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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5EEAE it is the complementary color #4A1151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5EEAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5EEAE shade: #BAEEA9, #CBFFBC, #DCFFCF, #EDFFE2 and #FEFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5EEAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5EEAE shade: #B5EEAE, #A4DC9B, #93CA88, #82B875 and #71A662

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5EEAE shade: #B5EEAF, #C6EEAF, #D7EEAF, #E8EEAF and #EEE2AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5EEAE shade: #B5EEAF, #AFEEB9, #AFEECA, #AFEEDB and #AFEEEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5EEAE shade matches the following richer shades: #B5EEAF, #AFF5A7 and #A9FD9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5EEAE shade: #B5EEAF, #BCE6B6, #C2DEBE, #C8D6C6 and #CECECE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5EEAE shade: #D7EEAF, #C7EEAF, #B6EEAF, #AFEEB8 and #AFEEC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5EEAE shade: #77DF6A, #96E68D, #B5EEAF, #D5F5D1 and #F4FCF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5EEAE shade: #B5EEAE, #AFE8EE and #EEAFCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5EEAE shade: #B5EEAE, #AFB6EE and #EEAFB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5EEAE shade: #B5EEAE, #AFE8EE, #E6AFEE and #EEB4AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5EEAE shade: #B5EEAE, #AFD5EE, #E6AFEE and #EEC7AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 27 / 7

HEX #B5EEAE

RGB 181 238 174

HSL 113.44, 0.65%, 0.81%

LAB 88.94, -30, 25.28

 

Complementary color

CMYK 9 / 79 / 0 / 68

HEX #4A1151

RGB 74 17 81

HSL 293.44, 0.65%, 0.19%

LAB 17.69, 35.78, -25.74

 

CMYK 22 / 0 / 29 / 7

HEX #BAEEA9

RGB 186 238 169

HSL 105.22, 0.67%, 0.8%

LAB 89.14, -29.11, 28.16

 

CMYK 20 / 0 / 26 / 0

HEX #CBFFBC

RGB 203 255 188

HSL 106.57, 1%, 0.87%

LAB 95.1, -28.48, 26.79

 

CMYK 14 / 0 / 19 / 0

HEX #DCFFCF

RGB 220 255 207

HSL 103.75, 1%, 0.91%

LAB 96.51, -19.78, 19.25

 

CMYK 7 / 0 / 11 / 0

HEX #EDFFE2

RGB 237 255 226

HSL 97.24, 1%, 0.94%

LAB 98.04, -10.94, 11.86

 

CMYK 0 / 0 / 4 / 0

HEX #FEFFF5

RGB 254 255 245

HSL 66, 1%, 0.98%

LAB 99.68, -2.05, 4.65

 

CMYK 24 / 0 / 27 / 7

HEX #B5EEAE

RGB 181 238 174

HSL 113.44, 0.65%, 0.81%

LAB 88.94, -30, 25.28

 

CMYK 25 / 0 / 30 / 14

HEX #A4DC9B

RGB 164 220 155

HSL 111.69, 0.48%, 0.74%

LAB 82.62, -30.2, 26.31

 

CMYK 27 / 0 / 33 / 21

HEX #93CA88

RGB 147 202 136

HSL 110, 0.38%, 0.66%

LAB 76.21, -30.4, 27.4

 

CMYK 29 / 0 / 36 / 28

HEX #82B875

RGB 130 184 117

HSL 108.36, 0.32%, 0.59%

LAB 69.69, -30.61, 28.54

 

CMYK 32 / 0 / 41 / 35

HEX #71A662

RGB 113 166 98

HSL 106.76, 0.28%, 0.52%

LAB 63.07, -30.8, 29.75

 

CMYK 24 / 0 / 26 / 7

HEX #B5EEAF

RGB 181 238 175

HSL 114.29, 0.65%, 0.81%

LAB 88.95, -29.84, 24.8

 

CMYK 17 / 0 / 26 / 7

HEX #C6EEAF

RGB 198 238 175

HSL 98.1, 0.65%, 0.81%

LAB 89.98, -24.09, 26.36

 

