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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5F386 it is the complementary color #4A0C79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5F386. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5F386 shade: #BAF381, #CBFF94, #DCFFA7, #EDFFBA and #FEFFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5F386. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5F386 shade: #B5F386, #A4E173, #93CF60, #82BD4D and #71AB3A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5F386 shade: #B5F386, #D2F386, #EFF386, #F3D886 and #F3BB86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5F386 shade: #B5F386, #97F386, #86F392, #86F3AF and #86F3CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5F386 shade matches the following richer shades: #B5F386 and #B3FD7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5F386 shade: #B5F386, #B6E891, #B8DD9B, #B9D2A6 and #BBC8B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5F386 shade: #EFF386, #D2F386, #B5F386, #98F386 and #86F391

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5F386 shade: #87EB3B, #9EEF60, #B5F386, #CCF6AB and #E3FAD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5F386 shade: #B5F386, #86F3D9 and #F386E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5F386 shade: #B5F386, #86B5F3 and #F386B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5F386 shade: #B5F386, #86F3D9, #C386F3 and #F3869F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5F386 shade: #B5F386, #86EBF3, #C386F3 and #F38D86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 45 / 5

HEX #B5F386

RGB 181 243 134

HSL 94.13, 0.82%, 0.74%

LAB 89.69, -37.89, 46.23

 

Complementary color

CMYK 39 / 90 / 0 / 53

HEX #4A0C79

RGB 74 12 121

HSL 274.13, 0.82%, 0.26%

LAB 20.44, 46.43, -47.65

 

CMYK 23 / 0 / 47 / 5

HEX #BAF381

RGB 186 243 129

HSL 90, 0.83%, 0.73%

LAB 89.92, -36.72, 48.96

 

CMYK 20 / 0 / 42 / 0

HEX #CBFF94

RGB 203 255 148

HSL 89.16, 1%, 0.79%

LAB 94.46, -33.97, 45.77

 

CMYK 14 / 0 / 35 / 0

HEX #DCFFA7

RGB 220 255 167

HSL 83.86, 1%, 0.83%

LAB 95.8, -25.57, 38.43

 

CMYK 7 / 0 / 27 / 0

HEX #EDFFBA

RGB 237 255 186

HSL 75.65, 1%, 0.86%

LAB 97.26, -16.98, 31.09

 

CMYK 0 / 0 / 20 / 0

HEX #FEFFCD

RGB 254 255 205

HSL 61.2, 1%, 0.9%

LAB 98.83, -8.26, 23.85

 

CMYK 26 / 0 / 45 / 5

HEX #B5F386

RGB 181 243 134

HSL 94.13, 0.82%, 0.74%

LAB 89.69, -37.89, 46.23

 

CMYK 27 / 0 / 49 / 12

HEX #A4E173

RGB 164 225 115

HSL 93.27, 0.65%, 0.67%

LAB 83.43, -37.94, 47.38

 

CMYK 29 / 0 / 54 / 19

HEX #93CF60

RGB 147 207 96

HSL 92.43, 0.54%, 0.59%

LAB 77.09, -37.94, 48.5

 

CMYK 31 / 0 / 59 / 26

HEX #82BD4D

RGB 130 189 77

HSL 91.61, 0.46%, 0.52%

LAB 70.65, -37.87, 49.54

 

CMYK 34 / 0 / 66 / 33

HEX #71AB3A

RGB 113 171 58

HSL 90.8, 0.49%, 0.45%

LAB 64.11, -37.69, 50.38

 

CMYK 26 / 0 / 45 / 5

HEX #B5F386

RGB 181 243 134

HSL 94.13, 0.82%, 0.74%

LAB 89.69, -37.89, 46.23

 

CMYK 14 / 0 / 45 / 5

HEX #D2F386

RGB 210 243 134

HSL 78.17, 0.82%, 0.74%

LAB 91.47, -27.44, 48.83

 

