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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5DE6B it is the complementary color #4A2194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5DE6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5DE6B shade: #BADE66, #CBF079, #DCFF8C, #EDFF9F and #FEFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5DE6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5DE6B shade: #B5DE6B, #A4CC58, #93BA45, #82A832 and #71961F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5DE6B shade: #B6DE6C, #D4DE6C, #DEC96C, #DEAB6C and #DE8C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5DE6B shade: #B6DE6C, #97DE6C, #78DE6C, #6CDE7F and #6CDE9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5DE6B shade matches the following richer shades: #B6DE6C, #BAED5E and #BEFB4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5DE6B shade: #B6DE6C, #B1D07B, #ADC189, #A9B397 and #A5A5A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5DE6B shade: #DEC96C, #D5DE6C, #B6DE6C, #98DE6C and #79DE6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5DE6B shade: #93CC2C, #A5D74A, #B6DE6C, #C6E68E and #D7EDB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5DE6B shade: #B5DE6B, #6CDEAB and #D96CDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5DE6B shade: #B5DE6B, #6CB6DE and #DE6CB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5DE6B shade: #B5DE6B, #6CDEAB, #946CDE and #DE6CA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5DE6B shade: #B5DE6B, #6CDECD, #946CDE and #DE6C7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 52 / 13

HEX #B5DE6B

RGB 181 222 107

HSL 81.39, 0.64%, 0.65%

LAB 83.51, -31.22, 51.47

 

Complementary color

CMYK 50 / 78 / 0 / 42

HEX #4A2194

RGB 74 33 148

HSL 261.39, 0.64%, 0.35%

LAB 25.81, 45.24, -55.8

 

CMYK 16 / 0 / 54 / 13

HEX #BADE66

RGB 186 222 102

HSL 78, 0.65%, 0.64%

LAB 83.78, -29.79, 54.17

 

CMYK 15 / 0 / 50 / 6

HEX #CBF079

RGB 203 240 121

HSL 78.66, 0.8%, 0.71%

LAB 90.04, -29.98, 53.11

 

CMYK 14 / 0 / 45 / 0

HEX #DCFF8C

RGB 220 255 140

HSL 78.26, 1%, 0.77%

LAB 95.43, -28.73, 51.02

 

CMYK 7 / 0 / 38 / 0

HEX #EDFF9F

RGB 237 255 159

HSL 71.25, 1%, 0.81%

LAB 96.83, -20.35, 43.92

 

CMYK 0 / 0 / 30 / 0

HEX #FEFFB2

RGB 254 255 178

HSL 60.78, 1%, 0.85%

LAB 98.35, -11.81, 36.78

 

CMYK 18 / 0 / 52 / 13

HEX #B5DE6B

RGB 181 222 107

HSL 81.39, 0.64%, 0.65%

LAB 83.51, -31.22, 51.47

 

CMYK 20 / 0 / 57 / 20

HEX #A4CC58

RGB 164 204 88

HSL 80.69, 0.53%, 0.57%

LAB 77.15, -31.04, 52.51

 

CMYK 21 / 0 / 63 / 27

HEX #93BA45

RGB 147 186 69

HSL 80, 0.46%, 0.5%

LAB 70.7, -30.77, 53.4

 

CMYK 23 / 0 / 70 / 34

HEX #82A832

RGB 130 168 50

HSL 79.32, 0.54%, 0.43%

LAB 64.15, -30.38, 53.96

 

CMYK 25 / 0 / 79 / 41

HEX #71961F

RGB 113 150 31

HSL 78.66, 0.66%, 0.35%

LAB 57.48, -29.81, 53.87

 

CMYK 18 / 0 / 51 / 13

HEX #B6DE6C

RGB 182 222 108

HSL 81.05, 0.63%, 0.65%

LAB 83.58, -30.74, 51.11

 

CMYK 5 / 0 / 51 / 13

HEX #D4DE6C

RGB 212 222 108

HSL 65.26, 0.63%, 0.65%

LAB 85.67, -19.1, 54.09

 