CMYK 10 / 0 / 26 / 7

HEX #D7EEAF

RGB 215 238 175

HSL 81.9, 0.65%, 0.81%

LAB 91.09, -18.1, 28.06

 

CMYK 3 / 0 / 26 / 7

HEX #E8EEAF

RGB 232 238 175

HSL 65.71, 0.65%, 0.81%

LAB 92.31, -11.92, 29.91

 

CMYK 0 / 5 / 26 / 7

HEX #EEE2AF

RGB 238 226 175

HSL 48.57, 0.65%, 0.81%

LAB 89.7, -3.67, 26.46

 

CMYK 24 / 0 / 26 / 7

HEX #B5EEAF

RGB 181 238 175

HSL 114.29, 0.65%, 0.81%

LAB 88.95, -29.84, 24.8

 

CMYK 26 / 0 / 22 / 7

HEX #AFEEB9

RGB 175 238 185

HSL 129.52, 0.65%, 0.81%

LAB 88.81, -30.1, 19.4

 

CMYK 26 / 0 / 15 / 7

HEX #AFEECA

RGB 175 238 202

HSL 145.71, 0.65%, 0.81%

LAB 89.17, -27.01, 11.08

 

CMYK 26 / 0 / 8 / 7

HEX #AFEEDB

RGB 175 238 219

HSL 161.9, 0.65%, 0.81%

LAB 89.57, -23.66, 2.8

 

CMYK 26 / 0 / 1 / 7

HEX #AFEEEC

RGB 175 238 236

HSL 178.1, 0.65%, 0.81%

LAB 90.01, -20.07, -5.44

 

CMYK 24 / 0 / 26 / 7

HEX #B5EEAF

RGB 181 238 175

HSL 114.29, 0.65%, 0.81%

LAB 88.95, -29.84, 24.8

 

CMYK 29 / 0 / 32 / 4

HEX #AFF5A7

RGB 175 245 167

HSL 113.85, 0.8%, 0.81%

LAB 90.42, -36.3, 30.8

 

CMYK 33 / 0 / 37 / 1

HEX #A9FD9F

RGB 169 253 159

HSL 113.62, 0.96%, 0.81%

LAB 92.22, -42.97, 37.13

 

CMYK 24 / 0 / 26 / 7

HEX #B5EEAF

RGB 181 238 175

HSL 114.29, 0.65%, 0.81%

LAB 88.95, -29.84, 24.8

 

CMYK 18 / 0 / 21 / 10

HEX #BCE6B6

RGB 188 230 182

HSL 112.5, 0.49%, 0.81%

LAB 87.32, -22.52, 18.99

 

CMYK 13 / 0 / 14 / 13

HEX #C2DEBE

RGB 194 222 190

HSL 112.5, 0.33%, 0.81%

LAB 85.72, -15.17, 12.61

 

CMYK 7 / 0 / 7 / 16

HEX #C8D6C6

RGB 200 214 198

HSL 112.5, 0.16%, 0.81%

LAB 84.2, -7.65, 6.27

 

CMYK 0 / 0 / 0 / 19

HEX #CECECE

RGB 206 206 206

HSL 0, 0%, 0.81%

LAB 82.76, 0, -0.01

 

CMYK 10 / 0 / 26 / 7

HEX #D7EEAF

RGB 215 238 175

HSL 81.9, 0.65%, 0.81%

LAB 91.09, -18.1, 28.06

 

CMYK 16 / 0 / 26 / 7

HEX #C7EEAF

RGB 199 238 175

HSL 97.14, 0.65%, 0.81%

LAB 90.04, -23.74, 26.45

 

CMYK 24 / 0 / 26 / 7

HEX #B6EEAF

RGB 182 238 175

HSL 113.33, 0.65%, 0.81%

LAB 89.01, -29.51, 24.88

 

CMYK 26 / 0 / 23 / 7

HEX #AFEEB8

RGB 175 238 184

HSL 128.57, 0.65%, 0.81%

LAB 88.79, -30.27, 19.89

 

