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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5EF94 it is the complementary color #4A106B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5EF94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5EF94 shade: #BAEF8F, #CBFFA2, #DCFFB5, #EDFFC8 and #FEFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5EF94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5EF94 shade: #B5EF94, #A4DD81, #93CB6E, #82B95B and #71A748

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5EF94 shade: #B5EF94, #CDEF94, #E6EF94, #EFDF94 and #EFC794

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5EF94 shade: #B5EF94, #9CEF94, #94EFA4, #94EFBC and #94EFD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5EF94 shade matches the following richer shades: #B5EF94 and #B2F88A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5EF94 shade: #B5EF94, #B8E59E, #BADBA8, #BDD1B2 and #C0C7BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5EF94 shade: #E6EF94, #CDEF94, #B5EF94, #9DEF94 and #94EFA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5EF94 shade: #83E44C, #9CE970, #B5EF94, #CEF4B8 and #E7F9DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5EF94 shade: #B5EF94, #94EFDF and #EF94D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5EF94 shade: #B5EF94, #94B5EF and #EF94B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5EF94 shade: #B5EF94, #94EFDF, #CD94EF and #EF94A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5EF94 shade: #B5EF94, #94E3EF, #CD94EF and #EFA094

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 38 / 6

HEX #B5EF94

RGB 181 239 148

HSL 98.24, 0.74%, 0.76%

LAB 88.78, -34.3, 38.22

 

Complementary color

CMYK 31 / 85 / 0 / 58

HEX #4A106B

RGB 74 16 107

HSL 278.24, 0.74%, 0.24%

LAB 19.59, 41.89, -39.99

 

CMYK 22 / 0 / 40 / 6

HEX #BAEF8F

RGB 186 239 143

HSL 93.13, 0.75%, 0.75%

LAB 89, -33.22, 41.03

 

CMYK 20 / 0 / 36 / 0

HEX #CBFFA2

RGB 203 255 162

HSL 93.55, 1%, 0.82%

LAB 94.66, -32.21, 39.21

 

CMYK 14 / 0 / 29 / 0

HEX #DCFFB5

RGB 220 255 181

HSL 88.38, 1%, 0.85%

LAB 96.03, -23.7, 31.75

 

CMYK 7 / 0 / 22 / 0

HEX #EDFFC8

RGB 237 255 200

HSL 79.64, 1%, 0.89%

LAB 97.51, -15, 24.37

 

CMYK 0 / 0 / 14 / 0

HEX #FEFFDB

RGB 254 255 219

HSL 61.67, 1%, 0.93%

LAB 99.11, -6.22, 17.12

 

CMYK 24 / 0 / 38 / 6

HEX #B5EF94

RGB 181 239 148

HSL 98.24, 0.74%, 0.76%

LAB 88.78, -34.3, 38.22

 

CMYK 26 / 0 / 42 / 13

HEX #A4DD81

RGB 164 221 129

HSL 97.17, 0.58%, 0.69%

LAB 82.48, -34.42, 39.36

 

CMYK 28 / 0 / 46 / 20

HEX #93CB6E

RGB 147 203 110

HSL 96.13, 0.47%, 0.61%

LAB 76.09, -34.52, 40.54

 

CMYK 30 / 0 / 51 / 27

HEX #82B95B

RGB 130 185 91

HSL 95.11, 0.4%, 0.54%

LAB 69.61, -34.57, 41.72

 

CMYK 32 / 0 / 57 / 35

HEX #71A748

RGB 113 167 72

HSL 94.11, 0.4%, 0.47%

LAB 63.02, -34.57, 42.86

 

CMYK 24 / 0 / 38 / 6

HEX #B5EF94

RGB 181 239 148

HSL 98.24, 0.74%, 0.76%

LAB 88.78, -34.3, 38.22

 

CMYK 14 / 0 / 38 / 6

HEX #CDEF94

RGB 205 239 148

HSL 82.42, 0.74%, 0.76%

LAB 90.25, -25.78, 40.42

 

