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Color name
HEX #B5DC28

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5DC28 it is the complementary color #4A23D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5DC28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5DC28 shade: #BADC23, #CBEE36, #DCFF49, #EDFF5C and #FEFF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5DC28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5DC28 shade: #B5DC28, #A4CA15, #93B802, #82A600 and #719400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5DC28 shade: #B5DC28, #DCD228, #DCA128, #DC7128 and #DC4028

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5DC28 shade: #B5DC28, #84DC28, #53DC28, #28DC2C and #28DC5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5DC28 shade matches the following richer shades: #B5DC28 and #C0F013

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5DC28 shade: #B5DC28, #A9C73C, #9EB350, #929F64 and #878B78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5DC28 shade: #DCA328, #DCD328, #B5DC28, #85DC28 and #55DC28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5DC28 shade: #7D9818, #9ABC1E, #B5DC28, #C1E14B and #CDE76F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5DC28 shade: #B5DC28, #28DC73 and #BB28DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5DC28 shade: #B5DC28, #28B5DC and #DC28B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5DC28 shade: #B5DC28, #28DC73, #4F28DC and #DC2891

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5DC28 shade: #B5DC28, #28DCA9, #4F28DC and #DC285B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 82 / 14

HEX #B5DC28

RGB 181 220 40

HSL 73, 0.72%, 0.51%

LAB 82.47, -34.63, 75.4

 

Complementary color

CMYK 66 / 84 / 0 / 16

HEX #4A23D7

RGB 74 35 215

HSL 253, 0.72%, 0.49%

LAB 33.06, 62.83, -83.75

 

CMYK 15 / 0 / 84 / 14

HEX #BADC23

RGB 186 220 35

HSL 71.03, 0.73%, 0.5%

LAB 82.78, -32.79, 76.95

 

CMYK 15 / 0 / 77 / 7

HEX #CBEE36

RGB 203 238 54

HSL 71.41, 0.84%, 0.57%

LAB 88.98, -33.64, 78.04

 

CMYK 14 / 0 / 71 / 0

HEX #DCFF49

RGB 220 255 73

HSL 71.54, 1%, 0.64%

LAB 94.83, -33.89, 78.09

 

CMYK 7 / 0 / 64 / 0

HEX #EDFF5C

RGB 237 255 92

HSL 66.63, 1%, 0.68%

LAB 96.12, -26.18, 72.96

 

CMYK 0 / 0 / 56 / 0

HEX #FEFF6F

RGB 254 255 111

HSL 60.42, 1%, 0.72%

LAB 97.53, -18.23, 67.14

 

CMYK 18 / 0 / 82 / 14

HEX #B5DC28

RGB 181 220 40

HSL 73, 0.72%, 0.51%

LAB 82.47, -34.63, 75.4

 

CMYK 19 / 0 / 90 / 21

HEX #A4CA15

RGB 164 202 21

HSL 72.6, 0.81%, 0.44%

LAB 76.18, -33.7, 73.56

 

CMYK 20 / 0 / 99 / 28

HEX #93B802

RGB 147 184 2

HSL 72.2, 0.98%, 0.36%

LAB 69.82, -32.58, 70.46

 

CMYK 22 / 0 / 100 / 35

HEX #82A600

RGB 130 166 0

HSL 73.01, 1%, 0.33%

LAB 63.36, -31.2, 65.32

 

CMYK 24 / 0 / 100 / 42

HEX #719400

RGB 113 148 0

HSL 74.19, 1%, 0.29%

LAB 56.77, -29.77, 59.83

 

CMYK 18 / 0 / 82 / 14

HEX #B5DC28

RGB 181 220 40

HSL 73, 0.72%, 0.51%

LAB 82.47, -34.63, 75.4

 

CMYK 0 / 5 / 82 / 14

HEX #DCD228

RGB 220 210 40

HSL 56.67, 0.72%, 0.51%

LAB 82.63, -13.71, 76.67

 