CMYK 2 / 0 / 45 / 5

HEX #EFF386

RGB 239 243 134

HSL 62.2, 0.82%, 0.74%

LAB 93.53, -16.4, 51.82

 

CMYK 0 / 11 / 45 / 5

HEX #F3D886

RGB 243 216 134

HSL 45.14, 0.82%, 0.74%

LAB 86.94, -1.35, 43.72

 

CMYK 0 / 23 / 45 / 5

HEX #F3BB86

RGB 243 187 134

HSL 29.17, 0.82%, 0.74%

LAB 79.79, 13.7, 34.57

 

CMYK 26 / 0 / 45 / 5

HEX #B5F386

RGB 181 243 134

HSL 94.13, 0.82%, 0.74%

LAB 89.69, -37.89, 46.23

 

CMYK 38 / 0 / 45 / 5

HEX #97F386

RGB 151 243 134

HSL 110.64, 0.82%, 0.74%

LAB 88.16, -47.74, 43.98

 

CMYK 45 / 0 / 40 / 5

HEX #86F392

RGB 134 243 146

HSL 126.61, 0.82%, 0.74%

LAB 87.6, -50.98, 37.24

 

CMYK 45 / 0 / 28 / 5

HEX #86F3AF

RGB 134 243 175

HSL 142.57, 0.82%, 0.74%

LAB 88.1, -46.09, 23.25

 

CMYK 45 / 0 / 16 / 5

HEX #86F3CC

RGB 134 243 204

HSL 158.53, 0.82%, 0.74%

LAB 88.7, -40.31, 9.11

 

CMYK 26 / 0 / 45 / 5

HEX #B5F386

RGB 181 243 134

HSL 94.13, 0.82%, 0.74%

LAB 89.69, -37.89, 46.23

 

CMYK 29 / 0 / 51 / 1

HEX #B3FD7B

RGB 179 253 123

HSL 94.15, 0.97%, 0.74%

LAB 92.25, -44.23, 54.49

 

CMYK 26 / 0 / 45 / 5

HEX #B5F386

RGB 181 243 134

HSL 94.13, 0.82%, 0.74%

LAB 89.69, -37.89, 46.23

 

CMYK 22 / 0 / 38 / 9

HEX #B6E891

RGB 182 232 145

HSL 94.48, 0.65%, 0.74%

LAB 86.85, -31.11, 37.22

 

CMYK 17 / 0 / 30 / 13

HEX #B8DD9B

RGB 184 221 155

HSL 93.64, 0.49%, 0.74%

LAB 84.11, -23.76, 28.53

 

CMYK 12 / 0 / 21 / 18

HEX #B9D2A6

RGB 185 210 166

HSL 94.09, 0.33%, 0.74%

LAB 81.38, -16.28, 19.07

 

CMYK 7 / 0 / 12 / 22

HEX #BBC8B1

RGB 187 200 177

HSL 93.91, 0.17%, 0.74%

LAB 79.07, -8.63, 9.99

 

CMYK 2 / 0 / 45 / 5

HEX #EFF386

RGB 239 243 134

HSL 62.2, 0.82%, 0.74%

LAB 93.53, -16.4, 51.82

 

CMYK 14 / 0 / 45 / 5

HEX #D2F386

RGB 210 243 134

HSL 78.17, 0.82%, 0.74%

LAB 91.47, -27.44, 48.83

 

CMYK 26 / 0 / 45 / 5

HEX #B5F386

RGB 181 243 134

HSL 94.13, 0.82%, 0.74%

LAB 89.69, -37.89, 46.23

 

CMYK 37 / 0 / 45 / 5

HEX #98F386

RGB 152 243 134

HSL 110.09, 0.82%, 0.74%

LAB 88.21, -47.43, 44.05

 

CMYK 45 / 0 / 40 / 5

HEX #86F391

RGB 134 243 145

HSL 126.06, 0.82%, 0.74%

LAB 87.59, -51.14, 37.72

 