CMYK 4 / 0 / 38 / 6

HEX #E6EF94

RGB 230 239 148

HSL 65.93, 0.74%, 0.76%

LAB 92, -16.46, 43

 

CMYK 0 / 7 / 38 / 6

HEX #EFDF94

RGB 239 223 148

HSL 49.45, 0.74%, 0.76%

LAB 88.57, -5.03, 38.74

 

CMYK 0 / 17 / 38 / 6

HEX #EFC794

RGB 239 199 148

HSL 33.63, 0.74%, 0.76%

LAB 82.56, 7.32, 30.84

 

CMYK 24 / 0 / 38 / 6

HEX #B5EF94

RGB 181 239 148

HSL 98.24, 0.74%, 0.76%

LAB 88.78, -34.3, 38.22

 

CMYK 35 / 0 / 38 / 6

HEX #9CEF94

RGB 156 239 148

HSL 114.73, 0.74%, 0.76%

LAB 87.46, -42.51, 36.24

 

CMYK 38 / 0 / 31 / 6

HEX #94EFA4

RGB 148 239 164

HSL 130.55, 0.74%, 0.76%

LAB 87.34, -42.41, 27.95

 

CMYK 38 / 0 / 21 / 6

HEX #94EFBC

RGB 148 239 188

HSL 146.37, 0.74%, 0.76%

LAB 87.8, -38.09, 16.23

 

CMYK 38 / 0 / 11 / 6

HEX #94EFD5

RGB 148 239 213

HSL 162.86, 0.74%, 0.76%

LAB 88.37, -32.98, 4.02

 

CMYK 24 / 0 / 38 / 6

HEX #B5EF94

RGB 181 239 148

HSL 98.24, 0.74%, 0.76%

LAB 88.78, -34.3, 38.22

 

CMYK 28 / 0 / 44 / 3

HEX #B2F88A

RGB 178 248 138

HSL 98.18, 0.89%, 0.76%

LAB 90.98, -40.66, 45.89

 

CMYK 24 / 0 / 38 / 6

HEX #B5EF94

RGB 181 239 148

HSL 98.24, 0.74%, 0.76%

LAB 88.78, -34.3, 38.22

 

CMYK 20 / 0 / 31 / 10

HEX #B8E59E

RGB 184 229 158

HSL 98.03, 0.58%, 0.76%

LAB 86.35, -27.17, 30.01

 

CMYK 15 / 0 / 23 / 14

HEX #BADBA8

RGB 186 219 168

HSL 98.82, 0.41%, 0.76%

LAB 83.93, -20.09, 21.56

 

CMYK 10 / 0 / 15 / 18

HEX #BDD1B2

RGB 189 209 178

HSL 98.71, 0.25%, 0.76%

LAB 81.64, -12.38, 13.12

 

CMYK 4 / 0 / 6 / 22

HEX #C0C7BC

RGB 192 199 188

HSL 98.18, 0.09%, 0.76%

LAB 79.43, -4.42, 4.66

 

CMYK 4 / 0 / 38 / 6

HEX #E6EF94

RGB 230 239 148

HSL 65.93, 0.74%, 0.76%

LAB 92, -16.46, 43

 

CMYK 14 / 0 / 38 / 6

HEX #CDEF94

RGB 205 239 148

HSL 82.42, 0.74%, 0.76%

LAB 90.25, -25.78, 40.42

 

CMYK 24 / 0 / 38 / 6

HEX #B5EF94

RGB 181 239 148

HSL 98.24, 0.74%, 0.76%

LAB 88.78, -34.3, 38.22

 

CMYK 34 / 0 / 38 / 6

HEX #9DEF94

RGB 157 239 148

HSL 114.07, 0.74%, 0.76%

LAB 87.5, -42.2, 36.31

 

CMYK 38 / 0 / 32 / 6

HEX #94EFA3

RGB 148 239 163

HSL 129.89, 0.74%, 0.76%

LAB 87.33, -42.58, 28.43

 

