56%

LAB 86.85, -33.7, 76.22

 

CMYK 12 / 0 / 62 / 7

HEX #CFEC5A

RGB 207 236 90

HSL 71.92, 0.79%, 0.64%

LAB 88.92, -29.19, 65.49

 

CMYK 18 / 0 / 89 / 14

HEX #B5DC18

RGB 181 220 24

HSL 71.94, 0.8%, 0.48%

LAB 82.42, -35.06, 78.59

 

CMYK 89 / 0 / 55 / 14

HEX #18DC63

RGB 24 220 99

HSL 142.96, 0.8%, 0.48%

LAB 77.45, -69.23, 46.66

 

CMYK 20 / 89 / 0 / 14

HEX #B118DC

RGB 177 24 220

HSL 286.84, 0.8%, 0.48%

LAB 45.86, 78.91, -65.11

 

CMYK 18 / 0 / 89 / 14

HEX #B5DC18

RGB 181 220 24

HSL 71.94, 0.8%, 0.48%

LAB 82.42, -35.06, 78.59

 

CMYK 89 / 16 / 0 / 14

HEX #18B8DC

RGB 24 184 220

HSL 191.02, 0.8%, 0.48%

LAB 69.21, -25.23, -28.73

 

CMYK 0 / 89 / 16 / 14

HEX #DC18B8

RGB 220 24 184

HSL 311.02, 0.8%, 0.48%

LAB 51.07, 80.83, -35.56

 

CMYK 18 / 0 / 89 / 14

HEX #B5DC18

RGB 181 220 24

HSL 71.94, 0.8%, 0.48%

LAB 82.42, -35.06, 78.59

 

CMYK 89 / 0 / 55 / 14

HEX #18DC63

RGB 24 220 99

HSL 142.96, 0.8%, 0.48%

LAB 77.45, -69.23, 46.66

 

CMYK 73 / 89 / 0 / 14

HEX #3C18DC

RGB 60 24 220

HSL 251.02, 0.8%, 0.48%

LAB 31.3, 66.96, -89.58

 

CMYK 0 / 89 / 34 / 14

HEX #DC1891

RGB 220 24 145

HSL 322.96, 0.8%, 0.48%

LAB 49.39, 76.36, -15.05

 

CMYK 18 / 0 / 89 / 14

HEX #B5DC18

RGB 181 220 24

HSL 71.94, 0.8%, 0.48%

LAB 82.42, -35.06, 78.59

 

CMYK 89 / 0 / 28 / 14

HEX #18DC9E

RGB 24 220 158

HSL 161.02, 0.8%, 0.48%

LAB 78.37, -58.44, 18.23

 

CMYK 73 / 89 / 0 / 14

HEX #3C18DC

RGB 60 24 220

HSL 251.02, 0.8%, 0.48%

LAB 31.3, 66.96, -89.58

 

CMYK 0 / 89 / 61 / 14

HEX #DC1856

RGB 220 24 86

HSL 341.02, 0.8%, 0.48%

LAB 47.68, 71.63, 18.55

 

Description

Color code: HEX #B5DC18 | qconv.com Color code: HEX #B5DC18 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 220 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 220 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 89 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 89% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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