CMYK 0 / 9 / 51 / 13

HEX #DEC96C

RGB 222 201 108

HSL 48.95, 0.63%, 0.65%

LAB 80.95, -4.51, 48.7

 

CMYK 0 / 23 / 51 / 13

HEX #DEAB6C

RGB 222 171 108

HSL 33.16, 0.63%, 0.65%

LAB 73.38, 11.25, 39.43

 

CMYK 0 / 37 / 51 / 13

HEX #DE8C6C

RGB 222 140 108

HSL 16.84, 0.63%, 0.65%

LAB 66.03, 27.87, 30.09

 

CMYK 18 / 0 / 51 / 13

HEX #B6DE6C

RGB 182 222 108

HSL 81.05, 0.63%, 0.65%

LAB 83.58, -30.74, 51.11

 

CMYK 32 / 0 / 51 / 13

HEX #97DE6C

RGB 151 222 108

HSL 97.37, 0.63%, 0.65%

LAB 81.79, -41.9, 48.53

 

CMYK 46 / 0 / 51 / 13

HEX #78DE6C

RGB 120 222 108

HSL 113.68, 0.63%, 0.65%

LAB 80.36, -51.66, 46.47

 

CMYK 51 / 0 / 43 / 13

HEX #6CDE7F

RGB 108 222 127

HSL 130, 0.63%, 0.65%

LAB 80.16, -52.26, 36.86

 

CMYK 51 / 0 / 29 / 13

HEX #6CDE9E

RGB 108 222 158

HSL 146.32, 0.63%, 0.65%

LAB 80.68, -46.86, 21.69

 

CMYK 18 / 0 / 51 / 13

HEX #B6DE6C

RGB 182 222 108

HSL 81.05, 0.63%, 0.65%

LAB 83.58, -30.74, 51.11

 

CMYK 22 / 0 / 60 / 7

HEX #BAED5E

RGB 186 237 94

HSL 81.4, 0.8%, 0.65%

LAB 87.88, -37.37, 62.31

 

CMYK 24 / 0 / 69 / 2

HEX #BEFB4F

RGB 190 251 79

HSL 81.28, 0.96%, 0.65%

LAB 91.91, -43.13, 72.51

 

CMYK 18 / 0 / 51 / 13

HEX #B6DE6C

RGB 182 222 108

HSL 81.05, 0.63%, 0.65%

LAB 83.58, -30.74, 51.11

 

CMYK 15 / 0 / 41 / 18

HEX #B1D07B

RGB 177 208 123

HSL 81.88, 0.47%, 0.65%

LAB 79.55, -24.3, 38.79

 

CMYK 10 / 0 / 29 / 24

HEX #ADC189

RGB 173 193 137

HSL 81.43, 0.31%, 0.65%

LAB 75.35, -16.5, 26

 

CMYK 6 / 0 / 16 / 30

HEX #A9B397

RGB 169 179 151

HSL 81.43, 0.16%, 0.65%

LAB 71.49, -8.56, 13.13

 

CMYK 1 / 1 / 0 / 35

HEX #A5A5A6

RGB 165 165 166

HSL 240, 0.01%, 0.65%

LAB 67.77, 0.19, -0.52

 

CMYK 0 / 9 / 51 / 13

HEX #DEC96C

RGB 222 201 108

HSL 48.95, 0.63%, 0.65%

LAB 80.95, -4.51, 48.7

 

CMYK 4 / 0 / 51 / 13

HEX #D5DE6C

RGB 213 222 108

HSL 64.74, 0.63%, 0.65%

LAB 85.74, -18.71, 54.19

 

CMYK 18 / 0 / 51 / 13

HEX #B6DE6C

RGB 182 222 108

HSL 81.05, 0.63%, 0.65%

LAB 83.58, -30.74, 51.11

 

CMYK 32 / 0 / 51 / 13

HEX #98DE6C

RGB 152 222 108

HSL 96.84, 0.63%, 0.65%

LAB 81.84, -41.56, 48.61

 

