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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5FF2D it is the complementary color #4A00D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5FF2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5FF2D shade: #BAFF28, #CBFF3B, #DCFF4E, #EDFF61 and #FEFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5FF2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5FF2D shade: #B5FF2D, #A4ED1A, #93DB07, #82C900 and #71B700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5FF2D shade: #B5FF2D, #EDFF2D, #FFD72D, #FF9F2D and #FF672D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5FF2D shade: #B5FF2D, #7CFF2D, #44FF2D, #2DFF4F and #2DFF88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5FF2D shade matches the following richer shades: #B5FF2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5FF2D shade: #B5FF2D, #B0EE3E, #ABDD4F, #A6CC60 and #A1BB71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5FF2D shade: #FFD82D, #EDFF2D, #B5FF2D, #7EFF2D and #46FF2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5FF2D shade: #8DDA00, #A6FF04, #B5FF2D, #C3FF57 and #D2FF80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5FF2D shade: #B5FF2D, #2DFFA0 and #F42DFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5FF2D shade: #B5FF2D, #2DB5FF and #FF2DB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5FF2D shade: #B5FF2D, #2DFFA0, #772DFF and #FF2D8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5FF2D shade: #B5FF2D, #2DFFDF, #772DFF and #FF2D4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 82 / 0

HEX #B5FF2D

RGB 181 255 45

HSL 81.14, 1%, 0.59%

LAB 92.37, -49.72, 82.85

 

Complementary color

CMYK 65 / 100 / 0 / 18

HEX #4A00D2

RGB 74 0 210

HSL 261.14, 1%, 0.41%

LAB 29.69, 69.98, -86.46

 

CMYK 27 / 0 / 84 / 0

HEX #BAFF28

RGB 186 255 40

HSL 79.26, 1%, 0.58%

LAB 92.62, -48.06, 84.26

 

CMYK 20 / 0 / 77 / 0

HEX #CBFF3B

RGB 203 255 59

HSL 75.92, 1%, 0.62%

LAB 93.68, -41.06, 80.93

 

CMYK 14 / 0 / 69 / 0

HEX #DCFF4E

RGB 220 255 78

HSL 71.86, 1%, 0.65%

LAB 94.86, -33.63, 76.43

 

CMYK 7 / 0 / 62 / 0

HEX #EDFF61

RGB 237 255 97

HSL 66.84, 1%, 0.69%

LAB 96.16, -25.87, 71.04

 

CMYK 0 / 0 / 55 / 0

HEX #FEFF74

RGB 254 255 116

HSL 60.43, 1%, 0.73%

LAB 97.57, -17.87, 65.05

 

CMYK 29 / 0 / 82 / 0

HEX #B5FF2D

RGB 181 255 45

HSL 81.14, 1%, 0.59%

LAB 92.37, -49.72, 82.85

 

CMYK 31 / 0 / 89 / 7

HEX #A4ED1A

RGB 164 237 26

HSL 80.76, 0.85%, 0.52%

LAB 86.27, -48.9, 81

 

CMYK 33 / 0 / 97 / 14

HEX #93DB07

RGB 147 219 7

HSL 80.38, 0.94%, 0.44%

LAB 80.11, -47.88, 77.92

 

CMYK 35 / 0 / 100 / 21

HEX #82C900

RGB 130 201 0

HSL 81.19, 1%, 0.39%

LAB 73.88, -46.64, 73.37

 

CMYK 38 / 0 / 100 / 28

HEX #71B700

RGB 113 183 0

HSL 82.95, 1%, 0.36%

LAB 67.56, -45.27, 68.12

 

CMYK 29 / 0 / 82 / 0

HEX #B5FF2D

RGB 181 255 45

HSL 81.14, 1%, 0.59%

LAB 92.37, -49.72, 82.85

 

CMYK 7 / 0 / 82 / 0

HEX #EDFF2D

RGB 237 255 45

HSL 65.14, 1%, 0.59%

LAB 95.88, -28.22, 87.25

 

CMYK 0 / 16 / 82 / 0

HEX #FFD72D

RGB 255 215 45

HSL 48.57, 1%, 0.59%

LAB 87.02, -1.26, 80.36

 

CMYK 0 / 38 / 82 / 0

HEX #FF9F2D

RGB 255 159 45

HSL 32.57, 1%, 0.59%

LAB 73.7, 27.74, 69

 

CMYK 0 / 60 / 82 / 0

HEX #FF672D

RGB 255 103 45

HSL 16.57, 1%, 0.59%

LAB 62.63, 55.22, 59.3

 

CMYK 29 / 0 / 82 / 0

HEX #B5FF2D

RGB 181 255 45

HSL 81.14, 1%, 0.59%

LAB 92.37, -49.72, 82.85

 

CMYK 51 / 0 / 82 / 0

HEX #7CFF2D

RGB 124 255 45

HSL 97.43, 1%, 0.59%

LAB 89.86, -67.9, 79.67

 

CMYK 73 / 0 / 82 / 0

HEX #44FF2D

RGB 68 255 45

HSL 113.43, 1%, 0.59%

LAB 88.42, -79.75, 77.84

 

CMYK 82 / 0 / 69 / 0

HEX #2DFF4F

RGB 45 255 79

HSL 129.71, 1%, 0.59%

LAB 88.28, -80.31, 67.24

 

CMYK 82 / 0 / 47 / 0

HEX #2DFF88

RGB 45 255 136

HSL 146, 1%, 0.59%

LAB 88.85, -73.29, 43.3

 

CMYK 29 / 0 / 82 / 0

HEX #B5FF2D

RGB 181 255 45

HSL 81.14, 1%, 0.59%

LAB 92.37, -49.72, 82.85

 