CMYK 0 / 27 / 82 / 14

HEX #DCA128

RGB 220 161 40

HSL 40.33, 0.72%, 0.51%

LAB 70.08, 11.75, 65.89

 

CMYK 0 / 49 / 82 / 14

HEX #DC7128

RGB 220 113 40

HSL 24.33, 0.72%, 0.51%

LAB 59.14, 37.23, 56.22

 

CMYK 0 / 71 / 82 / 14

HEX #DC4028

RGB 220 64 40

HSL 8, 0.72%, 0.51%

LAB 50.73, 59.24, 48.51

 

CMYK 18 / 0 / 82 / 14

HEX #B5DC28

RGB 181 220 40

HSL 73, 0.72%, 0.51%

LAB 82.47, -34.63, 75.4

 

CMYK 40 / 0 / 82 / 14

HEX #84DC28

RGB 132 220 40

HSL 89.33, 0.72%, 0.51%

LAB 79.75, -52.68, 71.96

 

CMYK 62 / 0 / 82 / 14

HEX #53DC28

RGB 83 220 40

HSL 105.67, 0.72%, 0.51%

LAB 77.98, -66.39, 69.7

 

CMYK 82 / 0 / 80 / 14

HEX #28DC2C

RGB 40 220 44

HSL 121.33, 0.72%, 0.51%

LAB 77.17, -73.24, 67.59

 

CMYK 82 / 0 / 58 / 14

HEX #28DC5D

RGB 40 220 93

HSL 137.67, 0.72%, 0.51%

LAB 77.54, -68.73, 49.55

 

CMYK 18 / 0 / 82 / 14

HEX #B5DC28

RGB 181 220 40

HSL 73, 0.72%, 0.51%

LAB 82.47, -34.63, 75.4

 

CMYK 20 / 0 / 92 / 6

HEX #C0F013

RGB 192 240 19

HSL 73.03, 0.88%, 0.51%

LAB 88.72, -39.8, 84.6

 

CMYK 18 / 0 / 82 / 14

HEX #B5DC28

RGB 181 220 40

HSL 73, 0.72%, 0.51%

LAB 82.47, -34.63, 75.4

 

CMYK 15 / 0 / 70 / 22

HEX #A9C73C

RGB 169 199 60

HSL 72.95, 0.55%, 0.51%

LAB 75.83, -28.76, 62.79

 

CMYK 12 / 0 / 55 / 30

HEX #9EB350

RGB 158 179 80

HSL 72.73, 0.39%, 0.51%

LAB 69.53, -22.04, 47.35

 

CMYK 8 / 0 / 37 / 38

HEX #929F64

RGB 146 159 100

HSL 73.22, 0.24%, 0.51%

LAB 63.2, -14.52, 29.28

 

CMYK 3 / 0 / 14 / 45

HEX #878B78

RGB 135 139 120

HSL 72.63, 0.08%, 0.51%

LAB 57.05, -5.04, 9.67

 

CMYK 0 / 26 / 82 / 14

HEX #DCA328

RGB 220 163 40

HSL 41, 0.72%, 0.51%

LAB 70.57, 10.68, 66.32

 

CMYK 0 / 4 / 82 / 14

HEX #DCD328

RGB 220 211 40

HSL 57, 0.72%, 0.51%

LAB 82.89, -14.21, 76.9

 

CMYK 18 / 0 / 82 / 14

HEX #B5DC28

RGB 181 220 40

HSL 73, 0.72%, 0.51%

LAB 82.47, -34.63, 75.4

 

CMYK 40 / 0 / 82 / 14

HEX #85DC28

RGB 133 220 40

HSL 89, 0.72%, 0.51%

LAB 79.8, -52.34, 72.02

 

CMYK 61 / 0 / 82 / 14

HEX #55DC28

RGB 85 220 40

HSL 105, 0.72%, 0.51%

LAB 78.03, -65.94, 69.77

 