CMYK 26 / 0 / 16 / 7

HEX #AFEEC9

RGB 175 238 201

HSL 144.76, 0.65%, 0.81%

LAB 89.15, -27.2, 11.57

 

CMYK 47 / 0 / 52 / 13

HEX #77DF6A

RGB 119 223 106

HSL 113.33, 0.65%, 0.65%

LAB 80.59, -52.6, 47.69

 

CMYK 35 / 0 / 39 / 10

HEX #96E68D

RGB 150 230 141

HSL 113.93, 0.64%, 0.73%

LAB 84.48, -41.46, 35.81

 

CMYK 24 / 0 / 26 / 7

HEX #B5EEAF

RGB 181 238 175

HSL 114.29, 0.65%, 0.81%

LAB 88.95, -29.84, 24.8

 

CMYK 13 / 0 / 15 / 4

HEX #D5F5D1

RGB 213 245 209

HSL 113.33, 0.64%, 0.89%

LAB 93.47, -16.92, 13.89

 

CMYK 3 / 0 / 4 / 1

HEX #F4FCF3

RGB 244 252 243

HSL 113.33, 0.6%, 0.97%

LAB 98.16, -4.21, 3.38

 

CMYK 24 / 0 / 27 / 7

HEX #B5EEAE

RGB 181 238 174

HSL 113.44, 0.65%, 0.81%

LAB 88.94, -30, 25.28

 

CMYK 26 / 3 / 0 / 7

HEX #AFE8EE

RGB 175 232 238

HSL 185.71, 0.65%, 0.81%

LAB 88.45, -16.65, -8.8

 

CMYK 0 / 26 / 13 / 7

HEX #EEAFCF

RGB 238 175 207

HSL 329.52, 0.65%, 0.81%

LAB 78.08, 27.78, -7.12

 

CMYK 24 / 0 / 27 / 7

HEX #B5EEAE

RGB 181 238 174

HSL 113.44, 0.65%, 0.81%

LAB 88.94, -30, 25.28

 

CMYK 26 / 24 / 0 / 7

HEX #AFB6EE

RGB 175 182 238

HSL 233.33, 0.65%, 0.81%

LAB 75.29, 9.7, -28.66

 

CMYK 0 / 26 / 24 / 7

HEX #EEAFB6

RGB 238 175 182

HSL 353.33, 0.65%, 0.81%

LAB 77.41, 23.98, 5.5

 

CMYK 24 / 0 / 27 / 7

HEX #B5EEAE

RGB 181 238 174

HSL 113.44, 0.65%, 0.81%

LAB 88.94, -30, 25.28

 

CMYK 26 / 3 / 0 / 7

HEX #AFE8EE

RGB 175 232 238

HSL 185.71, 0.65%, 0.81%

LAB 88.45, -16.65, -8.8

 

CMYK 3 / 26 / 0 / 7

HEX #E6AFEE

RGB 230 175 238

HSL 292.38, 0.65%, 0.81%

LAB 78.26, 30.57, -23.71

 

CMYK 0 / 24 / 26 / 7

HEX #EEB4AF

RGB 238 180 175

HSL 4.76, 0.65%, 0.81%

LAB 78.41, 20.34, 10.74

 

CMYK 24 / 0 / 27 / 7

HEX #B5EEAE

RGB 181 238 174

HSL 113.44, 0.65%, 0.81%

LAB 88.94, -30, 25.28

 

CMYK 26 / 11 / 0 / 7

HEX #AFD5EE

RGB 175 213 238

HSL 203.81, 0.65%, 0.81%

LAB 83.38, -6.93, -16.38

 

CMYK 3 / 26 / 0 / 7

HEX #E6AFEE

RGB 230 175 238

HSL 292.38, 0.65%, 0.81%

LAB 78.26, 30.57, -23.71

 

CMYK 0 / 16 / 26 / 7

HEX #EEC7AF

RGB 238 199 175

HSL 22.86, 0.65%, 0.81%

LAB 82.98, 10.3, 17.17

 

Description

Color code: HEX #B5EEAE | qconv.com Color code: HEX #B5EEAE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 238 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 238 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 27 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 27% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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