CMYK 29 / 0 / 82 / 0

HEX #B5FF2D

RGB 181 255 45

HSL 81.14, 1%, 0.59%

LAB 92.37, -49.72, 82.85

 

CMYK 26 / 0 / 74 / 7

HEX #B0EE3E

RGB 176 238 62

HSL 81.14, 0.84%, 0.59%

LAB 87.35, -43.62, 73.52

 

CMYK 23 / 0 / 64 / 13

HEX #ABDD4F

RGB 171 221 79

HSL 81.13, 0.68%, 0.59%

LAB 82.34, -36.92, 62.21

 

CMYK 19 / 0 / 53 / 20

HEX #A6CC60

RGB 166 204 96

HSL 81.11, 0.51%, 0.59%

LAB 77.36, -29.52, 49.11

 

CMYK 14 / 0 / 40 / 27

HEX #A1BB71

RGB 161 187 113

HSL 81.08, 0.35%, 0.59%

LAB 72.44, -21.28, 34.57

 

CMYK 0 / 15 / 82 / 0

HEX #FFD82D

RGB 255 216 45

HSL 48.86, 1%, 0.59%

LAB 87.27, -1.77, 80.57

 

CMYK 7 / 0 / 82 / 0

HEX #EDFF2D

RGB 237 255 45

HSL 65.14, 1%, 0.59%

LAB 95.88, -28.22, 87.25

 

CMYK 29 / 0 / 82 / 0

HEX #B5FF2D

RGB 181 255 45

HSL 81.14, 1%, 0.59%

LAB 92.37, -49.72, 82.85

 

CMYK 51 / 0 / 82 / 0

HEX #7EFF2D

RGB 126 255 45

HSL 96.86, 1%, 0.59%

LAB 89.93, -67.35, 79.76

 

CMYK 73 / 0 / 82 / 0

HEX #46FF2D

RGB 70 255 45

HSL 112.86, 1%, 0.59%

LAB 88.45, -79.45, 77.88

 

CMYK 35 / 0 / 100 / 15

HEX #8DDA00

RGB 141 218 0

HSL 81.19, 1%, 0.43%

LAB 79.5, -49.7, 77.96

 

CMYK 35 / 0 / 98 / 0

HEX #A6FF04

RGB 166 255 4

HSL 81.27, 1%, 0.51%

LAB 91.52, -55.81, 87.48

 

CMYK 29 / 0 / 82 / 0

HEX #B5FF2D

RGB 181 255 45

HSL 81.14, 1%, 0.59%

LAB 92.37, -49.72, 82.85

 

CMYK 24 / 0 / 66 / 0

HEX #C3FF57

RGB 195 255 87

HSL 81.43, 1%, 0.67%

LAB 93.37, -42.53, 71.15

 

CMYK 18 / 0 / 50 / 0

HEX #D2FF80

RGB 210 255 128

HSL 81.26, 1%, 0.75%

LAB 94.64, -33.63, 55.51

 

CMYK 29 / 0 / 82 / 0

HEX #B5FF2D

RGB 181 255 45

HSL 81.14, 1%, 0.59%

LAB 92.37, -49.72, 82.85

 

CMYK 82 / 0 / 37 / 0

HEX #2DFFA0

RGB 45 255 160

HSL 152.86, 1%, 0.59%

LAB 89.21, -69.11, 32

 

CMYK 4 / 82 / 0 / 0

HEX #F42DFF

RGB 244 45 255

HSL 296.86, 1%, 0.59%

LAB 60.19, 91.52, -61.16

 

CMYK 29 / 0 / 82 / 0

HEX #B5FF2D

RGB 181 255 45

HSL 81.14, 1%, 0.59%

LAB 92.37, -49.72, 82.85

 

CMYK 82 / 29 / 0 / 0

HEX #2DB5FF

RGB 45 181 255

HSL 201.14, 1%, 0.59%

LAB 70.05, -10.31, -46.43

 

CMYK 0 / 82 / 29 / 0

HEX #FF2DB5

RGB 255 45 181

HSL 321.14, 1%, 0.59%

LAB 58.48, 83.97, -21.83

 

CMYK 29 / 0 / 82 / 0

HEX #B5FF2D

RGB 181 255 45

HSL 81.14, 1%, 0.59%

LAB 92.37, -49.72, 82.85

 

CMYK 82 / 0 / 37 / 0

HEX #2DFFA0

RGB 45 255 160

HSL 152.86, 1%, 0.59%

LAB 89.21, -69.11, 32

 

CMYK 53 / 82 / 0 / 0

HEX #772DFF

RGB 119 45 255

HSL 261.14, 1%, 0.59%

LAB 42.79, 73.63, -90.23

 

CMYK 0 / 82 / 45 / 0

HEX #FF2D8B

RGB 255 45 139

HSL 333.14, 1%, 0.59%

LAB 57.08, 79.95, 0.68

 

CMYK 29 / 0 / 82 / 0

HEX #B5FF2D

RGB 181 255 45

HSL 81.14, 1%, 0.59%

LAB 92.37, -49.72, 82.85

 

CMYK 82 / 0 / 13 / 0

HEX #2DFFDF

RGB 45 255 223

HSL 170.86, 1%, 0.59%

LAB 90.51, -55.02, 1.59

 

CMYK 53 / 82 / 0 / 0

HEX #772DFF

RGB 119 45 255

HSL 261.14, 1%, 0.59%

LAB 42.79, 73.63, -90.23

 

CMYK 0 / 82 / 70 / 0

HEX #FF2D4D

RGB 255 45 77

HSL 350.86, 1%, 0.59%

LAB 55.76, 76.07, 35.65

 

Description

Color code: HEX #B5FF2D | qconv.com Color code: HEX #B5FF2D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 255 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 255 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 82 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 82% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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