CMYK 18 / 0 / 84 / 40

HEX #7D9818

RGB 125 152 24

HSL 72.66, 0.73%, 0.35%

LAB 58.87, -26.04, 57.43

 

CMYK 18 / 0 / 84 / 26

HEX #9ABC1E

RGB 154 188 30

HSL 72.91, 0.72%, 0.43%

LAB 71.51, -31.01, 67.63

 

CMYK 18 / 0 / 82 / 14

HEX #B5DC28

RGB 181 220 40

HSL 73, 0.72%, 0.51%

LAB 82.47, -34.63, 75.4

 

CMYK 14 / 0 / 67 / 12

HEX #C1E14B

RGB 193 225 75

HSL 72.8, 0.71%, 0.59%

LAB 84.84, -30.53, 66.82

 

CMYK 11 / 0 / 52 / 9

HEX #CDE76F

RGB 205 231 111

HSL 73, 0.71%, 0.67%

LAB 87.62, -25.93, 54.87

 

CMYK 18 / 0 / 82 / 14

HEX #B5DC28

RGB 181 220 40

HSL 73, 0.72%, 0.51%

LAB 82.47, -34.63, 75.4

 

CMYK 82 / 0 / 48 / 14

HEX #28DC73

RGB 40 220 115

HSL 145, 0.72%, 0.51%

LAB 77.8, -65.55, 39.47

 

CMYK 15 / 82 / 0 / 14

HEX #BB28DC

RGB 187 40 220

HSL 289, 0.72%, 0.51%

LAB 48.57, 77.2, -60.65

 

CMYK 18 / 0 / 82 / 14

HEX #B5DC28

RGB 181 220 40

HSL 73, 0.72%, 0.51%

LAB 82.47, -34.63, 75.4

 

CMYK 82 / 18 / 0 / 14

HEX #28B5DC

RGB 40 181 220

HSL 193, 0.72%, 0.51%

LAB 68.51, -22.63, -29.8

 

CMYK 0 / 82 / 18 / 14

HEX #DC28B5

RGB 220 40 181

HSL 313, 0.72%, 0.51%

LAB 51.92, 77.58, -32.49

 

CMYK 18 / 0 / 82 / 14

HEX #B5DC28

RGB 181 220 40

HSL 73, 0.72%, 0.51%

LAB 82.47, -34.63, 75.4

 

CMYK 82 / 0 / 48 / 14

HEX #28DC73

RGB 40 220 115

HSL 145, 0.72%, 0.51%

LAB 77.8, -65.55, 39.47

 

CMYK 64 / 82 / 0 / 14

HEX #4F28DC

RGB 79 40 220

HSL 253, 0.72%, 0.51%

LAB 34.7, 62.65, -83.91

 

CMYK 0 / 82 / 34 / 14

HEX #DC2891

RGB 220 40 145

HSL 325, 0.72%, 0.51%

LAB 50.43, 73.37, -13.48

 

CMYK 18 / 0 / 82 / 14

HEX #B5DC28

RGB 181 220 40

HSL 73, 0.72%, 0.51%

LAB 82.47, -34.63, 75.4

 

CMYK 82 / 0 / 23 / 14

HEX #28DCA9

RGB 40 220 169

HSL 163, 0.72%, 0.51%

LAB 78.75, -54.78, 12.99

 

CMYK 64 / 82 / 0 / 14

HEX #4F28DC

RGB 79 40 220

HSL 253, 0.72%, 0.51%

LAB 34.7, 62.65, -83.91

 

CMYK 0 / 82 / 59 / 14

HEX #DC285B

RGB 220 40 91

HSL 343, 0.72%, 0.51%

LAB 48.87, 68.81, 17.09

 

Description

Color code: HEX #B5DC28 | qconv.com Color code: HEX #B5DC28 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 220 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 220 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 82 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 82% 14% C M Y K

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