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Color name
HEX #B5F556

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5F556 it is the complementary color #4A0AA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5F556. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5F556 shade: #BAF551, #CBFF64, #DCFF77, #EDFF8A and #FEFF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5F556. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5F556 shade: #B5F556, #A4E343, #93D130, #82BF1D and #71AD0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5F556 shade: #B5F556, #E0F556, #F5DF56, #F5B456 and #F58956

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5F556 shade: #B5F556, #8AF556, #5FF556, #56F577 and #56F5A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5F556 shade matches the following richer shades: #B5F556

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5F556 shade: #B5F556, #B2E664, #AFD873, #ACC981 and #A9BB90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5F556 shade: #F5E056, #E0F556, #B5F556, #8BF556 and #60F556

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5F556 shade: #92EB0D, #A4F22F, #B5F556, #C6F77D and #D7F9A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5F556 shade: #B5F556, #56F5B5 and #F556F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5F556 shade: #B5F556, #56B5F5 and #F556B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5F556 shade: #B5F556, #56F5B5, #9556F5 and #F55695

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5F556 shade: #B5F556, #56F5E5, #9556F5 and #F55666

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 65 / 4

HEX #B5F556

RGB 181 245 86

HSL 84.15, 0.89%, 0.65%

LAB 89.77, -43.34, 67.5

 

Complementary color

CMYK 56 / 94 / 0 / 34

HEX #4A0AA9

RGB 74 10 169

HSL 264.15, 0.89%, 0.35%

LAB 25.37, 58.44, -69.33

 

CMYK 24 / 0 / 67 / 4

HEX #BAF551

RGB 186 245 81

HSL 81.59, 0.89%, 0.64%

LAB 90.02, -41.86, 69.76

 

CMYK 20 / 0 / 61 / 0

HEX #CBFF64

RGB 203 255 100

HSL 80.13, 1%, 0.7%

LAB 93.94, -38.66, 66.78

 

CMYK 14 / 0 / 53 / 0

HEX #DCFF77

RGB 220 255 119

HSL 75.44, 1%, 0.73%

LAB 95.19, -30.75, 60.37

 

CMYK 7 / 0 / 46 / 0

HEX #EDFF8A

RGB 237 255 138

HSL 69.23, 1%, 0.77%

LAB 96.56, -22.57, 53.61

 

CMYK 0 / 0 / 38 / 0

HEX #FEFF9D

RGB 254 255 157

HSL 60.61, 1%, 0.81%

LAB 98.04, -14.19, 46.69

 

CMYK 26 / 0 / 65 / 4

HEX #B5F556

RGB 181 245 86

HSL 84.15, 0.89%, 0.65%

LAB 89.77, -43.34, 67.5

 

CMYK 28 / 0 / 70 / 11

HEX #A4E343

RGB 164 227 67

HSL 83.63, 0.74%, 0.58%

LAB 83.57, -42.99, 67.9

 

CMYK 30 / 0 / 77 / 18

HEX #93D130

RGB 147 209 48

HSL 83.11, 0.64%, 0.5%

LAB 77.29, -42.49, 67.78

 

CMYK 32 / 0 / 85 / 25

HEX #82BF1D

RGB 130 191 29

HSL 82.59, 0.74%, 0.43%

LAB 70.94, -41.8, 66.8

 

CMYK 35 / 0 / 94 / 32

HEX #71AD0A

RGB 113 173 10

HSL 82.09, 0.89%, 0.36%

LAB 64.5, -40.88, 64.47

 

CMYK 26 / 0 / 65 / 4

HEX #B5F556

RGB 181 245 86

HSL 84.15, 0.89%, 0.65%

LAB 89.77, -43.34, 67.5

 

CMYK 9 / 0 / 65 / 4

HEX #E0F556

RGB 224 245 86

HSL 67.92, 0.89%, 0.65%

LAB 92.5, -26.98, 71.2

 

CMYK 0 / 9 / 65 / 4

HEX #F5DF56

RGB 245 223 86

HSL 51.7, 0.89%, 0.65%

LAB 88.38, -7.77, 67.42

 

CMYK 0 / 27 / 65 / 4

HEX #F5B456

RGB 245 180 86

HSL 35.47, 0.89%, 0.65%

LAB 77.71, 14.37, 55.93

 

CMYK 0 / 44 / 65 / 4

HEX #F58956

RGB 245 137 86

HSL 19.25, 0.89%, 0.65%

LAB 68, 36.87, 44.88

 

CMYK 26 / 0 / 65 / 4

HEX #B5F556

RGB 181 245 86

HSL 84.15, 0.89%, 0.65%

LAB 89.77, -43.34, 67.5

 

CMYK 44 / 0 / 65 / 4

HEX #8AF556

RGB 138 245 86

HSL 100.38, 0.89%, 0.65%

LAB 87.67, -57.69, 64.64

 

CMYK 61 / 0 / 65 / 4

HEX #5FF556

RGB 95 245 86

HSL 116.6, 0.89%, 0.65%

LAB 86.21, -68.86, 62.63

 

CMYK 65 / 0 / 51 / 4

HEX #56F577

RGB 86 245 119

HSL 132.45, 0.89%, 0.65%

LAB 86.31, -66.87, 48.32

 

CMYK 65 / 0 / 34 / 4

HEX #56F5A2

RGB 86 245 162

HSL 148.68, 0.89%, 0.65%

LAB 86.94, -59.85, 28.07

 

CMYK 26 / 0 / 65 / 4

HEX #B5F556

RGB 181 245 86

HSL 84.15, 0.89%, 0.65%

LAB 89.77, -43.34, 67.5

 