CMYK 45 / 0 / 51 / 13

HEX #79DE6C

RGB 121 222 108

HSL 113.16, 0.63%, 0.65%

LAB 80.4, -51.37, 46.53

 

CMYK 28 / 0 / 78 / 20

HEX #93CC2C

RGB 147 204 44

HSL 81.38, 0.65%, 0.49%

LAB 75.8, -40.5, 67.59

 

CMYK 23 / 0 / 66 / 16

HEX #A5D74A

RGB 165 215 74

HSL 81.28, 0.64%, 0.57%

LAB 80.23, -36.84, 61.86

 

CMYK 18 / 0 / 51 / 13

HEX #B6DE6C

RGB 182 222 108

HSL 81.05, 0.63%, 0.65%

LAB 83.58, -30.74, 51.11

 

CMYK 14 / 0 / 38 / 10

HEX #C6E68E

RGB 198 230 142

HSL 81.82, 0.64%, 0.73%

LAB 87.27, -24.79, 39.45

 

CMYK 9 / 0 / 26 / 7

HEX #D7EDB0

RGB 215 237 176

HSL 81.64, 0.63%, 0.81%

LAB 90.85, -17.47, 27.22

 

CMYK 18 / 0 / 52 / 13

HEX #B5DE6B

RGB 181 222 107

HSL 81.39, 0.64%, 0.65%

LAB 83.51, -31.22, 51.47

 

CMYK 51 / 0 / 23 / 13

HEX #6CDEAB

RGB 108 222 171

HSL 153.16, 0.63%, 0.65%

LAB 80.94, -44.25, 15.24

 

CMYK 2 / 51 / 0 / 13

HEX #D96CDE

RGB 217 108 222

HSL 297.37, 0.63%, 0.65%

LAB 62.3, 58.36, -39.7

 

CMYK 18 / 0 / 52 / 13

HEX #B5DE6B

RGB 181 222 107

HSL 81.39, 0.64%, 0.65%

LAB 83.51, -31.22, 51.47

 

CMYK 51 / 18 / 0 / 13

HEX #6CB6DE

RGB 108 182 222

HSL 201.05, 0.63%, 0.65%

LAB 70.81, -12.11, -27.18

 

CMYK 0 / 51 / 18 / 13

HEX #DE6CB6

RGB 222 108 182

HSL 321.05, 0.63%, 0.65%

LAB 61.34, 53.24, -18.52

 

CMYK 18 / 0 / 52 / 13

HEX #B5DE6B

RGB 181 222 107

HSL 81.39, 0.64%, 0.65%

LAB 83.51, -31.22, 51.47

 

CMYK 51 / 0 / 23 / 13

HEX #6CDEAB

RGB 108 222 171

HSL 153.16, 0.63%, 0.65%

LAB 80.94, -44.25, 15.24

 

CMYK 33 / 51 / 0 / 13

HEX #946CDE

RGB 148 108 222

HSL 261.05, 0.63%, 0.65%

LAB 54.34, 40.1, -52.8

 

CMYK 0 / 51 / 28 / 13

HEX #DE6CA0

RGB 222 108 160

HSL 332.63, 0.63%, 0.65%

LAB 60.6, 50.16, -7.01

 

CMYK 18 / 0 / 52 / 13

HEX #B5DE6B

RGB 181 222 107

HSL 81.39, 0.64%, 0.65%

LAB 83.51, -31.22, 51.47

 

CMYK 51 / 0 / 8 / 13

HEX #6CDECD

RGB 108 222 205

HSL 171.05, 0.63%, 0.65%

LAB 81.75, -36.54, -1.6

 

CMYK 33 / 51 / 0 / 13

HEX #946CDE

RGB 148 108 222

HSL 261.05, 0.63%, 0.65%

LAB 54.34, 40.1, -52.8

 

CMYK 0 / 51 / 44 / 13

HEX #DE6C7D

RGB 222 108 125

HSL 351.05, 0.63%, 0.65%

LAB 59.65, 46.07, 11.86

 

Description

Color code: HEX #B5DE6B | qconv.com Color code: HEX #B5DE6B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 222 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 222 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 52 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 52% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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