CMYK 43 / 0 / 75 / 8

HEX #87EB3B

RGB 135 235 59

HSL 94.09, 0.81%, 0.58%

LAB 84.42, -56.64, 70.95

 

CMYK 34 / 0 / 60 / 6

HEX #9EEF60

RGB 158 239 96

HSL 93.99, 0.82%, 0.66%

LAB 86.92, -48.02, 59.97

 

CMYK 26 / 0 / 45 / 5

HEX #B5F386

RGB 181 243 134

HSL 94.13, 0.82%, 0.74%

LAB 89.69, -37.89, 46.23

 

CMYK 17 / 0 / 30 / 4

HEX #CCF6AB

RGB 204 246 171

HSL 93.6, 0.81%, 0.82%

LAB 92.44, -26.42, 31.78

 

CMYK 9 / 0 / 16 / 2

HEX #E3FAD1

RGB 227 250 209

HSL 93.66, 0.8%, 0.9%

LAB 95.71, -14.64, 17.17

 

CMYK 26 / 0 / 45 / 5

HEX #B5F386

RGB 181 243 134

HSL 94.13, 0.82%, 0.74%

LAB 89.69, -37.89, 46.23

 

CMYK 45 / 0 / 11 / 5

HEX #86F3D9

RGB 134 243 217

HSL 165.69, 0.82%, 0.74%

LAB 89.01, -37.46, 2.79

 

CMYK 0 / 45 / 8 / 5

HEX #F386E0

RGB 243 134 224

HSL 310.46, 0.82%, 0.74%

LAB 70.52, 53.47, -27.8

 

CMYK 26 / 0 / 45 / 5

HEX #B5F386

RGB 181 243 134

HSL 94.13, 0.82%, 0.74%

LAB 89.69, -37.89, 46.23

 

CMYK 45 / 26 / 0 / 5

HEX #86B5F3

RGB 134 181 243

HSL 214.13, 0.82%, 0.74%

LAB 72.62, 0.46, -35.71

 

CMYK 0 / 45 / 26 / 5

HEX #F386B5

RGB 243 134 181

HSL 334.13, 0.82%, 0.74%

LAB 69.07, 47, -6.06

 

CMYK 26 / 0 / 45 / 5

HEX #B5F386

RGB 181 243 134

HSL 94.13, 0.82%, 0.74%

LAB 89.69, -37.89, 46.23

 

CMYK 45 / 0 / 11 / 5

HEX #86F3D9

RGB 134 243 217

HSL 165.69, 0.82%, 0.74%

LAB 89.01, -37.46, 2.79

 

CMYK 20 / 45 / 0 / 5

HEX #C386F3

RGB 195 134 243

HSL 273.58, 0.82%, 0.74%

LAB 65.84, 43.19, -45.95

 

CMYK 0 / 45 / 35 / 5

HEX #F3869F

RGB 243 134 159

HSL 346.24, 0.82%, 0.74%

LAB 68.47, 44.19, 5.41

 

CMYK 26 / 0 / 45 / 5

HEX #B5F386

RGB 181 243 134

HSL 94.13, 0.82%, 0.74%

LAB 89.69, -37.89, 46.23

 

CMYK 45 / 3 / 0 / 5

HEX #86EBF3

RGB 134 235 243

HSL 184.4, 0.82%, 0.74%

LAB 87.46, -27.5, -13.1

 

CMYK 20 / 45 / 0 / 5

HEX #C386F3

RGB 195 134 243

HSL 273.58, 0.82%, 0.74%

LAB 65.84, 43.19, -45.95

 

CMYK 0 / 42 / 45 / 5

HEX #F38D86

RGB 243 141 134

HSL 3.85, 0.82%, 0.74%

LAB 69.35, 37.88, 20.63

 

Description

Color code: HEX #B5F386 | qconv.com Color code: HEX #B5F386 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 243 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 243 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 45 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 45% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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