CMYK 26 / 0 / 65 / 4

HEX #B5F556

RGB 181 245 86

HSL 84.15, 0.89%, 0.65%

LAB 89.77, -43.34, 67.5

 

CMYK 23 / 0 / 57 / 10

HEX #B2E664

RGB 178 230 100

HSL 84, 0.72%, 0.65%

LAB 85.49, -36.67, 56.91

 

CMYK 19 / 0 / 47 / 15

HEX #AFD873

RGB 175 216 115

HSL 84.36, 0.56%, 0.65%

LAB 81.55, -29.81, 45.21

 

CMYK 14 / 0 / 36 / 21

HEX #ACC981

RGB 172 201 129

HSL 84.17, 0.4%, 0.65%

LAB 77.36, -21.98, 32.84

 

CMYK 10 / 0 / 23 / 27

HEX #A9BB90

RGB 169 187 144

HSL 85.12, 0.24%, 0.65%

LAB 73.54, -13.87, 19.77

 

CMYK 0 / 9 / 65 / 4

HEX #F5E056

RGB 245 224 86

HSL 52.08, 0.89%, 0.65%

LAB 88.64, -8.27, 67.69

 

CMYK 9 / 0 / 65 / 4

HEX #E0F556

RGB 224 245 86

HSL 67.92, 0.89%, 0.65%

LAB 92.5, -26.98, 71.2

 

CMYK 26 / 0 / 65 / 4

HEX #B5F556

RGB 181 245 86

HSL 84.15, 0.89%, 0.65%

LAB 89.77, -43.34, 67.5

 

CMYK 43 / 0 / 65 / 4

HEX #8BF556

RGB 139 245 86

HSL 100, 0.89%, 0.65%

LAB 87.71, -57.39, 64.69

 

CMYK 61 / 0 / 65 / 4

HEX #60F556

RGB 96 245 86

HSL 116.23, 0.89%, 0.65%

LAB 86.24, -68.64, 62.67

 

CMYK 38 / 0 / 94 / 8

HEX #92EB0D

RGB 146 235 13

HSL 84.05, 0.9%, 0.49%

LAB 84.77, -54.62, 81.05

 

CMYK 32 / 0 / 81 / 5

HEX #A4F22F

RGB 164 242 47

HSL 84, 0.88%, 0.57%

LAB 87.78, -50.32, 77.97

 

CMYK 26 / 0 / 65 / 4

HEX #B5F556

RGB 181 245 86

HSL 84.15, 0.89%, 0.65%

LAB 89.77, -43.34, 67.5

 

CMYK 20 / 0 / 49 / 3

HEX #C6F77D

RGB 198 247 125

HSL 84.1, 0.88%, 0.73%

LAB 91.69, -34.66, 53.16

 

CMYK 14 / 0 / 34 / 2

HEX #D7F9A4

RGB 215 249 164

HSL 84, 0.88%, 0.81%

LAB 93.83, -24.9, 37.27

 

CMYK 26 / 0 / 65 / 4

HEX #B5F556

RGB 181 245 86

HSL 84.15, 0.89%, 0.65%

LAB 89.77, -43.34, 67.5

 

CMYK 65 / 0 / 26 / 4

HEX #56F5B5

RGB 86 245 181

HSL 155.85, 0.89%, 0.65%

LAB 87.3, -56.05, 18.84

 

CMYK 0 / 65 / 0 / 4

HEX #F556F5

RGB 245 86 245

HSL 300, 0.89%, 0.65%

LAB 63.89, 78.46, -49.73

 

CMYK 26 / 0 / 65 / 4

HEX #B5F556

RGB 181 245 86

HSL 84.15, 0.89%, 0.65%

LAB 89.77, -43.34, 67.5

 

CMYK 65 / 26 / 0 / 4

HEX #56B5F5

RGB 86 181 245

HSL 204.15, 0.89%, 0.65%

LAB 70.61, -8.74, -40.08

 

CMYK 0 / 65 / 26 / 4

HEX #F556B5

RGB 245 86 181

HSL 324.15, 0.89%, 0.65%

LAB 61.14, 69.32, -17.93

 

CMYK 26 / 0 / 65 / 4

HEX #B5F556

RGB 181 245 86

HSL 84.15, 0.89%, 0.65%

LAB 89.77, -43.34, 67.5

 

CMYK 65 / 0 / 26 / 4

HEX #56F5B5

RGB 86 245 181

HSL 155.85, 0.89%, 0.65%

LAB 87.3, -56.05, 18.84

 

CMYK 39 / 65 / 0 / 4

HEX #9556F5

RGB 149 86 245

HSL 263.77, 0.89%, 0.65%

LAB 51.43, 57.95, -70.38

 

CMYK 0 / 65 / 39 / 4

HEX #F55695

RGB 245 86 149

HSL 336.23, 0.89%, 0.65%

LAB 60.1, 65.69, -0.98

 

CMYK 26 / 0 / 65 / 4

HEX #B5F556

RGB 181 245 86

HSL 84.15, 0.89%, 0.65%

LAB 89.77, -43.34, 67.5

 

CMYK 65 / 0 / 7 / 4

HEX #56F5E5

RGB 86 245 229

HSL 173.96, 0.89%, 0.65%

LAB 88.42, -44.76, -4.51

 

CMYK 39 / 65 / 0 / 4

HEX #9556F5

RGB 149 86 245

HSL 263.77, 0.89%, 0.65%

LAB 51.43, 57.95, -70.38

 

CMYK 0 / 65 / 58 / 4

HEX #F55666

RGB 245 86 102

HSL 353.96, 0.89%, 0.65%

LAB 59, 61.7, 24.88

 

Description

Color code: HEX #B5F556 | qconv.com Color code: HEX #B5F556 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 245 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 245 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 65 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 65% 4% C M Y K

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