CMYK 43 / 0 / 67 / 11

HEX #83E44C

RGB 131 228 76

HSL 98.29, 0.74%, 0.6%

LAB 82.29, -54.01, 62.72

 

CMYK 33 / 0 / 52 / 9

HEX #9CE970

RGB 156 233 112

HSL 98.18, 0.73%, 0.68%

LAB 85.26, -44.54, 50.89

 

CMYK 24 / 0 / 38 / 6

HEX #B5EF94

RGB 181 239 148

HSL 98.24, 0.74%, 0.76%

LAB 88.78, -34.3, 38.22

 

CMYK 16 / 0 / 25 / 4

HEX #CEF4B8

RGB 206 244 184

HSL 98, 0.73%, 0.84%

LAB 92.26, -22.85, 24.96

 

CMYK 7 / 0 / 12 / 2

HEX #E7F9DC

RGB 231 249 220

HSL 97.24, 0.71%, 0.92%

LAB 95.96, -10.99, 11.92

 

CMYK 24 / 0 / 38 / 6

HEX #B5EF94

RGB 181 239 148

HSL 98.24, 0.74%, 0.76%

LAB 88.78, -34.3, 38.22

 

CMYK 38 / 0 / 7 / 6

HEX #94EFDF

RGB 148 239 223

HSL 169.45, 0.74%, 0.76%

LAB 88.62, -30.78, -0.84

 

CMYK 0 / 38 / 9 / 6

HEX #EF94D9

RGB 239 148 217

HSL 314.51, 0.74%, 0.76%

LAB 72.59, 43.98, -20.81

 

CMYK 24 / 0 / 38 / 6

HEX #B5EF94

RGB 181 239 148

HSL 98.24, 0.74%, 0.76%

LAB 88.78, -34.3, 38.22

 

CMYK 38 / 24 / 0 / 6

HEX #94B5EF

RGB 148 181 239

HSL 218.24, 0.74%, 0.76%

LAB 73.27, 2.93, -32.47

 

CMYK 0 / 38 / 24 / 6

HEX #EF94B5

RGB 239 148 181

HSL 338.24, 0.74%, 0.76%

LAB 71.46, 38.46, -2.59

 

CMYK 24 / 0 / 38 / 6

HEX #B5EF94

RGB 181 239 148

HSL 98.24, 0.74%, 0.76%

LAB 88.78, -34.3, 38.22

 

CMYK 38 / 0 / 7 / 6

HEX #94EFDF

RGB 148 239 223

HSL 169.45, 0.74%, 0.76%

LAB 88.62, -30.78, -0.84

 

CMYK 14 / 38 / 0 / 6

HEX #CD94EF

RGB 205 148 239

HSL 277.58, 0.74%, 0.76%

LAB 69.75, 37.62, -37.57

 

CMYK 0 / 38 / 32 / 6

HEX #EF94A3

RGB 239 148 163

HSL 350.11, 0.74%, 0.76%

LAB 70.99, 36.06, 6.74

 

CMYK 24 / 0 / 38 / 6

HEX #B5EF94

RGB 181 239 148

HSL 98.24, 0.74%, 0.76%

LAB 88.78, -34.3, 38.22

 

CMYK 38 / 5 / 0 / 6

HEX #94E3EF

RGB 148 227 239

HSL 187.91, 0.74%, 0.76%

LAB 85.74, -21.21, -13.51

 

CMYK 14 / 38 / 0 / 6

HEX #CD94EF

RGB 205 148 239

HSL 277.58, 0.74%, 0.76%

LAB 69.75, 37.62, -37.57

 

CMYK 0 / 33 / 38 / 6

HEX #EFA094

RGB 239 160 148

HSL 7.91, 0.74%, 0.76%

LAB 73.31, 27.93, 18.28

 

Description

Color code: HEX #B5EF94 | qconv.com Color code: HEX #B5EF94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 239 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 239 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 38 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 38% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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